Songs like Watercolor Tears by Brian Crain
Based on a tempo of (+/- 10%) and a similar genre
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Mack Winter
Far and Beyond
72 bpm • D# min • 03:08 • -38.98db
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Bruno Bavota
La Luce Nel Cuore
72 bpm • D# min • 02:57 • -18.79db
40% Popularity • 31% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
40% Popularity • 31% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Judson Hurd
Dream
72 bpm • G Maj • 02:45 • -18.95db
33% Popularity • 13% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
33% Popularity • 13% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
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Ludovico Einaudi
Dolce Droga
72 bpm • A Maj • 03:37 • -30.64db
43% Popularity • 25% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
43% Popularity • 25% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
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Gavin Luke
Delicate Transitions
72 bpm • E Maj • 02:28 • -16db
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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James Spiteri
Staring into Space
72 bpm • D# min • 01:36 • -22.43db
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
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Denise Young
I'll Smile
72 bpm • C# Maj • 03:44 • -18.19db
28% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
28% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Joseph Akins
An Inspiration
72 bpm • C# Maj • 05:38 • -21db
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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The Piano Guys
Flicker
72 bpm • D# Maj • 03:16 • -16.67db
42% Popularity • 19% Danceability • 6% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
42% Popularity • 19% Danceability • 6% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
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Jennifer Haines
The Storm Begins
71 bpm • D min • 02:53 • -19db
23% Popularity • 15% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 33% Positiveness
23% Popularity • 15% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 33% Positiveness
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Amy Lauren
Where Three Rivers Meet
71 bpm • E min • 05:18 • -18.1db
29% Popularity • 31% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Brian Crain
Butterfly Waltz
71 bpm • F Maj • 03:32 • -13db
34% Popularity • 15% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
34% Popularity • 15% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Philip Wesley
Less Traveled
73 bpm • D min • 02:05 • -18.23db
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Louis Landon
Reaching for the Sky
71 bpm • G# Maj • 04:46 • -22.86db
33% Popularity • 39% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 39% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
Ombre
71 bpm • C Maj • 05:54 • -28.87db
33% Popularity • 20% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Gary Girouard
Love
73 bpm • A min • 03:54 • -22.66db
38% Popularity • 34% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
38% Popularity • 34% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Ben Laver
Hallelujah
71 bpm • G min • 02:45 • -24.84db
54% Popularity • 38% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
54% Popularity • 38% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Juan María Solare
Mote of Dust Suspended in a Sunbeam
73 bpm • D Maj • 03:59 • -20.2db
24% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
24% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Kathryn Toyama
Another Chance
71 bpm • E min • 02:36 • -16.02db
39% Popularity • 22% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 22% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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James Spiteri
Forget Me Nots
73 bpm • A min • 03:39 • -18.73db
33% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Philip Wesley
Light and Shadow
73 bpm • G# Maj • 05:46 • -22db
27% Popularity • 21% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
27% Popularity • 21% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Brian Crain
A Walk in the Forest
71 bpm • G Maj • 04:33 • -15db
38% Popularity • 26% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
38% Popularity • 26% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Martin Bloch
Pachelbel - Canon D
71 bpm • D Maj • 06:33 • -23.36db
29% Popularity • 27% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
29% Popularity • 27% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Sigimund
Emptiness
71 bpm • G min • 02:10 • -24db
34% Popularity • 32% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 32% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Karen Marie Garrett
Daydreams
73 bpm • D# Maj • 03:58 • -23db
30% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
30% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Kathryn Toyama
Hope
71 bpm • E Maj • 01:53 • -17.17db
41% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
41% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Philip Wesley
Racing Against the Sunset
73 bpm • B min • 04:52 • -23db
31% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
31% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Louis Landon
Imagine
73 bpm • C Maj • 05:01 • -20db
35% Popularity • 25% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
35% Popularity • 25% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Danny Wright
Pachelbel's Canon in D
73 bpm • D Maj • 03:37 • -16.45db
46% Popularity • 28% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
46% Popularity • 28% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Denise Young
Time Alone
74 bpm • C# Maj • 03:59 • -16.59db
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
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Karen Marie Garrett
Tally's Lullaby
74 bpm • C Maj • 06:38 • -23db
27% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
27% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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R. Strachan
Out from Under
74 bpm • D# Maj • 02:46 • -21.45db
42% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Kathryn Toyama
As Times Change
70 bpm • E Maj • 03:12 • -19db
39% Popularity • 42% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
39% Popularity • 42% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Louis Landon
Innocence
