Songs like Wat Voel Je Nou by De Ambassade
Based on a tempo of (+/- 10%) and a similar genre
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Kris Baha
Jonathan
137 bpm • B min • 05:17 • -9.08db
17% Popularity • 78% Danceability • 72% Energy • 19% Liveness
81% Instrumentalness • 85% Positiveness
17% Popularity • 78% Danceability • 72% Energy • 19% Liveness
81% Instrumentalness • 85% Positiveness
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De Ambassade
Wat Voel Je Nou
137 bpm • C Maj • 03:16 • -8.9db
36% Popularity • 70% Danceability • 58% Energy • 8% Liveness
76% Instrumentalness • 37% Positiveness
36% Popularity • 70% Danceability • 58% Energy • 8% Liveness
76% Instrumentalness • 37% Positiveness
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Velvet Condom
Dirty Me (Incorporated Whore)
137 bpm • A min • 03:17 • -8.18db
13% Popularity • 66% Danceability • 76% Energy • 15% Liveness
12% Instrumentalness • 48% Positiveness
13% Popularity • 66% Danceability • 76% Energy • 15% Liveness
12% Instrumentalness • 48% Positiveness
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Moderne
Indicatif
137 bpm • E min • 03:49 • -11.97db
21% Popularity • 74% Danceability • 70% Energy • 6% Liveness
64% Instrumentalness • 82% Positiveness
21% Popularity • 74% Danceability • 70% Energy • 6% Liveness
64% Instrumentalness • 82% Positiveness
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The KVB
Always Then
137 bpm • C# Maj • 04:11 • -10.4db
55% Popularity • 47% Danceability • 71% Energy • 17% Liveness
82% Instrumentalness • 53% Positiveness
55% Popularity • 47% Danceability • 71% Energy • 17% Liveness
82% Instrumentalness • 53% Positiveness
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Deux
Minimaliste
137 bpm • G Maj • 02:26 • -9.24db
16% Popularity • 51% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 51% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Medio Mutante
Corre Corre
137 bpm • F# Maj • 03:06 • -12db
23% Popularity • 77% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 54% Positiveness
23% Popularity • 77% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 54% Positiveness
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Anika
No One's There
137 bpm • B min • 03:47 • -7db
19% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Robert Görl
Du bist so zart
137 bpm • B min • 03:39 • -12db
22% Popularity • 70% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
22% Popularity • 70% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
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Suicide
Dominic Christ
138 bpm • C Maj • 06:37 • -14.28db
25% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 70% Positiveness
25% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 70% Positiveness
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Guerre Froide
Demain Berlin
137 bpm • A# Maj • 04:41 • -8db
31% Popularity • 42% Danceability • 63% Energy • 10% Liveness
65% Instrumentalness • 42% Positiveness
31% Popularity • 42% Danceability • 63% Energy • 10% Liveness
65% Instrumentalness • 42% Positiveness
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F.S.K.
Was kostet die Welt
138 bpm • A min • 03:16 • -8.17db
32% Popularity • 84% Danceability • 51% Energy • 7% Liveness
86% Instrumentalness • 97% Positiveness
32% Popularity • 84% Danceability • 51% Energy • 7% Liveness
86% Instrumentalness • 97% Positiveness
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De Ambassade
Zo Hoog Als De Bogen
136 bpm • F Maj • 03:54 • -8.18db
21% Popularity • 32% Danceability • 63% Energy • 10% Liveness
78% Instrumentalness • 27% Positiveness
21% Popularity • 32% Danceability • 63% Energy • 10% Liveness
78% Instrumentalness • 27% Positiveness
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Figure Study
Lesson One
138 bpm • G# min • 03:02 • -5.6db
25% Popularity • 62% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
25% Popularity • 62% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
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Malaria!
