Songs like Wave Of Sorrow (Birdland) by U2
Based on a tempo of (+/- 10%) and a similar genre
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Alphaville
Forever Young - 2019 Remaster
137 bpm • A min • 03:46 • -9.71db
72% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
72% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Kings of Leon
Use Somebody
137 bpm • C Maj • 03:50 • -5.36db
81% Popularity • 28% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
81% Popularity • 28% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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U2
Red Hill Mining Town
137 bpm • C Maj • 04:52 • -9.1db
50% Popularity • 34% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 34% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
66% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
66% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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Elton John
Rocket Man (I Think It's Going To Be A L...
137 bpm • A# Maj • 04:41 • -9.12db
83% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
83% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Dire Straits
Tunnel Of Love
138 bpm • F Maj • 08:09 • -7.88db
62% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
62% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Yusuf / Cat Stevens
Father And Son
136 bpm • G Maj • 03:41 • -12.29db
76% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
76% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Marillion
Lavender
138 bpm • A Maj • 03:44 • -6db
49% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
49% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
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U2
The Unforgettable Fire - Remastered 2009
137 bpm • A# Maj • 04:54 • -9db
52% Popularity • 43% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 23% Positiveness
52% Popularity • 43% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 23% Positiveness
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Foo Fighters
Learn to Fly
136 bpm • E Maj • 03:55 • -4.03db
79% Popularity • 46% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
79% Popularity • 46% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Fleetwood Mac
Go Your Own Way - 2004 Remaster
135 bpm • F Maj • 03:43 • -5.12db
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Killers
Human
135 bpm • A# Maj • 04:05 • -8.48db
76% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
76% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
61% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
61% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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Roy Orbison
I Drove All Night
139 bpm • F Maj • 03:46 • -11.16db
58% Popularity • 48% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 48% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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U2
Beautiful Day
136 bpm • B min • 04:08 • -6.49db
76% Popularity • 54% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
76% Popularity • 54% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Pat Benatar
We Belong
135 bpm • F Maj • 03:41 • -14.11db
70% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
70% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
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The Who
Won't Get Fooled Again - Original Album ...
135 bpm • D Maj • 08:31 • -6.23db
65% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
65% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
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Men At Work
Overkill
139 bpm • C# min • 03:49 • -3.99db
66% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
66% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bryan Adams
Summer Of '69
139 bpm • D Maj • 03:36 • -6.21db
84% Popularity • 51% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
84% Popularity • 51% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Aerosmith
Amazing
139 bpm • C Maj • 05:55 • -5db
67% Popularity • 30% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 30% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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U2
City Of Blinding Lights
139 bpm • G# Maj • 05:45 • -4.13db
60% Popularity • 44% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
60% Popularity • 44% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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The Cult
She Sells Sanctuary
139 bpm • D Maj • 04:12 • -8.68db
70% Popularity • 55% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
70% Popularity • 55% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
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4 Non Blondes
What's Up?
