Songs like Watch You Be a Mother by Jonny Diaz
Based on a tempo of (+/- 10%) and a similar genre
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Carrollton
Everything or Nothing
97 bpm • G# min • 04:58 • -6.95db
19% Popularity • 63% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 63% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Jonny Diaz
Watch You Be a Mother
97 bpm • F Maj • 03:15 • -7.53db
38% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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King Calaway
World For Two
97 bpm • A# Maj • 03:05 • -8.1db
39% Popularity • 68% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 68% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Jordan St. Cyr
Fires - Acoustic
97 bpm • G Maj • 03:55 • -7db
25% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Charlotte Ave
It Is Well With My Soul
96 bpm • G Maj • 03:17 • -3.97db
23% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Rhett
Be A Light
98 bpm • C Maj • 02:53 • -6.69db
42% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Leanna Crawford
Stars
96 bpm • C# Maj • 03:26 • -8.03db
39% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Chris August
The Campfire Song
98 bpm • D Maj • 03:57 • -9.91db
22% Popularity • 67% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 67% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Out of the Dust
So Amazing
98 bpm • F min • 04:06 • -6.23db
10% Popularity • 61% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 61% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Jonny Diaz
Let Faith Move You
96 bpm • A# Maj • 03:13 • -6.92db
33% Popularity • 61% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 61% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Apollo LTD
DNA - Acoustic
96 bpm • A# Maj • 03:30 • -9.37db
29% Popularity • 63% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 63% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Tomlin
Who You Are To Me
96 bpm • C# Maj • 03:50 • -5db
55% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Love & The Outcome
I'm Not Lucky, I'm Blessed
98 bpm • D Maj • 03:31 • -2.85db
38% Popularity • 62% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 62% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Josh Wilson
That Was Then, This Is Now
98 bpm • F Maj • 03:17 • -4.55db
49% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Chris August
Little Lovin' left to Do
96 bpm • F# Maj • 03:19 • -8.39db
22% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Sound
I Didn’t Find Jesus
96 bpm • C# Maj • 02:38 • -6.23db
26% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Charlotte Ave
Be a Light
99 bpm • B Maj • 02:33 • -4.15db
31% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Finding Favour
Old Soul
95 bpm • G Maj • 03:41 • -8.93db
35% Popularity • 22% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 22% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sorensen
Rise
95 bpm • G# Maj • 03:29 • -5.94db
15% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Josh Wilson
How To Fall
96 bpm • F# Maj • 03:15 • -6db
35% Popularity • 52% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 52% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Jordan St. Cyr
Victory
95 bpm • G Maj • 03:29 • -4.06db
29% Popularity • 67% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 67% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Jonny Diaz
Joy
95 bpm • G Maj • 03:03 • -4.36db
38% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Steven Curtis Chapman
We Will Dance
99 bpm • D# Maj • 04:40 • -9.53db
33% Popularity • 35% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 35% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jamie Kimmett
Since I Met You
95 bpm • G Maj • 02:53 • -8.19db
26% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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High Valley
Somebody Tell That Girl
100 bpm • B Maj • 03:30 • -5db
37% Popularity • 44% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 44% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Wilson
Carry Me
95 bpm • G# Maj • 03:23 • -3.69db
35% Popularity • 61% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 61% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sugarland
Mother
95 bpm • C# Maj • 03:48 • -6db
44% Popularity • 56% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 56% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Jonny Diaz
Use Me Too
100 bpm • D Maj • 03:17 • -4db
30% Popularity • 59% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Tomlin
Talk To Him
100 bpm • A Maj • 02:46 • -4.85db
33% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Joel Vaughn
Already Done
94 bpm • A# Maj • 03:31 • -4db
29% Popularity • 68% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 68% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Jadon Lavik
Thinking About You
94 bpm • D Maj • 02:52 • -6db
31% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Mallary Hope
Now
94 bpm • B Maj • 03:22 • -2.97db
15% Popularity • 55% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 55% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Olivia Lane