Kaltes Klares Wasser
136 bpm • B min • 03:51 • -8.22db
35% Popularity • 76% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 76% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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De Nooit Moede
Onbehagen
138 bpm • G Maj • 02:22 • -10.87db
17% Popularity • 53% Danceability • 81% Energy • 14% Liveness
88% Instrumentalness • 52% Positiveness
17% Popularity • 53% Danceability • 81% Energy • 14% Liveness
88% Instrumentalness • 52% Positiveness
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MCNZI
This Is Our Generation
138 bpm • G Maj • 02:39 • -10db
21% Popularity • 81% Danceability • 46% Energy • 7% Liveness
20% Instrumentalness • 76% Positiveness
21% Popularity • 81% Danceability • 46% Energy • 7% Liveness
20% Instrumentalness • 76% Positiveness
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Sextile
Hazing
138 bpm • B Maj • 03:12 • -9.23db
40% Popularity • 72% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 68% Positiveness
40% Popularity • 72% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 68% Positiveness
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De Ambassade
Duistre Kamers
136 bpm • C Maj • 04:54 • -7.59db
27% Popularity • 55% Danceability • 67% Energy • 17% Liveness
75% Instrumentalness • 50% Positiveness
27% Popularity • 55% Danceability • 67% Energy • 17% Liveness
75% Instrumentalness • 50% Positiveness
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Geneva Jacuzzi
Clothes on the Bed
136 bpm • G# min • 02:30 • -7.31db
23% Popularity • 82% Danceability • 55% Energy • 9% Liveness
56% Instrumentalness • 72% Positiveness
23% Popularity • 82% Danceability • 55% Energy • 9% Liveness
56% Instrumentalness • 72% Positiveness
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Martin Dupont
Love on My Side
136 bpm • A min • 05:55 • -4.06db
17% Popularity • 26% Danceability • 97% Energy • 64% Liveness
1% Instrumentalness • 14% Positiveness
17% Popularity • 26% Danceability • 97% Energy • 64% Liveness
1% Instrumentalness • 14% Positiveness
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Geoffrey Landers
Camella
138 bpm • C# Maj • 04:21 • -9.43db
30% Popularity • 80% Danceability • 46% Energy • 5% Liveness
1% Instrumentalness • 74% Positiveness
30% Popularity • 80% Danceability • 46% Energy • 5% Liveness
1% Instrumentalness • 74% Positiveness
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Guerre Froide
Demain Berlin
138 bpm • A# Maj • 04:38 • -8.06db
10% Popularity • 41% Danceability • 56% Energy • 9% Liveness
76% Instrumentalness • 51% Positiveness
10% Popularity • 41% Danceability • 56% Energy • 9% Liveness
76% Instrumentalness • 51% Positiveness
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Sad Lovers & Giants
Things We Never Did
136 bpm • E min • 04:08 • -13.4db
46% Popularity • 58% Danceability • 56% Energy • 8% Liveness
60% Instrumentalness • 90% Positiveness
46% Popularity • 58% Danceability • 56% Energy • 8% Liveness
60% Instrumentalness • 90% Positiveness
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Grauzone
Der Weg Zu Zweit
138 bpm • A min • 03:23 • -6.88db
33% Popularity • 62% Danceability • 83% Energy • 13% Liveness
90% Instrumentalness • 59% Positiveness
33% Popularity • 62% Danceability • 83% Energy • 13% Liveness
90% Instrumentalness • 59% Positiveness
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Marie Möör
Pretty Day
139 bpm • D# Maj • 02:59 • -7.39db
29% Popularity • 84% Danceability • 74% Energy • 10% Liveness
26% Instrumentalness • 90% Positiveness
29% Popularity • 84% Danceability • 74% Energy • 10% Liveness
26% Instrumentalness • 90% Positiveness
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De Ambassade
Oh Light, Oh Flame
139 bpm • C# Maj • 03:05 • -14.28db
14% Popularity • 34% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
14% Popularity • 34% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Amiture
Touch
135 bpm • G# min • 03:46 • -6.94db
34% Popularity • 78% Danceability • 79% Energy • 12% Liveness
62% Instrumentalness • 84% Positiveness
34% Popularity • 78% Danceability • 79% Energy • 12% Liveness
62% Instrumentalness • 84% Positiveness
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Frustration
Too Many Questions
135 bpm • E Maj • 03:37 • -4.85db
31% Popularity • 53% Danceability • 96% Energy • 40% Liveness
72% Instrumentalness • 46% Positiveness
31% Popularity • 53% Danceability • 96% Energy • 40% Liveness
72% Instrumentalness • 46% Positiveness
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John Maus
Teenage Witch
135 bpm • G Maj • 02:18 • -11db
32% Popularity • 51% Danceability • 66% Energy • 9% Liveness
71% Instrumentalness • 97% Positiveness
32% Popularity • 51% Danceability • 66% Energy • 9% Liveness
71% Instrumentalness • 97% Positiveness
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Malaria!
