Songs like We Don't Eat by James Vincent McMorrow
Based on a tempo of (+/- 10%) and a similar genre
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San Holo
The Future - Franky Rizardo Remix
124 bpm • G# Maj • 06:15 • -5.26db
6% Popularity • 64% Danceability • 98% Energy • 7% Liveness
45% Instrumentalness • 56% Positiveness
6% Popularity • 64% Danceability • 98% Energy • 7% Liveness
45% Instrumentalness • 56% Positiveness
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James Vincent McMorrow
Give up
124 bpm • B min • 03:46 • -6.13db
46% Popularity • 83% Danceability • 63% Energy • 33% Liveness
13% Instrumentalness • 83% Positiveness
46% Popularity • 83% Danceability • 63% Energy • 33% Liveness
13% Instrumentalness • 83% Positiveness
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Andrew Belle
The Ladder
124 bpm • G# Maj • 03:47 • -8db
41% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Kodaline
Love Like This
124 bpm • C Maj • 03:36 • -5db
57% Popularity • 46% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Matthew And The Atlas
I Will Remain
124 bpm • G# Maj • 03:26 • -11.48db
46% Popularity • 74% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
46% Popularity • 74% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
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Manchester Orchestra
I Can Feel a Hot One
124 bpm • G# Maj • 04:19 • -11.37db
44% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
44% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Alexi Murdoch
Through The Dark
123 bpm • G Maj • 05:30 • -19db
41% Popularity • 57% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
41% Popularity • 57% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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James Vincent McMorrow
We Don't Eat
124 bpm • G Maj • 04:55 • -12db
31% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
31% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Haux
Seaside
125 bpm • D Maj • 03:26 • -15.35db
38% Popularity • 34% Danceability • 35% Energy • 16% Liveness
8% Instrumentalness • 12% Positiveness
38% Popularity • 34% Danceability • 35% Energy • 16% Liveness
8% Instrumentalness • 12% Positiveness
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LÃ¥psley
Falling Short
125 bpm • A min • 03:23 • -9.1db
44% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Jake Isaac
Waiting Here
125 bpm • E Maj • 03:54 • -9db
46% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Turin Brakes
Save You
123 bpm • G# Maj • 03:32 • -7.82db
39% Popularity • 35% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
39% Popularity • 35% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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The National
England
123 bpm • C min • 05:40 • -9db
47% Popularity • 49% Danceability • 65% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
47% Popularity • 49% Danceability • 65% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
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Liz Lawrence
When I Was Younger
123 bpm • B Maj • 03:24 • -9.36db
37% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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Lucy Rose
Shiver
123 bpm • A Maj • 03:53 • -13.23db
50% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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RY X
Love Like This
125 bpm • B Maj • 04:10 • -14.97db
46% Popularity • 37% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
46% Popularity • 37% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
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Mikky Ekko
Time
122 bpm • F# Maj • 04:14 • -12db
39% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Wealthy West
The Highest Tide
122 bpm • A Maj • 04:32 • -11.67db
24% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ben Howard
The Fear
126 bpm • B Maj • 04:20 • -9.65db
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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The Milk Carton Kids
Michigan
122 bpm • A# Maj • 05:30 • -15db
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Meadows
The Only Boy Awake
122 bpm • F Maj • 02:43 • -10.29db
52% Popularity • 52% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
52% Popularity • 52% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Blackchords
Into the Unknown
126 bpm • B min • 05:13 • -12db
35% Popularity • 52% Danceability • 43% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
35% Popularity • 52% Danceability • 43% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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James Vincent McMorrow
And If My Heart Should Somehow Stop
122 bpm • D Maj • 04:34 • -9.82db
11% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
11% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
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Iron & Wine
Love Vigilantes
122 bpm • D# Maj • 03:26 • -13.64db
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Perfume Genius
Normal Song
127 bpm • D# Maj • 03:13 • -17db
38% Popularity • 55% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
38% Popularity • 55% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
