Songs like Wash My Sorrows Away by Budjerah
Based on a tempo of (+/- 10%) and a similar genre
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South Summit
Lonely Island
140 bpm • A min • 05:20 • -8.45db
17% Popularity • 50% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 50% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Spacey Jane
Lots of Nothing
140 bpm • A Maj • 03:16 • -6.51db
58% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Lime Cordiale
Unnecessary Things
140 bpm • E min • 03:36 • -12db
34% Popularity • 81% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 61% Positiveness
34% Popularity • 81% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 61% Positiveness
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Two Another
You're Gone
140 bpm • F min • 03:19 • -8.95db
25% Popularity • 72% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 72% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Tyne-James Organ
Not Ready For Love
140 bpm • C# min • 03:16 • -3db
32% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Jerome Farah
Concrete Jungle Fever
140 bpm • G Maj • 02:59 • -4db
28% Popularity • 88% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 88% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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edith
Fear
140 bpm • E Maj • 03:08 • -5.48db
21% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Spacey Jane
Sitting Up
140 bpm • B min • 03:09 • -6.2db
51% Popularity • 56% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 56% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Lime Cordiale
Apple Crumble
140 bpm • G Maj • 03:09 • -5.02db
38% Popularity • 66% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
38% Popularity • 66% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
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Eves Karydas
Cardboard Box
140 bpm • G# Maj • 03:11 • -9.22db
8% Popularity • 61% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 61% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Bumpy
Leave It All Behind
139 bpm • A Maj • 03:55 • -9.41db
25% Popularity • 56% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 56% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Budjerah
Wash My Sorrows Away
140 bpm • B min • 03:49 • -5.91db
28% Popularity • 61% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 61% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Cosmo's Midnight
Ice
141 bpm • C Maj • 03:43 • -9.08db
18% Popularity • 55% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 55% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Milan Ring
Step Back
139 bpm • A min • 03:21 • -8.09db
16% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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King Stingray
Camp Dog
141 bpm • B min • 03:39 • -5db
34% Popularity • 52% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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JAKE
Waiting List
142 bpm • F min • 03:18 • -7.29db
24% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Vanns
Hey, Ma - triple j Like A Version
142 bpm • C Maj • 04:16 • -9.44db
43% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Vera Blue
Temper
138 bpm • F# min • 03:26 • -5.74db
38% Popularity • 70% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 70% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Muroki
Open Up
138 bpm • C# min • 03:51 • -10db
29% Popularity • 82% Danceability • 30% Energy • 7% Liveness
6% Instrumentalness • 88% Positiveness
29% Popularity • 82% Danceability • 30% Energy • 7% Liveness
6% Instrumentalness • 88% Positiveness
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Eves Karydas
Get Me So High
142 bpm • C# min • 02:55 • -5.25db
25% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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COTERIE
Where We Began
143 bpm • G min • 02:54 • -8db
45% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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FELIVAND
Butterfly Wings
138 bpm • G# Maj • 03:32 • -7.37db
30% Popularity • 74% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 74% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Thelma Plum
Backseat of My Mind - Radio Edit
143 bpm • D Maj • 03:30 • -7.19db
34% Popularity • 60% Danceability • 84% Energy • 23% Liveness
4% Instrumentalness • 70% Positiveness
34% Popularity • 60% Danceability • 84% Energy • 23% Liveness
4% Instrumentalness • 70% Positiveness
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Sycco
Nicotine
137 bpm • C# min • 03:41 • -5.77db
29% Popularity • 68% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 68% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Hope D
Happy Hangover
144 bpm • B Maj • 03:38 • -5.45db
25% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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The Rions
Disassociation
137 bpm • E Maj • 04:08 • -5.83db
43% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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COTERIE
Bless My Soul
143 bpm • B Maj • 05:11 • -5.93db
27% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Matt Corby
Miracle Love
136 bpm • G Maj • 04:22 • -8.05db
51% Popularity • 45% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 45% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Thelma Plum
Backseat of My Mind
143 bpm • D Maj • 04:24 • -7.09db
41% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
41% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
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Supathick
Can't Keep Waiting
144 bpm • F Maj • 03:30 • -8.84db
14% Popularity • 66% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 66% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Dulcie
tell ur friends
144 bpm • G# Maj • 02:41 • -5.06db
27% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Mitch Santiago
Seeing Straight
144 bpm • G min • 04:38 • -6.12db
31% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Tyne-James Organ
Stranger
136 bpm • E Maj • 04:19 • -5.18db
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Ruby Fields
Kitchen
135 bpm • D# Maj • 04:53 • -4.92db
38% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Thelma Plum
The Brown Snake
