Songs like We Do Parties by Deerhoof
Based on a tempo of (+/- 10%) and a similar genre
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Congotronics International
Resila
168 bpm • B min • 03:02 • -7.54db
3% Popularity • 35% Danceability • 93% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 35% Danceability • 93% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
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Deerhoof
We Do Parties
168 bpm • E min • 03:01 • -4.12db
28% Popularity • 56% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 56% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Stereolab
Peng! 33
167 bpm • F# Maj • 03:03 • -17.3db
36% Popularity • 15% Danceability • 56% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
36% Popularity • 15% Danceability • 56% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
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Blanche Blanche Blanche
Runny Day
168 bpm • B min • 01:33 • -13.5db
21% Popularity • 72% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
21% Popularity • 72% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
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Faust
Jennifer
169 bpm • B Maj • 04:49 • -16db
25% Popularity • 34% Danceability • 43% Energy • 16% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 34% Danceability • 43% Energy • 16% Liveness
96% Instrumentalness • 50% Positiveness
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Cornelius
New Music Machine
170 bpm • F min • 03:52 • -6db
30% Popularity • 30% Danceability • 97% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
30% Popularity • 30% Danceability • 97% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
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Palm
Theme From Rock Island
170 bpm • A Maj • 02:18 • -5.7db
17% Popularity • 65% Danceability • 78% Energy • 31% Liveness
91% Instrumentalness • 86% Positiveness
17% Popularity • 65% Danceability • 78% Energy • 31% Liveness
91% Instrumentalness • 86% Positiveness
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Deerhoof
Rainbow Silhouette of the Milky Rain
170 bpm • D Maj • 04:16 • -5.67db
13% Popularity • 55% Danceability • 62% Energy • 17% Liveness
31% Instrumentalness • 16% Positiveness
13% Popularity • 55% Danceability • 62% Energy • 17% Liveness
31% Instrumentalness • 16% Positiveness
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Omni
Afterlife
170 bpm • B Maj • 01:46 • -5db
29% Popularity • 59% Danceability • 97% Energy • 17% Liveness
34% Instrumentalness • 76% Positiveness
29% Popularity • 59% Danceability • 97% Energy • 17% Liveness
34% Instrumentalness • 76% Positiveness
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Stereolab
Diagonals
167 bpm • G min • 05:15 • -11db
39% Popularity • 65% Danceability • 55% Energy • 24% Liveness
10% Instrumentalness • 86% Positiveness
39% Popularity • 65% Danceability • 55% Energy • 24% Liveness
10% Instrumentalness • 86% Positiveness
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The Unicorns
Les Os
166 bpm • G Maj • 03:32 • -8db
33% Popularity • 36% Danceability • 76% Energy • 10% Liveness
42% Instrumentalness • 76% Positiveness
33% Popularity • 36% Danceability • 76% Energy • 10% Liveness
42% Instrumentalness • 76% Positiveness
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The Books
Smells Like Content
171 bpm • B Maj • 03:42 • -10.09db
32% Popularity • 70% Danceability • 53% Energy • 7% Liveness
4% Instrumentalness • 40% Positiveness
32% Popularity • 70% Danceability • 53% Energy • 7% Liveness
4% Instrumentalness • 40% Positiveness
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Electrelane
Bells
164 bpm • F# Maj • 04:38 • -10.58db
22% Popularity • 22% Danceability • 80% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
22% Popularity • 22% Danceability • 80% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
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Cibo Matto