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Keaton Henson
Sweetheart, What Have You Done to Us
126 bpm • A min • 03:30 • -13.11db
39% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Rosenthal
Take Care
127 bpm • F Maj • 01:54 • -11.1db
38% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Matthew And The Atlas
I Followed Fires
127 bpm • D# min • 03:49 • -9db
35% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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James Vincent McMorrow
Sparrow & The Wolf
127 bpm • G Maj • 03:41 • -8.19db
18% Popularity • 53% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
18% Popularity • 53% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Dotan
Home II
127 bpm • B min • 05:31 • -13db
42% Popularity • 43% Danceability • 31% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
42% Popularity • 43% Danceability • 31% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
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Luke Sital-Singh
Benediction
121 bpm • D Maj • 03:39 • -11.37db
27% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
54% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
54% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Fauntella Crow
Lost Here
128 bpm • C Maj • 04:49 • -11.9db
17% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Erin McCarley
Into the Fire
128 bpm • D# min • 03:29 • -12.14db
40% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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James Vincent McMorrow
Rising Water - Venice Beach, April 2015
127 bpm • C Maj • 04:21 • -9.38db
3% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Blanco White
Outsider
128 bpm • E Maj • 04:44 • -11.19db
43% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
43% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Amos Lee
Violin
128 bpm • G# min • 05:18 • -7.95db
43% Popularity • 46% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 46% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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S. Carey
Rose Petals
128 bpm • A# Maj • 03:33 • -12db
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Vaults
Poison
128 bpm • F# min • 03:24 • -8db
39% Popularity • 47% Danceability • 44% Energy • 11% Liveness
18% Instrumentalness • 11% Positiveness
39% Popularity • 47% Danceability • 44% Energy • 11% Liveness
18% Instrumentalness • 11% Positiveness
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Axel Flóvent
Nightlife
120 bpm • G# Maj • 05:12 • -15.06db
30% Popularity • 39% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
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Andrew Belle
In My Veins - Erin Mccarley
128 bpm • C Maj • 05:18 • -7.84db
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Haux
Homegrown
120 bpm • A Maj • 04:02 • -13.68db
49% Popularity • 66% Danceability • 33% Energy • 19% Liveness
39% Instrumentalness • 22% Positiveness
49% Popularity • 66% Danceability • 33% Energy • 19% Liveness
39% Instrumentalness • 22% Positiveness
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Cloud Cult
You Were Born
120 bpm • F Maj • 02:31 • -16.79db
43% Popularity • 70% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
43% Popularity • 70% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Nico Stai
Maybe Maybe
120 bpm • D# Maj • 03:12 • -17db
21% Popularity • 52% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
21% Popularity • 52% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Jacob Banks
Worthy
120 bpm • C min • 03:17 • -11.4db
44% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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X Ambassadors
Litost
120 bpm • A min • 05:21 • -8.42db
44% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Axel Flóvent
Beach
128 bpm • D Maj • 04:48 • -13db
38% Popularity • 52% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 52% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Secret Nation
Tonight
120 bpm • F# Maj • 03:49 • -9.27db
33% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Garrett Kato
Sweet Jane
120 bpm • E Maj • 03:20 • -10.74db
42% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The Weepies
Can't Go Back Now
120 bpm • F Maj • 02:17 • -9db
47% Popularity • 69% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 69% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Blanco White
Chalk
120 bpm • A min • 03:49 • -11.53db
47% Popularity • 64% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 64% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Mikky Ekko
Comatose
120 bpm • G Maj • 03:47 • -11db
23% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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James Vincent McMorrow
Higher Love
120 bpm • F Maj • 03:35 • -14db
45% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Amos Lee
Colors
129 bpm • G Maj • 02:40 • -13.4db
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Howard
The Wolves
119 bpm • C min • 05:09 • -9.9db
54% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
54% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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The Black Atlantic