143 bpm • C# Maj • 03:15 • -8db
36% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
36% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Sycco
Germs
145 bpm • F# min • 03:51 • -5.95db
32% Popularity • 66% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 66% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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RIIKI REID
Meet U Again
135 bpm • E Maj • 02:35 • -6.58db
14% Popularity • 60% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
14% Popularity • 60% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
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Mitch Santiago
How I See You
145 bpm • E Maj • 03:49 • -6.66db
23% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jem Cassar-Daley
Slow Down
145 bpm • D Maj • 03:08 • -7.33db
36% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Vanns
Haunted
145 bpm • E Maj • 04:27 • -6.06db
30% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Forest Claudette
Gone Without a Trace
145 bpm • B Maj • 03:02 • -4.14db
26% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Jungle Giants
Love Signs
135 bpm • F# min • 04:14 • -5.09db
40% Popularity • 77% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 77% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Asha Gold
Margarita
146 bpm • C Maj • 03:15 • -7db
21% Popularity • 73% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 73% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Olive Amun
Sell My Soul
145 bpm • E min • 02:53 • -4.05db
23% Popularity • 67% Danceability • 72% Energy • 22% Liveness
3% Instrumentalness • 72% Positiveness
23% Popularity • 67% Danceability • 72% Energy • 22% Liveness
3% Instrumentalness • 72% Positiveness
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Jerome Farah
Vibrate
134 bpm • G min • 03:07 • -3.73db
28% Popularity • 71% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 71% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Hope D
Toxic - triple j Like A Version
134 bpm • G# Maj • 04:04 • -11.22db
31% Popularity • 39% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 39% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Jem Cassar-Daley
Letting Go
134 bpm • D Maj • 04:01 • -6.17db
24% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sycco
Jinx
147 bpm • G# Maj • 02:46 • -4.96db
26% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Daniel Johns
I Feel Electric
133 bpm • A min • 03:53 • -7.7db
33% Popularity • 80% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 80% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Len Blake
Rich
133 bpm • C Maj • 03:55 • -8.91db
31% Popularity • 70% Danceability • 50% Energy • 45% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 70% Danceability • 50% Energy • 45% Liveness
0% Instrumentalness • 31% Positiveness
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Chet Faker
In Too Far
133 bpm • D# Maj • 05:09 • -10.34db
24% Popularity • 73% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 73% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Caroline & Claude
it's not that bad
133 bpm • G Maj • 02:40 • -7.64db
17% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Niko Walters
Coast Girl
132 bpm • A min • 03:08 • -9.31db
24% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Holy Holy
I.C.U.
132 bpm • A min • 03:46 • -4.99db
29% Popularity • 58% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 58% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Miiesha
Blood Cells
132 bpm • G# min • 02:49 • -7.79db
18% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Rions
Night Light
149 bpm • D min • 03:49 • -4.34db
53% Popularity • 53% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 53% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Ngaiire
Him
132 bpm • D min • 03:46 • -7.49db
9% Popularity • 45% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 45% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Odette
I Miss You, I’m Sorry
149 bpm • B Maj • 03:16 • -5.78db
21% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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King Stingray
Milkumana
131 bpm • D Maj • 03:07 • -6.34db
40% Popularity • 67% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 67% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Running Touch
Carmine
131 bpm • B min • 03:22 • -7.74db
27% Popularity • 79% Danceability • 65% Energy • 44% Liveness
4% Instrumentalness • 70% Positiveness
27% Popularity • 79% Danceability • 65% Energy • 44% Liveness
4% Instrumentalness • 70% Positiveness
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George Alice
Hold On
150 bpm • A Maj • 03:15 • -10.48db
33% Popularity • 43% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 43% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Stevan
Crash
150 bpm • C# Maj • 02:49 • -5.86db
19% Popularity • 72% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 72% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Tyne-James Organ
Better Than This
150 bpm • B Maj • 03:48 • -5.44db
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
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Greta Stanley
Close Call
130 bpm • C# Maj • 03:24 • -7.63db
4% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Corby
Vitamin
130 bpm • F# min • 03:58 • -5.88db
29% Popularity • 73% Danceability • 84% Energy • 46% Liveness
1% Instrumentalness • 63% Positiveness
29% Popularity • 73% Danceability • 84% Energy • 46% Liveness
1% Instrumentalness • 63% Positiveness
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Carla Wehbe
hurts to love you
130 bpm • C# Maj • 02:57 • -5.67db
34% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Miiesha
Self Care
130 bpm • C min • 03:30 • -7.52db
17% Popularity • 86% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 86% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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The Dreggs
Your Love
130 bpm • E min • 03:59 • -11.35db
39% Popularity • 68% Danceability • 48% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
39% Popularity • 68% Danceability • 48% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
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Telenova
Why Do I Keep You?
