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We Can't Stop (Warm Up)
Songs like
We Can't Stop (Warm Up)
by
Nate Fifield
Based on a tempo of (+/- 10%) and a similar genre
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Nate Fifield
We Can't Stop (Warm Up)
78 bpm • E Maj • 01:55 • -20.85db
35% Popularity • 48% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Tatyana Shargorodsky
Plie
78 bpm • G Maj • 03:36 • -24db
7% Popularity • 45% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Miro Magloire
Fast Tendus
78 bpm • A# Maj • 02:01 • -18.57db
13% Popularity • 51% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 62% Positiveness
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Tanya Gordon
Plies
78 bpm • G# Maj • 02:12 • -20db
32% Popularity • 45% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Aly Tejas
Tendus Pliés
78 bpm • B Maj • 01:05 • -24db
32% Popularity • 40% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Ballet L'école
Slow Tendu - Pachelbel's Canon In D Ball...
78 bpm • D Maj • 02:44 • -22db
44% Popularity • 44% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Whitefeather Productions
Plie
79 bpm • D# Maj • 05:07 • -17.25db
16% Popularity • 65% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Steven Mitchell
Frappe with Balance (Pas de Deux)
77 bpm • A Maj • 01:10 • -16.72db
18% Popularity • 73% Danceability • 43% Energy • 5% Liveness
89% Instrumentalness • 93% Positiveness
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Venti Petrov
Pirouettes I No. 1
79 bpm • A Maj • 01:26 • -19.49db
8% Popularity • 67% Danceability • 13% Energy • 16% Liveness
87% Instrumentalness • 52% Positiveness
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Tanya Gordon
Battements Tendus 1 (Slow)
79 bpm • F Maj • 01:50 • -18.08db
30% Popularity • 41% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 63% Positiveness
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David Plumpton
Audtion - The Fools Who Dream (Grand All...
80 bpm • F Maj • 02:36 • -15.23db
19% Popularity • 63% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
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Vadim Proshich
Warm up Pointe 2. Metre 3/4.
80 bpm • D Maj • 01:17 • -25.94db
8% Popularity • 26% Danceability • 10% Energy • 13% Liveness
82% Instrumentalness • 46% Positiveness
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Massimiliano Greco
Music for Ballet Class, Series 1: Battem...
76 bpm • F Maj • 00:59 • -16.39db
15% Popularity • 71% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 95% Positiveness
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Ray Lindsey
Pre-Plié : I See the Light [12x8]
76 bpm • C Maj • 02:42 • -20.61db
12% Popularity • 46% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Venti Petrov
Adage - 3/4
80 bpm • E Maj • 01:23 • -12.15db
13% Popularity • 40% Danceability • 28% Energy • 17% Liveness
90% Instrumentalness • 43% Positiveness
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Nina Miller
Beauty and the Beast (Slow Tendu)
80 bpm • C Maj • 01:51 • -22.35db
40% Popularity • 36% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Finis Jhung & Bill Brown
Rond De Jambea Terre, En L'air. Slow 2/4...
80 bpm • C Maj • 01:49 • -31.41db
12% Popularity • 50% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Vadim Proshich
Ballet for Kids. Side Gallops and Chass�...
76 bpm • G Maj • 01:41 • -20.61db
16% Popularity • 68% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 85% Positiveness
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Matthew J Gregory
Pirouettes Waltz of My Heart
76 bpm • D# Maj • 01:51 • -19.41db
19% Popularity • 64% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 55% Positiveness
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Alessio De Franzoni
Stretching Exercises 2
76 bpm • D# min • 04:54 • -22.92db
9% Popularity • 46% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Nate Fifield
Lara's Theme (tendu 1)
75 bpm • G Maj • 01:28 • -22.43db
32% Popularity • 35% Danceability • 18% Energy • 13% Liveness
94% Instrumentalness • 28% Positiveness
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Robert Schumann
Pliés in B-Flat Major, Waldszenen, Op.8...
81 bpm • A# Maj • 04:29 • -21.05db
20% Popularity • 46% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Christopher N Hobson
Plie 1 (Chi Mai)
75 bpm • F# min • 01:59 • -22.37db
31% Popularity • 55% Danceability • 11% Energy • 10% Liveness
80% Instrumentalness • 27% Positiveness
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David Howard
Tendus Slow from 1st (Barre Technique)
75 bpm • A min • 03:23 • -26db
13% Popularity • 36% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 17% Positiveness
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Miro Magloire
Frappes
81 bpm • G Maj • 01:51 • -22.14db
9% Popularity • 65% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 66% Positiveness
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Massimiliano Greco
Music for Ballet Class, Series 1: Adage ...