I Shall Cross This River
119 bpm • A Maj • 03:28 • -24.63db
36% Popularity • 55% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
36% Popularity • 55% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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S. Carey
In the Stream
129 bpm • D# Maj • 05:10 • -17db
33% Popularity • 34% Danceability • 24% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
33% Popularity • 34% Danceability • 24% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
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Jade Bird
What Am I Here For
129 bpm • G Maj • 04:43 • -13db
44% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rosi Golan
Can't Go Back
119 bpm • D# Maj • 03:47 • -11db
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Charlie Cunningham
While You Are Young
130 bpm • C Maj • 02:41 • -11.22db
35% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Little Children
Distant Shouts
130 bpm • E min • 05:42 • -10db
21% Popularity • 44% Danceability • 57% Energy • 39% Liveness
19% Instrumentalness • 30% Positiveness
21% Popularity • 44% Danceability • 57% Energy • 39% Liveness
19% Instrumentalness • 30% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Fink
If Only
130 bpm • D Maj • 04:23 • -19.28db
44% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Bear's Den
Roses On A Breeze
130 bpm • A Maj • 05:21 • -10db
28% Popularity • 53% Danceability • 45% Energy • 10% Liveness
16% Instrumentalness • 18% Positiveness
28% Popularity • 53% Danceability • 45% Energy • 10% Liveness
16% Instrumentalness • 18% Positiveness
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Angus & Julia Stone
Chateau
130 bpm • F Maj • 04:33 • -11.22db
57% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
57% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Michael Logen
St. Christopher (On My Way)
130 bpm • G Maj • 03:16 • -8db
29% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Vancouver Sleep Clinic
Collapse
130 bpm • C min • 03:41 • -14.48db
41% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Frances
Grow
130 bpm • D# Maj • 03:59 • -9.38db
40% Popularity • 57% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 57% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Axel Flóvent
Forest Fires
118 bpm • G min • 03:30 • -12db
61% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Lumineers
Angela
130 bpm • E Maj • 03:21 • -8.23db
50% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Matthew And The Atlas
Within The Rose
118 bpm • G Maj • 03:52 • -13.88db
25% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Belle
Make It Without You
118 bpm • C# Maj • 04:32 • -8.44db
41% Popularity • 46% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 46% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Glen Hansard & Marketa Irglova
The Moon
118 bpm • B min • 04:42 • -13.66db
38% Popularity • 59% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
38% Popularity • 59% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Unkle Bob
Swans
117 bpm • B min • 02:30 • -8.12db
40% Popularity • 39% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
40% Popularity • 39% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Alexi Murdoch
Blue Mind
117 bpm • B Maj • 05:15 • -21db
37% Popularity • 64% Danceability • 30% Energy • 9% Liveness
52% Instrumentalness • 28% Positiveness
37% Popularity • 64% Danceability • 30% Energy • 9% Liveness
52% Instrumentalness • 28% Positiveness
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Moreton
See Yourself
117 bpm • G Maj • 04:04 • -8.68db
25% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Joy Williams
Don't Let Me Down
131 bpm • B Maj • 03:00 • -14.9db
49% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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James Vincent McMorrow
This Old Dark Machine
131 bpm • G min • 04:14 • -7.16db
10% Popularity • 58% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 58% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Henry Jamison
The Rains
117 bpm • F# Maj • 03:31 • -11db
44% Popularity • 69% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
44% Popularity • 69% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
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Seafret
Give Me Something
132 bpm • A Maj • 02:38 • -11.15db
48% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Bon Iver
Blood Bank
117 bpm • G Maj • 04:45 • -11.89db
62% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
62% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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James Vincent McMorrow
Down The Burning Ropes
117 bpm • A# min • 05:00 • -11.59db
8% Popularity • 62% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
8% Popularity • 62% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Luke Sital-Singh
Nearly Morning
132 bpm • C Maj • 04:32 • -11db
30% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Old Sea Brigade
Love Brought Weight
117 bpm • G Maj • 03:05 • -16db
64% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
64% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