White Pepper Ice Cream
164 bpm • F# min • 05:10 • -16.05db
29% Popularity • 58% Danceability • 37% Energy • 35% Liveness
89% Instrumentalness • 40% Positiveness
29% Popularity • 58% Danceability • 37% Energy • 35% Liveness
89% Instrumentalness • 40% Positiveness
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Lightning Bolt
2 Morro Morro Land
164 bpm • A# Maj • 03:43 • -3.93db
26% Popularity • 17% Danceability • 100% Energy • 55% Liveness
81% Instrumentalness • 8% Positiveness
26% Popularity • 17% Danceability • 100% Energy • 55% Liveness
81% Instrumentalness • 8% Positiveness
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Trans Am
Ballbados
164 bpm • G Maj • 03:28 • -9.26db
18% Popularity • 33% Danceability • 82% Energy • 6% Liveness
73% Instrumentalness • 51% Positiveness
18% Popularity • 33% Danceability • 82% Energy • 6% Liveness
73% Instrumentalness • 51% Positiveness
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Marnie Stern
For Ash
172 bpm • E Maj • 04:27 • -5db
16% Popularity • 18% Danceability • 95% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
16% Popularity • 18% Danceability • 95% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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![Trails - Deerhoof Remix [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e0295cb45382b1725ddc7ac66cd)
Asobi Seksu
Trails - Deerhoof Remix [Bonus Track]
172 bpm • C# Maj • 03:09 • -7.25db
6% Popularity • 52% Danceability • 64% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
6% Popularity • 52% Danceability • 64% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Guerilla Toss
The String Game
172 bpm • E min • 03:15 • -3.81db
16% Popularity • 56% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 56% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Xiu Xiu
I Do What I Want, When I Want
164 bpm • D Maj • 03:12 • -9.83db
19% Popularity • 64% Danceability • 64% Energy • 17% Liveness
22% Instrumentalness • 67% Positiveness
19% Popularity • 64% Danceability • 64% Energy • 17% Liveness
22% Instrumentalness • 67% Positiveness
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Pinback
Hurley
172 bpm • C# Maj • 03:55 • -10db
31% Popularity • 59% Danceability • 69% Energy • 8% Liveness
75% Instrumentalness • 83% Positiveness
31% Popularity • 59% Danceability • 69% Energy • 8% Liveness
75% Instrumentalness • 83% Positiveness
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Connan Mockasin
Megumi the Milkyway Above
163 bpm • B Maj • 02:28 • -6.84db
18% Popularity • 49% Danceability • 80% Energy • 72% Liveness
2% Instrumentalness • 81% Positiveness
18% Popularity • 49% Danceability • 80% Energy • 72% Liveness
2% Instrumentalness • 81% Positiveness
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Avey Tare
Sis Around the Sándmill
173 bpm • G Maj • 03:55 • -22.01db
10% Popularity • 24% Danceability • 14% Energy • 38% Liveness
87% Instrumentalness • 35% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 38% Liveness
87% Instrumentalness • 35% Positiveness
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The Olivia Tremor Control
No Growing (exegesis)
173 bpm • G Maj • 03:00 • -10db
26% Popularity • 24% Danceability • 53% Energy • 27% Liveness
1% Instrumentalness • 54% Positiveness
26% Popularity • 24% Danceability • 53% Energy • 27% Liveness
1% Instrumentalness • 54% Positiveness
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Black Moth Super Rainbow
Drippy Eye
173 bpm • C# Maj • 03:13 • -6db
30% Popularity • 26% Danceability • 45% Energy • 16% Liveness
85% Instrumentalness • 32% Positiveness
30% Popularity • 26% Danceability • 45% Energy • 16% Liveness
85% Instrumentalness • 32% Positiveness
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Electrelane
On Parade
163 bpm • D Maj • 02:35 • -12.38db
34% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Life Without Buildings
Philip
162 bpm • F Maj • 02:29 • -6.93db
29% Popularity • 53% Danceability • 89% Energy • 32% Liveness