Your Turn to Run
139 bpm • D# Maj • 04:11 • -8.13db
28% Popularity • 75% Danceability • 60% Energy • 44% Liveness
3% Instrumentalness • 77% Positiveness
28% Popularity • 75% Danceability • 60% Energy • 44% Liveness
3% Instrumentalness • 77% Positiveness
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Nabihah Iqbal
Zone 1 to 6000
135 bpm • D Maj • 03:25 • -6.72db
44% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Geneva Jacuzzi
Do I Sad?
139 bpm • B min • 02:38 • -4.06db
25% Popularity • 68% Danceability • 98% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
25% Popularity • 68% Danceability • 98% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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The Cleaners From Venus
Tukani (Monday Is Grey)
140 bpm • A Maj • 05:29 • -7.35db
25% Popularity • 63% Danceability • 65% Energy • 10% Liveness
9% Instrumentalness • 28% Positiveness
25% Popularity • 63% Danceability • 65% Energy • 10% Liveness
9% Instrumentalness • 28% Positiveness
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EYE
Sabine
134 bpm • G# Maj • 04:45 • -11.99db
24% Popularity • 73% Danceability • 74% Energy • 6% Liveness
9% Instrumentalness • 96% Positiveness
24% Popularity • 73% Danceability • 74% Energy • 6% Liveness
9% Instrumentalness • 96% Positiveness
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John Maus
Bennington
135 bpm • C min • 03:13 • -9.95db
24% Popularity • 71% Danceability • 38% Energy • 12% Liveness
64% Instrumentalness • 79% Positiveness
24% Popularity • 71% Danceability • 38% Energy • 12% Liveness
64% Instrumentalness • 79% Positiveness
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De Ambassade
Geen Genade
140 bpm • F Maj • 03:41 • -11.68db
39% Popularity • 59% Danceability • 50% Energy • 17% Liveness
87% Instrumentalness • 67% Positiveness
39% Popularity • 59% Danceability • 50% Energy • 17% Liveness
87% Instrumentalness • 67% Positiveness
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Trit95
Wine
140 bpm • G Maj • 02:04 • -14.44db
35% Popularity • 63% Danceability • 53% Energy • 8% Liveness
92% Instrumentalness • 90% Positiveness
35% Popularity • 63% Danceability • 53% Energy • 8% Liveness
92% Instrumentalness • 90% Positiveness
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Meetsysteem
Ampersand
140 bpm • D Maj • 03:21 • -8.19db
16% Popularity • 61% Danceability • 61% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
16% Popularity • 61% Danceability • 61% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
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Chris Imler
Disappoint Me
140 bpm • G Maj • 03:25 • -15.46db
13% Popularity • 64% Danceability • 44% Energy • 12% Liveness
58% Instrumentalness • 26% Positiveness
13% Popularity • 64% Danceability • 44% Energy • 12% Liveness
58% Instrumentalness • 26% Positiveness
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Colder
Crazy Love
140 bpm • B min • 05:11 • -5db
26% Popularity • 70% Danceability • 92% Energy • 13% Liveness
82% Instrumentalness • 45% Positiveness
26% Popularity • 70% Danceability • 92% Energy • 13% Liveness
82% Instrumentalness • 45% Positiveness
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Velvet Condom
Self Injury
140 bpm • F# Maj • 04:13 • -4.09db
16% Popularity • 63% Danceability • 67% Energy • 7% Liveness
22% Instrumentalness • 19% Positiveness
16% Popularity • 63% Danceability • 67% Energy • 7% Liveness
22% Instrumentalness • 19% Positiveness
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ShitKid
Favourite Thing
140 bpm • G Maj • 03:50 • -6.33db
36% Popularity • 61% Danceability • 61% Energy • 10% Liveness
33% Instrumentalness • 19% Positiveness
36% Popularity • 61% Danceability • 61% Energy • 10% Liveness
33% Instrumentalness • 19% Positiveness
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Boy Harsher
Save Me
134 bpm • C Maj • 04:20 • -10.27db
33% Popularity • 60% Danceability • 68% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
33% Popularity • 60% Danceability • 68% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Special Interest
Street Pulse Beat - Boy Harsher Remix
140 bpm • C min • 05:12 • -5db
36% Popularity • 78% Danceability • 84% Energy • 6% Liveness
17% Instrumentalness • 33% Positiveness
