Songs like Waxman & Bizet: Carmen Fantasia by Franz Waxman
Based on a tempo of (+/- 10%) and a similar genre
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Pablo de Sarasate
Carmen Fantasy, Op. 25: I. Introduction:...
107 bpm • D min • 03:03 • -22db
18% Popularity • 38% Danceability • 12% Energy • 4% Liveness
29% Instrumentalness • 31% Positiveness
18% Popularity • 38% Danceability • 12% Energy • 4% Liveness
29% Instrumentalness • 31% Positiveness
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Georges Bizet
Jeux d'enfants, Op. 22: No. 12, Le bal
107 bpm • A Maj • 01:45 • -20.81db
9% Popularity • 49% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 77% Positiveness
9% Popularity • 49% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 77% Positiveness
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Franz Waxman
Waxman & Bizet: Carmen Fantasia
107 bpm • D Maj • 09:59 • -23db
9% Popularity • 34% Danceability • 15% Energy • 49% Liveness
41% Instrumentalness • 25% Positiveness
9% Popularity • 34% Danceability • 15% Energy • 49% Liveness
41% Instrumentalness • 25% Positiveness
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Philharmonia Slavonica
Violin Concerto, No. 1 in G-Minor, op. 2...
107 bpm • C min • 08:24 • -16.91db
15% Popularity • 26% Danceability • 14% Energy • 11% Liveness
62% Instrumentalness • 10% Positiveness
15% Popularity • 26% Danceability • 14% Energy • 11% Liveness
62% Instrumentalness • 10% Positiveness
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Ivan Peev
Suite from "The Gadfly", Op. 97a: VIII. ...
106 bpm • C# Maj • 07:13 • -22db
17% Popularity • 16% Danceability • 10% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 10% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E flat, Op. 9 No. 2
108 bpm • A# Maj • 04:46 • -25.25db
35% Popularity • 48% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
35% Popularity • 48% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: Introduction. Al...
108 bpm • D min • 02:46 • -24.84db
14% Popularity • 37% Danceability • 10% Energy • 9% Liveness
11% Instrumentalness • 49% Positiveness
14% Popularity • 37% Danceability • 10% Energy • 9% Liveness
11% Instrumentalness • 49% Positiveness
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Johann Strauss II
Schützen Quadrille
106 bpm • A# Maj • 05:30 • -20.12db
5% Popularity • 50% Danceability • 35% Energy • 80% Liveness
90% Instrumentalness • 58% Positiveness
5% Popularity • 50% Danceability • 35% Energy • 80% Liveness
90% Instrumentalness • 58% Positiveness
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Georges Bizet
Petite Suite, WD 39: No. 2. Berceuse: La...
107 bpm • B Maj • 02:46 • -38.41db
14% Popularity • 16% Danceability • 0% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 0% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
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Niccolò Paganini
Paganini: Cantabile in D Major, Op. 17
109 bpm • A Maj • 03:53 • -21.66db
30% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 - Concert version by K...
109 bpm • E Maj • 04:18 • -25.37db
13% Popularity • 16% Danceability • 3% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Louis Spohr
Spohr : Violin Concerto No.8 in A minor ...
109 bpm • F Maj • 08:04 • -20.46db
26% Popularity • 25% Danceability • 11% Energy • 8% Liveness
60% Instrumentalness • 9% Positiveness
26% Popularity • 25% Danceability • 11% Energy • 8% Liveness
60% Instrumentalness • 9% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: I. Moderato
108 bpm • D Maj • 02:03 • -23.31db
13% Popularity • 61% Danceability • 13% Energy • 20% Liveness
18% Instrumentalness • 65% Positiveness
13% Popularity • 61% Danceability • 13% Energy • 20% Liveness
18% Instrumentalness • 65% Positiveness
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RCA Victor Symphony Orchestra & William Steinberg
Introduction et rondo capriccioso in A m...
105 bpm • A min • 01:25 • -26.17db
18% Popularity • 28% Danceability • 9% Energy • 26% Liveness
19% Instrumentalness • 19% Positiveness
18% Popularity • 28% Danceability • 9% Energy • 26% Liveness
19% Instrumentalness • 19% Positiveness
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Georges Bizet
Scènes bohémiennes la jolie fille de p...
106 bpm • F Maj • 02:01 • -28db
26% Popularity • 22% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
26% Popularity • 22% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Concerto in B Minor, RV 580: 1. Allegro ...
105 bpm • B min • 04:04 • -17.74db
14% Popularity • 57% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
14% Popularity • 57% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
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SWF Symphony Orchestra Baden-Baden
Symphony No. 40 in G Minor, KV. 550: I. ...
