Songs like Watcha Know, Joe? by Tommy Dorsey With Joe Stafford & The Pied Pipers
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Barnet
You've Got Me Voodoo
166 bpm • G min • 02:42 • -2.99db
6% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
6% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Bill Elliott Swing Orchestra
The Shim Sham Song
166 bpm • F min • 03:00 • -9.09db
33% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Jo Stafford
The Gentleman Is A Dope
166 bpm • A# min • 02:46 • -10.68db
17% Popularity • 46% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 46% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Red Prysock
Wiggles - 45 Version
166 bpm • C Maj • 02:49 • -11.36db
6% Popularity • 50% Danceability • 62% Energy • 23% Liveness
14% Instrumentalness • 60% Positiveness
6% Popularity • 50% Danceability • 62% Energy • 23% Liveness
14% Instrumentalness • 60% Positiveness
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Slim Gaillard
Momma's In The Kitchen But We've Got "Po...
166 bpm • D Maj • 02:40 • -6.27db
24% Popularity • 69% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 69% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
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Georgia Gibbs
If I Knew You Were Comin' I'd've Baked a...
166 bpm • G# Maj • 02:50 • -3.53db
15% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Michael Gamble & The Rhythm Serenaders
Got A Pebble In My Shoe
167 bpm • G Maj • 02:42 • -15.39db
15% Popularity • 68% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
20% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
20% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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California Feetwarmers
Always Got a Home
167 bpm • D min • 02:51 • -7.99db
29% Popularity • 51% Danceability • 54% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
29% Popularity • 51% Danceability • 54% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Jo Stafford
Teardrops from My Eyes
167 bpm • D# Maj • 02:36 • -7.44db
8% Popularity • 57% Danceability • 34% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 57% Danceability • 34% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
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Vienna State Opera Orchestra
Symphony No. 93 In D, H 1/93
165 bpm • C# Maj • 02:34 • -5.26db
1% Popularity • 52% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 52% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Wingy Manone
Besame Mucho
167 bpm • G# min • 02:41 • -9.37db
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Naomi & Her Handsome Devils
This Can't Be Love
164 bpm • G# Maj • 03:28 • -8.77db
20% Popularity • 58% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 58% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Lucky Millinder Orchestra
Savoy
164 bpm • F Maj • 03:02 • -10.02db
7% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Al Dexter
Wine, Women and Song
168 bpm • C min • 02:49 • -11.14db
21% Popularity • 75% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
21% Popularity • 75% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Artie Shaw
Rosalie
168 bpm • F Maj • 02:43 • -8.34db
7% Popularity • 71% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 83% Positiveness
7% Popularity • 71% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 83% Positiveness
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Lawrence Welk
Don't Sweetheart Me
164 bpm • G Maj • 02:43 • -12.63db
11% Popularity • 73% Danceability • 26% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
11% Popularity • 73% Danceability • 26% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
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Andy Kirk
Wednesday Night Hop
168 bpm • G min • 03:08 • -7.81db
20% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
20% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
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Lee Wiley
Down with Love
168 bpm • G min • 02:46 • -16.31db
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
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The Merry Macs
Johnson Rag
168 bpm • G min • 02:40 • -10.06db
17% Popularity • 69% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 69% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Harry James
Jubilee
168 bpm • C Maj • 02:46 • -11.26db
16% Popularity • 64% Danceability • 31% Energy • 48% Liveness
22% Instrumentalness • 70% Positiveness
16% Popularity • 64% Danceability • 31% Energy • 48% Liveness
22% Instrumentalness • 70% Positiveness
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Joe Loss & His Orchestra
Are You Havin' Any Fun?