82 bpm • D Maj • 01:53 • -18.11db
14% Popularity • 36% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
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Nate Fifield
Umbrella (Frappé)
81 bpm • D Maj • 01:42 • -16.16db
32% Popularity • 55% Danceability • 24% Energy • 10% Liveness
83% Instrumentalness • 54% Positiveness
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Tatyana Grigoryants
Battement Tendu with Plié 3/4 [32 Meas...
82 bpm • A min • 01:21 • -14.29db
19% Popularity • 50% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Tatyana Shargorodsky
Petit Allegro #2
82 bpm • A# Maj • 01:41 • -18.36db
12% Popularity • 62% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 88% Positiveness
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Ray Lindsey
So This Is Love Plié 3/4
74 bpm • G# Maj • 01:54 • -22.28db
11% Popularity • 40% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Aly Tejas
Tendus Battements
82 bpm • E min • 01:11 • -19.14db
32% Popularity • 34% Danceability • 18% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
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Peter James
Colors of the Wind - Adagio
74 bpm • D Maj • 03:47 • -18.94db
19% Popularity • 32% Danceability • 24% Energy • 8% Liveness
94% Instrumentalness • 29% Positiveness
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Nate Fifield
Roar (Warm Up)
82 bpm • A# Maj • 03:26 • -15.8db
32% Popularity • 38% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Massimiliano Greco
Music for Ballet Class, Series 2: Plies
73 bpm • F Maj • 01:59 • -17.09db
8% Popularity • 41% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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David Howard
Stretch/Adagio: Barre Technique
73 bpm • D Maj • 04:52 • -20.39db
13% Popularity • 31% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 13% Positiveness
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Ray Lindsey
Something There : Adagio 16x8
74 bpm • C Maj • 02:01 • -22.55db
8% Popularity • 49% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Whitefeather Productions
Reverance
83 bpm • A# Maj • 01:26 • -18.03db
11% Popularity • 49% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 82% Positiveness
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Caleb Fawcett
Cheeky Tendus
84 bpm • G Maj • 01:15 • -24.01db
25% Popularity • 69% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 52% Positiveness
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Nate Fifield
Greatest Showman: This Is Me (Warm-Up)
83 bpm • D Maj • 03:23 • -18.22db
30% Popularity • 28% Danceability • 27% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
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Ayumi HIRUSAKI
Slow Tendus
84 bpm • G min • 02:19 • -27.17db
25% Popularity • 63% Danceability • 3% Energy • 14% Liveness
96% Instrumentalness • 36% Positiveness
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Tanya Gordon
Warm Up
84 bpm • G Maj • 03:22 • -20.12db
31% Popularity • 48% Danceability • 16% Energy • 21% Liveness
85% Instrumentalness • 60% Positiveness
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Ray Lindsey
Touch the Sky : Quick Tendu 16x8
83 bpm • D Maj • 01:39 • -17.31db
11% Popularity • 52% Danceability • 13% Energy • 64% Liveness
72% Instrumentalness • 61% Positiveness
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Richard Maddock
Travelling Jumps 6/8
84 bpm • G Maj • 01:49 • -15.67db
15% Popularity • 44% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 74% Positiveness
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Konstantin Mortensen
Grand battement in E-Flat Major
85 bpm • D# Maj • 02:50 • -17db
16% Popularity • 62% Danceability • 29% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
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David Howard
Pliés/Adagio With Balance: Barre Techni...
72 bpm • C# Maj • 02:18 • -21.48db
26% Popularity • 39% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Nina Miller
I See the Light (Adagio)
72 bpm • C Maj • 01:56 • -21.98db
33% Popularity • 30% Danceability • 4% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
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Matthew J Gregory
Medium Allegro Shadow Waltz
85 bpm • G Maj • 01:21 • -22.2db
20% Popularity • 61% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 68% Positiveness
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Catelijne Smit
Oops I Did It Again: Waltz Pirouettes
71 bpm • B min • 02:53 • -20db
14% Popularity • 64% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Tadeusz Gieysztor
Barre: Pliés (Suite des fleurs)
71 bpm • D# Maj • 04:10 • -19.67db
18% Popularity • 39% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Konstantin Mortensen
Warm up in E-Flat Major
85 bpm • G Maj • 01:54 • -20db
18% Popularity • 63% Danceability • 16% Energy • 13% Liveness
90% Instrumentalness • 27% Positiveness
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Peter James
Perdido - Jeté
86 bpm • A# Maj • 00:54 • -21db
30% Popularity • 56% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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Ballet pianist Mia
Battement Tendus 1 (slow) -Ballet "The A...
