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Watcher Of Men - Dublin Sessions
Songs like
Watcher Of Men - Dublin Sessions
by
Sinéad O'Connor
Based on a tempo of (+/- 10%) and a similar genre
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Bryan Ferry
Slave To Love
148 bpm • D Maj • 04:26 • -5.9db
69% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Simon & Garfunkel
El Condor Pasa (If I Could)
148 bpm • E min • 03:07 • -17.7db
63% Popularity • 33% Danceability • 21% Energy • 18% Liveness
7% Instrumentalness • 28% Positiveness
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Procol Harum
A Whiter Shade of Pale - Original Single...
150 bpm • C Maj • 04:08 • -6.9db
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Tracy Chapman
Behind the Wall
149 bpm • F Maj • 01:49 • -18.84db
53% Popularity • 67% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Sade
By Your Side
146 bpm • B Maj • 04:34 • -10.47db
72% Popularity • 65% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Sinéad O'Connor
Success Has Made a Failure of Our Home
146 bpm • G min • 04:27 • -8.81db
35% Popularity • 31% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Bush
Hounds Of Love
146 bpm • F Maj • 03:03 • -13.99db
56% Popularity • 55% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Robbie Williams
Angels
150 bpm • E Maj • 04:25 • -6.25db
76% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bryan Adams
Have You Ever Really Loved A Woman?
146 bpm • G Maj • 04:51 • -10.19db
70% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
69% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Joe Cocker
With A Little Help From My Friends
145 bpm • D Maj • 05:12 • -11.33db
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Scorpions
Wind Of Change
152 bpm • C Maj • 05:12 • -10.11db
80% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Boy George
Death of Samantha
152 bpm • E min • 05:52 • -15.75db
12% Popularity • 60% Danceability • 22% Energy • 18% Liveness
46% Instrumentalness • 5% Positiveness
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Bomb The Bass
Empire
144 bpm • D# min • 05:51 • -12db
41% Popularity • 71% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
67% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Kate Bush
Army Dreamers - 2018 Remaster
143 bpm • E min • 02:59 • -18.62db
56% Popularity • 70% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Orchestral Manoeuvres In The Dark
Enola Gay - Remastered 2003
143 bpm • D min • 03:33 • -7.06db
70% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
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Aimee Mann
Save Me
143 bpm • A# Maj • 04:34 • -10.44db
55% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Yusuf / Cat Stevens
Wild World
153 bpm • C Maj • 03:20 • -8.51db
78% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Palmer
Johnny And Mary
153 bpm • D Maj • 03:59 • -10.95db
60% Popularity • 66% Danceability • 60% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
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Nick Cave & The Bad Seeds
Henry Lee
143 bpm • A min • 03:58 • -11.94db
51% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Clapton
Tears in Heaven
154 bpm • A Maj • 04:31 • -12.24db
69% Popularity • 50% Danceability • 24% Energy • 13% Liveness
54% Instrumentalness • 31% Positiveness
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Youssou N'Dour
7 Seconds
154 bpm • C# min • 05:06 • -10.83db
62% Popularity • 68% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Tanita Tikaram
Good Tradition
154 bpm • C# Maj • 02:50 • -8.42db
46% Popularity • 51% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Sheryl Crow
Strong Enough
155 bpm • D Maj • 03:09 • -15.27db
60% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sinéad O'Connor
House of the Rising Sun
142 bpm • E min • 05:06 • -18.02db
36% Popularity • 32% Danceability • 9% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
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Nick Cave & The Bad Seeds
The Ship Song
142 bpm • G Maj • 05:14 • -10.36db
49% Popularity • 32% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Tracy Chapman
The Promise
141 bpm • C# Maj • 05:27 • -17db
64% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Counting Crows
Mr. Jones
142 bpm • C Maj • 04:32 • -6.54db
78% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
74% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Billy Idol
Sweet Sixteen
156 bpm • A min • 04:17 • -12.68db
55% Popularity • 60% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
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Sinéad O'Connor
Thank You for Hearing Me
156 bpm • D Maj • 06:25 • -12.31db
44% Popularity • 52% Danceability • 48% Energy • 31% Liveness
20% Instrumentalness • 40% Positiveness
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Nick Cave & The Bad Seeds
Where the Wild Roses Grow
155 bpm • G min • 03:57 • -10.54db
59% Popularity • 34% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Roxy Music
Oh Yeah!
140 bpm • C Maj • 04:50 • -8.42db
52% Popularity • 61% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Norah Jones
Sunrise
157 bpm • G# Maj • 03:20 • -13.8db
76% Popularity • 53% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
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Mazzy Star
Fade Into You
157 bpm • A Maj • 04:55 • -13.93db
82% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Nick Cave & The Bad Seeds
(Are You) the One That I've Been Waiting...
140 bpm • G# Maj • 04:05 • -17.31db
48% Popularity • 45% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Enya
Caribbean Blue - 2009 Remaster
158 bpm • E Maj • 03:59 • -12.26db
65% Popularity • 39% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 68% Positiveness
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Melissa Etheridge
You Can Sleep While I Drive
138 bpm • F Maj • 03:15 • -17.34db
44% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Natalie Merchant
San Andreas Fault
158 bpm • C# Maj • 03:58 • -15.7db
44% Popularity • 75% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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The Pogues
Love You 'Till the End
138 bpm • B Maj • 04:32 • -13db
53% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sinéad O'Connor
This Is a Rebel Song
138 bpm • A Maj • 03:02 • -14db
43% Popularity • 48% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Fleetwood Mac
Landslide
159 bpm • G min • 03:19 • -22.32db
79% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Blondie
Maria
160 bpm • A Maj • 04:09 • -6.93db
69% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Lenny Kravitz
It Ain't Over 'Til It's Over
160 bpm • F# Maj • 04:02 • -10.74db
77% Popularity • 68% Danceability • 57% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Natalie Merchant
Motherland
138 bpm • G# Maj • 04:41 • -14.26db
45% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Conjure One
Tears From The Moon [ASOT 567] **ASOT Ra...
137 bpm • B min • 06:53 • -10.68db
5% Popularity • 55% Danceability • 79% Energy • 16% Liveness
57% Instrumentalness • 36% Positiveness
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Alphaville
Forever Young - 2019 Remaster
137 bpm • A min • 03:46 • -9.71db
72% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Tears For Fears
Woman In Chains
160 bpm • F Maj • 06:30 • -8.58db
64% Popularity • 43% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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The Rolling Stones
Angie - Remastered 2009
136 bpm • A min • 04:32 • -6.13db
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Elton John
Rocket Man (I Think It's Going To Be A L...
137 bpm • A# Maj • 04:41 • -9.12db
83% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Yusuf / Cat Stevens
Father And Son
136 bpm • G Maj • 03:41 • -12.29db
76% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Cure
Friday I'm In Love
136 bpm • C min • 03:35 • -12.66db
78% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Conjure One
Tears From The Moon [ASOT 423] - Tiesto ...
136 bpm • B min • 05:43 • -11.96db
2% Popularity • 49% Danceability • 81% Energy • 29% Liveness
35% Instrumentalness • 32% Positiveness
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Kate Bush
The Sensual World - 2018 Remaster
136 bpm • A# Maj • 03:57 • -14db
48% Popularity • 55% Danceability • 55% Energy • 28% Liveness
37% Instrumentalness • 78% Positiveness
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Fleetwood Mac
Go Your Own Way - 2004 Remaster
135 bpm • F Maj • 03:43 • -5.12db
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Sheryl Crow
I Shall Believe
135 bpm • E Maj • 05:33 • -14db
44% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Pat Benatar
We Belong
135 bpm • F Maj • 03:41 • -14.11db
69% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
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Simple Minds
Belfast Child - Remastered 2002
162 bpm • G Maj • 06:42 • -8.41db
56% Popularity • 16% Danceability • 51% Energy • 9% Liveness
6% Instrumentalness • 32% Positiveness
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World Party
Sweet Soul Dream
135 bpm • A Maj • 04:39 • -8.3db
36% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Tracy Chapman
For My Lover
163 bpm • E min • 03:12 • -13.81db
58% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Roger Waters
Mother - Live In Berlin
135 bpm • G Maj • 06:37 • -15.67db
42% Popularity • 44% Danceability • 30% Energy • 76% Liveness
3% Instrumentalness • 5% Positiveness
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Bronski Beat
Smalltown Boy
135 bpm • F min • 05:02 • -10.62db
76% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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4 Non Blondes
What's Up?