36% Popularity • 78% Danceability • 84% Energy • 6% Liveness
17% Instrumentalness • 33% Positiveness
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Blanche Biau
Marode Gestalten
140 bpm • C Maj • 03:38 • -12.54db
14% Popularity • 47% Danceability • 75% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
14% Popularity • 47% Danceability • 75% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
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John Maus
Walls of Silence
140 bpm • C Maj • 02:23 • -13.57db
40% Popularity • 63% Danceability • 54% Energy • 14% Liveness
78% Instrumentalness • 69% Positiveness
40% Popularity • 63% Danceability • 54% Energy • 14% Liveness
78% Instrumentalness • 69% Positiveness
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Linear Movement
The Game
140 bpm • A# Maj • 04:52 • -12db
20% Popularity • 58% Danceability • 64% Energy • 20% Liveness
63% Instrumentalness • 86% Positiveness
20% Popularity • 58% Danceability • 64% Energy • 20% Liveness
63% Instrumentalness • 86% Positiveness
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Levin Goes Lightly
She's Dancing
140 bpm • A Maj • 05:28 • -9.11db
20% Popularity • 61% Danceability • 48% Energy • 19% Liveness
90% Instrumentalness • 71% Positiveness
20% Popularity • 61% Danceability • 48% Energy • 19% Liveness
90% Instrumentalness • 71% Positiveness
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Koudlam
Love Song
140 bpm • F Maj • 05:26 • -7.33db
31% Popularity • 51% Danceability • 64% Energy • 5% Liveness
10% Instrumentalness • 11% Positiveness
31% Popularity • 51% Danceability • 64% Energy • 5% Liveness
10% Instrumentalness • 11% Positiveness
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Boy Harsher
LA
134 bpm • D Maj • 05:35 • -5.45db
47% Popularity • 68% Danceability • 68% Energy • 19% Liveness
84% Instrumentalness • 23% Positiveness
47% Popularity • 68% Danceability • 68% Energy • 19% Liveness
84% Instrumentalness • 23% Positiveness
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ESG
Talk It
134 bpm • B min • 03:59 • -10db
27% Popularity • 81% Danceability • 39% Energy • 9% Liveness
66% Instrumentalness • 90% Positiveness
27% Popularity • 81% Danceability • 39% Energy • 9% Liveness
66% Instrumentalness • 90% Positiveness
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Deux
Sex And Trouble
140 bpm • B min • 04:14 • -9db
32% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Robert Rental
Double Heart
140 bpm • C Maj • 03:20 • -6.32db
16% Popularity • 55% Danceability • 78% Energy • 11% Liveness
48% Instrumentalness • 67% Positiveness
16% Popularity • 55% Danceability • 78% Energy • 11% Liveness
48% Instrumentalness • 67% Positiveness
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Reymour
Melancholia
134 bpm • A min • 03:54 • -9.89db
20% Popularity • 55% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
20% Popularity • 55% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
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The Dreams
Aloha Miami
140 bpm • F Maj • 04:18 • -3db
19% Popularity • 54% Danceability • 97% Energy • 28% Liveness
2% Instrumentalness • 47% Positiveness
19% Popularity • 54% Danceability • 97% Energy • 28% Liveness
2% Instrumentalness • 47% Positiveness
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Xeno & Oaklander
Sheen
133 bpm • C# min • 03:57 • -4.62db
29% Popularity • 45% Danceability • 78% Energy • 10% Liveness
88% Instrumentalness • 55% Positiveness
29% Popularity • 45% Danceability • 78% Energy • 10% Liveness
88% Instrumentalness • 55% Positiveness
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Essaie Pas
Devotion
141 bpm • C Maj • 04:38 • -7.33db
12% Popularity • 63% Danceability • 87% Energy • 10% Liveness
53% Instrumentalness • 18% Positiveness
12% Popularity • 63% Danceability • 87% Energy • 10% Liveness
53% Instrumentalness • 18% Positiveness
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Alexander Robotnick
Celle Vache de ma Mere
141 bpm • G Maj • 02:54 • -8.04db
22% Popularity • 76% Danceability • 81% Energy • 13% Liveness
59% Instrumentalness • 97% Positiveness
22% Popularity • 76% Danceability • 81% Energy • 13% Liveness
59% Instrumentalness • 97% Positiveness
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Christiane F.
