Songs like We Belong Together by Gavin DeGraw
Based on a tempo of (+/- 10%) and a similar genre
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Switchfoot
Your Love Is a Song
80 bpm • F# min • 04:19 • -4db
48% Popularity • 52% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 52% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Craig
Further To Fall
80 bpm • D Maj • 04:10 • -8.91db
14% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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9 Ball
How Do You Dream
80 bpm • D Maj • 03:51 • -8.4db
8% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Sean McConnell
Madly In Love With You
80 bpm • F# Maj • 04:21 • -10.44db
13% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Gavin DeGraw
We Belong Together
80 bpm • G Maj • 05:28 • -5.86db
37% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Graham Colton
Our Story
80 bpm • G# Maj • 04:12 • -8.47db
32% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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![Looking For Your Name (ASOT 738) [Future Favorite] - Original Mix cover art](https://i.scdn.co/image/ab67616d00001e0287a319a6ffc7ff1808ebc611)
Armin van Buuren
Looking For Your Name (ASOT 738) [Future...
80 bpm • E Maj • 04:20 • -12.74db
4% Popularity • 19% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 19% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dashboard Confessional
Where There's Gold
80 bpm • C# Maj • 02:29 • -5.94db
27% Popularity • 47% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 47% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Matchbox Twenty
Bright Lights
80 bpm • E Maj • 03:54 • -4.48db
57% Popularity • 32% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 32% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 20% Positiveness
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Yellowcard
City Of Devils
80 bpm • G Maj • 04:23 • -6.78db
33% Popularity • 26% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 26% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Gavin DeGraw
We Belong Together
80 bpm • E min • 04:31 • -8.97db
13% Popularity • 51% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 51% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Wertz
Falling off the Face of the Earth
80 bpm • F# Maj • 03:43 • -13db
23% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Thriving Ivory
Light Up Mississippi
81 bpm • G# Maj • 03:29 • -2.84db
24% Popularity • 41% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 41% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Fountains Of Wayne
All Kinds Of Time
81 bpm • E Maj • 04:21 • -6.1db
39% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Matchbox Twenty
Unwell
81 bpm • F# min • 03:48 • -5.26db
68% Popularity • 26% Danceability • 79% Energy • 71% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 26% Danceability • 79% Energy • 71% Liveness
0% Instrumentalness • 43% Positiveness
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Shontelle
Say Hello To Goodbye
81 bpm • C# Maj • 03:52 • -4.45db
36% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Brett Young
Chapters
81 bpm • B Maj • 03:57 • -6.82db
54% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Wertz
Red Meets Blue
79 bpm • C# Maj • 03:43 • -6.3db
27% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sheryl Crow
The First Cut Is the Deepest - Acoustic ...
79 bpm • D Maj • 03:50 • -7.52db
46% Popularity • 64% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 64% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Rosi Golan
Think Of Me
79 bpm • D Maj • 03:10 • -11.32db
34% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Matchbox Twenty
Unwell - 2007 Remaster
81 bpm • A Maj • 03:57 • -5.15db
58% Popularity • 44% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 44% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Lee DeWyze
Live It Up
78 bpm • G# Maj • 03:16 • -4.82db
15% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Enation
Feel This (Love Fall Down)
82 bpm • B Maj • 05:26 • -10.92db
17% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Audition
It's Gonna Be Hard
82 bpm • G min • 04:06 • -5.6db
21% Popularity • 46% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 46% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Thriving Ivory
Secret Life
78 bpm • A Maj • 04:31 • -2.9db
24% Popularity • 44% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 44% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Jarrod Gorbel
I'll Do Better
82 bpm • C Maj • 04:43 • -7db
13% Popularity • 39% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 39% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Waking Ashland
Hands On Deck
78 bpm • B Maj • 05:05 • -6db
15% Popularity • 46% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 46% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Switchfoot
The Blues
78 bpm • D Maj • 05:17 • -5.28db
21% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Hutchinson
Breakdown More
78 bpm • C Maj • 04:05 • -7db
31% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Ferras
Take My Lips
78 bpm • B Maj • 03:30 • -12db
12% Popularity • 55% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 55% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kari Kimmel
One Day You'll Be Fine
78 bpm • C Maj • 04:31 • -8.01db
10% Popularity • 42% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 42% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Jana Kramer
I Won't Give Up
83 bpm • D Maj • 03:18 • -6.77db
39% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Tristan Prettyman
I Was Gonna Marry You
83 bpm • C# Maj • 03:11 • -10.04db
25% Popularity • 45% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
25% Popularity • 45% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Pat Monahan
Two Ways To Say Goodbye
83 bpm • C Maj • 03:40 • -6.99db
11% Popularity • 42% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 42% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Undeserving
There for You
77 bpm • E Maj • 03:41 • -6db
10% Popularity • 45% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 45% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Shelly Fraley
Seize the Day
77 bpm • G# Maj • 03:37 • -10db
13% Popularity • 50% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
13% Popularity • 50% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Lee DeWyze
Weightless
84 bpm • F Maj • 03:10 • -5.77db
13% Popularity • 58% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 58% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Gavin DeGraw
Run Every Time
76 bpm • D# Maj • 03:06 • -5.39db
36% Popularity • 46% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 46% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Ben's Brother
Beauty Queen
84 bpm • F Maj • 03:31 • -9.27db
22% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Glass Pear
Say It Once
76 bpm • F min • 04:18 • -8db
13% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Wakey!Wakey!
