Songs like Was a Sunny Day by Paul Simon
Based on a tempo of (+/- 10%) and a similar genre
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Three Dog Night
Mama Told Me (Not To Come) - Single Vers...
120 bpm • C# Maj • 03:18 • -13.94db
63% Popularity • 67% Danceability • 67% Energy • 21% Liveness
3% Instrumentalness • 82% Positiveness
63% Popularity • 67% Danceability • 67% Energy • 21% Liveness
3% Instrumentalness • 82% Positiveness
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Paul Simon
Was a Sunny Day
120 bpm • C Maj • 03:44 • -16.64db
33% Popularity • 74% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 74% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Al Stewart
Sand in Your Shoes - 2001 Remaster
120 bpm • G Maj • 03:04 • -11.44db
34% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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McGuinness Flint
Happy Birthday, Ruthy Baby - Remastered
120 bpm • C Maj • 03:22 • -12.72db
8% Popularity • 77% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 77% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Steve Forbert
Goin' Down to Laurel
120 bpm • D Maj • 05:00 • -13db
28% Popularity • 64% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 64% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Jim Croce
Lover's Cross
120 bpm • C Maj • 03:04 • -15.24db
51% Popularity • 72% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 72% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Traveling Wilburys
Not Alone Any More
120 bpm • D Maj • 03:24 • -6.23db
54% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Paul Simon
I Am a Rock - Alternate Version
120 bpm • C# min • 02:44 • -10.48db
19% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Walsh
Indian Summer
120 bpm • G Maj • 03:03 • -11db
41% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Chapin
Circle
119 bpm • C Maj • 03:24 • -16db
32% Popularity • 50% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 50% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Forbert
Thinkin'
119 bpm • E Maj • 03:27 • -18.24db
16% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Buffalo Springfield
On the Way Home
119 bpm • F Maj • 02:30 • -12db
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Pousette-Dart Band
Fall on Me
121 bpm • E Maj • 02:26 • -11.68db
40% Popularity • 74% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
40% Popularity • 74% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Paul Simon
Jonah
120 bpm • C# Maj • 03:30 • -14.93db
23% Popularity • 57% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 34% Positiveness
23% Popularity • 57% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 34% Positiveness
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Jesse Winchester
Blow On, Chilly Wind
119 bpm • E Maj • 02:29 • -11.85db
11% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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George Harrison
My Sweet Lord (2014 Remaster)
121 bpm • C# min • 04:41 • -9.02db
75% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
75% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Al Stewart
In Brooklyn - 2007 Remaster
121 bpm • D Maj • 03:43 • -10.65db
11% Popularity • 47% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 47% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Moody Blues
Emily's Song
121 bpm • G Maj • 03:42 • -14.69db
32% Popularity • 47% Danceability • 39% Energy • 48% Liveness
72% Instrumentalness • 49% Positiveness
32% Popularity • 47% Danceability • 39% Energy • 48% Liveness
72% Instrumentalness • 49% Positiveness
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Gerry Rafferty
The Ark
119 bpm • D Maj • 05:39 • -12.67db
40% Popularity • 53% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 53% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Simon
Ace in the Hole - Live at the Agora Thea...
120 bpm • D Maj • 05:43 • -7.89db
24% Popularity • 68% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 68% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
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Kate & Anna McGarrigle
No Biscuit Blues - Remastered
121 bpm • G Maj • 01:42 • -13.66db
19% Popularity • 67% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 67% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Todd Rundgren
We Gotta Get You a Woman - 2015 Remaster
121 bpm • D min • 03:07 • -10.71db
40% Popularity • 69% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 69% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Warren Zevon
Johnny Strikes up the Band
119 bpm • A Maj • 02:51 • -7.46db
41% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Moody Blues
Go Now
119 bpm • F min • 03:12 • -7.88db
49% Popularity • 35% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 35% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jefferson Starship
With Your Love - Remastered
121 bpm • D Maj • 03:36 • -11.09db
43% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Simon
One Man's Ceiling Is Another Man's Floor
119 bpm • F Maj • 03:47 • -14.18db
32% Popularity • 61% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 37% Positiveness
32% Popularity • 61% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 37% Positiveness
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Dr. John
Such a Night
121 bpm • F Maj • 02:57 • -16.94db
50% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Pete Townshend
Keep Me Turning
121 bpm • G Maj • 03:46 • -17.56db
23% Popularity • 68% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 68% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Bonnie Raitt
You've Been in Love Too Long - 2008 Rema...