105 bpm • G min • 07:53 • -19db
24% Popularity • 33% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
24% Popularity • 33% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
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Vitalij Margulis
Piano Sonata No. 2 in B Minor, Op. 35: I...
105 bpm • C# Maj • 08:14 • -22.14db
15% Popularity • 48% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
15% Popularity • 48% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Craig Hill
Clarinet Concerto in A Major, K. 622 - V...
105 bpm • A Maj • 06:26 • -28.31db
14% Popularity • 16% Danceability • 1% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
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Johannes Brahms
Brahms: 21 Hungarian Dances, WoO 1: No. ...
109 bpm • G min • 02:52 • -16db
21% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Georges Bizet
Chants du Rhin: VI. Le retour
109 bpm • C# Maj • 02:48 • -23.52db
14% Popularity • 31% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
14% Popularity • 31% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Franz Waxman
Carmen Fantasie
109 bpm • D Maj • 10:49 • -26.46db
13% Popularity • 35% Danceability • 8% Energy • 6% Liveness
3% Instrumentalness • 19% Positiveness
13% Popularity • 35% Danceability • 8% Energy • 6% Liveness
3% Instrumentalness • 19% Positiveness
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Henryk Wieniawski
Wieniawksi : Légende in G minor Op.17
105 bpm • G min • 07:06 • -17.89db
17% Popularity • 24% Danceability • 22% Energy • 12% Liveness
37% Instrumentalness • 5% Positiveness
17% Popularity • 24% Danceability • 22% Energy • 12% Liveness
37% Instrumentalness • 5% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
105 bpm • B min • 02:43 • -22db
11% Popularity • 46% Danceability • 7% Energy • 17% Liveness
89% Instrumentalness • 41% Positiveness
11% Popularity • 46% Danceability • 7% Energy • 17% Liveness
89% Instrumentalness • 41% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: 2. Liebesleid
105 bpm • A Maj • 03:56 • -23.8db
14% Popularity • 28% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
14% Popularity • 28% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
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Niccolò Paganini
24 Caprices for Violin, Op. 1: No. 2 in ...
105 bpm • B min • 02:38 • -22.71db
8% Popularity • 53% Danceability • 17% Energy • 7% Liveness
39% Instrumentalness • 62% Positiveness
8% Popularity • 53% Danceability • 17% Energy • 7% Liveness
39% Instrumentalness • 62% Positiveness
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Georges Bizet
Te Deum: Tu rex gloriae, Christe
109 bpm • F Maj • 03:40 • -15.19db
13% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
105 bpm • D Maj • 07:50 • -21.29db
11% Popularity • 40% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
11% Popularity • 40% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Humoresque No. 7 in G-Flat Major, Op. 10...
110 bpm • F# Maj • 02:48 • -22.41db
13% Popularity • 33% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
13% Popularity • 33% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole in D minor, Op...
104 bpm • G Maj • 04:18 • -25.27db
7% Popularity • 37% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 37% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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The Slovak Philharmonic Orchestra, Libor Pesek
Symphony No 40: Molto Allegro
104 bpm • G min • 07:51 • -18db
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Henryk Wieniawski
Wieniawski: Polonaise de concert in D Ma...
104 bpm • D Maj • 05:58 • -16.72db
9% Popularity • 47% Danceability • 19% Energy • 7% Liveness
10% Instrumentalness • 40% Positiveness
9% Popularity • 47% Danceability • 19% Energy • 7% Liveness
10% Instrumentalness • 40% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 02:17 • -20.46db
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
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AntonÃn Dvořák
4 Romantic Pieces, Op. 75, B.150: 1. All...
110 bpm • A# Maj • 03:10 • -25.17db
21% Popularity • 20% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6,...
103 bpm • D Maj • 09:42 • -20.72db
17% Popularity • 50% Danceability • 14% Energy • 22% Liveness
16% Instrumentalness • 46% Positiveness
17% Popularity • 50% Danceability • 14% Energy • 22% Liveness
16% Instrumentalness • 46% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole, Op. 21: II. S...
103 bpm • G Maj • 04:13 • -27.82db
9% Popularity • 35% Danceability • 4% Energy • 13% Liveness
4% Instrumentalness • 44% Positiveness
9% Popularity • 35% Danceability • 4% Energy • 13% Liveness
4% Instrumentalness • 44% Positiveness
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Slovak Philharmonic
Lohengrin: Prelude to Act 3
111 bpm • G Maj • 03:39 • -18.87db
11% Popularity • 27% Danceability • 21% Energy • 51% Liveness
80% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 21% Energy • 51% Liveness
80% Instrumentalness • 11% Positiveness
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Ernest Guiraud
L'Arlésienne Suite No. 2 (Arr. E. Guira...
