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Ways To Be Wicked
Songs like
Ways To Be Wicked
by
Lone Justice
Based on a tempo of (+/- 10%) and a similar genre
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Roger McGuinn
King Of The Hill
125 bpm • A Maj • 05:27 • -10.65db
29% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Eurythmics
Missionary Man
125 bpm • A# min • 04:27 • -4.27db
46% Popularity • 59% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Richard Thompson
I Feel So Good
125 bpm • C Maj • 03:21 • -12db
34% Popularity • 59% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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The Smithereens
Yesterday Girl
125 bpm • G# Maj • 03:27 • -8db
30% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Willie Nile
Golden Down
125 bpm • A# Maj • 05:08 • -10.46db
8% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Cowboy Junkies
Come Calling (His Song)
125 bpm • C# min • 03:34 • -11.96db
34% Popularity • 62% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Joan Armatrading
Ma Me O Beach
125 bpm • E Maj • 03:02 • -14.27db
17% Popularity • 80% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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World Party
When the Rainbow Comes
125 bpm • D Maj • 04:59 • -6.74db
34% Popularity • 51% Danceability • 79% Energy • 48% Liveness
4% Instrumentalness • 69% Positiveness
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Chris Hillman
Here She Comes Again
125 bpm • C Maj • 02:31 • -2.37db
25% Popularity • 56% Danceability • 76% Energy • 32% Liveness
34% Instrumentalness • 58% Positiveness
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Chi Coltrane
Thunder and Lightning
125 bpm • A# Maj • 03:05 • -10.34db
29% Popularity • 60% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Lone Justice
Vigilante
125 bpm • F# min • 01:51 • -9.21db
5% Popularity • 51% Danceability • 93% Energy • 24% Liveness
86% Instrumentalness • 96% Positiveness
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Cowboy Junkies
Anniversary Song
125 bpm • C Maj • 03:10 • -10.06db
31% Popularity • 76% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Newman
It's Money That Matters
125 bpm • D Maj • 04:07 • -13.25db
24% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Off Broadway
Stay in Time - LP & Single Version
125 bpm • D Maj • 02:53 • -11.49db
22% Popularity • 66% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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John Wesley Harding
The Devil in Me
125 bpm • B Maj • 04:42 • -9db
10% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Patti Scialfa
Looking For Elvis
125 bpm • D# Maj • 03:59 • -7.49db
10% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jason & The Scorchers
Shop It Around
125 bpm • E Maj • 02:58 • -3.85db
16% Popularity • 49% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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The Motels
Kix
126 bpm • B min • 02:15 • -13.51db
22% Popularity • 48% Danceability • 71% Energy • 13% Liveness
10% Instrumentalness • 66% Positiveness
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'Til Tuesday
(Believed You Were) Lucky
124 bpm • F Maj • 03:36 • -6db
12% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Willie Nile
Vagabond Moon
124 bpm • A# Maj • 04:06 • -11db
27% Popularity • 60% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Lone Justice
How Lonesome Life Has Been - Live At The...
124 bpm • D Maj • 02:03 • -8.73db
0% Popularity • 60% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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The Call
Let The Day Begin
124 bpm • D Maj • 03:51 • -10db
43% Popularity • 58% Danceability • 87% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Jason & The Scorchers
I Really Don't Want To Know
124 bpm • E Maj • 04:30 • -3.77db
13% Popularity • 51% Danceability • 89% Energy • 39% Liveness
2% Instrumentalness • 45% Positiveness
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Edie Brickell & New Bohemians
Stranger Things
126 bpm • A Maj • 03:20 • -8.11db
22% Popularity • 72% Danceability • 64% Energy • 7% Liveness
3% Instrumentalness • 61% Positiveness
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'Til Tuesday
(Believed You Were) Lucky
124 bpm • F Maj • 03:36 • -11db
21% Popularity • 61% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Roger McGuinn
If We Never Meet Again
126 bpm • G Maj • 04:27 • -10.13db
12% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Lone Justice
Cotton Belt
124 bpm • C Maj • 03:10 • -9.8db
1% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Anyway
Escape
126 bpm • A# min • 03:00 • -6db
12% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Los Lobos
Set Me Free (Rosa Lee)
124 bpm • G Maj • 03:35 • -11.87db
22% Popularity • 76% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 72% Positiveness
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Shawn Colvin
Get Out Of This House
124 bpm • G Maj • 04:14 • -3.44db
18% Popularity • 53% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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The A's
A Woman's Got the Power
126 bpm • D Maj • 04:41 • -10.65db