119 bpm • G# Maj • 03:43 • -8.19db
43% Popularity • 70% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 70% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Harry Chapin
Taxi
119 bpm • E min • 06:42 • -13db
45% Popularity • 61% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 61% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Forbert
Make It All So Real
118 bpm • G Maj • 05:55 • -10.11db
20% Popularity • 71% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 71% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Simon
Tenderness
119 bpm • C Maj • 02:55 • -16.42db
32% Popularity • 56% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 56% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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The Mamas & The Papas
I Saw Her Again - Single Version
122 bpm • C# min • 03:13 • -5.98db
47% Popularity • 48% Danceability • 86% Energy • 24% Liveness
3% Instrumentalness • 89% Positiveness
47% Popularity • 48% Danceability • 86% Energy • 24% Liveness
3% Instrumentalness • 89% Positiveness
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Traveling Wilburys
7 Deadly Sins
118 bpm • A# min • 03:17 • -5.33db
31% Popularity • 67% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 67% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Loudon Wainwright III
Come A Long Way
122 bpm • G Maj • 02:46 • -14db
30% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Paul McCartney
Little Woman Love - Remastered 2012
122 bpm • C Maj • 02:07 • -9.56db
40% Popularity • 72% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
40% Popularity • 72% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
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Stealers Wheel
Star
118 bpm • F min • 02:56 • -6db
41% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Simon
Slip Slidin' Away
121 bpm • G# Maj • 04:45 • -12.45db
56% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Mamas & The Papas
Dancing In The Street
122 bpm • A Maj • 03:49 • -7db
42% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Rickie Lee Jones
The Last Chance Texaco
122 bpm • B Maj • 04:05 • -14.07db
27% Popularity • 55% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 55% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Buffalo Springfield
Four Days Gone
118 bpm • D min • 02:57 • -10.52db
35% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Joni Mitchell
The Circle Game
118 bpm • B Maj • 04:52 • -12.12db
45% Popularity • 60% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 60% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Warren Zevon
Excitable Boy
122 bpm • A Maj • 02:41 • -7.92db
47% Popularity • 76% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
47% Popularity • 76% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Paul Simon
Slip Slidin' Away (Demo)
118 bpm • G# Maj • 05:29 • -19db
37% Popularity • 47% Danceability • 22% Energy • 29% Liveness
4% Instrumentalness • 49% Positiveness
37% Popularity • 47% Danceability • 22% Energy • 29% Liveness
4% Instrumentalness • 49% Positiveness
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George Harrison
All Things Must Pass (2020 Mix)
123 bpm • A Maj • 03:46 • -8.21db
48% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Steve Goodman
Banana Republics (Studio Cut)
117 bpm • G Maj • 03:45 • -13.15db
14% Popularity • 66% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 66% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Bonnie Raitt
That Song About the Midway - 2008 Remast...