Square Peg Round Hole
84 bpm • A# Maj • 02:25 • -5.16db
18% Popularity • 89% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 89% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Sixteen Cities
Pray You Through
76 bpm • G Maj • 03:30 • -6db
12% Popularity • 46% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 46% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rob Thomas
Hold on Forever
76 bpm • E Maj • 03:35 • -5.95db
50% Popularity • 47% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 47% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Gavin DeGraw
Follow Through - Stripped Version
84 bpm • C Maj • 04:28 • -8.59db
15% Popularity • 62% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 62% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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David Cook
Goodbye To The Girl
75 bpm • C Maj • 04:18 • -6.7db
19% Popularity • 48% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 48% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Phillip Phillips
Hold On
75 bpm • F Maj • 04:11 • -6.45db
35% Popularity • 46% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 46% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Jamestown Story
In Loving Memory (Acoustic)
75 bpm • C# Maj • 04:37 • -19.94db
10% Popularity • 54% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 54% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Thriving Ivory
Unhappy
75 bpm • C Maj • 03:47 • -3.8db
28% Popularity • 46% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 46% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Levi Kreis
I Should Go
86 bpm • G Maj • 03:40 • -19.33db
37% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Armin van Buuren
Looking For Your Name
74 bpm • E Maj • 04:53 • -11.18db
37% Popularity • 22% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 22% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Rob Thomas
When the Heartache Ends
87 bpm • A# Maj • 02:51 • -7db
36% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Get Up Kids
Overdue
88 bpm • D Maj • 02:58 • -9.17db
33% Popularity • 53% Danceability • 71% Energy • 30% Liveness
59% Instrumentalness • 61% Positiveness
33% Popularity • 53% Danceability • 71% Energy • 30% Liveness
59% Instrumentalness • 61% Positiveness
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Ben Jelen
Falling Down
89 bpm • D Maj • 05:18 • -7db
11% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Missy Higgins
Where I Stood
72 bpm • A Maj • 04:19 • -9.23db
44% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Wreckers
Lay Me Down
89 bpm • E min • 03:34 • -4.26db
30% Popularity • 61% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 61% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Wertz
Marianne
89 bpm • B Maj • 02:53 • -5db
29% Popularity • 59% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 59% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Rob Thomas
Her Diamonds
88 bpm • G Maj • 04:40 • -4.93db
54% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Phillip Phillips
Man On The Moon
90 bpm • F# min • 03:35 • -6.23db
41% Popularity • 55% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 55% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Wakey!Wakey!
Blame You
90 bpm • D Maj • 03:37 • -6.54db
9% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lee DeWyze
It's Gotta Be Love
90 bpm • F Maj • 03:36 • -3.56db
16% Popularity • 54% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 54% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Meiko
Under My Bed
90 bpm • F# Maj • 03:48 • -4.98db
23% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lilyjets
Perfect Picture (It Would Be Better)
90 bpm • G Maj • 03:55 • -5.41db
21% Popularity • 56% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 56% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rob Thomas
Now Comes the Night
72 bpm • D Maj • 04:53 • -14.17db
31% Popularity • 45% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 45% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Matthew Ryan
Return to Me
90 bpm • G# Maj • 04:48 • -9.79db
31% Popularity • 48% Danceability • 71% Energy • 10% Liveness
51% Instrumentalness • 58% Positiveness
31% Popularity • 48% Danceability • 71% Energy • 10% Liveness
51% Instrumentalness • 58% Positiveness
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Wakey!Wakey!