168 bpm • G# Maj • 03:04 • -8.3db
7% Popularity • 54% Danceability • 38% Energy • 19% Liveness
35% Instrumentalness • 94% Positiveness
7% Popularity • 54% Danceability • 38% Energy • 19% Liveness
35% Instrumentalness • 94% Positiveness
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Fred Astaire
Fascinating Rhythm
163 bpm • A min • 02:41 • -11.84db
18% Popularity • 73% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 73% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Hot Swing Sextet
Fetch It to Me
163 bpm • G# Maj • 03:11 • -8.24db
10% Popularity • 57% Danceability • 52% Energy • 10% Liveness
8% Instrumentalness • 72% Positiveness
10% Popularity • 57% Danceability • 52% Energy • 10% Liveness
8% Instrumentalness • 72% Positiveness
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Ray Anthony
The Fox
163 bpm • G min • 02:34 • -7db
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
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Buddy Johnson
It's the Gold
163 bpm • G# Maj • 03:00 • -8.07db
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Sil Austin
Wildwood
163 bpm • A# Maj • 02:34 • -6.87db
31% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
31% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
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Slim Gaillard
Tutti Frutti
169 bpm • C Maj • 02:39 • -19.83db
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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Glenn Miller y su orquesta
Kalamazoo
169 bpm • G# Maj • 02:41 • -15db
13% Popularity • 43% Danceability • 34% Energy • 23% Liveness
79% Instrumentalness • 74% Positiveness
13% Popularity • 43% Danceability • 34% Energy • 23% Liveness
79% Instrumentalness • 74% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
I Threw A Kiss In The Ocean
163 bpm • A# Maj • 03:01 • -11.28db
3% Popularity • 52% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
3% Popularity • 52% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
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Artie Shaw
You're A Lucky Guy
170 bpm • G# Maj • 02:37 • -10.73db
20% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Brooks Prumo Orchestra
Jo Jo
162 bpm • G min • 03:43 • -7.07db
25% Popularity • 73% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 73% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Bobby Short
Heebie Jeebies
162 bpm • A min • 02:43 • -8.56db
33% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Cab Calloway & His Orchestra
The Mermaid Song
170 bpm • D min • 02:47 • -11.37db
14% Popularity • 62% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 62% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Ink Spots
Shout, Brother, Shout
170 bpm • D# min • 04:09 • -5.23db
13% Popularity • 50% Danceability • 57% Energy • 61% Liveness
1% Instrumentalness • 77% Positiveness
13% Popularity • 50% Danceability • 57% Energy • 61% Liveness
1% Instrumentalness • 77% Positiveness
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Preservation Hall Jazz Band
Choko Mo Feel No Hey
162 bpm • G min • 03:24 • -13.22db
33% Popularity • 68% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 68% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Teddy Wilson
Sugar
170 bpm • C Maj • 02:49 • -15.66db
31% Popularity • 66% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 66% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Blue Vipers Of Brooklyn
On the Sunny Side of the Street
170 bpm • A# Maj • 02:42 • -8.18db
27% Popularity • 56% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 56% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Cab Calloway & His Orchestra
A Chicken Ain't Nothing but a Bird
162 bpm • D# Maj • 02:54 • -10.14db
13% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Dick Haymes
Idaho
170 bpm • A# min • 03:01 • -9.73db
25% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
25% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Jonah Jones
Moten Swing - Remastered
170 bpm • F min • 03:13 • -11db
27% Popularity • 62% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 70% Positiveness
27% Popularity • 62% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 70% Positiveness
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London Symphony Orchestra
Symphony No. 8 In B Minor
161 bpm • G# Maj • 03:40 • -8.68db
17% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
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Slim Gaillard
Jump Session 2
161 bpm • C min • 02:37 • -18.34db
13% Popularity • 68% Danceability • 24% Energy • 20% Liveness
4% Instrumentalness • 86% Positiveness
13% Popularity • 68% Danceability • 24% Energy • 20% Liveness
4% Instrumentalness • 86% Positiveness
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Cab Calloway & His Orchestra
Fifteen Minutes Intermission
171 bpm • C# Maj • 02:50 • -12.05db
5% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
5% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jonathan Stout and his Campus Five
9-20 Special
161 bpm • C# Maj • 02:38 • -18.03db
13% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Leo Mathisens orkester
Hot Spot Blues - 1988 Remaster
161 bpm • F Maj • 03:07 • -10.38db
8% Popularity • 66% Danceability • 31% Energy • 12% Liveness
18% Instrumentalness • 81% Positiveness
8% Popularity • 66% Danceability • 31% Energy • 12% Liveness