86 bpm • G# Maj • 01:43 • -19.71db
18% Popularity • 74% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
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Richard Maddock
Floor Work 3/4
86 bpm • A Maj • 01:13 • -19.94db
15% Popularity • 40% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Nate Fifield
Love Me Like You Do (Tendu 1)
86 bpm • G# Maj • 01:46 • -17.89db
31% Popularity • 37% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Eun S. Kim
Warming-up Ⅰ 2/4 (Suite no.4 op.61)
87 bpm • G Maj • 01:57 • -20db
12% Popularity • 81% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 35% Positiveness
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Douglas Schultz
First Tendu
87 bpm • G Maj • 01:38 • -22.66db
33% Popularity • 74% Danceability • 3% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
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Nina Pinzarrone
Carmen, Act I: No. 5, Habanera (Fondu)
87 bpm • D Maj • 01:36 • -20db
13% Popularity • 62% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
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Cesare Pugni
La esmeralda, Act 1: Esmeralda variation...
87 bpm • C min • 01:45 • -24.44db
11% Popularity • 68% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 75% Positiveness
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Nina Miller
You’ve Got a Friend in Me (Warm Up)
87 bpm • C Maj • 01:41 • -20.71db
32% Popularity • 64% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 36% Positiveness
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Nate Fifield
Still Fighting It (Adage 1)
88 bpm • C Maj • 02:35 • -21.14db
27% Popularity • 48% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 17% Positiveness
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Eun S. Kim
Allegro Ⅱ 2/4 (The Nutcracker)
88 bpm • D Maj • 00:52 • -18.12db
13% Popularity • 61% Danceability • 41% Energy • 6% Liveness
92% Instrumentalness • 52% Positiveness
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Ray Lindsey
Home : Pre-Plié 2/4 16x8
69 bpm • C Maj • 02:58 • -25.2db
16% Popularity • 33% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Peter James
Tea for Two - Frappé
68 bpm • G# Maj • 01:06 • -15db
25% Popularity • 57% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Lisa Harris
Plie 3/4 I Dreamed a Dream/Schonberg
68 bpm • A# Maj • 01:40 • -21.28db
19% Popularity • 33% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
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Catelijne Smit
Beautiful: Plie
68 bpm • E Maj • 04:07 • -18.65db
14% Popularity • 26% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Nate Fifield
Blank Space (Pirouette 2)
88 bpm • F Maj • 02:21 • -17.75db
24% Popularity • 46% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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SuYeon Park
Adagio
68 bpm • C# Maj • 01:10 • -15db
26% Popularity • 46% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 16% Positiveness
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Emanuele Lucchisani
Tendu I - Cruella De Vil
90 bpm • C min • 01:33 • -13.27db
14% Popularity • 44% Danceability • 26% Energy • 15% Liveness
90% Instrumentalness • 38% Positiveness
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David Plumpton
City of Stars (Pirouettes) [Medium Tempo...
68 bpm • F Maj • 03:05 • -19.97db
13% Popularity • 56% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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BalletClassMusic
Battement Degage
90 bpm • C Maj • 01:36 • -32.74db
16% Popularity • 60% Danceability • 1% Energy • 13% Liveness
98% Instrumentalness • 75% Positiveness
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Daniel Fifield
Med Tendu 4/4: Maribel's Cumbia
90 bpm • A# Maj • 01:32 • -26.8db
15% Popularity • 68% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 85% Positiveness
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Aly Tejas
Adagio Center
67 bpm • E min • 01:33 • -19.78db
24% Popularity • 28% Danceability • 25% Energy • 15% Liveness
86% Instrumentalness • 22% Positiveness
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Nate Fifield
Shake It off (Grand Allegro)
91 bpm • G Maj • 01:43 • -14.91db
27% Popularity • 43% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 84% Positiveness
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Giacomo Puccini
Adage dall'Opera "Gianni Schicchi": O mi...
67 bpm • G# Maj • 02:13 • -24.78db
10% Popularity • 45% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Adrienne Ramm
Grande Allegro
91 bpm • G min • 01:10 • -14.7db
18% Popularity • 46% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 70% Positiveness
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Konstantin Mortensen
Le réveil de flore in E-Flat Major: No....
91 bpm • D# Maj • 01:43 • -16.98db
14% Popularity • 50% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness
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David Plumpton
Audition - The Fools Who Dream (Fondus /...