134 bpm • D Maj • 04:55 • -10.04db
81% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Travis
Sing
163 bpm • E Maj • 03:48 • -5.05db
69% Popularity • 33% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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10cc
I'm Not In Love
134 bpm • E Maj • 06:06 • -15.7db
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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All Saints
Never Ever
134 bpm • C# Maj • 06:27 • -5.49db
61% Popularity • 74% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Bette Midler
The Rose
134 bpm • C Maj • 03:41 • -9.67db
65% Popularity • 35% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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Natalie Merchant
Beloved Wife
134 bpm • C Maj • 05:02 • -10.26db
38% Popularity • 60% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
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The Stranglers
Always The Sun - Sunny Side Up Mix
133 bpm • D Maj • 04:03 • -4.15db
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Paul Young
Every Time You Go Away - Radio Edit
164 bpm • F Maj • 04:27 • -9db
70% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Yusuf / Cat Stevens
Morning Has Broken - Remastered 2021
133 bpm • G Maj • 03:19 • -11.83db
71% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Aretha Franklin
I Say a Little Prayer
133 bpm • A Maj • 03:36 • -14.05db
77% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Cher
Believe
133 bpm • F# Maj • 03:59 • -6.72db
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Conjure One
Tears From The Moon - Hybrid Twisted On ...
132 bpm • E min • 03:29 • -7.57db
6% Popularity • 55% Danceability • 84% Energy • 28% Liveness
7% Instrumentalness • 37% Positiveness
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Paul Young
Every Time You Go Away
164 bpm • F Maj • 05:24 • -12.29db
61% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Sinéad O'Connor
What Doesn't Belong to Me
132 bpm • C# Maj • 05:38 • -7.03db
23% Popularity • 71% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Seal
Kiss from a Rose
132 bpm • A# min • 04:48 • -7.11db
75% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Robbie Williams
She's The One
167 bpm • A# Maj • 04:18 • -8.45db
68% Popularity • 24% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Jewel
Foolish Games
131 bpm • F Maj • 05:40 • -16.46db
56% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
131 bpm • G# Maj • 06:58 • -12.87db
60% Popularity • 44% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Cowboy Junkies
Sweet Jane
167 bpm • G Maj • 03:34 • -22.19db
56% Popularity • 60% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 80% Positiveness
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Paul Young
Come Back and Stay - 2008 Remastered
131 bpm • F# min • 04:24 • -7.99db
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Tanita Tikaram
Cathedral Song
131 bpm • A Maj • 02:53 • -16.63db
52% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Shawn Colvin
Sunny Came Home
168 bpm • B min • 04:24 • -8.05db
42% Popularity • 55% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Elvis Costello
She
131 bpm • C# Maj • 03:07 • -12.87db
67% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Massive Attack
Protection
168 bpm • E Maj • 07:51 • -13.14db
58% Popularity • 58% Danceability • 42% Energy • 7% Liveness
12% Instrumentalness • 74% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Savage Garden
Truly Madly Deeply
168 bpm • C Maj • 04:36 • -6.11db
70% Popularity • 60% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Patti Smith
People Have the Power
130 bpm • D Maj • 05:10 • -9db
48% Popularity • 62% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:47 • -6.41db
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Sinéad O'Connor
Mandinka
130 bpm • A Maj • 03:47 • -8.43db
57% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Watcher Of Men - Dublin Sessions