134 bpm • D Maj • 04:55 • -10.04db
81% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
81% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Coldplay
Trouble
140 bpm • B min • 04:33 • -7.5db
73% Popularity • 56% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
73% Popularity • 56% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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The Police
Roxanne
134 bpm • C Maj • 03:11 • -8.91db
81% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
81% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Dire Straits
Money For Nothing
134 bpm • D min • 08:24 • -6.82db
72% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
72% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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U2
The Miracle (Of Joey Ramone)
135 bpm • D Maj • 04:15 • -7.88db
45% Popularity • 49% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 49% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Bryan Adams
Heaven
140 bpm • A min • 04:03 • -7.32db
79% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
79% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
74% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
74% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Poison
Every Rose Has Its Thorn - 2003 Remaster
140 bpm • F# Maj • 04:20 • -5.57db
71% Popularity • 53% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
71% Popularity • 53% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Dylan
Knockin' On Heaven's Door
140 bpm • G Maj • 02:29 • -13.06db
76% Popularity • 51% Danceability • 40% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
76% Popularity • 51% Danceability • 40% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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U2
Kite
134 bpm • E Maj • 04:24 • -6db
50% Popularity • 43% Danceability • 66% Energy • 66% Liveness
9% Instrumentalness • 20% Positiveness
50% Popularity • 43% Danceability • 66% Energy • 66% Liveness
9% Instrumentalness • 20% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
74% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
74% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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The Clash
London Calling - Remastered
134 bpm • C Maj • 03:20 • -7.34db
72% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
72% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Pearl Jam
Yellow Ledbetter
141 bpm • E Maj • 05:03 • -11.3db
70% Popularity • 50% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 50% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Counting Crows
Mr. Jones
142 bpm • C Maj • 04:32 • -6.54db
79% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
79% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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U2
Vertigo
140 bpm • A Maj • 03:13 • -3.97db
66% Popularity • 42% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
66% Popularity • 42% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Police
Spirits In The Material World
142 bpm • A min • 02:59 • -7.86db
61% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
61% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
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Guns N' Roses
Knockin' On Heaven's Door
132 bpm • F# Maj • 05:36 • -7.19db
80% Popularity • 50% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
80% Popularity • 50% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Killers
Read My Mind
132 bpm • C# Maj • 04:06 • -3.39db
70% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Cranberries
Animal Instinct
132 bpm • E min • 03:31 • -5.41db
66% Popularity • 61% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
66% Popularity • 61% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Dire Straits
On Every Street
132 bpm • C Maj • 05:01 • -11.19db
63% Popularity • 32% Danceability • 27% Energy • 17% Liveness
22% Instrumentalness • 15% Positiveness
63% Popularity • 32% Danceability • 27% Energy • 17% Liveness
22% Instrumentalness • 15% Positiveness
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U2
Staring At The Sun
140 bpm • A min • 04:36 • -8.5db
55% Popularity • 53% Danceability • 70% Energy • 27% Liveness
2% Instrumentalness • 52% Positiveness
55% Popularity • 53% Danceability • 70% Energy • 27% Liveness
2% Instrumentalness • 52% Positiveness
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The Police
Can't Stand Losing You
142 bpm • D min • 02:58 • -5.3db
68% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
68% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Midnight Oil
Blue Sky Mine - 2011 Remaster
132 bpm • C# Maj • 04:15 • -3db
58% Popularity • 63% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 63% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Neil Young
Rockin' in the Free World
132 bpm • E min • 04:41 • -4.99db
60% Popularity • 49% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 49% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Metallica
Nothing Else Matters
142 bpm • E min • 06:28 • -11.22db
81% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
81% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Seal
Kiss from a Rose
132 bpm • A# min • 04:48 • -7.11db
75% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
75% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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U2
New Year's Day - Single Edit - Remastere...
134 bpm • E Maj • 03:55 • -6.77db
50% Popularity • 53% Danceability • 78% Energy • 32% Liveness
1% Instrumentalness • 57% Positiveness
50% Popularity • 53% Danceability • 78% Energy • 32% Liveness
1% Instrumentalness • 57% Positiveness
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The Police
Can't Stand Losing You
142 bpm • D min • 02:48 • -12.07db
56% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Blondie
Call Me
143 bpm • D min • 03:32 • -6.71db
77% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
77% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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INXS
Original Sin
131 bpm • A Maj • 05:17 • -7.26db
58% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
62% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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U2
New Year's Day - Remastered 2008
133 bpm • G# min • 05:35 • -7db
52% Popularity • 54% Danceability • 84% Energy • 18% Liveness
6% Instrumentalness • 65% Positiveness
52% Popularity • 54% Danceability • 84% Energy • 18% Liveness
6% Instrumentalness • 65% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Coldplay
Clocks
131 bpm • F min • 05:07 • -7.22db
82% Popularity • 58% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
82% Popularity • 58% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