14% Popularity • 58% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Himmelman
Beneath The Damage And The Dust
124 bpm • D Maj • 04:34 • -6.83db
10% Popularity • 54% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Lone Justice
Working Man Blues
124 bpm • A Maj • 02:37 • -8.35db
5% Popularity • 57% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 90% Positiveness
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The Northern Pikes
Kiss Me You Fool
124 bpm • G Maj • 04:24 • -11.42db
27% Popularity • 61% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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'Til Tuesday
Everything's Different Now
124 bpm • A# Maj • 03:56 • -11.51db
16% Popularity • 67% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Aimee Mann
Fifty Years After The Fair
126 bpm • D Maj • 03:46 • -7.14db
16% Popularity • 54% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Jackson Browne
In the Shape of a Heart
126 bpm • E Maj • 05:42 • -8db
36% Popularity • 76% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Graham Parker
Get Started. Start A Fire
126 bpm • D Maj • 05:09 • -9.22db
13% Popularity • 76% Danceability • 75% Energy • 25% Liveness
1% Instrumentalness • 93% Positiveness
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Lone Justice
Working Man's Blues
126 bpm • A Maj • 02:33 • -7.53db
4% Popularity • 61% Danceability • 93% Energy • 18% Liveness
1% Instrumentalness • 89% Positiveness
► Preview
Cowboy Junkies
A Horse In The Country
124 bpm • A Maj • 03:50 • -14.94db
31% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Del Lords
Cheyenne
124 bpm • A# Maj • 03:47 • -10.39db
12% Popularity • 56% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Alejandro Escovedo
Anchor
123 bpm • C Maj • 03:30 • -6db
28% Popularity • 52% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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The Plimsouls
Oldest Story In The World
127 bpm • D Maj • 03:21 • -10.74db
17% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Hothouse Flowers
Thing of Beauty
127 bpm • F Maj • 05:27 • -9db
35% Popularity • 56% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 18% Positiveness
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Lone Justice
How Lonesome Life Has Been
124 bpm • D Maj • 02:09 • -6.05db
2% Popularity • 53% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Cowboy Junkies
Southern Rain
127 bpm • A Maj • 04:50 • -15.59db
26% Popularity • 58% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
The Del Fuegos
Backseat Nothing
123 bpm • A min • 02:49 • -10.99db
13% Popularity • 72% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
► Preview
Bruce Cockburn
Peggy's Kitchen Wall
127 bpm • D Maj • 03:42 • -13.98db
19% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Kim Richey
Those Words We Said
123 bpm • F min • 03:58 • -7.92db
23% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Los Lobos
The Hardest Time
127 bpm • G Maj • 03:12 • -11.89db
14% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Lone Justice
Inspiration
123 bpm • G# Maj • 03:48 • -12.27db
7% Popularity • 54% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Squeeze
If I Didn't Love You
123 bpm • G Maj • 04:11 • -13.07db
34% Popularity • 67% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Cowboy Junkies
To Live Is To Fly
123 bpm • D# Maj • 04:53 • -15.01db
23% Popularity • 49% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Alarm
Spirit Of '76
123 bpm • G Maj • 07:12 • -9.93db
18% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Dion
And The Night Stood Still
127 bpm • E Maj • 04:30 • -12.36db
17% Popularity • 67% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Toni Childs
Hush
127 bpm • D Maj • 04:03 • -14.82db
17% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Sam Phillips
Baby I Can't Please You
123 bpm • D Maj • 03:29 • -8db
16% Popularity • 62% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Jackson
Stranger Than Fiction
123 bpm • G Maj • 03:40 • -9.27db
20% Popularity • 64% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Ric Ocasek
Something To Grab For
122 bpm • B min • 03:43 • -7.82db
20% Popularity • 71% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Lone Justice
Belfry
122 bpm • B Maj • 05:02 • -11.6db
10% Popularity • 56% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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The Jayhawks
Bad Time
128 bpm • C Maj • 03:26 • -6.84db
32% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Cowboy Junkies
Miles From Our Home
122 bpm • A min • 04:35 • -9.21db
35% Popularity • 61% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Smithereens
Downbound Train
122 bpm • A min • 03:43 • -9db
23% Popularity • 59% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Peter Case
Put Down The Gun
122 bpm • A Maj • 03:41 • -7.8db
10% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Alejandro Escovedo
Sister Lost Soul
122 bpm • A# Maj • 04:16 • -5db
31% Popularity • 57% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
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Lone Justice
Working Late
122 bpm • G Maj • 02:43 • -13.47db