91 bpm • F Maj • 02:24 • -23db
16% Popularity • 42% Danceability • 2% Energy • 14% Liveness
97% Instrumentalness • 15% Positiveness
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Alexandre Luigini
Battement fondu in C-Minor, ballet "Egyp...
67 bpm • C Maj • 03:33 • -23.12db
14% Popularity • 56% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 17% Positiveness
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Massimiliano Greco
Music for Ballet Class, Series 1: Grand ...
92 bpm • D min • 01:14 • -15.11db
13% Popularity • 40% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 23% Positiveness
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Vadim Proshich
Pas De Bourrée Pointe. Metre 4/4.
92 bpm • G Maj • 01:36 • -26.05db
14% Popularity • 61% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 44% Positiveness
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Nate Fifield
That's How You Know (allegro 1)
93 bpm • D Maj • 01:29 • -20.4db
25% Popularity • 70% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 64% Positiveness
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Tanya Gordon
Grand Allegro 1
93 bpm • D# Maj • 01:41 • -17db
26% Popularity • 50% Danceability • 15% Energy • 16% Liveness
86% Instrumentalness • 68% Positiveness
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David Plumpton
Someone in the Crowd (Tendus / Grand Bat...
91 bpm • D# Maj • 00:51 • -16.85db
27% Popularity • 72% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
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Aram Khachaturian
Grand Batt. 3/4 - Masquerade: I. Waltz (...
93 bpm • E min • 01:08 • -16db
20% Popularity • 67% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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BalletClassMusic
Port De Bras
94 bpm • D# Maj • 02:27 • -30db
12% Popularity • 39% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Douglas Schultz
Petit Allegro
94 bpm • G Maj • 01:09 • -21.63db
27% Popularity • 63% Danceability • 25% Energy • 9% Liveness
80% Instrumentalness • 99% Positiveness
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Elena Baliakhova
Warm up Tendu, 8x8
94 bpm • G Maj • 01:35 • -21.26db
30% Popularity • 61% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 64% Positiveness
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Tanya Gordon
Plié - 3/4
94 bpm • G# Maj • 01:04 • -20db
24% Popularity • 54% Danceability • 14% Energy • 20% Liveness
96% Instrumentalness • 75% Positiveness
► Preview
Nate Fifield
Part of Your World (Rondes de Jambe)
94 bpm • F Maj • 02:27 • -20.94db
40% Popularity • 34% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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SuYeon Park
Demi Allegro Ⅰ
94 bpm • D# Maj • 01:07 • -15.66db
25% Popularity • 48% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
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Peter James
Tenderly - Plié
94 bpm • D# Maj • 02:19 • -21.03db
18% Popularity • 58% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
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Margot Kazimirska
Grand Allegro 3/4: Embassy Waltz
95 bpm • D# Maj • 02:12 • -11.34db
20% Popularity • 57% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
► Preview
Finis Jhung & Bill Brown
March. Moderate 4/4, 64 Measures, 16-8's
95 bpm • D min • 01:30 • -18.86db
10% Popularity • 77% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 96% Positiveness
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David Plumpton
A Lovely Night (Développés / Stretch) ...
95 bpm • D# Maj • 02:20 • -20.21db
18% Popularity • 54% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Whitefeather Productions
Temps Leve, Changement De Pieds
95 bpm • D# Maj • 01:30 • -13.59db
12% Popularity • 58% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 74% Positiveness
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Xavier-Edouard Horemans
Dégagés battements jetés
95 bpm • D Maj • 01:52 • -17.12db
11% Popularity • 78% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 82% Positiveness
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Vadim Proshich
Ballet for Kids. Pre-Ballet Floor Exerci...
95 bpm • G min • 02:28 • -20db
10% Popularity • 45% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 63% Positiveness
► Preview
Joey McNamara
Starships (Grand Allegro)
96 bpm • D Maj • 01:12 • -18.95db
21% Popularity • 69% Danceability • 13% Energy • 8% Liveness
81% Instrumentalness • 76% Positiveness
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Finis Jhung & Bill Brown
Grand Battement. Spanish 6/8 Waltz, 32 M...
95 bpm • F Maj • 01:09 • -18.85db
17% Popularity • 66% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 82% Positiveness
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Evergreen Symphony Orchestra
The Sleeping Beauty, Op. 66, Aurora's We...
95 bpm • F Maj • 01:06 • -27.55db
26% Popularity • 67% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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We Can't Stop (Warm Up)