Light Outside
90 bpm • C Maj • 02:44 • -4.36db
39% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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John Mayer
Who Says
90 bpm • D Maj • 02:55 • -13.11db
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Erik Segerstedt
Wherever You Are
91 bpm • A# Maj • 03:44 • -11.61db
12% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Eric Hutchinson
Watching You Watch Him
91 bpm • G# Maj • 03:31 • -5.97db
32% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Gavin DeGraw
Untamed
91 bpm • G Maj • 04:00 • -4.21db
18% Popularity • 58% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 58% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Armin van Buuren
Looking For Your Name (ASOT 737)
92 bpm • E Maj • 04:18 • -10.91db
5% Popularity • 22% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 22% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Wakey!Wakey!
Brooklyn (Acoustic Version)
70 bpm • C Maj • 03:23 • -9.87db
13% Popularity • 33% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 33% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jack's Mannequin
Rescued - 2015 Remastered
92 bpm • E Maj • 03:55 • -7.77db
30% Popularity • 52% Danceability • 53% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 52% Danceability • 53% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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The Wreckers
Cigarettes
92 bpm • C Maj • 03:18 • -4.05db
29% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Jason Reeves
Infinity to One
69 bpm • G Maj • 03:40 • -6.65db
14% Popularity • 25% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 25% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Gavin DeGraw
Sweeter
92 bpm • D Maj • 03:43 • -3.4db
41% Popularity • 68% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 68% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Tyler Hilton
Glad - Acoustic Version
93 bpm • G Maj • 03:42 • -6.61db
34% Popularity • 49% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 49% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Espen Lind
Look Like Her
93 bpm • F# Maj • 04:06 • -8.63db
16% Popularity • 79% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 79% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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BC Jean
I'll Survive You
93 bpm • A Maj • 04:01 • -4.24db
14% Popularity • 51% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 51% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Script
This = Love
94 bpm • A Maj • 04:20 • -5db
38% Popularity • 32% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 32% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Matthew Morrison
Summer Rain
94 bpm • F# min • 03:31 • -4.07db
22% Popularity • 62% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 62% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Gavin DeGraw
Spell It Out
68 bpm • A# Maj • 03:57 • -9.05db
24% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tyler Hilton
You'll Ask for Me
94 bpm • F Maj • 04:03 • -6.18db
30% Popularity • 52% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 52% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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John Mayer
Your Body Is a Wonderland
94 bpm • F Maj • 04:09 • -6.25db
73% Popularity • 65% Danceability • 73% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
73% Popularity • 65% Danceability • 73% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
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Matchbox Twenty
These Hard Times
94 bpm • D Maj • 03:49 • -7db
31% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Medina
One More Time
94 bpm • G Maj • 04:04 • -5.66db
24% Popularity • 46% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 46% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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The Script
Breakeven
94 bpm • A# Maj • 04:21 • -4.5db
78% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Gavin DeGraw
Lover Be Strong
94 bpm • D Maj • 04:28 • -6.39db
20% Popularity • 71% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 71% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Mozella
Light Years Away
68 bpm • G Maj • 04:24 • -8.84db
23% Popularity • 61% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 61% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Jason Mraz
The Remedy (I Won't Worry)
95 bpm • A# Maj • 04:16 • -4.52db
59% Popularity • 59% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
59% Popularity • 59% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Thriving Ivory
Cobwebs
95 bpm • B Maj • 04:19 • -3.93db
18% Popularity • 36% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 36% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Across The Sky
Everywhere She Goes
96 bpm • D Maj • 03:27 • -5.42db
21% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Tyler Hilton & Bethany Joy Lenz
When the Stars Go Blue
95 bpm • G Maj • 02:59 • -5db
44% Popularity • 55% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 55% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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David Cook
Permanent
96 bpm • F Maj • 02:56 • -7db
36% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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3 Doors Down
Be Like That
96 bpm • G Maj • 04:25 • -6db
61% Popularity • 49% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 49% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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michael meanwhile
Sun & Stars
96 bpm • C# Maj • 03:38 • -7.7db
11% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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The Script
If You Ever Come Back
96 bpm • G Maj • 04:01 • -5db
56% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Pat Monahan
Her Eyes
96 bpm • G min • 03:15 • -5db
31% Popularity • 60% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 60% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Wertz
Carolina
96 bpm • F# Maj • 03:02 • -5.28db
26% Popularity • 57% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 57% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness