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Water Music
Songs like
Water Music
by
Kelly Moran
Based on a tempo of (+/- 10%) and a similar genre
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Nailah Hunter
Bleed
100 bpm • C min • 03:49 • -10.34db
21% Popularity • 40% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 18% Positiveness
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Omni Gardens
Rain Jacket
100 bpm • A# Maj • 02:54 • -20.38db
32% Popularity • 56% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 81% Positiveness
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Prefuse 73
Lullabyes and Awakenings
100 bpm • C# Maj • 04:13 • -6.12db
23% Popularity • 29% Danceability • 65% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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Faten Kanaan
Ard Diar
100 bpm • A# Maj • 03:24 • -14.08db
14% Popularity • 56% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Maria BC
Amber
100 bpm • E min • 03:53 • -12.88db
25% Popularity • 52% Danceability • 24% Energy • 27% Liveness
77% Instrumentalness • 8% Positiveness
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Julia Holter
Something in the Room She Moves
100 bpm • A Maj • 06:18 • -10.39db
52% Popularity • 48% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 12% Positiveness
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Nils Frahm
Hands On
100 bpm • F Maj • 06:04 • -36.8db
42% Popularity • 23% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Xuri
Bellbird
101 bpm • C Maj • 03:25 • -18.48db
25% Popularity • 20% Danceability • 29% Energy • 11% Liveness
68% Instrumentalness • 5% Positiveness
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Kelly Moran
Sodalis (II)
100 bpm • D# min • 05:03 • -21.52db
31% Popularity • 36% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Maya Shenfeld
Sedek
101 bpm • F Maj • 03:21 • -16.08db
12% Popularity • 20% Danceability • 73% Energy • 25% Liveness
94% Instrumentalness • 12% Positiveness
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Ann Annie
Magnolias
101 bpm • D min • 02:43 • -21.44db
33% Popularity • 34% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Julia Holter
Evening Mood
101 bpm • D min • 06:24 • -10.45db
41% Popularity • 50% Danceability • 43% Energy • 22% Liveness
37% Instrumentalness • 12% Positiveness
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Klein
black timbs
99 bpm • E min • 02:28 • -9.84db
13% Popularity • 34% Danceability • 72% Energy • 38% Liveness
45% Instrumentalness • 31% Positiveness
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Benoît Pioulard
Fed On Lilies
99 bpm • C# Maj • 05:08 • -18.25db
16% Popularity • 13% Danceability • 24% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Greg Foat
Dolphin
101 bpm • A# Maj • 01:59 • -18.58db
41% Popularity • 39% Danceability • 15% Energy • 11% Liveness
83% Instrumentalness • 11% Positiveness
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Kelly Moran
Iris
102 bpm • D Maj • 01:52 • -15.18db
11% Popularity • 58% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 97% Positiveness
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Martyna Basta
Diaries
102 bpm • D# min • 03:20 • -22.16db
24% Popularity • 28% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Bolis Pupul
Letter To Yu
98 bpm • G min • 03:01 • -12.93db
37% Popularity • 61% Danceability • 50% Energy • 42% Liveness
91% Instrumentalness • 58% Positiveness
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Ariel Kalma
New Air
102 bpm • F min • 02:25 • -17.68db
20% Popularity • 34% Danceability • 31% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Fabiano do Nascimento
Kewere
102 bpm • A min • 04:03 • -16.39db
31% Popularity • 44% Danceability • 29% Energy • 12% Liveness
79% Instrumentalness • 50% Positiveness
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Rainy Miller
Shelter
97 bpm • G Maj • 03:00 • -12.82db
14% Popularity • 22% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Nils Frahm
Butter Notes
103 bpm • G# Maj • 05:21 • -38.46db
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Niecy Blues
Violently Rooted Reprise
97 bpm • A# min • 01:43 • -18.65db
15% Popularity • 15% Danceability • 30% Energy • 9% Liveness
33% Instrumentalness • 13% Positiveness
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Tara Clerkin Trio
Once Around
103 bpm • F# min • 05:21 • -21.41db
20% Popularity • 31% Danceability • 11% Energy • 17% Liveness
41% Instrumentalness • 21% Positiveness
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Bolis Pupul
Cosmic Rendez-Vous
103 bpm • D min • 03:46 • -11.6db
32% Popularity • 75% Danceability • 40% Energy • 10% Liveness
68% Instrumentalness • 49% Positiveness
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Astrid Sonne
Almost
103 bpm • F# Maj • 02:52 • -17.22db
31% Popularity • 76% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 28% Positiveness
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Salamanda
Nostalgia
103 bpm • F min • 03:58 • -11.79db
18% Popularity • 33% Danceability • 75% Energy • 44% Liveness
92% Instrumentalness • 64% Positiveness
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Kelly Moran
Liatris
97 bpm • F# Maj • 02:10 • -15.46db
8% Popularity • 59% Danceability • 41% Energy • 18% Liveness
85% Instrumentalness • 47% Positiveness
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Fabiano do Nascimento
Até de Manhã
97 bpm • G min • 02:29 • -18.85db
30% Popularity • 58% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 41% Positiveness
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Niecy Blues
The Architect
96 bpm • F# min • 03:40 • -10.82db
16% Popularity • 45% Danceability • 55% Energy • 14% Liveness
93% Instrumentalness • 38% Positiveness
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Leo Takami
As If Listening
104 bpm • C Maj • 06:48 • -21.31db
12% Popularity • 58% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Astrid Sonne
Everything is unreal
103 bpm • B Maj • 04:03 • -18.89db
29% Popularity • 40% Danceability • 5% Energy • 20% Liveness
72% Instrumentalness • 4% Positiveness
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Salamanda
Homemade Jam
104 bpm • A# Maj • 03:53 • -8.31db
22% Popularity • 90% Danceability • 59% Energy • 41% Liveness
19% Instrumentalness • 66% Positiveness
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Rainy Miller
I Believe in God, When Things Are Going ...
96 bpm • F# Maj • 04:48 • -9.82db
13% Popularity • 15% Danceability • 49% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
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Kelly Moran
Water Music
97 bpm • G# Maj • 06:29 • -13.75db
30% Popularity • 25% Danceability • 40% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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MIZU
Pavane
96 bpm • A# min • 04:08 • -10.17db
21% Popularity • 38% Danceability • 51% Energy • 6% Liveness
61% Instrumentalness • 5% Positiveness
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Geotic
The Pristine
96 bpm • B Maj • 04:12 • -24.37db
20% Popularity • 38% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Niecy Blues
U Care
105 bpm • A Maj • 06:06 • -15.52db
23% Popularity • 42% Danceability • 40% Energy • 11% Liveness
61% Instrumentalness • 38% Positiveness
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Galya Bisengalieva
Saryzhal
95 bpm • D Maj • 02:43 • -18.08db
14% Popularity • 38% Danceability • 32% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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Ariel Kalma
Stay Centered
95 bpm • A# min • 02:15 • -14.93db
19% Popularity • 18% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Kelly Moran
In Parallel
104 bpm • D min • 06:20 • -15.83db
17% Popularity • 20% Danceability • 40% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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MIZU
Flutter
96 bpm • A# min • 04:04 • -10.2db
20% Popularity • 39% Danceability • 51% Energy • 6% Liveness
61% Instrumentalness • 5% Positiveness
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Hiroshi Yoshimura
Something blue
95 bpm • F Maj • 05:45 • -27.8db
37% Popularity • 64% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 39% Positiveness
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Maria BC
Haruspex
95 bpm • B Maj • 05:19 • -14.46db
18% Popularity • 58% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Prefuse 73
The End Of Air
95 bpm • G# Maj • 04:49 • -7.55db
25% Popularity • 22% Danceability • 49% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Ariel Kalma
A Treasure Chest
105 bpm • G# min • 06:12 • -13.19db
18% Popularity • 21% Danceability • 32% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Astrid Sonne
Withdrawal
95 bpm • A min • 02:01 • -19.11db
39% Popularity • 30% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Kelly Moran
Moves in the Field
104 bpm • E min • 04:46 • -22.13db
33% Popularity • 38% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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MIZU
Prelude (An Eternity of Light)
105 bpm • A Maj • 04:00 • -16.32db