Wunderbar - Optimo Edit
133 bpm • D Maj • 06:12 • -6.19db
8% Popularity • 84% Danceability • 60% Energy • 14% Liveness
40% Instrumentalness • 76% Positiveness
8% Popularity • 84% Danceability • 60% Energy • 14% Liveness
40% Instrumentalness • 76% Positiveness
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Grauzone
Raum - Naum Gabo Rework
133 bpm • E Maj • 05:10 • -6.49db
13% Popularity • 67% Danceability • 73% Energy • 15% Liveness
52% Instrumentalness • 59% Positiveness
13% Popularity • 67% Danceability • 73% Energy • 15% Liveness
52% Instrumentalness • 59% Positiveness
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De Ambassade
Brand in De Straten
133 bpm • C Maj • 04:01 • -9.92db
21% Popularity • 75% Danceability • 91% Energy • 21% Liveness
77% Instrumentalness • 14% Positiveness
21% Popularity • 75% Danceability • 91% Energy • 21% Liveness
77% Instrumentalness • 14% Positiveness
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Esplendor Geométrico
Moscú Está Helado
141 bpm • A# Maj • 03:45 • -5.11db
21% Popularity • 84% Danceability • 91% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
21% Popularity • 84% Danceability • 91% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
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This Mortal Coil
Sixteen Days / Gathering Dust - Remaster...
141 bpm • C Maj • 09:09 • -13.79db
35% Popularity • 56% Danceability • 56% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
35% Popularity • 56% Danceability • 56% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
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Elisa Waut
Summary Of All My Dreams
133 bpm • E min • 03:25 • -12.25db
14% Popularity • 77% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 77% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Fenster
HBW
141 bpm • F Maj • 04:34 • -11.33db
22% Popularity • 57% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
22% Popularity • 57% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Suicide
Shadazz
141 bpm • C# Maj • 04:25 • -12.2db
27% Popularity • 66% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
27% Popularity • 66% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Futurisk
Lonely Streets - 1982
133 bpm • F# min • 05:24 • -9db
17% Popularity • 43% Danceability • 85% Energy • 8% Liveness
85% Instrumentalness • 70% Positiveness
17% Popularity • 43% Danceability • 85% Energy • 8% Liveness
85% Instrumentalness • 70% Positiveness
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De Ambassade
Niet Van Mij
141 bpm • G Maj • 04:00 • -8.11db
23% Popularity • 73% Danceability • 67% Energy • 13% Liveness
94% Instrumentalness • 38% Positiveness
23% Popularity • 73% Danceability • 67% Energy • 13% Liveness
94% Instrumentalness • 38% Positiveness
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Boy Harsher
The Look You Gave (Jerry)
142 bpm • C Maj • 04:56 • -4.91db
32% Popularity • 57% Danceability • 91% Energy • 11% Liveness
48% Instrumentalness • 34% Positiveness
32% Popularity • 57% Danceability • 91% Energy • 11% Liveness
48% Instrumentalness • 34% Positiveness
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Sneaks
True Killer
142 bpm • A Maj • 01:22 • -16db
49% Popularity • 85% Danceability • 39% Energy • 11% Liveness
75% Instrumentalness • 97% Positiveness
49% Popularity • 85% Danceability • 39% Energy • 11% Liveness
75% Instrumentalness • 97% Positiveness
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Das Beat
Bubble
132 bpm • G Maj • 03:00 • -6.62db
19% Popularity • 74% Danceability • 60% Energy • 26% Liveness
27% Instrumentalness • 67% Positiveness
19% Popularity • 74% Danceability • 60% Energy • 26% Liveness
27% Instrumentalness • 67% Positiveness
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Amiture
Say It Back
132 bpm • B min • 04:33 • -8.53db
28% Popularity • 68% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 45% Positiveness
28% Popularity • 68% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 45% Positiveness