HEART CHANGE
94 bpm • C# Maj • 02:33 • -6.1db
16% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jonny Diaz
Writing You a Song
100 bpm • B min • 03:40 • -7.24db
5% Popularity • 58% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
5% Popularity • 58% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Andrew Peterson
Dancing in the Minefields
101 bpm • C# Maj • 03:30 • -12db
43% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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TobyMac
21 Years
101 bpm • G Maj • 04:03 • -7.21db
39% Popularity • 71% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 71% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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The Color
Surprise
93 bpm • D# Maj • 03:13 • -4.46db
32% Popularity • 56% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 56% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Leanna Crawford
Work in Progress
93 bpm • F Maj • 03:14 • -7.72db
43% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Wilson
Things That I'm Afraid Of
93 bpm • B Maj • 02:46 • -5.43db
45% Popularity • 61% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 61% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Jonny Diaz
Meet Jesus
94 bpm • E min • 03:26 • -8.15db
29% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Lawson Bates
If I Ever Lost Your Love
93 bpm • E Maj • 03:19 • -6.58db
11% Popularity • 72% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 72% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Hillary Scott & The Scott Family
The Faithful Love Of Jesus
93 bpm • G min • 04:17 • -8.14db
25% Popularity • 63% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 63% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lady A
Lay Our Flowers Down
93 bpm • F Maj • 03:12 • -3.84db
26% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Ripp
Evergreen
102 bpm • C Maj • 03:18 • -5.1db
40% Popularity • 71% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 71% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Leanna Crawford
What You Can't Forget
102 bpm • F# Maj • 03:10 • -7.54db
36% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jonny Diaz
Enough in You
94 bpm • B Maj • 03:42 • -4.26db
23% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Plumb
Beautifully Broken
92 bpm • D Maj • 03:23 • -6.52db
43% Popularity • 57% Danceability • 60% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
43% Popularity • 57% Danceability • 60% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Stars Go Dim
It's Gonna Get Better
92 bpm • E min • 03:22 • -7.07db
45% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Tomlin
Forever Home
92 bpm • F# Maj • 03:27 • -4.78db
43% Popularity • 62% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 62% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Hannah Kerr
I Stand Here
92 bpm • G Maj • 03:44 • -4.62db
36% Popularity • 52% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 52% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Stephen Stanley
No Hopeless Soul
92 bpm • C Maj • 03:03 • -5.67db
49% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jonny Diaz
Small Enough
101 bpm • D min • 03:27 • -13.74db
6% Popularity • 53% Danceability • 38% Energy • 8% Liveness
28% Instrumentalness • 31% Positiveness
6% Popularity • 53% Danceability • 38% Energy • 8% Liveness
28% Instrumentalness • 31% Positiveness
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Unspoken
More Church Than Church
92 bpm • A# Maj • 03:48 • -5.25db
38% Popularity • 80% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 80% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Kelsea Ballerini
I Think I Fell In Love Today
92 bpm • G# Maj • 02:32 • -10.38db
29% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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33Miles
All My Fountains
103 bpm • A Maj • 04:08 • -3.81db
33% Popularity • 55% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 55% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Steven Curtis Chapman
Cinderella
103 bpm • A# Maj • 04:25 • -7.74db
52% Popularity • 35% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 35% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Sophia Scott
Beauty In the Flaws
91 bpm • C# Maj • 03:44 • -5db
38% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jonny Diaz
Broken People
92 bpm • F Maj • 03:20 • -7.01db
27% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Olivia Parker
I Get to Love You
103 bpm • D Maj • 04:00 • -11.56db
24% Popularity • 38% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 38% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Jordan Feliz
Photograph
104 bpm • E Maj • 04:13 • -7.56db
20% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Lauren Daigle
Look Up Child - Recorded at Sound Stage ...
91 bpm • D Maj • 03:34 • -7.64db
46% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jay Allen
No Prayer Like Mama's
90 bpm • B Maj • 02:41 • -8.09db
29% Popularity • 53% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 53% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Cochren & Co.