123 bpm • A Maj • 04:44 • -10.04db
29% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kate & Anna McGarrigle
Kiss and Say Goodbye
123 bpm • C Maj • 02:50 • -11db
22% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Emitt Rhodes
Fresh As A Daisy
117 bpm • C Maj • 02:51 • -10.15db
27% Popularity • 64% Danceability • 50% Energy • 8% Liveness
5% Instrumentalness • 40% Positiveness
27% Popularity • 64% Danceability • 50% Energy • 8% Liveness
5% Instrumentalness • 40% Positiveness
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Paul Simon
I Am a Rock
122 bpm • E Maj • 02:41 • -9.68db
36% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Flying Burrito Brothers
Cody, Cody
117 bpm • D Maj • 02:45 • -12.69db
24% Popularity • 68% Danceability • 61% Energy • 21% Liveness
1% Instrumentalness • 72% Positiveness
24% Popularity • 68% Danceability • 61% Energy • 21% Liveness
1% Instrumentalness • 72% Positiveness
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Leon Redbone
Shine on Harvest Moon
117 bpm • A# Maj • 03:12 • -25.17db
30% Popularity • 63% Danceability • 5% Energy • 10% Liveness
14% Instrumentalness • 56% Positiveness
30% Popularity • 63% Danceability • 5% Energy • 10% Liveness
14% Instrumentalness • 56% Positiveness
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Jim Croce
Photographs and Memories
123 bpm • G Maj • 02:08 • -14.73db
58% Popularity • 58% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 58% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Bruce Springsteen
Tenth Avenue Freeze-Out
117 bpm • D min • 03:10 • -4.45db
56% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Pete Townshend
Till The Rivers All Run Dry
123 bpm • E Maj • 03:52 • -22db
33% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
33% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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Paul Simon
Loves Me Like a Rock (Acoustic Demo)
122 bpm • E Maj • 03:24 • -16.65db
29% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kate & Anna McGarrigle
Travellin' on for Jesus
123 bpm • A Maj • 02:43 • -10.85db
15% Popularity • 72% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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JD Souther
Kite Woman
123 bpm • E Maj • 03:06 • -12.46db
29% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Traveling Wilburys
Inside Out
123 bpm • F min • 03:35 • -5db
45% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Livingston Taylor
Get Out Of Bed
117 bpm • G Maj • 02:52 • -10.66db
13% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Faces
Sweet Lady Mary
123 bpm • C Maj • 05:45 • -10db
24% Popularity • 44% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Paul Simon
Train in the Distance
122 bpm • G# Maj • 05:12 • -16.84db
35% Popularity • 64% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
35% Popularity • 64% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Gerry Rafferty
Days Gone Down (Still Got the Light in Y...
124 bpm • A# Maj • 06:27 • -12.64db
36% Popularity • 55% Danceability • 56% Energy • 9% Liveness
6% Instrumentalness • 52% Positiveness
36% Popularity • 55% Danceability • 56% Energy • 9% Liveness
6% Instrumentalness • 52% Positiveness
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Harry Chapin
Could You Put Your Light On, Please
124 bpm • C Maj • 04:29 • -11.44db
16% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Steely Dan
Rikki Don't Lose That Number
116 bpm • D Maj • 04:32 • -14.97db
67% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Lowell George
20 Million Things
116 bpm • G Maj • 02:50 • -12db
31% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Buffalo Springfield
Sit Down I Think I Love You
116 bpm • B Maj • 02:33 • -14.49db
47% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Paul Simon
Learn How to Fall
124 bpm • F# min • 02:47 • -15db
41% Popularity • 64% Danceability • 50% Energy • 23% Liveness
9% Instrumentalness • 55% Positiveness
41% Popularity • 64% Danceability • 50% Energy • 23% Liveness
9% Instrumentalness • 55% Positiveness
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Donovan
Pamela Jo
116 bpm • G Maj • 04:23 • -16.11db
15% Popularity • 55% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 55% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Harry Chapin
Any Old Kind of Day
116 bpm • E Maj • 04:45 • -16db
20% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Pete Townshend
Pure And Easy - Remastered 2017
124 bpm • C Maj • 05:32 • -9db
30% Popularity • 66% Danceability • 73% Energy • 15% Liveness
13% Instrumentalness • 64% Positiveness
30% Popularity • 66% Danceability • 73% Energy • 15% Liveness
13% Instrumentalness • 64% Positiveness
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George Harrison
If Not for You (2014 Remaster)
116 bpm • G Maj • 03:30 • -7.01db
60% Popularity • 61% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
60% Popularity • 61% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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The Mamas & The Papas
Words Of Love - Single Version
116 bpm • A# min • 02:15 • -7db
43% Popularity • 44% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 44% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Simon
The Coast
116 bpm • C min • 05:04 • -14.99db
39% Popularity • 67% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 80% Positiveness
39% Popularity • 67% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 80% Positiveness
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Donovan
Celia of the Seals
116 bpm • G Maj • 03:04 • -17.54db
21% Popularity • 62% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 62% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Traveling Wilburys
Last Night
124 bpm • C Maj • 03:51 • -6db
56% Popularity • 81% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 81% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Gerry Rafferty
Didn't I?