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David Shaw and The Beat
Please Please Please
132 bpm • G Maj • 04:38 • -9.32db
29% Popularity • 68% Danceability • 72% Energy • 11% Liveness
51% Instrumentalness • 76% Positiveness
29% Popularity • 68% Danceability • 72% Energy • 11% Liveness
51% Instrumentalness • 76% Positiveness
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Agar Agar
Fangs Out
132 bpm • G min • 05:05 • -8.26db
35% Popularity • 68% Danceability • 72% Energy • 11% Liveness
56% Instrumentalness • 41% Positiveness
35% Popularity • 68% Danceability • 72% Energy • 11% Liveness
56% Instrumentalness • 41% Positiveness
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Grauzone
Ich Lieb Sie
132 bpm • C# min • 03:18 • -6.24db
21% Popularity • 72% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 72% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Nouvelle Phénomène
Secret
132 bpm • C min • 03:58 • -11.47db
30% Popularity • 64% Danceability • 45% Energy • 11% Liveness
28% Instrumentalness • 62% Positiveness
30% Popularity • 64% Danceability • 45% Energy • 11% Liveness
28% Instrumentalness • 62% Positiveness
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Techniques Berlin
Love Via Computer
131 bpm • A min • 06:27 • -9.98db
30% Popularity • 70% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
30% Popularity • 70% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Blind Delon
Alcoolémie
143 bpm • F# Maj • 04:11 • -5.23db
16% Popularity • 64% Danceability • 80% Energy • 6% Liveness
16% Instrumentalness • 95% Positiveness
16% Popularity • 64% Danceability • 80% Energy • 6% Liveness
16% Instrumentalness • 95% Positiveness
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Essaie Pas
Anne cherchait l'amour
143 bpm • F Maj • 05:09 • -6.34db
14% Popularity • 53% Danceability • 73% Energy • 25% Liveness
21% Instrumentalness • 18% Positiveness
14% Popularity • 53% Danceability • 73% Energy • 25% Liveness
21% Instrumentalness • 18% Positiveness
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Alexander Robotnick
Les Grands Voyages de L'amour
143 bpm • F min • 02:47 • -9.21db
18% Popularity • 61% Danceability • 78% Energy • 35% Liveness
77% Instrumentalness • 66% Positiveness
18% Popularity • 61% Danceability • 78% Energy • 35% Liveness
77% Instrumentalness • 66% Positiveness
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Scratch Massive
Junior
143 bpm • B Maj • 02:03 • -7db
46% Popularity • 68% Danceability • 67% Energy • 11% Liveness
95% Instrumentalness • 79% Positiveness
46% Popularity • 68% Danceability • 67% Energy • 11% Liveness
95% Instrumentalness • 79% Positiveness
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Automatic
Mind Your Own Business
131 bpm • C min • 03:10 • -5.34db
31% Popularity • 71% Danceability • 58% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
31% Popularity • 71% Danceability • 58% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
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Boy Harsher
Face the Fire
131 bpm • C Maj • 05:33 • -4.92db
41% Popularity • 74% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 93% Positiveness
41% Popularity • 74% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 93% Positiveness
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Grauzone
Raum
131 bpm • D min • 03:48 • -8.45db
26% Popularity • 86% Danceability • 40% Energy • 41% Liveness
16% Instrumentalness • 46% Positiveness
26% Popularity • 86% Danceability • 40% Energy • 41% Liveness
16% Instrumentalness • 46% Positiveness
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Essaie Pas
Carcajou
143 bpm • C Maj • 05:11 • -6.3db
23% Popularity • 54% Danceability • 72% Energy • 29% Liveness
29% Instrumentalness • 18% Positiveness
23% Popularity • 54% Danceability • 72% Energy • 29% Liveness
29% Instrumentalness • 18% Positiveness
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ADULT.