103 bpm • A Maj • 05:27 • -22db
4% Popularity • 27% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
4% Popularity • 27% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
Verdi: Nabucco: Overture to Act 1
103 bpm • C Maj • 07:12 • -17db
13% Popularity • 26% Danceability • 19% Energy • 8% Liveness
77% Instrumentalness • 26% Positiveness
13% Popularity • 26% Danceability • 19% Energy • 8% Liveness
77% Instrumentalness • 26% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso, Op. 2...
103 bpm • A min • 08:56 • -23db
29% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
29% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole, Op. 21: III. ...
103 bpm • A min • 06:04 • -24.84db
9% Popularity • 36% Danceability • 6% Energy • 6% Liveness
4% Instrumentalness • 31% Positiveness
9% Popularity • 36% Danceability • 6% Energy • 6% Liveness
4% Instrumentalness • 31% Positiveness
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Giacomo Puccini
Turandot / Act 1: Non piangere Liù
111 bpm • D# min • 05:03 • -12.13db
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Piano Concerto No. 3 in D M...
103 bpm • D min • 02:52 • -23.34db
34% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
34% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
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Georges Bizet
Carmen: Fantaisie brillante
103 bpm • D Maj • 09:26 • -22.61db
11% Popularity • 32% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 15% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 15% Positiveness
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Franz Waxman
Carmen Fantasie for Violin and Piano
103 bpm • D Maj • 10:37 • -21.72db
7% Popularity • 37% Danceability • 12% Energy • 18% Liveness
37% Instrumentalness • 23% Positiveness
7% Popularity • 37% Danceability • 12% Energy • 18% Liveness
37% Instrumentalness • 23% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7. P...
112 bpm • F# Maj • 02:51 • -24db
22% Popularity • 38% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
22% Popularity • 38% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Ernest Guiraud
L'Arlesienne Suite No. 2: IV. Farandole ...
102 bpm • D Maj • 02:44 • -15db
15% Popularity • 55% Danceability • 42% Energy • 21% Liveness
71% Instrumentalness • 63% Positiveness
15% Popularity • 55% Danceability • 42% Energy • 21% Liveness
71% Instrumentalness • 63% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: I. All...
112 bpm • A min • 06:07 • -21db
12% Popularity • 32% Danceability • 12% Energy • 13% Liveness
87% Instrumentalness • 12% Positiveness
12% Popularity • 32% Danceability • 12% Energy • 13% Liveness
87% Instrumentalness • 12% Positiveness
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Peter Schmalfuss
Polonaise, op. 53, As-Dur: Maestoso
102 bpm • G# Maj • 06:27 • -22.6db
15% Popularity • 37% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
15% Popularity • 37% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Niccolò Paganini
Paganini: Violin Concerto No. 1 in E-Fla...
112 bpm • D Maj • 08:59 • -20.96db
8% Popularity • 46% Danceability • 11% Energy • 13% Liveness
34% Instrumentalness • 36% Positiveness
8% Popularity • 46% Danceability • 11% Energy • 13% Liveness
34% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
112 bpm • B min • 02:55 • -33.71db
32% Popularity • 19% Danceability • 5% Energy • 42% Liveness
36% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 5% Energy • 42% Liveness
36% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov / Arr. Press for Violin and ...
102 bpm • E min • 05:38 • -20.75db
18% Popularity • 21% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Montagues and ...
113 bpm • A min • 05:37 • -21.69db
14% Popularity • 26% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 26% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
113 bpm • B min • 03:50 • -33.26db
20% Popularity • 17% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3: Entr'acte
113 bpm • D min • 02:25 • -22db
13% Popularity • 31% Danceability • 9% Energy • 20% Liveness
2% Instrumentalness • 51% Positiveness
13% Popularity • 31% Danceability • 9% Energy • 20% Liveness
2% Instrumentalness • 51% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6,...
101 bpm • B min • 06:02 • -24.14db
15% Popularity • 23% Danceability • 8% Energy • 29% Liveness
2% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 8% Energy • 29% Liveness
2% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Concerto for Violin and Strings in E, Op...