70 bpm • G Maj • 03:02 • -19.32db
45% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
45% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Danny Wright
Amazing Grace
74 bpm • C Maj • 03:00 • -32.27db
30% Popularity • 32% Danceability • 1% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
30% Popularity • 32% Danceability • 1% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Chad Lawson
My Romance
70 bpm • E Maj • 06:10 • -30.98db
15% Popularity • 38% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 38% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Karen Marie Garrett
The Piano Called
70 bpm • F min • 03:17 • -23.7db
26% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
26% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Joe Bongiorno
Never Forgotten
70 bpm • B Maj • 03:58 • -24.06db
31% Popularity • 41% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
31% Popularity • 41% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Denise Young
You Were Always There
70 bpm • A min • 02:47 • -16.47db
44% Popularity • 21% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 21% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Louis Landon
Self-Assured
74 bpm • A# Maj • 04:37 • -24.84db
35% Popularity • 32% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
35% Popularity • 32% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Philip Wesley
In Your Eyes
74 bpm • B Maj • 04:26 • -20.94db
29% Popularity • 30% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Brique a Braq
Mia & Sebastian's Theme
70 bpm • A Maj • 01:48 • -19.38db
43% Popularity • 48% Danceability • 10% Energy • 24% Liveness
93% Instrumentalness • 16% Positiveness
43% Popularity • 48% Danceability • 10% Energy • 24% Liveness
93% Instrumentalness • 16% Positiveness
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Brian Crain
Softness and Light
70 bpm • G min • 05:38 • -20.6db
31% Popularity • 23% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 23% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Karen Marie Garrett
Lake EWOK Muse (Piano & Cello)
74 bpm • D Maj • 04:36 • -20.11db
27% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Kathryn Toyama
Faith
70 bpm • C# Maj • 03:24 • -16.57db
42% Popularity • 34% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Jane Leslie
Traveler's Serenade
74 bpm • E Maj • 03:00 • -25db
44% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Chad Lawson
Prelude in D Major
74 bpm • A Maj • 02:53 • -21.42db
43% Popularity • 24% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Walter Mazzaccaro
Crepuscolo
74 bpm • A min • 01:35 • -24.43db
36% Popularity • 46% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Sarah Modene
Looking Downward
70 bpm • F# min • 04:51 • -24.26db
19% Popularity • 33% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 33% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Gary Girouard
The Thinker
75 bpm • C min • 04:12 • -23.52db
21% Popularity • 35% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
21% Popularity • 35% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Albert Sonstag
Greensleaves
70 bpm • D min • 01:57 • -24.79db
42% Popularity • 50% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 27% Positiveness
42% Popularity • 50% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 27% Positiveness
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Oliver Nosaczynski Bohovič
Ballerina
75 bpm • C Maj • 05:10 • -20.45db
21% Popularity • 36% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 36% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Janie Becker
Forever Friends
75 bpm • C# Maj • 02:07 • -22db
47% Popularity • 47% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
47% Popularity • 47% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Bradley Joseph
Canon In D (Pachelbel)
69 bpm • D Maj • 05:16 • -19.25db
29% Popularity • 66% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
29% Popularity • 66% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
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Sarah Modene
The Way the Light Falls
75 bpm • G min • 03:47 • -26.65db
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Gary Girouard
Prairie
69 bpm • A min • 03:00 • -22db
27% Popularity • 42% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
27% Popularity • 42% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
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Kathryn Toyama
The Light
75 bpm • C# min • 01:49 • -16db
47% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
47% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Christine Brown
Love's Legacy
69 bpm • D min • 05:13 • -17.86db
16% Popularity • 26% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Philip Wesley
Distant Memory
75 bpm • C Maj • 03:49 • -16.24db
29% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Denise Young
The Way
75 bpm • D# min • 02:43 • -20.37db
30% Popularity • 26% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
30% Popularity • 26% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Brian Crain
Innocent Heart
75 bpm • C Maj • 03:14 • -16.14db
31% Popularity • 18% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
31% Popularity • 18% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
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Gary Girouard
Forbidden Love
75 bpm • C min • 03:30 • -16db
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Joe Yamada
A Silent Tear
69 bpm • A Maj • 06:09 • -25db
35% Popularity • 40% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
35% Popularity • 40% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Tim Neumark
Tapestry
69 bpm • C# Maj • 06:15 • -19.22db
18% Popularity • 24% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Ann Sweeten
Send Me an Angel
69 bpm • C Maj • 05:52 • -19.16db
26% Popularity • 31% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
26% Popularity • 31% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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Christine Brown
Bridge of Grace
76 bpm • A# Maj • 05:35 • -20.6db
22% Popularity • 40% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
22% Popularity • 40% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Omar Akram
Angel of Hope
76 bpm • D min • 03:33 • -14.43db
34% Popularity • 29% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
34% Popularity • 29% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Dana Cunningham
Wild Geese
68 bpm • C# Maj • 06:28 • -24.53db
