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Waves
Songs like
Waves
by
Luke Bryan
Based on a tempo of (+/- 10%) and a similar genre
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Dustin Lynch
Huntin' Land
136 bpm • E Maj • 03:01 • -3.64db
50% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Sean Stemaly
Come Back To Bed
136 bpm • C# min • 03:03 • -4.21db
51% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
58% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Bryan
For A Boat
136 bpm • C# Maj • 03:29 • -7.13db
32% Popularity • 69% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Kenny Chesney
There Goes My Life
136 bpm • E Maj • 05:02 • -8.14db
58% Popularity • 58% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Cody Johnson
Nothin' on You
135 bpm • F# Maj • 04:20 • -7.18db
62% Popularity • 36% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Morgan Wallen
Silverado For Sale
138 bpm • C Maj • 03:44 • -5.93db
67% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
76% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Waves
136 bpm • C# Maj • 03:48 • -4.31db
57% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
64% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Sam Hunt
Water Under The Bridge
134 bpm • F Maj • 02:49 • -2.7db
62% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Niko Moon
GOOD TIME
138 bpm • F Maj • 03:34 • -7.19db
65% Popularity • 80% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
54% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Bryan
Strip It Down
138 bpm • A Maj • 04:01 • -3.59db
58% Popularity • 63% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Kenny Chesney
She's Got It All
133 bpm • G Maj • 03:25 • -7db
60% Popularity • 71% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Kameron Marlowe
Giving You Up - Acoustic
134 bpm • G Maj • 03:52 • -6.18db
55% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Hubbard
35’s
140 bpm • A# Maj • 02:54 • -6db
53% Popularity • 53% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Blake Shelton
Mine Would Be You
140 bpm • C Maj • 03:59 • -7db
58% Popularity • 57% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Bryan
Do I
138 bpm • A Maj • 03:59 • -5.33db
61% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Wallen
Your Bartender
140 bpm • E Maj • 03:05 • -5.24db
65% Popularity • 56% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Cody Johnson
Ain't Nothin' to It
140 bpm • A# Maj • 03:22 • -5.67db
62% Popularity • 51% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
50% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Blake Shelton
God's Country
140 bpm • A# Maj • 03:24 • -5.1db
67% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Luke Bryan
Born Here Live Here Die Here
132 bpm • D Maj • 03:46 • -5.74db
36% Popularity • 51% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Billy Currington
Details
140 bpm • F Maj • 03:21 • -4db
46% Popularity • 68% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Scott
Hooked
132 bpm • A Maj • 02:29 • -6db
59% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Rascal Flatts
Back To Life
132 bpm • E Maj • 03:34 • -5db
53% Popularity • 47% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
68% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Bryan
Bill Dance
140 bpm • C Maj • 03:48 • -4.19db
37% Popularity • 62% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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HARDY
SIGNED, SOBER YOU
132 bpm • C Maj • 03:28 • -7.97db
59% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Hurd
Chasing After You
132 bpm • E Maj • 03:27 • -6.36db
65% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Keith Urban
Brown Eyes Baby
142 bpm • G# Maj • 03:44 • -6.99db
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Bryan
Drinkin' Beer And Wastin' Bullets
132 bpm • G min • 04:19 • -5db
49% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Riley Green
Hard To Leave
142 bpm • D Maj • 03:35 • -6db
58% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Hunt
Country House
142 bpm • E Maj • 03:34 • -4.79db
51% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
57% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Darius Rucker
For The First Time
142 bpm • F# Maj • 03:17 • -5db
56% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
62% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Luke Combs
Without You
142 bpm • F# Maj • 03:44 • -6.02db
59% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
62% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Thomas Rhett
Unforgettable
130 bpm • G Maj • 02:37 • -5.5db
66% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sam Hunt
Hard To Forget
130 bpm • E Maj • 03:24 • -5.52db
63% Popularity • 69% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Luke Bryan
Light It Up
130 bpm • F# min • 02:57 • -2.72db
61% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Midland
Longneck Way To Go
129 bpm • F Maj • 03:08 • -4.91db
53% Popularity • 48% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
52% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Blake Shelton
Nobody But You (Duet with Gwen Stefani)
144 bpm • C Maj • 03:14 • -5.52db
66% Popularity • 46% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Cooper Alan
Tough Ones
144 bpm • D# Maj • 03:13 • -6db
55% Popularity • 53% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Darius Rucker
It Won't Be Like This For Long
144 bpm • E Maj • 03:39 • -6db
58% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Bryan
I See You
130 bpm • F# Maj • 03:05 • -3db
56% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
48% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Gary Allan
Her Man
128 bpm • F# Maj • 02:44 • -11db
56% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Maddie & Tae
Strangers
144 bpm • D# Maj • 03:32 • -5.77db
48% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
56% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
43% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
67% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
65% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Brett Eldredge
Wanna Be That Song
144 bpm • A Maj • 03:56 • -4.91db
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Luke Bryan
Crash My Party
144 bpm • G Maj • 03:54 • -4db
61% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Brooks & Dunn
Red Dirt Road - with Cody Johnson
128 bpm • E Maj • 03:56 • -7.8db
54% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Keith Urban
Long Hot Summer
128 bpm • D# Maj • 04:33 • -8.43db
61% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Bryan
Floatin' This Creek
144 bpm • F# Maj • 03:24 • -7.34db
33% Popularity • 65% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Young
Change Your Name
145 bpm • D Maj • 03:33 • -7.98db
53% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Combs
Outrunnin' Your Memory
128 bpm • C# min • 04:14 • -3.42db
64% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jimmie Allen
This Is Us
145 bpm • A Maj • 03:25 • -4.62db
46% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Russell Dickerson
She Likes It
127 bpm • E Maj • 02:43 • -12db
60% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Bryan
Songs You Never Heard
144 bpm • F Maj • 03:55 • -6.53db
29% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Morgan Wallen
Livin’ The Dream
127 bpm • G min • 03:59 • -5.9db
65% Popularity • 62% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Parker McCollum
To Be Loved By You
146 bpm • A# Maj • 03:19 • -4.46db
62% Popularity • 48% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Rodney Atkins
Cleaning This Gun (Come On In Boy)
146 bpm • D Maj • 03:46 • -3.67db
54% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Bryan
Fast
146 bpm • C min • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
40% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Waves