101 bpm • D# Maj • 03:26 • -16.01db
19% Popularity • 47% Danceability • 19% Energy • 22% Liveness
2% Instrumentalness • 22% Positiveness
19% Popularity • 47% Danceability • 19% Energy • 22% Liveness
2% Instrumentalness • 22% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
101 bpm • D# Maj • 07:44 • -22.75db
10% Popularity • 21% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Vittorio Monti
Monti: Csárdás. Largo maestoso - Alleg...
101 bpm • D min • 06:08 • -21.26db
11% Popularity • 33% Danceability • 20% Energy • 69% Liveness
12% Instrumentalness • 16% Positiveness
11% Popularity • 33% Danceability • 20% Energy • 69% Liveness
12% Instrumentalness • 16% Positiveness
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Eugène Ysaÿe
Sonates pour Violon Seul Op.27 : Sonate ...
101 bpm • G Maj • 03:20 • -18.67db
3% Popularity • 45% Danceability • 21% Energy • 32% Liveness
36% Instrumentalness • 68% Positiveness
3% Popularity • 45% Danceability • 21% Energy • 32% Liveness
36% Instrumentalness • 68% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
101 bpm • E min • 12:54 • -18.89db
41% Popularity • 25% Danceability • 19% Energy • 16% Liveness
2% Instrumentalness • 12% Positiveness
41% Popularity • 25% Danceability • 19% Energy • 16% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
114 bpm • D Maj • 04:10 • -22.91db
12% Popularity • 17% Danceability • 8% Energy • 36% Liveness
10% Instrumentalness • 12% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 36% Liveness
10% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
101 bpm • E Maj • 03:31 • -18.7db
19% Popularity • 44% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 28% Positiveness
19% Popularity • 44% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 28% Positiveness
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Pablo de Sarasate
Sarasate: Introduction & Tarantelle, Op....
114 bpm • G Maj • 05:21 • -19.59db
8% Popularity • 51% Danceability • 17% Energy • 10% Liveness
37% Instrumentalness • 32% Positiveness
8% Popularity • 51% Danceability • 17% Energy • 10% Liveness
37% Instrumentalness • 32% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
100 bpm • E Maj • 06:38 • -22db
20% Popularity • 35% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 24% Positiveness
20% Popularity • 35% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 24% Positiveness
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Eugène Ysaÿe
Sonates pour Violon Seul Op.27 : Sonate ...
101 bpm • E min • 03:12 • -26.69db
5% Popularity • 14% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
100 bpm • D# Maj • 04:48 • -30.66db
29% Popularity • 14% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
101 bpm • E Maj • 03:55 • -16.17db
30% Popularity • 30% Danceability • 15% Energy • 26% Liveness
50% Instrumentalness • 16% Positiveness
30% Popularity • 30% Danceability • 15% Energy • 26% Liveness
50% Instrumentalness • 16% Positiveness
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Manuel Ponce
Ponce : Estrellita
100 bpm • F# Maj • 03:28 • -22.43db
12% Popularity • 33% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 33% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Ernest Guiraud
L'Arlésienne Suite No. 2: I. Pastorale
115 bpm • E Maj • 05:42 • -26db
6% Popularity • 26% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
6% Popularity • 26% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Turandot / Act 2: Introduzione (Scene 2)
100 bpm • F# Maj • 01:00 • -16db
26% Popularity • 49% Danceability • 17% Energy • 86% Liveness
56% Instrumentalness • 76% Positiveness
26% Popularity • 49% Danceability • 17% Energy • 86% Liveness
56% Instrumentalness • 76% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op.410)
100 bpm • A# Maj • 05:47 • -19.49db
13% Popularity • 32% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 50% Positiveness
13% Popularity • 32% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 50% Positiveness
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Frédéric Chopin
Nocturne in G Minor, Op. 15, No. 3
115 bpm • D min • 04:23 • -24.47db
23% Popularity • 54% Danceability • 2% Energy • 17% Liveness
88% Instrumentalness • 12% Positiveness
23% Popularity • 54% Danceability • 2% Energy • 17% Liveness
88% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
Concerto For Violin And Strings in E, Op...
100 bpm • E Maj • 03:22 • -16.08db
16% Popularity • 45% Danceability • 19% Energy • 58% Liveness
76% Instrumentalness • 19% Positiveness
16% Popularity • 45% Danceability • 19% Energy • 58% Liveness
76% Instrumentalness • 19% Positiveness
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Georges Bizet
Carmen, WD 31, Act II: Toreador Song. Vo...
115 bpm • F min • 04:48 • -12.1db
28% Popularity • 45% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 45% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
116 bpm • C min • 10:56 • -18.52db
12% Popularity • 30% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 30% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 8, In the Hall of...