18% Instrumentalness • 81% Positiveness
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California Feetwarmers
You May Leave
161 bpm • C Maj • 04:32 • -8.7db
12% Popularity • 70% Danceability • 52% Energy • 8% Liveness
17% Instrumentalness • 97% Positiveness
12% Popularity • 70% Danceability • 52% Energy • 8% Liveness
17% Instrumentalness • 97% Positiveness
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Preservation Hall Jazz Band
Short Dressed Gal
161 bpm • A# Maj • 02:39 • -10.57db
29% Popularity • 72% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 72% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Dorsey
They're Too Young Or Too Old
171 bpm • A# Maj • 03:02 • -10.11db
10% Popularity • 54% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 54% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
41% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
41% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Frankie Carle
Tomorrow
161 bpm • D# Maj • 02:37 • -7.59db
22% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Sam Cooke
Twistin' the Night Away
161 bpm • A Maj • 02:39 • -7.83db
62% Popularity • 46% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 46% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Woody Herman & His Orchestra
Doctor Jazz
172 bpm • C min • 02:57 • -12.75db
13% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
13% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
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Bob Chester
Clap Your Hands on the After Beat
172 bpm • C min • 02:57 • -10.86db
9% Popularity • 60% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 60% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Boswell Sisters
Cheek to Cheek
160 bpm • D# Maj • 02:50 • -16.63db
10% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Doris Day
It's A Lovely Day Today
160 bpm • F Maj • 03:00 • -15.36db
27% Popularity • 58% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 58% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Niklas Gabrielsson with Martin Landström & His Orchestra
My Gal
160 bpm • A Maj • 02:14 • -6.69db
15% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Meschiya Lake and The Little Big Horns
I Believe in Music
172 bpm • A min • 03:33 • -8db
16% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Artie Shaw
Rosalie (Rerecorded)
173 bpm • A min • 02:39 • -6.27db
16% Popularity • 68% Danceability • 58% Energy • 33% Liveness
6% Instrumentalness • 75% Positiveness
16% Popularity • 68% Danceability • 58% Energy • 33% Liveness
6% Instrumentalness • 75% Positiveness
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Andy Kirk
A Mellow Bit Of Rhythm
160 bpm • D# Maj • 03:19 • -5.15db
20% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
20% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
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Anita O'Day
Watch the Birdie
159 bpm • D# Maj • 03:11 • -12.28db
12% Popularity • 55% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 55% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Kitty Kallen
They're Either Too Young or Too Old
173 bpm • A# Maj • 03:06 • -13.23db
26% Popularity • 52% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 52% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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The Cats & The Fiddle
Thursday Evening Swing
173 bpm • D min • 02:28 • -11.99db
11% Popularity • 67% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 67% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Sister Rosetta Tharpe
Rock Daniel
173 bpm • A# Maj • 02:40 • -9.35db
8% Popularity • 53% Danceability • 52% Energy • 72% Liveness
10% Instrumentalness • 96% Positiveness
8% Popularity • 53% Danceability • 52% Energy • 72% Liveness
10% Instrumentalness • 96% Positiveness
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Big Joe Turner
You're Driving Me Crazy
159 bpm • G# Maj • 04:13 • -6.57db
18% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jo Stafford
The Old Man of the Mountain
159 bpm • D min • 02:07 • -7.44db
10% Popularity • 61% Danceability • 33% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 61% Danceability • 33% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
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Wingy Manone
Mama's Gone, Good-Bye
159 bpm • G# Maj • 02:52 • -9db
13% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
19% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Betty Hutton
Stuff Like That There
159 bpm • A# Maj • 02:59 • -9.74db
18% Popularity • 59% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 59% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Professor Cunningham And His Old School
On the Sunny Side of the Street
173 bpm • C Maj • 03:23 • -15.81db
11% Popularity • 49% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 49% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Jan Savitt
720 in the Books
159 bpm • F min • 02:54 • -7.95db
17% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
17% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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THE SCHWINGS BAND
Jack I'm Mellow
173 bpm • C min • 03:24 • -14db
23% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Raymond Scott
Surrey With the Fringe on Top - 1944 Voc...