Church (Take Me Back) - Acoustic
90 bpm • B Maj • 02:53 • -8.37db
29% Popularity • 62% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 62% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Jonny Diaz
Come Child
104 bpm • F# Maj • 03:31 • -7.73db
6% Popularity • 69% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
6% Popularity • 69% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Ryan Griffin
One Prayer Left
90 bpm • F# Maj • 02:56 • -6db
37% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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MIKESCHAIR
All I Can Do (Thank You)
90 bpm • G Maj • 03:38 • -4.9db
38% Popularity • 53% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 53% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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City Harbor
Come However You Are
90 bpm • C Maj • 03:40 • -5db
29% Popularity • 54% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 54% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Tomlin
Thank You Lord
105 bpm • A Maj • 02:48 • -3.32db
58% Popularity • 67% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 67% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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The Color
Let It Be Love
105 bpm • F min • 02:57 • -5db
37% Popularity • 64% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 64% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Hunter Brothers
Captain
105 bpm • D# min • 03:27 • -6.66db
22% Popularity • 51% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 51% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Holly Starr
Through My Father's Eyes
89 bpm • A Maj • 03:08 • -5db
31% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Big Daddy Weave
I Know
105 bpm • D Maj • 05:19 • -6.74db
47% Popularity • 50% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 50% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Olivia Lane
You Got Me
89 bpm • F# Maj • 03:20 • -4db
36% Popularity • 52% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 52% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Steven Curtis Chapman
Remember to Remember
89 bpm • E Maj • 03:40 • -5.18db
22% Popularity • 53% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 53% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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The Color
Call Of The Wild
90 bpm • C Maj • 03:00 • -4.4db
30% Popularity • 55% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 55% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jonny Diaz
Hello L.O.V.E.
89 bpm • C# Maj • 03:16 • -4.56db
13% Popularity • 64% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 64% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Chase Rice
Forever To Go
89 bpm • C# Maj • 02:57 • -8.1db
49% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Roth
When God Made You My Mother
106 bpm • B Maj • 03:30 • -9.04db
48% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Brett Eldredge
Phone Call to God
88 bpm • B Maj • 03:57 • -7.13db
32% Popularity • 33% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 33% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Jordan St. Cyr
In My Lifetime
88 bpm • E Maj • 03:30 • -5.68db
31% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Cade Thompson
Every Step of the Way
88 bpm • F Maj • 03:15 • -6db
44% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Jonny Diaz
Chance
106 bpm • B Maj • 03:16 • -3db
28% Popularity • 57% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 57% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Olivia Lane
Same Old Story
88 bpm • B Maj • 03:12 • -5db
22% Popularity • 59% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 59% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Finding Favour
Feels Like the First Time
107 bpm • F# min • 03:33 • -4.84db
16% Popularity • 67% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 67% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Lauren Daigle
I Am Yours
88 bpm • C# Maj • 03:58 • -5.14db
52% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Love & The Outcome
Look What God Has Done
107 bpm • E Maj • 03:02 • -4.13db
23% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Lydia Laird
Hallelujah Even Here
88 bpm • F Maj • 03:24 • -4.41db
49% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jonny Diaz
Need You Always
107 bpm • A Maj • 03:15 • -6.56db
28% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Josh Wilson
I See God In You
88 bpm • F# Maj • 04:03 • -8.69db
29% Popularity • 40% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 40% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Peterson
Be Kind to Yourself
107 bpm • D Maj • 02:44 • -10db
45% Popularity • 58% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 58% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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33Miles
When I Get Where I'm Going
88 bpm • E Maj • 03:48 • -6.12db
16% Popularity • 47% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 47% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Olivia Lane
WOMAN AT THE WELL
88 bpm • C# Maj • 03:29 • -6.71db
44% Popularity • 35% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 35% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Warren Barfield
They Don't Make 'Em Like They Used To
87 bpm • E Maj • 05:03 • -13.12db
17% Popularity • 40% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 40% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Kara Coats
Beautiful Warrior Girl
108 bpm • F Maj • 02:43 • -9.32db
14% Popularity • 81% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 81% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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RaeLynn
Small Town Prayer
87 bpm • C Maj • 02:35 • -7.46db
26% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Jay Allen
No Present Like the Time
108 bpm • C Maj • 02:35 • -7.07db
39% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tenth Avenue North
I Have This Hope
108 bpm • C Maj • 03:24 • -7db
51% Popularity • 42% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
51% Popularity • 42% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Chris Tomlin
Chase Me Down
108 bpm • F# Maj • 03:28 • -5.13db
41% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