5% Instrumentalness • 93% Positiveness
29% Popularity • 53% Danceability • 89% Energy • 32% Liveness
5% Instrumentalness • 93% Positiveness
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Broadcast
Lights Out
174 bpm • C min • 04:34 • -12.52db
36% Popularity • 41% Danceability • 44% Energy • 11% Liveness
83% Instrumentalness • 48% Positiveness
36% Popularity • 41% Danceability • 44% Energy • 11% Liveness
83% Instrumentalness • 48% Positiveness
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Gang Gang Dance
Egowar
161 bpm • A# Maj • 08:49 • -11.31db
14% Popularity • 33% Danceability • 76% Energy • 33% Liveness
95% Instrumentalness • 75% Positiveness
14% Popularity • 33% Danceability • 76% Energy • 33% Liveness
95% Instrumentalness • 75% Positiveness
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Silver Jews
The Right to Remain Silent
175 bpm • A min • 02:36 • -15.11db
40% Popularity • 48% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
40% Popularity • 48% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Ought
Men for Miles
177 bpm • A Maj • 05:44 • -4db
24% Popularity • 31% Danceability • 91% Energy • 12% Liveness
78% Instrumentalness • 22% Positiveness
24% Popularity • 31% Danceability • 91% Energy • 12% Liveness
78% Instrumentalness • 22% Positiveness
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Wombo
Blossom Bear
177 bpm • E Maj • 03:07 • -7.37db
27% Popularity • 34% Danceability • 69% Energy • 10% Liveness
43% Instrumentalness • 46% Positiveness
27% Popularity • 34% Danceability • 69% Energy • 10% Liveness
43% Instrumentalness • 46% Positiveness
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Life Without Buildings
PS Exclusive
159 bpm • G Maj • 04:16 • -8db
32% Popularity • 49% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 49% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Fievel Is Glauque
Sweet Tooth
178 bpm • B min • 01:24 • -8.78db
33% Popularity • 61% Danceability • 78% Energy • 11% Liveness
57% Instrumentalness • 96% Positiveness
33% Popularity • 61% Danceability • 78% Energy • 11% Liveness
57% Instrumentalness • 96% Positiveness
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Electrelane
Only One Thing Is Needed
158 bpm • D min • 04:33 • -11.39db
23% Popularity • 39% Danceability • 65% Energy • 8% Liveness
78% Instrumentalness • 44% Positiveness
23% Popularity • 39% Danceability • 65% Energy • 8% Liveness
78% Instrumentalness • 44% Positiveness
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Panda Bear
Take Pills
178 bpm • A Maj • 05:23 • -16db
32% Popularity • 24% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 24% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Omni
Southbound Station
158 bpm • D Maj • 02:42 • -3.79db
28% Popularity • 56% Danceability • 87% Energy • 29% Liveness
95% Instrumentalness • 85% Positiveness
28% Popularity • 56% Danceability • 87% Energy • 29% Liveness
95% Instrumentalness • 85% Positiveness
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Ought
Never Better
179 bpm • F# min • 04:47 • -5.02db
14% Popularity • 32% Danceability • 94% Energy • 11% Liveness
78% Instrumentalness • 41% Positiveness
14% Popularity • 32% Danceability • 94% Energy • 11% Liveness
78% Instrumentalness • 41% Positiveness
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Protomartyr
The Chuckler
157 bpm • A min • 03:43 • -7.92db
32% Popularity • 35% Danceability • 84% Energy • 10% Liveness
84% Instrumentalness • 34% Positiveness
32% Popularity • 35% Danceability • 84% Energy • 10% Liveness
84% Instrumentalness • 34% Positiveness
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Deerhoof
Bad Kids to the Front
158 bpm • G Maj • 02:32 • -4.2db
26% Popularity • 55% Danceability • 95% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
26% Popularity • 55% Danceability • 95% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
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Guerilla Toss
What Would the Odd Do?
179 bpm • A Maj • 02:25 • -4.23db
27% Popularity • 35% Danceability • 93% Energy • 60% Liveness
2% Instrumentalness • 63% Positiveness
27% Popularity • 35% Danceability • 93% Energy • 60% Liveness
2% Instrumentalness • 63% Positiveness
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Dry Cleaning
Viking Hair - 2024 Remaster
157 bpm • G# Maj • 03:53 • -6.91db
30% Popularity • 27% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
30% Popularity • 27% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Beat Happening
I Love You
157 bpm • F# min • 02:01 • -7.77db
26% Popularity • 48% Danceability • 94% Energy • 13% Liveness
23% Instrumentalness • 71% Positiveness
26% Popularity • 48% Danceability • 94% Energy • 13% Liveness
23% Instrumentalness • 71% Positiveness
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Preoccupations
Throw It Away
157 bpm • D Maj • 03:09 • -8.98db
23% Popularity • 46% Danceability • 80% Energy • 6% Liveness
2% Instrumentalness • 54% Positiveness
23% Popularity • 46% Danceability • 80% Energy • 6% Liveness
2% Instrumentalness • 54% Positiveness
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SPIRIT OF THE BEEHIVE
THE SERVER IS IMMERSED
180 bpm • A Maj • 02:49 • -8.33db
35% Popularity • 21% Danceability • 74% Energy • 39% Liveness
11% Instrumentalness • 21% Positiveness
35% Popularity • 21% Danceability • 74% Energy • 39% Liveness
11% Instrumentalness • 21% Positiveness
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The Flaming Lips
Yoshimi Battles the Pink Robots, Pt. 2
180 bpm • G Maj • 02:57 • -5.63db
39% Popularity • 54% Danceability • 87% Energy • 71% Liveness
58% Instrumentalness • 42% Positiveness
39% Popularity • 54% Danceability • 87% Energy • 71% Liveness
58% Instrumentalness • 42% Positiveness
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Atlas Sound
An Orchid
180 bpm • B min • 03:05 • -11.66db
25% Popularity • 28% Danceability • 44% Energy • 30% Liveness
74% Instrumentalness • 18% Positiveness
25% Popularity • 28% Danceability • 44% Energy • 30% Liveness
74% Instrumentalness • 18% Positiveness
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Palm
Crank
156 bpm • B min • 03:39 • -3.21db
15% Popularity • 27% Danceability • 98% Energy • 6% Liveness
28% Instrumentalness • 64% Positiveness
15% Popularity • 27% Danceability • 98% Energy • 6% Liveness
28% Instrumentalness • 64% Positiveness
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OOIOO
mountain book
156 bpm • D Maj • 07:04 • -7.62db
9% Popularity • 14% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
9% Popularity • 14% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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Horse Lords
Against Gravity
155 bpm • D Maj • 07:48 • -6.66db
15% Popularity • 27% Danceability • 80% Energy • 58% Liveness
91% Instrumentalness • 5% Positiveness
15% Popularity • 27% Danceability • 80% Energy • 58% Liveness
91% Instrumentalness • 5% Positiveness
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SPIRIT OF THE BEEHIVE
GIVE UP YOUR LIFE
156 bpm • C Maj • 02:54 • -8.1db
31% Popularity • 53% Danceability • 66% Energy • 8% Liveness
4% Instrumentalness • 41% Positiveness
31% Popularity • 53% Danceability • 66% Energy • 8% Liveness
4% Instrumentalness • 41% Positiveness
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Stereolab
Les Yper-Sound
154 bpm • C# min • 04:17 • -8.74db
31% Popularity • 70% Danceability • 62% Energy • 21% Liveness
48% Instrumentalness • 96% Positiveness
31% Popularity • 70% Danceability • 62% Energy • 21% Liveness
48% Instrumentalness • 96% Positiveness
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Electrelane
Gone Under Sea
154 bpm • A Maj • 03:12 • -11.66db
34% Popularity • 44% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 44% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Chad VanGaalen
Burning Photographs
154 bpm • F Maj • 03:16 • -4.93db
26% Popularity • 51% Danceability • 93% Energy • 13% Liveness
81% Instrumentalness • 49% Positiveness
26% Popularity • 51% Danceability • 93% Energy • 13% Liveness
81% Instrumentalness • 49% Positiveness
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OOIOO
Be Sure To Loop
154 bpm • G min • 07:45 • -7.84db
10% Popularity • 54% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
10% Popularity • 54% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Avey Tare
K.C. Yours
154 bpm • A min • 06:12 • -6.73db
18% Popularity • 50% Danceability • 84% Energy • 11% Liveness
4% Instrumentalness • 37% Positiveness
18% Popularity • 50% Danceability • 84% Energy • 11% Liveness
4% Instrumentalness • 37% Positiveness
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Broadcast
Hawk
184 bpm • G# Maj • 03:42 • -10.34db
24% Popularity • 35% Danceability • 82% Energy • 36% Liveness
90% Instrumentalness • 64% Positiveness
24% Popularity • 35% Danceability • 82% Energy • 36% Liveness
90% Instrumentalness • 64% Positiveness
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Lightning Bolt
2 Towers
184 bpm • B Maj • 07:08 • -1.99db
23% Popularity • 18% Danceability • 99% Energy • 10% Liveness
55% Instrumentalness • 19% Positiveness
23% Popularity • 18% Danceability • 99% Energy • 10% Liveness
55% Instrumentalness • 19% Positiveness
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Electrelane
Love Builds Up
154 bpm • E min • 05:24 • -12.44db
27% Popularity • 53% Danceability • 38% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
27% Popularity • 53% Danceability • 38% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Protomartyr
Maidenhead
153 bpm • E Maj • 03:38 • -6.64db
36% Popularity • 45% Danceability • 87% Energy • 14% Liveness
78% Instrumentalness • 70% Positiveness
36% Popularity • 45% Danceability • 87% Energy • 14% Liveness
78% Instrumentalness • 70% Positiveness
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Atlas Sound
Criminals
153 bpm • G Maj • 02:55 • -9.18db
27% Popularity • 54% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
27% Popularity • 54% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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The Books
Be Good To Them Always
153 bpm • G Maj • 04:51 • -6.32db
20% Popularity • 66% Danceability • 57% Energy • 38% Liveness
57% Instrumentalness • 42% Positiveness
20% Popularity • 66% Danceability • 57% Energy • 38% Liveness
57% Instrumentalness • 42% Positiveness
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Women
Drag Open
153 bpm • D# min • 04:52 • -8.17db
21% Popularity • 27% Danceability • 86% Energy • 35% Liveness
86% Instrumentalness • 16% Positiveness
21% Popularity • 27% Danceability • 86% Energy • 35% Liveness
86% Instrumentalness • 16% Positiveness
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Avey Tare
Laughing Hieroglyphic
152 bpm • C Maj • 06:49 • -8db
4% Popularity • 41% Danceability • 66% Energy • 57% Liveness
2% Instrumentalness • 46% Positiveness
4% Popularity • 41% Danceability • 66% Energy • 57% Liveness
2% Instrumentalness • 46% Positiveness
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Deerhunter
Cryptograms
152 bpm • F Maj • 04:17 • -6.59db
23% Popularity • 21% Danceability • 96% Energy • 46% Liveness
52% Instrumentalness • 19% Positiveness
23% Popularity • 21% Danceability • 96% Energy • 46% Liveness
52% Instrumentalness • 19% Positiveness
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Deerhoof
Giga Dance
152 bpm • C# Maj • 02:58 • -4.77db
17% Popularity • 41% Danceability • 71% Energy • 7% Liveness
45% Instrumentalness • 39% Positiveness
17% Popularity • 41% Danceability • 71% Energy • 7% Liveness
45% Instrumentalness • 39% Positiveness
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U.S. Girls
Time
151 bpm • C Maj • 07:48 • -6db
24% Popularity • 50% Danceability • 83% Energy • 12% Liveness
32% Instrumentalness • 36% Positiveness
24% Popularity • 50% Danceability • 83% Energy • 12% Liveness
32% Instrumentalness • 36% Positiveness
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The Books
Vogt Dig For Kloppervok
153 bpm • A Maj • 03:57 • -9.35db
27% Popularity • 72% Danceability • 77% Energy • 22% Liveness
53% Instrumentalness • 12% Positiveness
27% Popularity • 72% Danceability • 77% Energy • 22% Liveness
53% Instrumentalness • 12% Positiveness
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Flotation Toy Warning
Happy 13
152 bpm • B Maj • 04:51 • -10.15db
28% Popularity • 35% Danceability • 63% Energy • 36% Liveness
94% Instrumentalness • 29% Positiveness
28% Popularity • 35% Danceability • 63% Energy • 36% Liveness
94% Instrumentalness • 29% Positiveness
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Life Without Buildings
Young Offenders
151 bpm • A min • 03:09 • -7.23db
28% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Congotronics International
Where's The One?
151 bpm • F Maj • 05:07 • -7.68db
6% Popularity • 30% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 30% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Deerhunter
Nothing Ever Happened
150 bpm • D Maj • 05:50 • -6.3db
30% Popularity • 26% Danceability • 84% Energy • 11% Liveness
78% Instrumentalness • 70% Positiveness
30% Popularity • 26% Danceability • 84% Energy • 11% Liveness
78% Instrumentalness • 70% Positiveness
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Pinback
Chaos Engine
188 bpm • C# min • 03:38 • -11db
19% Popularity • 65% Danceability • 52% Energy • 6% Liveness
69% Instrumentalness • 78% Positiveness
19% Popularity • 65% Danceability • 52% Energy • 6% Liveness
69% Instrumentalness • 78% Positiveness
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Parquet Courts
Before the Water Gets Too High
150 bpm • C Maj • 04:05 • -5db
39% Popularity • 50% Danceability • 78% Energy • 32% Liveness
11% Instrumentalness • 60% Positiveness
39% Popularity • 50% Danceability • 78% Energy • 32% Liveness
11% Instrumentalness • 60% Positiveness
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Broadcast
The World Backwards
188 bpm • C# Maj • 04:00 • -10.25db
36% Popularity • 30% Danceability • 54% Energy • 14% Liveness
86% Instrumentalness • 30% Positiveness
36% Popularity • 30% Danceability • 54% Energy • 14% Liveness
86% Instrumentalness • 30% Positiveness
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No Age
Things I Did When I Was Dead
149 bpm • E Maj • 02:27 • -13.1db
28% Popularity • 45% Danceability • 40% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 40% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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SPIRIT OF THE BEEHIVE
ENTERTAINMENT
150 bpm • C Maj • 02:44 • -10.09db
27% Popularity • 35% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 35% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Yo La Tengo
From Black to Blue
190 bpm • G Maj • 04:47 • -14.95db
27% Popularity • 25% Danceability • 34% Energy • 16% Liveness
71% Instrumentalness • 14% Positiveness
27% Popularity • 25% Danceability • 34% Energy • 16% Liveness
71% Instrumentalness • 14% Positiveness
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black midi
Ducter
148 bpm • C Maj • 06:42 • -8.18db
35% Popularity • 37% Danceability • 67% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
35% Popularity • 37% Danceability • 67% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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Guerilla Toss
Retreat
148 bpm • C Maj • 02:35 • -3.67db
18% Popularity • 51% Danceability • 96% Energy • 41% Liveness
2% Instrumentalness • 69% Positiveness
18% Popularity • 51% Danceability • 96% Energy • 41% Liveness
2% Instrumentalness • 69% Positiveness
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Lightning Bolt
Dracula Mountain
192 bpm • C# Maj • 05:10 • -3.53db
26% Popularity • 9% Danceability • 100% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
26% Popularity • 9% Danceability • 100% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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of Montreal
Suffer For Fashion
148 bpm • D Maj • 02:58 • -4db
38% Popularity • 57% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 57% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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SPIRIT OF THE BEEHIVE
hypnic jerks
149 bpm • G Maj • 03:42 • -8db
32% Popularity • 56% Danceability • 67% Energy • 60% Liveness
76% Instrumentalness • 60% Positiveness
32% Popularity • 56% Danceability • 67% Energy • 60% Liveness
76% Instrumentalness • 60% Positiveness
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Electrelane
Take the Bit Between Your Teeth
147 bpm • A Maj • 04:58 • -9db
26% Popularity • 23% Danceability • 68% Energy • 30% Liveness
81% Instrumentalness • 27% Positiveness
26% Popularity • 23% Danceability • 68% Energy • 30% Liveness
81% Instrumentalness • 27% Positiveness
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The Sea and Cake
All the Photos
146 bpm • A Maj • 03:19 • -9.98db
26% Popularity • 68% Danceability • 47% Energy • 14% Liveness
37% Instrumentalness • 77% Positiveness
26% Popularity • 68% Danceability • 47% Energy • 14% Liveness
37% Instrumentalness • 77% Positiveness
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Guerilla Toss
Magic Is Easy
146 bpm • B min • 03:11 • -2.63db
31% Popularity • 54% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 54% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Books
Deafkids
194 bpm • A Maj • 01:09 • -7.75db
16% Popularity • 66% Danceability • 78% Energy • 8% Liveness
77% Instrumentalness • 33% Positiveness
16% Popularity • 66% Danceability • 78% Energy • 8% Liveness
77% Instrumentalness • 33% Positiveness
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Angels Of Light
Evangeline
145 bpm • D Maj • 08:45 • -9db
26% Popularity • 38% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
26% Popularity • 38% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Life Without Buildings
14 Days
145 bpm • G Maj • 03:11 • -8.42db
25% Popularity • 46% Danceability • 85% Energy • 11% Liveness
16% Instrumentalness • 66% Positiveness
25% Popularity • 46% Danceability • 85% Energy • 11% Liveness
16% Instrumentalness • 66% Positiveness
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Deerhoof
The Perfect Me
145 bpm • A Maj • 02:39 • -4.69db
21% Popularity • 38% Danceability • 90% Energy • 13% Liveness
13% Instrumentalness • 57% Positiveness
21% Popularity • 38% Danceability • 90% Energy • 13% Liveness
13% Instrumentalness • 57% Positiveness
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Atlas Sound
Recent Bedroom
145 bpm • A Maj • 03:46 • -5db
21% Popularity • 13% Danceability • 79% Energy • 39% Liveness
90% Instrumentalness • 31% Positiveness
21% Popularity • 13% Danceability • 79% Energy • 39% Liveness
90% Instrumentalness • 31% Positiveness
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Yo La Tengo
Cherry Chapstick
144 bpm • D Maj • 06:11 • -5.27db
33% Popularity • 28% Danceability • 94% Energy • 7% Liveness
61% Instrumentalness • 25% Positiveness
33% Popularity • 28% Danceability • 94% Energy • 7% Liveness
61% Instrumentalness • 25% Positiveness
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Ulrika Spacek
Freudian Slip
196 bpm • F min • 02:49 • -11.14db
31% Popularity • 63% Danceability • 50% Energy • 10% Liveness
36% Instrumentalness • 63% Positiveness
31% Popularity • 63% Danceability • 50% Energy • 10% Liveness
36% Instrumentalness • 63% Positiveness
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Protomartyr
The Devil in His Youth
198 bpm • D# Maj • 02:37 • -4db
46% Popularity • 10% Danceability • 94% Energy • 22% Liveness
88% Instrumentalness • 44% Positiveness
46% Popularity • 10% Danceability • 94% Energy • 22% Liveness
88% Instrumentalness • 44% Positiveness
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of Montreal
Cato As A Pun
200 bpm • F min • 03:02 • -4.97db
39% Popularity • 41% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 41% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Deerhoof
This Magnificent Bird Will Rise
144 bpm • G min • 03:32 • -5.03db
15% Popularity • 36% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 36% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Deakin
Just Am
206 bpm • C# min • 08:09 • -4.33db
23% Popularity • 35% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 35% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
