Songs like Watch Dog by William Clarke
Based on a tempo of (+/- 10%) and a similar genre
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Jerry Portnoy
Mood Room Boogie
171 bpm • B min • 04:13 • -6.2db
14% Popularity • 33% Danceability • 76% Energy • 8% Liveness
85% Instrumentalness • 64% Positiveness
14% Popularity • 33% Danceability • 76% Energy • 8% Liveness
85% Instrumentalness • 64% Positiveness
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Roomful Of Blues
She Walks Right In
171 bpm • F min • 03:32 • -4.78db
19% Popularity • 38% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 38% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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Aron Burton
Little Red Rooster
169 bpm • C Maj • 06:18 • -12.53db
27% Popularity • 40% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 40% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Oscher
Gotta Go Now
168 bpm • G Maj • 03:02 • -8.35db
17% Popularity • 54% Danceability • 71% Energy • 27% Liveness
60% Instrumentalness • 82% Positiveness
17% Popularity • 54% Danceability • 71% Energy • 27% Liveness
60% Instrumentalness • 82% Positiveness
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Son Seals
Going Back Home
172 bpm • D min • 07:03 • -9.73db
27% Popularity • 38% Danceability • 50% Energy • 61% Liveness
75% Instrumentalness • 89% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 61% Liveness
75% Instrumentalness • 89% Positiveness
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Johnny Copeland
Blues Ain't Nothin'
172 bpm • A# min • 04:02 • -9.45db
36% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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The Cash Box Kings
The Wrong Number
172 bpm • D Maj • 02:50 • -2.64db
26% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Taj Mahal
(You've Got To) Love Her With A Feeling
172 bpm • A# Maj • 03:49 • -5.93db
18% Popularity • 38% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 38% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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William Clarke
Celebrate Life
173 bpm • D Maj • 04:15 • -11.02db
5% Popularity • 38% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
5% Popularity • 38% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Kenny Neal
Any Fool Will Do
173 bpm • D min • 03:57 • -14.88db
30% Popularity • 58% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
30% Popularity • 58% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Eddy Clearwater
I'm Gonna Move
173 bpm • G Maj • 06:15 • -10.49db
12% Popularity • 49% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
12% Popularity • 49% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
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Little Charlie & The Nightcats
Suicide Blues
173 bpm • D Maj • 05:20 • -12.63db
10% Popularity • 39% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 39% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lacy Gibson
Crying For My Baby
173 bpm • F Maj • 02:48 • -13.78db
21% Popularity • 43% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 43% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Katie Webster
Whoo-Wee Sweet Daddy
166 bpm • A# Maj • 03:18 • -13.4db
21% Popularity • 56% Danceability • 74% Energy • 18% Liveness
47% Instrumentalness • 78% Positiveness
21% Popularity • 56% Danceability • 74% Energy • 18% Liveness
47% Instrumentalness • 78% Positiveness
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Billy Boy Arnold
Shake The Boogie
166 bpm • C Maj • 02:43 • -13.84db
28% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Hubert Sumlin
Give the Name Jacquot
174 bpm • G Maj • 05:03 • -12.55db
18% Popularity • 50% Danceability • 45% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
18% Popularity • 50% Danceability • 45% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
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Roomful Of Blues
Shame, Shame, Shame
174 bpm • C Maj • 02:18 • -3.38db
23% Popularity • 45% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 45% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Son Seals
Sitting At My Window
174 bpm • G Maj • 04:34 • -13.16db
27% Popularity • 44% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 46% Positiveness
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Jimmy Dawkins
Highway Man Blues
174 bpm • B min • 07:38 • -8.81db
24% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Sonny Boy Williamson II
Peach Tree - Mono Version
165 bpm • G Maj • 02:37 • -6.56db
30% Popularity • 54% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 54% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Matt "Guitar" Murphy
Matt's Guitar Boogie #2
175 bpm • A Maj • 03:10 • -10.6db
32% Popularity • 47% Danceability • 86% Energy • 27% Liveness
60% Instrumentalness • 71% Positiveness
32% Popularity • 47% Danceability • 86% Energy • 27% Liveness
60% Instrumentalness • 71% Positiveness
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Hubert Sumlin
Groove - Take 2
166 bpm • E Maj • 04:11 • -12.51db
21% Popularity • 51% Danceability • 45% Energy • 40% Liveness
21% Instrumentalness • 84% Positiveness
21% Popularity • 51% Danceability • 45% Energy • 40% Liveness
21% Instrumentalness • 84% Positiveness
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William Clarke
Drinkin Beer
175 bpm • C Maj • 04:27 • -7.3db
8% Popularity • 50% Danceability • 80% Energy • 24% Liveness
9% Instrumentalness • 91% Positiveness
8% Popularity • 50% Danceability • 80% Energy • 24% Liveness
9% Instrumentalness • 91% Positiveness
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Rick Estrin & The Nightcats
Bo Dee's Bounce
175 bpm • A Maj • 02:39 • -2.67db
23% Popularity • 53% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 53% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Eddy Clearwater
I Came Up The Heard Way
175 bpm • F min • 07:36 • -10.97db
19% Popularity • 59% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
19% Popularity • 59% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Billy Boy Arnold
Around This Old Juke Tonight
165 bpm • G Maj • 02:48 • -8.27db
11% Popularity • 58% Danceability • 50% Energy • 22% Liveness
21% Instrumentalness • 76% Positiveness
11% Popularity • 58% Danceability • 50% Energy • 22% Liveness
21% Instrumentalness • 76% Positiveness
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Snooky Pryor
Telephone Blues
175 bpm • A Maj • 04:33 • -7.94db
9% Popularity • 46% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 46% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Hubert Sumlin
Groove - Take 1
165 bpm • B min • 03:12 • -12.04db
19% Popularity • 56% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 56% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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A.C. Reed
Hard Times
176 bpm • C# Maj • 03:19 • -5.31db
16% Popularity • 54% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 54% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Johnnie Johnson
Fault Line Tremor
164 bpm • C Maj • 03:45 • -13.24db
9% Popularity • 50% Danceability • 74% Energy • 13% Liveness
95% Instrumentalness • 80% Positiveness
9% Popularity • 50% Danceability • 74% Energy • 13% Liveness
95% Instrumentalness • 80% Positiveness
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Pee Wee Crayton
Texas Hop
163 bpm • B Maj • 03:06 • -13.36db
16% Popularity • 43% Danceability • 56% Energy • 16% Liveness
63% Instrumentalness • 66% Positiveness
16% Popularity • 43% Danceability • 56% Energy • 16% Liveness
63% Instrumentalness • 66% Positiveness
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Jimmy Rogers
Act Like You Love Me - Single Version
163 bpm • F min • 03:02 • -8.94db
25% Popularity • 45% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
25% Popularity • 45% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
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Phantom Blues Band
Baby Doll - Bonus Track
177 bpm • G min • 03:43 • -5.09db
10% Popularity • 34% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 34% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lovie Lee
Nobody Knows My Troubles
177 bpm • G# Maj • 05:18 • -19db
13% Popularity • 43% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 43% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Son Seals
All Your Love
177 bpm • G Maj • 03:37 • -13.43db
38% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Billy Boy Arnold
Whiskey, Beer And Reefer
177 bpm • A Maj • 04:29 • -14.87db
11% Popularity • 37% Danceability • 49% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 37% Danceability • 49% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
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Nick Moss Band
The Bait In The Snare
163 bpm • G min • 03:00 • -2.81db
16% Popularity • 34% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 34% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Pee Wee Crayton
Let The Good Times Roll
162 bpm • A Maj • 02:53 • -10db
36% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Sugar Blue
I Ain't Got You
178 bpm • E Maj • 02:38 • -9.22db
13% Popularity • 38% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 38% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 90% Positiveness
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Snooky Pryor
Someday Baby
162 bpm • C Maj • 03:07 • -5.61db
13% Popularity • 50% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
13% Popularity • 50% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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John Németh
Come on in This House
178 bpm • E min • 04:22 • -5.67db
25% Popularity • 44% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 44% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
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Lonesome Sundown
One More Night
179 bpm • A Maj • 04:15 • -15.08db
18% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Byther Smith
Givin' Up On Love
179 bpm • D# Maj • 05:47 • -11.57db
37% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
37% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
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The Mannish Boys
Those Worries
180 bpm • A min • 07:01 • -6db
10% Popularity • 33% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 33% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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William Clarke
Lonesome Bedroom Blues
180 bpm • G min • 05:45 • -13db
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Hubert Sumlin
My Guitar and Me
160 bpm • A# Maj • 04:15 • -11.69db
35% Popularity • 50% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 87% Positiveness
35% Popularity • 50% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 87% Positiveness
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Billy Branch
Mellow Down Easy
180 bpm • A Maj • 04:31 • -6.26db
10% Popularity • 48% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 48% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Roomful Of Blues
In A Roomful of Blues
180 bpm • C Maj • 03:31 • -4db
29% Popularity • 61% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 61% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Eddie Shaw
Sittin' On Top Of The World
181 bpm • C Maj • 03:42 • -13db
41% Popularity • 49% Danceability • 40% Energy • 13% Liveness
21% Instrumentalness • 62% Positiveness
41% Popularity • 49% Danceability • 40% Energy • 13% Liveness
21% Instrumentalness • 62% Positiveness
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Chris Cain
Late Night City Blues
181 bpm • F min • 06:20 • -8.04db
23% Popularity • 28% Danceability • 54% Energy • 32% Liveness
43% Instrumentalness • 34% Positiveness
23% Popularity • 28% Danceability • 54% Energy • 32% Liveness
43% Instrumentalness • 34% Positiveness
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William Clarke
Drinking By Myself
160 bpm • C Maj • 05:47 • -14.71db
25% Popularity • 49% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 49% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Johnny B. Moore
Lonesome Blues
160 bpm • C Maj • 07:23 • -14.28db
29% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Elmore James
Rattlesnake
160 bpm • A Maj • 03:08 • -16.62db
25% Popularity • 55% Danceability • 31% Energy • 34% Liveness
22% Instrumentalness • 80% Positiveness
25% Popularity • 55% Danceability • 31% Energy • 34% Liveness
22% Instrumentalness • 80% Positiveness
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The Cash Box Kings
I'm The Man Down There
160 bpm • A Maj • 03:19 • -2.53db
18% Popularity • 46% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 46% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Son Seals
She's Fine aka Honey, Where You Going
159 bpm • D Maj • 03:42 • -16.7db
34% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
34% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
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A.C. Reed
These Blues Is Killing Me
159 bpm • B min • 03:07 • -7.41db
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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Pee Wee Crayton
Every Night
159 bpm • G# Maj • 02:50 • -14db
24% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
24% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Hubert Sumlin
Broke and Hungry
159 bpm • F Maj • 05:51 • -11.15db
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
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Lurrie Bell
Blues in My Soul
158 bpm • A min • 06:03 • -7.3db
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
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Debbie Davies
Okie Dokie Stomp
183 bpm • G min • 02:38 • -8.45db
15% Popularity • 43% Danceability • 72% Energy • 31% Liveness
24% Instrumentalness • 59% Positiveness
15% Popularity • 43% Danceability • 72% Energy • 31% Liveness
24% Instrumentalness • 59% Positiveness
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Luther "Guitar Junior" Johnson
Got To Have Money
158 bpm • D Maj • 03:20 • -16.96db
27% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Lester Davenport
Slow Down Baby
157 bpm • C Maj • 05:58 • -16.27db
27% Popularity • 45% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
27% Popularity • 45% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
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U.P. Wilson
Shakin' Dem Bones
157 bpm • C Maj • 03:47 • -10.91db
26% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
26% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Professor Longhair
It's My Fault, Darling - Remastered
156 bpm • C Maj • 04:54 • -5.5db
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Rick Estrin & The Nightcats
Take It Slow
184 bpm • B min • 03:13 • -5.84db
25% Popularity • 37% Danceability • 48% Energy • 26% Liveness
54% Instrumentalness • 51% Positiveness
25% Popularity • 37% Danceability • 48% Energy • 26% Liveness
54% Instrumentalness • 51% Positiveness
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Byther Smith
I Don't Have A Mother
185 bpm • C# Maj • 04:47 • -9.06db
25% Popularity • 46% Danceability • 46% Energy • 10% Liveness
12% Instrumentalness • 50% Positiveness
25% Popularity • 46% Danceability • 46% Energy • 10% Liveness
12% Instrumentalness • 50% Positiveness
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Johnny "Big Moose" Walker
Worry, Worry
185 bpm • F Maj • 04:16 • -13.6db
31% Popularity • 47% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 47% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmy Johnson
Your Turn To Cry
185 bpm • D Maj • 05:51 • -10.48db
20% Popularity • 49% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 49% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Eddy Clearwater
Gotta Move On
186 bpm • G# Maj • 04:40 • -4db
29% Popularity • 31% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 31% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Mississippi Heat
Blues for George Baze
186 bpm • F min • 04:18 • -4db
9% Popularity • 42% Danceability • 87% Energy • 32% Liveness
21% Instrumentalness • 79% Positiveness
9% Popularity • 42% Danceability • 87% Energy • 32% Liveness
21% Instrumentalness • 79% Positiveness
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Billy Boy Arnold
Left My Happy Home
155 bpm • F Maj • 02:34 • -9.66db
30% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Sugar Blue
Get Your Hand Out Of My Pocket
154 bpm • D# Maj • 07:52 • -8.78db
10% Popularity • 35% Danceability • 48% Energy • 87% Liveness
1% Instrumentalness • 47% Positiveness
10% Popularity • 35% Danceability • 48% Energy • 87% Liveness
1% Instrumentalness • 47% Positiveness
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William Clarke
Your Love Is Real
187 bpm • A# Maj • 03:50 • -6.97db
6% Popularity • 43% Danceability • 88% Energy • 24% Liveness
1% Instrumentalness • 70% Positiveness
6% Popularity • 43% Danceability • 88% Energy • 24% Liveness
1% Instrumentalness • 70% Positiveness
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Pee Wee Crayton
Blues After Hours - Rerecorded
187 bpm • G# Maj • 05:09 • -14.97db
30% Popularity • 36% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
30% Popularity • 36% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Sunnyland Slim
Everytime I Get to Drinking
187 bpm • D Maj • 04:15 • -16.14db
24% Popularity • 42% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
24% Popularity • 42% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Johnnie Johnson
Movin' Out
154 bpm • A# Maj • 03:53 • -16.03db
11% Popularity • 69% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 84% Positiveness
11% Popularity • 69% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 84% Positiveness
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Brandon Santini
What Can I Do?