14% Popularity • 34% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
14% Popularity • 34% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Brian Crain
Solitary Hill
76 bpm • G Maj • 02:59 • -13db
37% Popularity • 12% Danceability • 27% Energy • 14% Liveness
65% Instrumentalness • 13% Positiveness
37% Popularity • 12% Danceability • 27% Energy • 14% Liveness
65% Instrumentalness • 13% Positiveness
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Joe Bongiorno
Your Healing Touch
68 bpm • D# Maj • 04:29 • -25.69db
31% Popularity • 37% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
31% Popularity • 37% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Denise Young
Livia's Song
76 bpm • C Maj • 04:40 • -18.03db
23% Popularity • 50% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 50% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Philip Wesley
Tears of the East
76 bpm • A min • 05:48 • -21.08db
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Jane Leslie
Summer's End
68 bpm • G Maj • 03:04 • -22.66db
44% Popularity • 46% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
44% Popularity • 46% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Ann Sweeten
Sateo
68 bpm • C# Maj • 04:27 • -18.43db
28% Popularity • 30% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
28% Popularity • 30% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
► Preview
Rhonda Mackert
Night Song
68 bpm • A min • 04:58 • -25db
34% Popularity • 19% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
34% Popularity • 19% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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Marilyn Byrnes
Romeo and Juliet (Love Theme)
76 bpm • G min • 03:51 • -14.89db
30% Popularity • 32% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 32% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 11% Positiveness
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Joseph Akins
Masterpeace
68 bpm • D# Maj • 06:08 • -19db
28% Popularity • 34% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 34% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Brian Crain
Ice - Dual Piano
68 bpm • G# Maj • 04:25 • -19.16db
21% Popularity • 38% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 38% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Danny Wright
Colors Of The Wind
68 bpm • G min • 03:25 • -21.24db
42% Popularity • 47% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
42% Popularity • 47% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Christine Brown
Beethoven's Stairway
67 bpm • E min • 04:59 • -18.75db
21% Popularity • 40% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
21% Popularity • 40% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Kevin Kern
Butterfly
77 bpm • A min • 02:54 • -21.78db
41% Popularity • 36% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
41% Popularity • 36% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
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Rachel Currea
Passions
77 bpm • C# Maj • 02:33 • -21db
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Jonny Southard
3 Romances sans paroles, Op. 17: III. An...
67 bpm • G# Maj • 02:22 • -27.51db
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Brian Crain
Lavender Hills
67 bpm • F Maj • 03:06 • -15.15db
32% Popularity • 18% Danceability • 19% Energy • 15% Liveness
87% Instrumentalness • 23% Positiveness
32% Popularity • 18% Danceability • 19% Energy • 15% Liveness
87% Instrumentalness • 23% Positiveness
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James Spiteri
Hope
77 bpm • F# Maj • 06:17 • -20.34db
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Joe Bongiorno
Stargazer
67 bpm • A Maj • 04:16 • -25.57db
24% Popularity • 46% Danceability • 4% Energy • 20% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 46% Danceability • 4% Energy • 20% Liveness
84% Instrumentalness • 17% Positiveness
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Ballet L'école
Slow Tendu - Pachelbel's Canon In D Ball...
78 bpm • D Maj • 02:44 • -22db
44% Popularity • 44% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
44% Popularity • 44% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Kostia
First Touch
67 bpm • D Maj • 02:23 • -31.91db
45% Popularity • 46% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
45% Popularity • 46% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
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Steven Sharp Nelson
Unaccompanied Cello Suite No. 1 in G Maj...
78 bpm • G Maj • 02:43 • -18db
33% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
33% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Nick Farr
And So It Is
78 bpm • G min • 02:50 • -13.88db
28% Popularity • 20% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
28% Popularity • 20% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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David Lanz
The Enchantment
78 bpm • C min • 05:49 • -20.5db
28% Popularity • 56% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
28% Popularity • 56% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Joe Bongiorno
Touched
67 bpm • G Maj • 03:43 • -23.58db
36% Popularity • 35% Danceability • 6% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
36% Popularity • 35% Danceability • 6% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
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Shoshannah
Welcoming The Angels / Shalom Aleichem
78 bpm • G# min • 02:37 • -28db
11% Popularity • 39% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Louis Landon
No Worries
66 bpm • G Maj • 04:13 • -24.92db
28% Popularity • 33% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
28% Popularity • 33% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Konrad Kono
Pachabel Canon
78 bpm • D Maj • 04:30 • -19.48db
32% Popularity • 25% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 25% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Philip Wesley
Lamentations of the Heart
78 bpm • E min • 04:08 • -20.44db
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Francesco Digilio
Con te partirò - Piano Solo
66 bpm • G Maj • 04:45 • -25.32db
29% Popularity • 39% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
29% Popularity • 39% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
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Joe Bongiorno
Walk With Me
78 bpm • D Maj • 05:29 • -23.09db
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