Tonight, We Fall
131 bpm • C Maj • 04:25 • -5.33db
31% Popularity • 72% Danceability • 59% Energy • 8% Liveness
9% Instrumentalness • 41% Positiveness
31% Popularity • 72% Danceability • 59% Energy • 8% Liveness
9% Instrumentalness • 41% Positiveness
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Parade Ground
Moans
131 bpm • F min • 03:57 • -12.62db
34% Popularity • 52% Danceability • 83% Energy • 20% Liveness
14% Instrumentalness • 27% Positiveness
34% Popularity • 52% Danceability • 83% Energy • 20% Liveness
14% Instrumentalness • 27% Positiveness
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Anika
Sadness Hides the Sun
143 bpm • A min • 03:42 • -11.77db
18% Popularity • 51% Danceability • 43% Energy • 16% Liveness
91% Instrumentalness • 49% Positiveness
18% Popularity • 51% Danceability • 43% Energy • 16% Liveness
91% Instrumentalness • 49% Positiveness
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Turquoise Days
Scattering Seeds
144 bpm • A min • 05:47 • -8.93db
17% Popularity • 66% Danceability • 58% Energy • 14% Liveness
63% Instrumentalness • 92% Positiveness
17% Popularity • 66% Danceability • 58% Energy • 14% Liveness
63% Instrumentalness • 92% Positiveness
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Algebra Suicide
An Explanation for That Flock of Crows
131 bpm • A Maj • 02:43 • -10.67db
26% Popularity • 71% Danceability • 50% Energy • 9% Liveness
38% Instrumentalness • 98% Positiveness
26% Popularity • 71% Danceability • 50% Energy • 9% Liveness
38% Instrumentalness • 98% Positiveness
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XEX
Fun in the Sun
144 bpm • F Maj • 05:24 • -9.56db
16% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Exploded View
Dark Stains
144 bpm • B min • 03:25 • -10db
21% Popularity • 65% Danceability • 85% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
21% Popularity • 65% Danceability • 85% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
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Parade Ground
I Shut My Eyes
144 bpm • A Maj • 02:15 • -6.6db
29% Popularity • 67% Danceability • 55% Energy • 5% Liveness
18% Instrumentalness • 58% Positiveness
29% Popularity • 67% Danceability • 55% Energy • 5% Liveness
18% Instrumentalness • 58% Positiveness
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Saâda Bonaire
Heart Over Head
144 bpm • C Maj • 04:38 • -7db
35% Popularity • 83% Danceability • 58% Energy • 10% Liveness
13% Instrumentalness • 68% Positiveness
35% Popularity • 83% Danceability • 58% Energy • 10% Liveness
13% Instrumentalness • 68% Positiveness
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Medio Mutante
Boom Boom Romance
144 bpm • G Maj • 03:16 • -15.12db
13% Popularity • 62% Danceability • 44% Energy • 10% Liveness
13% Instrumentalness • 76% Positiveness
13% Popularity • 62% Danceability • 44% Energy • 10% Liveness
13% Instrumentalness • 76% Positiveness
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Grauzone
FILM 2
144 bpm • E Maj • 03:38 • -14db
30% Popularity • 67% Danceability • 39% Energy • 7% Liveness
77% Instrumentalness • 41% Positiveness
30% Popularity • 67% Danceability • 39% Energy • 7% Liveness
77% Instrumentalness • 41% Positiveness
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Ski Patrol
Agent Orange - 2014 Vinyl Transfer
130 bpm • A Maj • 04:14 • -19.79db
9% Popularity • 55% Danceability • 25% Energy • 56% Liveness
71% Instrumentalness • 51% Positiveness
9% Popularity • 55% Danceability • 25% Energy • 56% Liveness
71% Instrumentalness • 51% Positiveness