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Snow Patrol
Open Your Eyes
131 bpm • G Maj • 05:41 • -6db
65% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
65% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Orchestral Manoeuvres In The Dark
Enola Gay - Remastered 2003
143 bpm • D min • 03:33 • -7.06db
71% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
71% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
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Eddie Vedder
Hard Sun
143 bpm • G# Maj • 05:22 • -6.53db
63% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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U2
New Year's Day
133 bpm • G# min • 04:17 • -6.34db
66% Popularity • 52% Danceability • 80% Energy • 61% Liveness
2% Instrumentalness • 63% Positiveness
66% Popularity • 52% Danceability • 80% Energy • 61% Liveness
2% Instrumentalness • 63% Positiveness
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The Beatles
Let It Be - Remastered 2009
143 bpm • C Maj • 04:03 • -8.34db
79% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
79% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
84% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
84% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Starship
We Built This City
144 bpm • F Maj • 04:56 • -4.9db
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Foo Fighters
Best of You
130 bpm • C# min • 04:15 • -5.12db
78% Popularity • 37% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
78% Popularity • 37% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
82% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
82% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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U2
Who's Gonna Ride Your Wild Horses
133 bpm • G Maj • 05:16 • -10.59db
53% Popularity • 43% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 43% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Van Halen
Jump - 2015 Remaster
130 bpm • C Maj • 04:01 • -6.22db
79% Popularity • 57% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
79% Popularity • 57% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Soft Cell
Tainted Love
144 bpm • C min • 02:33 • -8.28db
81% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
81% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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The Clash
Rock the Casbah - Remastered
130 bpm • A min • 03:42 • -6.73db
72% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
72% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Foo Fighters
Times Like These
145 bpm • E min • 04:25 • -3.79db
69% Popularity • 38% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 38% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Blur
Song 2 - 2012 Remaster
130 bpm • G# Maj • 02:01 • -6.9db
82% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
82% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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U2
Sweetest Thing
142 bpm • C Maj • 03:04 • -8.97db
70% Popularity • 52% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 52% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Coldplay
In My Place
145 bpm • A Maj • 03:46 • -5.46db
75% Popularity • 42% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
75% Popularity • 42% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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KISS
Rock And Roll All Nite
145 bpm • C# Maj • 02:48 • -5.91db
77% Popularity • 65% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
77% Popularity • 65% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The Smashing Pumpkins
Disarm - 2011 Remaster
130 bpm • E min • 03:16 • -10.21db
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
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INXS
Mystify
129 bpm • A min • 03:17 • -5.66db
65% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Rod Stewart
Maggie May
129 bpm • D Maj • 05:50 • -10.54db
72% Popularity • 60% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 54% Positiveness
72% Popularity • 60% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 54% Positiveness
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Billy Joel
We Didn't Start the Fire
145 bpm • G Maj • 04:47 • -5.21db
79% Popularity • 71% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
79% Popularity • 71% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Elton John
Tiny Dancer
145 bpm • C Maj • 06:17 • -11.1db
79% Popularity • 41% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
79% Popularity • 41% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Keane
Is It Any Wonder?
129 bpm • B min • 03:06 • -2.77db
65% Popularity • 49% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
65% Popularity • 49% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Cocker
With A Little Help From My Friends
145 bpm • D Maj • 05:12 • -11.33db
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lenny Kravitz
Are You Gonna Go My Way
129 bpm • B min • 03:31 • -10.32db
75% Popularity • 62% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
75% Popularity • 62% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
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The Beatles
Here Comes The Sun - Remastered 2009
129 bpm • A Maj • 03:05 • -10.48db
86% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
86% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
85% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
85% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Oasis
Little by Little
146 bpm • D Maj • 04:52 • -5db
57% Popularity • 41% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
57% Popularity • 41% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
81% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
81% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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U2
Even Better Than The Real Thing
129 bpm • G Maj • 03:41 • -7db
55% Popularity • 50% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 50% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Steppenwolf
Born To Be Wild
146 bpm • D Maj • 03:30 • -12.41db
75% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
75% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
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The Police
Walking On The Moon
146 bpm • C Maj • 05:00 • -12.78db
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
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Genesis
Home by the Sea - 2007 Remaster
129 bpm • E min • 05:07 • -7.71db
58% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
58% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
77% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
77% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