174 bpm • E min • 03:27 • -11.23db
7% Popularity • 60% Danceability • 40% Energy • 53% Liveness
89% Instrumentalness • 74% Positiveness
7% Popularity • 60% Danceability • 40% Energy • 53% Liveness
89% Instrumentalness • 74% Positiveness
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Artie Shaw
It Had To Be You
158 bpm • G Maj • 02:28 • -10.77db
40% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
40% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
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Fletcher Henderson
Back in Your Own Backyard
174 bpm • D Maj • 02:30 • -6.96db
4% Popularity • 53% Danceability • 53% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
4% Popularity • 53% Danceability • 53% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
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Ondrej Havelka a jeho Melody Makers
Me to tady nebavi
158 bpm • A# Maj • 02:56 • -16.24db
15% Popularity • 46% Danceability • 11% Energy • 11% Liveness
33% Instrumentalness • 54% Positiveness
15% Popularity • 46% Danceability • 11% Energy • 11% Liveness
33% Instrumentalness • 54% Positiveness
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Kid Ory
Joshua Fit the Battle of Jericho - Remas...
158 bpm • F min • 02:58 • -6.74db
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
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Larry Clinton
Study In Blue
158 bpm • C# Maj • 03:36 • -7.26db
14% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
14% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
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Raymond Scott
Mairzy-Doats
174 bpm • D# Maj • 02:30 • -11.51db
13% Popularity • 57% Danceability • 36% Energy • 13% Liveness
43% Instrumentalness • 93% Positiveness
13% Popularity • 57% Danceability • 36% Energy • 13% Liveness
43% Instrumentalness • 93% Positiveness
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Gene Krupa
Massachusetts
157 bpm • A# Maj • 03:15 • -9.85db
40% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
40% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
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Slim Gaillard
Communications
175 bpm • G Maj • 02:30 • -5.77db
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Meschiya Lake and The Little Big Horns
Comes Love
175 bpm • D Maj • 03:15 • -10.52db
23% Popularity • 70% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
23% Popularity • 70% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
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Louis Jordan
Saturday Night Fish Fry
175 bpm • F min • 05:24 • -5.93db
29% Popularity • 63% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 63% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
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Ray Noble, Al Bowlly
Top Hat White Tie and Tails
176 bpm • F Maj • 03:29 • -9db
14% Popularity • 56% Danceability • 53% Energy • 70% Liveness
1% Instrumentalness • 86% Positiveness
14% Popularity • 56% Danceability • 53% Energy • 70% Liveness
1% Instrumentalness • 86% Positiveness
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Sammy Davis Jr.
Smile, Darn Ya, Smile - Remastered
176 bpm • G# Maj • 02:35 • -15.33db
30% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Fats Waller
Believe It, Beloved - Remastered
157 bpm • C Maj • 02:39 • -16.41db
22% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Gordon Webster
Eight, Nine and Ten
176 bpm • D# Maj • 04:16 • -8.74db
24% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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The Merry Macs
Breezin' Along with the Breeze
157 bpm • F min • 03:01 • -14.54db
22% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
22% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
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Hot Sugar Band
Wham!!!
176 bpm • A# Maj • 03:16 • -12.97db
32% Popularity • 70% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 70% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Kay Kyser & His Orchestra
A zoot suit
176 bpm • F Maj • 03:05 • -14.3db
8% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
35% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Keely Smith
Oh Babe
177 bpm • F Maj • 03:09 • -16.48db
13% Popularity • 42% Danceability • 17% Energy • 15% Liveness
87% Instrumentalness • 88% Positiveness
13% Popularity • 42% Danceability • 17% Energy • 15% Liveness
87% Instrumentalness • 88% Positiveness
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Wingy Manone
Rhythm on the River
177 bpm • F Maj • 02:58 • -9.47db
19% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
19% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