154 bpm • A# Maj • 03:52 • -4.86db
10% Popularity • 61% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
10% Popularity • 61% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Son Seals
Crying For My Baby
153 bpm • C Maj • 04:41 • -8.21db
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
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William Clarke
Watson, I Presume
153 bpm • C Maj • 04:33 • -5.68db
2% Popularity • 41% Danceability • 90% Energy • 12% Liveness
66% Instrumentalness • 80% Positiveness
2% Popularity • 41% Danceability • 90% Energy • 12% Liveness
66% Instrumentalness • 80% Positiveness
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Raful Neal
Down And Out
189 bpm • D Maj • 04:31 • -10.11db
13% Popularity • 40% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 40% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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J. B. Hutto
Lone Wolf
153 bpm • D Maj • 06:08 • -10.35db
20% Popularity • 52% Danceability • 30% Energy • 5% Liveness
31% Instrumentalness • 32% Positiveness
20% Popularity • 52% Danceability • 30% Energy • 5% Liveness
31% Instrumentalness • 32% Positiveness
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Luther Johnson
Little Queenie
152 bpm • A Maj • 04:09 • -11.94db
27% Popularity • 58% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 58% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Little Charlie & The Nightcats
Percolatin'
190 bpm • F Maj • 04:18 • -5.18db
21% Popularity • 45% Danceability • 89% Energy • 29% Liveness
75% Instrumentalness • 78% Positiveness
21% Popularity • 45% Danceability • 89% Energy • 29% Liveness
75% Instrumentalness • 78% Positiveness
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A.C. Reed
Fast Food Annie
190 bpm • G Maj • 04:26 • -7.26db
15% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Rick Estrin & The Nightcats
Back From The Dead
150 bpm • A Maj • 02:48 • -3.97db
14% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Rob Stone
Cut the Heat On
149 bpm • A Maj • 03:40 • -5.43db
11% Popularity • 41% Danceability • 81% Energy • 6% Liveness
86% Instrumentalness • 57% Positiveness
11% Popularity • 41% Danceability • 81% Energy • 6% Liveness
86% Instrumentalness • 57% Positiveness
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William Clarke
Moten Swing
149 bpm • C Maj • 04:10 • -9.06db
3% Popularity • 46% Danceability • 59% Energy • 37% Liveness
23% Instrumentalness • 49% Positiveness
3% Popularity • 46% Danceability • 59% Energy • 37% Liveness
23% Instrumentalness • 49% Positiveness
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The Fabulous Thunderbirds
Pocket Rocket
149 bpm • A Maj • 03:27 • -7.73db
24% Popularity • 44% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 44% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Branch
Nobody But You
148 bpm • A# Maj • 03:07 • -6.63db
25% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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J. B. Hutto
Lulu Belle's Here
148 bpm • G Maj • 03:41 • -9.19db
25% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
25% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
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Mississippi Heat
Heartbroken
196 bpm • D Maj • 05:43 • -5.38db
14% Popularity • 34% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
14% Popularity • 34% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Johnnie Johnson
Hush on Hush
147 bpm • A Maj • 03:22 • -13.85db
10% Popularity • 60% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 63% Positiveness
10% Popularity • 60% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 63% Positiveness
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The Fabulous Thunderbirds
Please Don't Lie To Me
148 bpm • F# Maj • 02:08 • -6.9db
15% Popularity • 61% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 61% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Curtis Salgado
One Night Only
147 bpm • F Maj • 02:49 • -6.49db
30% Popularity • 53% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
30% Popularity • 53% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
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William Clarke
Charlie's Blues
147 bpm • C Maj • 03:51 • -9.3db
3% Popularity • 50% Danceability • 68% Energy • 27% Liveness
54% Instrumentalness • 91% Positiveness
3% Popularity • 50% Danceability • 68% Energy • 27% Liveness
54% Instrumentalness • 91% Positiveness
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Little Charlie & The Nightcats
Dump That Chump
147 bpm • F# min • 03:23 • -14db
28% Popularity • 67% Danceability • 55% Energy • 16% Liveness
2% Instrumentalness • 85% Positiveness
28% Popularity • 67% Danceability • 55% Energy • 16% Liveness
2% Instrumentalness • 85% Positiveness
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Billy Boy Arnold
Shake Your Hips
198 bpm • G Maj • 03:26 • -11.26db
22% Popularity • 24% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 24% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