124 bpm • A Maj • 03:42 • -10.67db
21% Popularity • 58% Danceability • 56% Energy • 35% Liveness
3% Instrumentalness • 82% Positiveness
21% Popularity • 58% Danceability • 56% Energy • 35% Liveness
3% Instrumentalness • 82% Positiveness
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Pete Townshend
Misunderstood
124 bpm • E Maj • 03:01 • -20.56db
33% Popularity • 86% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 86% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ry Cooder
Tattler
116 bpm • F Maj • 04:19 • -16db
30% Popularity • 74% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 74% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Dean Friedman
Ariel
125 bpm • D Maj • 04:23 • -9.42db
32% Popularity • 68% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 68% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Buddy Holly
Well...All Right
125 bpm • C# min • 02:14 • -7db
40% Popularity • 71% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 71% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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The Sutherland Brothers
The Pie
125 bpm • D Maj • 05:42 • -14db
16% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Three Dog Night
The Family Of Man - Single Version
116 bpm • C Maj • 03:09 • -11.42db
14% Popularity • 50% Danceability • 77% Energy • 41% Liveness
49% Instrumentalness • 96% Positiveness
14% Popularity • 50% Danceability • 77% Energy • 41% Liveness
49% Instrumentalness • 96% Positiveness
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Dan Fogelberg
Morning Sky
125 bpm • G Maj • 02:49 • -13db
32% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Ry Cooder
Mexican Divorce
116 bpm • D# Maj • 03:57 • -17.12db
19% Popularity • 72% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 72% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Leon Redbone
Seduced
115 bpm • A# Maj • 02:43 • -17.29db
30% Popularity • 77% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 77% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Dave Mason
Crying, Waiting, Hoping
125 bpm • A Maj • 02:43 • -11.78db
15% Popularity • 77% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 77% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Elvis Costello & The Attractions
Watch Your Step
115 bpm • C Maj • 02:58 • -10db
35% Popularity • 70% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 82% Positiveness
35% Popularity • 70% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 82% Positiveness
► Preview
Paul Simon
Crazy Love, Vol. II
125 bpm • C Maj • 04:19 • -9.63db
43% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Jim Croce
A Long Time Ago
115 bpm • G Maj • 02:21 • -15.07db
49% Popularity • 56% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 56% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The 5th Dimension
Go Where You Wanna Go
115 bpm • G Maj • 02:22 • -10db
28% Popularity • 53% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 53% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Stealers Wheel
Another Meaning
115 bpm • G Maj • 02:56 • -11.68db
35% Popularity • 76% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 76% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
The Everly Brothers
Ventura Boulevard
125 bpm • G Maj • 02:52 • -16.8db
21% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jesse Winchester
Nothing But A Breeze
115 bpm • G Maj • 04:34 • -11.45db
25% Popularity • 77% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 77% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Simon
Armistice Day
115 bpm • G Maj • 03:55 • -14.1db
32% Popularity • 51% Danceability • 27% Energy • 18% Liveness
5% Instrumentalness • 28% Positiveness
32% Popularity • 51% Danceability • 27% Energy • 18% Liveness
5% Instrumentalness • 28% Positiveness
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Loggins & Messina
Thinking Of You
125 bpm • D Maj • 02:18 • -16db
33% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
► Preview
Harry Chapin
A Better Place to Be
115 bpm • D Maj • 08:36 • -17db
23% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Bonnie Raitt
Home - 2008 Remaster
115 bpm • E Maj • 03:28 • -9db
44% Popularity • 50% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 50% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