13% Popularity • 63% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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The Jayhawks
I'm Gonna Make You Love Me
122 bpm • C Maj • 03:40 • -8.89db
35% Popularity • 59% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Cowboy Junkies
Those Final Feet
122 bpm • G Maj • 05:03 • -10.52db
12% Popularity • 42% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
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The Smithereens
Maria Elena
128 bpm • F# Maj • 02:48 • -10.14db
14% Popularity • 56% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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The Motels
Danger - Remastered
122 bpm • F# min • 03:23 • -6.68db
24% Popularity • 88% Danceability • 75% Energy • 13% Liveness
6% Instrumentalness • 92% Positiveness
► Preview
Blessing
Delta Rain
128 bpm • G Maj • 06:05 • -11.75db
14% Popularity • 63% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Lone Justice
Sweet Sweet Baby (I'm Falling)
128 bpm • C Maj • 04:10 • -10.73db
21% Popularity • 66% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 71% Positiveness
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Robbie Robertson
Hell's Half Acre
128 bpm • A Maj • 04:20 • -12.61db
22% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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The Boomers
The Art of Living
128 bpm • E Maj • 05:49 • -10.13db
12% Popularity • 70% Danceability • 54% Energy • 7% Liveness
3% Instrumentalness • 63% Positiveness
► Preview
The Smithereens
Cigrette
128 bpm • D# min • 02:30 • -15.36db
13% Popularity • 50% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Steve Forbert
You Cannot Win If You Do Not Play
122 bpm • A Maj • 04:32 • -11db
18% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Del Fuegos
Don't Run Wild
128 bpm • B Maj • 03:31 • -13.47db
17% Popularity • 72% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Lone Justice
This World Is Not My Home (I'm Just A Pa...
128 bpm • D Maj • 02:36 • -7.6db
0% Popularity • 62% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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The Jayhawks
Two Angels
122 bpm • G Maj • 04:09 • -7db
21% Popularity • 70% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Squeeze
If It's Love
128 bpm • D Maj • 04:02 • -11.28db
22% Popularity • 68% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Edie Brickell & New Bohemians
Little Miss S.
122 bpm • G# Maj • 03:37 • -12.04db
37% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Steve Forbert
Baby, Don't
128 bpm • G# Maj • 03:43 • -7.74db
13% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Del Amitri
Not Where It's At
122 bpm • E Maj • 03:39 • -5db
20% Popularity • 44% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Willie Nile
It's All Over
128 bpm • E Maj • 03:34 • -11.39db
16% Popularity • 60% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Concrete Blonde
True
129 bpm • E Maj • 02:59 • -4.79db
27% Popularity • 52% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Lone Justice
Cottonbelt
122 bpm • C Maj • 03:11 • -8.54db
4% Popularity • 59% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Edie Brickell & New Bohemians
Black & Blue
122 bpm • D Maj • 03:55 • -10db
18% Popularity • 67% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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'Til Tuesday
Will She Just Fall Down
129 bpm • A Maj • 02:50 • -14.57db
16% Popularity • 60% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Bruce Springsteen
Two Faces
121 bpm • D Maj • 03:00 • -15.67db
38% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Cowboy Junkies
First Recollection
121 bpm • C Maj • 04:16 • -8.85db
7% Popularity • 57% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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The Del Fuegos
Night on the Town
121 bpm • G Maj • 03:09 • -12.38db
9% Popularity • 60% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
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Lone Justice
After The Flood
129 bpm • A Maj • 03:37 • -11.9db
16% Popularity • 63% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Martin Briley
The Salt In My Tears
121 bpm • A Maj • 03:28 • -5.24db
24% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
'Til Tuesday
Will She Just Fall Down
129 bpm • A Maj • 02:50 • -6.45db
8% Popularity • 60% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Robyn Hitchcock & The Egyptians
So You Think You're In Love
129 bpm • E Maj • 02:34 • -8.67db
28% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Graham Parker
Break Them Down
129 bpm • G# min • 04:29 • -10.77db
15% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Doug and the Slugs
Tropical Rainstorm
129 bpm • C# Maj • 06:34 • -12.36db
12% Popularity • 57% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Paul Westerberg
Silver Naked Ladies
129 bpm • A min • 04:37 • -5.46db
15% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Martin Briley
Salt In My Tears
121 bpm • A Maj • 03:30 • -5.55db
30% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Steve Earle
I Ain't Ever Satisfied
129 bpm • G Maj • 04:03 • -16.12db
30% Popularity • 61% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Ways To Be Wicked