14% Popularity • 15% Danceability • 16% Energy • 45% Liveness
93% Instrumentalness • 3% Positiveness
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Julia Holter
Materia
94 bpm • A min • 03:08 • -16.18db
43% Popularity • 48% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jonny Nash
Theories
94 bpm • F Maj • 02:12 • -22.61db
30% Popularity • 36% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Jlin
Eye Am
94 bpm • A# min • 03:29 • -6.11db
25% Popularity • 75% Danceability • 50% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
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Rainy Miller
The Graves at Charleroi
94 bpm • C# min • 05:57 • -8.1db
18% Popularity • 20% Danceability • 52% Energy • 18% Liveness
61% Instrumentalness • 8% Positiveness
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Kelly Moran
Halogen (Una Corda)
96 bpm • D min • 06:42 • -8.97db
3% Popularity • 26% Danceability • 45% Energy • 24% Liveness
91% Instrumentalness • 14% Positiveness
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Pauline Anna Strom
Cult of Isis
107 bpm • C min • 07:41 • -21.04db
17% Popularity • 47% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Colleen
Night looping - Movement I
94 bpm • A min • 02:11 • -15.89db
25% Popularity • 78% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
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Josiah Steinbrick
Green Glass
94 bpm • G min • 01:58 • -20.23db
26% Popularity • 47% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Niecy Blues
The Nite B4
94 bpm • A min • 02:57 • -20.02db
22% Popularity • 12% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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MIZU
Realms of Possibility
107 bpm • F Maj • 10:49 • -13.77db
18% Popularity • 28% Danceability • 60% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Fabiano do Nascimento
Cores
107 bpm • A min • 03:30 • -15.5db
31% Popularity • 43% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 42% Positiveness
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Donato Dozzy
Franca
107 bpm • F Maj • 07:15 • -13.79db
25% Popularity • 59% Danceability • 77% Energy • 7% Liveness
87% Instrumentalness • 40% Positiveness
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Maria BC
Watcher
107 bpm • A Maj • 03:04 • -10.41db
19% Popularity • 45% Danceability • 32% Energy • 12% Liveness
51% Instrumentalness • 9% Positiveness
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Blue Lake
Bloom
93 bpm • F Maj • 06:22 • -11.96db
29% Popularity • 26% Danceability • 42% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Clarissa Connelly
Into This, Called Loneliness
93 bpm • F# min • 04:39 • -11.8db
25% Popularity • 37% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Galya Bisengalieva
Polygon
108 bpm • C# Maj • 07:21 • -17.96db
7% Popularity • 19% Danceability • 38% Energy • 27% Liveness
86% Instrumentalness • 5% Positiveness
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Marina Herlop
Karada
93 bpm • C min • 04:38 • -13.46db
26% Popularity • 36% Danceability • 33% Energy • 34% Liveness
70% Instrumentalness • 20% Positiveness
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Niecy Blues
Cascade
108 bpm • B Maj • 03:09 • -18.16db
16% Popularity • 48% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Rachika Nayar
hawthorn
108 bpm • D Maj • 01:58 • -7.15db
29% Popularity • 42% Danceability • 51% Energy • 38% Liveness
99% Instrumentalness • 12% Positiveness
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Kelly Moran
Nereid
93 bpm • A min • 10:07 • -12.41db
17% Popularity • 19% Danceability • 43% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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Alessandro Cortini
Quinta Emosfera
92 bpm • E Maj • 07:41 • -18.28db
16% Popularity • 11% Danceability • 29% Energy • 18% Liveness
88% Instrumentalness • 7% Positiveness
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Gan Gemi
Image I (Joseph Shabason Remix)
92 bpm • A# min • 04:36 • -18.29db
24% Popularity • 33% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Martyna Basta
Back and Forth
109 bpm • A min • 03:57 • -25.23db
9% Popularity • 25% Danceability • 16% Energy • 31% Liveness
59% Instrumentalness • 9% Positiveness
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Green-House
Many Years Later
91 bpm • E Maj • 02:45 • -19.49db
26% Popularity • 41% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Ellen Arkbro
Untitled Rain
91 bpm • C# Maj • 02:50 • -18.89db
9% Popularity • 21% Danceability • 0% Energy • 5% Liveness