130 bpm • F# min • 04:00 • -4.81db
35% Popularity • 67% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 67% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Hope D
Emerald
130 bpm • D Maj • 03:44 • -5.13db
25% Popularity • 77% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 77% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Holy Holy
The Aftergone
130 bpm • B min • 03:55 • -4.98db
34% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Brooke Combe
A-Game
130 bpm • G min • 03:11 • -4db
28% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Miiesha
Heavy
130 bpm • F# min • 03:06 • -5.49db
14% Popularity • 84% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 84% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Kita Alexander
I Miss You, I'm Sorry
130 bpm • C min • 03:31 • -5.08db
33% Popularity • 66% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 66% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Louis Baker
Into Your Life
130 bpm • G# min • 03:06 • -6.75db
26% Popularity • 69% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 69% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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Ball Park Music
Sunscreen
151 bpm • F# Maj • 04:07 • -3.42db
33% Popularity • 36% Danceability • 94% Energy • 17% Liveness
6% Instrumentalness • 20% Positiveness
33% Popularity • 36% Danceability • 94% Energy • 17% Liveness
6% Instrumentalness • 20% Positiveness
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Gretta Ray
The Deepest Sighs, the Frankest Shadows ...
152 bpm • C# Maj • 05:14 • -10.65db
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Budjerah
Sweet Disposition
129 bpm • D Maj • 03:53 • -5.65db
37% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Aodhan
Empty Spaces
152 bpm • G# Maj • 03:47 • -5.37db
24% Popularity • 50% Danceability • 78% Energy • 11% Liveness
17% Instrumentalness • 44% Positiveness
24% Popularity • 50% Danceability • 78% Energy • 11% Liveness
17% Instrumentalness • 44% Positiveness
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Nick Ward
Adam's Song - triple j Like A Version
128 bpm • E Maj • 04:16 • -12.8db
34% Popularity • 38% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 38% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Yb.
Change Your Mind
153 bpm • D Maj • 03:31 • -7db
17% Popularity • 26% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 26% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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The Buoys
Lie To Me Again
128 bpm • A# Maj • 04:09 • -5.22db
39% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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MAY-A
Say Nothing - MAY-A's Version
128 bpm • D min • 03:37 • -10.26db
24% Popularity • 56% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 56% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Ruby Fields
Song About A Boy
154 bpm • F Maj • 03:49 • -4.57db
31% Popularity • 41% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 41% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Mel Blue
You're the Worst Thing to Happen to Me S...
127 bpm • B Maj • 03:10 • -7.58db
19% Popularity • 78% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 78% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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BROODS
Like A Woman
154 bpm • F# Maj • 03:10 • -11.89db
23% Popularity • 25% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
23% Popularity • 25% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
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Hollie Smith
Something Good
127 bpm • C Maj • 04:09 • -8.01db
13% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Becca Hatch
Please U
127 bpm • F# min • 04:03 • -9.95db
22% Popularity • 79% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 79% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Tyne-James Organ
Honey
155 bpm • C# Maj • 03:49 • -4.56db
18% Popularity • 56% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 43% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 43% Positiveness
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Azure Ryder
Oh What A Relief
155 bpm • A min • 03:21 • -7.82db
32% Popularity • 63% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 63% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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PNAU
Stranger Love - EDDIE Remix
126 bpm • F min • 04:15 • -7.94db
5% Popularity • 64% Danceability • 76% Energy • 9% Liveness
4% Instrumentalness • 13% Positiveness
5% Popularity • 64% Danceability • 76% Energy • 9% Liveness
4% Instrumentalness • 13% Positiveness
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Meg Mac
Matter Of Time
126 bpm • C# Maj • 03:58 • -6.7db
29% Popularity • 64% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 64% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Cub Sport
Always Got The Love
126 bpm • B Maj • 03:27 • -7.39db
41% Popularity • 63% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 63% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Jem Cassar-Daley
Oh No
126 bpm • C# min • 02:10 • -6.68db
28% Popularity • 95% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 95% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Louis Baker
Brighter Day
156 bpm • C Maj • 03:42 • -7.94db
24% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Milan Ring
BS
156 bpm • F Maj • 03:54 • -7.68db
10% Popularity • 80% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 80% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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PNAU
Stranger Love
126 bpm • G# Maj • 03:45 • -3.94db
43% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