116 bpm • G Maj • 02:52 • -20db
16% Popularity • 48% Danceability • 10% Energy • 14% Liveness
42% Instrumentalness • 36% Positiveness
16% Popularity • 48% Danceability • 10% Energy • 14% Liveness
42% Instrumentalness • 36% Positiveness
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Niccolò Paganini
24 Caprices for Violin, Op. 1: No. 5 in ...
99 bpm • F Maj • 02:10 • -23db
5% Popularity • 41% Danceability • 19% Energy • 9% Liveness
57% Instrumentalness • 75% Positiveness
5% Popularity • 41% Danceability • 19% Energy • 9% Liveness
57% Instrumentalness • 75% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Violin Concerto in D Major,...
99 bpm • D# Maj • 06:27 • -29.02db
10% Popularity • 16% Danceability • 6% Energy • 8% Liveness
70% Instrumentalness • 6% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 8% Liveness
70% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Après un Rêve op.7, no.1 - Arr. for Ce...
99 bpm • F min • 03:25 • -21.71db
8% Popularity • 15% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Georges Bizet
Petite Suite, WD 39: No. 5. Galop: Le ba...
99 bpm • A Maj • 01:43 • -21.36db
13% Popularity • 61% Danceability • 50% Energy • 13% Liveness
90% Instrumentalness • 72% Positiveness
13% Popularity • 61% Danceability • 50% Energy • 13% Liveness
90% Instrumentalness • 72% Positiveness
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Igor Stravinsky
Petrouchka - Three Movements for Piano (...
116 bpm • A min • 02:29 • -20.65db
16% Popularity • 48% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
16% Popularity • 48% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Vivaldi: Violin Concerto in C Minor, RV ...
98 bpm • F min • 03:57 • -13.92db
20% Popularity • 53% Danceability • 26% Energy • 11% Liveness
19% Instrumentalness • 55% Positiveness
20% Popularity • 53% Danceability • 26% Energy • 11% Liveness
19% Instrumentalness • 55% Positiveness
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Aram Khachaturian
Gayaneh: Sabre Dance
98 bpm • C Maj • 02:15 • -16.94db
20% Popularity • 44% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 22% Positiveness
20% Popularity • 44% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 22% Positiveness
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Edward Elgar
Elgar: Violin Sonata in E Minor, Op. 82:...
98 bpm • D Maj • 09:01 • -18.07db
8% Popularity • 22% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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César Franck
Franck: Violin Sonata in A Major, FWV 8:...
98 bpm • A Maj • 05:57 • -17.62db
11% Popularity • 26% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
11% Popularity • 26% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
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Georges Bizet
Jeux d'enfants, Op. 22: No. 7, Les bulle...
98 bpm • F Maj • 01:28 • -39.51db
11% Popularity • 50% Danceability • 1% Energy • 18% Liveness
96% Instrumentalness • 59% Positiveness
11% Popularity • 50% Danceability • 1% Energy • 18% Liveness
96% Instrumentalness • 59% Positiveness
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Gabriel Fauré
Pavane, Op. 50
117 bpm • F# min • 07:46 • -31db
16% Popularity • 18% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto For Violin And Strings In E, Op...
98 bpm • E Maj • 03:26 • -18.33db
32% Popularity • 50% Danceability • 8% Energy • 41% Liveness
62% Instrumentalness • 35% Positiveness
32% Popularity • 50% Danceability • 8% Energy • 41% Liveness
62% Instrumentalness • 35% Positiveness
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Fritz Kreisler
Kreisler: 3 Old Viennese Dances for Viol...
97 bpm • F Maj • 03:17 • -21.83db
8% Popularity • 57% Danceability • 8% Energy • 8% Liveness
25% Instrumentalness • 40% Positiveness
8% Popularity • 57% Danceability • 8% Energy • 8% Liveness
25% Instrumentalness • 40% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
98 bpm • E min • 07:44 • -25.62db
12% Popularity • 20% Danceability • 4% Energy • 33% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 33% Liveness
64% Instrumentalness • 4% Positiveness
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César Franck
Sonata in A Major for Violin and Piano, ...
98 bpm • D Maj • 07:00 • -23db
3% Popularity • 20% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
3% Popularity • 20% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
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Joseph Haydn
Symphony No. 101 in D Major, Hob. I:101 ...
97 bpm • G Maj • 07:39 • -23.23db
13% Popularity • 32% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 19% Positiveness
13% Popularity • 32% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 19% Positiveness