49% Instrumentalness • 2% Positiveness
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M. Sage
Evenin' Out
91 bpm • A# Maj • 03:11 • -20.61db
26% Popularity • 27% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 17% Positiveness
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Laurel Halo
Sick Eros
91 bpm • F# min • 04:22 • -19.2db
30% Popularity • 10% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jeremiah Chiu
A Cloud Song
91 bpm • C min • 02:18 • -14.69db
24% Popularity • 26% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Salamanda
Paper Labyrinth
110 bpm • B min • 04:57 • -9.82db
18% Popularity • 71% Danceability • 65% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
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Julia Holter
Who Brings Me
91 bpm • G Maj • 03:38 • -15.45db
38% Popularity • 15% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Arushi Jain
Imagine An Orchestra
110 bpm • G# Maj • 03:27 • -9.79db
23% Popularity • 41% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
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Lost Girls
Seawhite
91 bpm • G min • 09:33 • -17.04db
12% Popularity • 14% Danceability • 11% Energy • 13% Liveness
40% Instrumentalness • 3% Positiveness
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Frederik Valentin
BROKEN SNOW
110 bpm • A min • 04:04 • -21.17db
29% Popularity • 63% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
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Moor Mother
ALL THE MONEY
91 bpm • D Maj • 04:12 • -10.47db
30% Popularity • 40% Danceability • 62% Energy • 20% Liveness
19% Instrumentalness • 38% Positiveness
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a.s.o.
LITD pt.1
110 bpm • B min • 01:53 • -17.2db
30% Popularity • 16% Danceability • 19% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Geotic
The Tear-Taster
91 bpm • A# Maj • 04:16 • -20.25db
21% Popularity • 52% Danceability • 14% Energy • 10% Liveness
67% Instrumentalness • 10% Positiveness
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Cowboy Sadness
Range
90 bpm • C Maj • 06:26 • -16.54db
21% Popularity • 31% Danceability • 33% Energy • 15% Liveness
93% Instrumentalness • 16% Positiveness
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William Eggleston
Over The Rainbow
90 bpm • F Maj • 03:40 • -20.22db
7% Popularity • 30% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Benoît Pioulard
Seaside Nude / Suicide Note
90 bpm • E min • 04:51 • -20.54db
15% Popularity • 13% Danceability • 21% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Fabiano do Nascimento
Capricho de Raphael
111 bpm • D min • 04:26 • -14.82db
33% Popularity • 60% Danceability • 24% Energy • 13% Liveness
59% Instrumentalness • 52% Positiveness
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Maya Shenfeld
A guide for the perplexed
90 bpm • G# Maj • 07:12 • -19.13db
17% Popularity • 12% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Ariel Kalma
Stack Attack
111 bpm • D min • 06:29 • -16.44db
17% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Moor Mother
GUILTY
111 bpm • A min • 09:54 • -10.38db
34% Popularity • 29% Danceability • 43% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
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Rainy Miller
Bobbies Reprise
111 bpm • C# Maj • 01:51 • -13.34db
15% Popularity • 24% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Helado Negro
Out There
90 bpm • A# Maj • 04:54 • -12.39db
41% Popularity • 65% Danceability • 54% Energy • 9% Liveness
80% Instrumentalness • 45% Positiveness
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Donato Dozzy
Santa Cunegonda
90 bpm • C Maj • 10:12 • -9.36db
24% Popularity • 62% Danceability • 85% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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Natural Wonder Beauty Concept
Clear
90 bpm • E min • 03:04 • -7.99db
21% Popularity • 78% Danceability • 72% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Amaro Freitas
Sonho Ancestral
90 bpm • C Maj • 04:52 • -13.28db
31% Popularity • 25% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Astrid Sonne
Say you love me
90 bpm • G Maj • 04:07 • -16.2db
32% Popularity • 63% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
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Faten Kanaan
Falconers
90 bpm • A# Maj • 01:11 • -13.89db
23% Popularity • 37% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Arushi Jain
Infinite Delight
90 bpm • G# Maj • 06:11 • -9.83db
19% Popularity • 18% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Water Music