Songs like We Don't Need Our Heads by A Great Big Pile of Leaves
Based on a tempo of (+/- 10%) and a similar genre
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Their / They're / There
Travelers Insurance
136 bpm • A# Maj • 04:36 • -6.21db
23% Popularity • 23% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 23% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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A Great Big Pile of Leaves
Writing Utensils
136 bpm • A Maj • 04:30 • -5.73db
14% Popularity • 53% Danceability • 92% Energy • 10% Liveness
61% Instrumentalness • 60% Positiveness
14% Popularity • 53% Danceability • 92% Energy • 10% Liveness
61% Instrumentalness • 60% Positiveness
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Dear and the Headlights
Hallelujah
136 bpm • C# min • 04:09 • -5.57db
24% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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You Blew It!
The Fifties
136 bpm • C# Maj • 02:18 • -6.66db
36% Popularity • 61% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 61% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Stickup Kid
Lost
136 bpm • A Maj • 03:38 • -5.93db
22% Popularity • 26% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Walter Etc.
Baby Blue Hammock
136 bpm • A Maj • 03:53 • -8.97db
7% Popularity • 45% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 45% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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TTNG
Adventure, Stamina & Anger
135 bpm • G# min • 04:57 • -5.48db
27% Popularity • 36% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 36% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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A Great Big Pile of Leaves
We Don't Need Our Heads
136 bpm • E Maj • 04:11 • -4.53db
29% Popularity • 57% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 57% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Kay Kay and His Weathered Underground
Swan Ink
137 bpm • A Maj • 05:03 • -5.21db
9% Popularity • 33% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 33% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Colour Revolt
She Don't Talk
135 bpm • G min • 04:42 • -6.15db
12% Popularity • 37% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 37% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Foxing
Bit by a Dead Bee, Pt. II
135 bpm • A min • 04:19 • -7.81db
29% Popularity • 32% Danceability • 57% Energy • 15% Liveness
12% Instrumentalness • 6% Positiveness
29% Popularity • 32% Danceability • 57% Energy • 15% Liveness
12% Instrumentalness • 6% Positiveness
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Into It. Over It.
New North-Side Air
135 bpm • F Maj • 03:12 • -7.22db
20% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Dear and the Headlights
Oh No!
137 bpm • D# Maj • 04:14 • -5.8db
26% Popularity • 49% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 49% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Tigers Jaw
Gypsy
135 bpm • F Maj • 04:25 • -7.99db
35% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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It Looks Sad.
Creature
135 bpm • E Maj • 04:00 • -7.3db
49% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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As Tall As Lions
Ghost of York
137 bpm • B Maj • 04:06 • -5.26db
31% Popularity • 44% Danceability • 90% Energy • 28% Liveness
1% Instrumentalness • 27% Positiveness
31% Popularity • 44% Danceability • 90% Energy • 28% Liveness
1% Instrumentalness • 27% Positiveness
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Tokyo Police Club
Favourite Colour
137 bpm • C# Maj • 02:37 • -5.61db
28% Popularity • 51% Danceability • 76% Energy • 17% Liveness
2% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 76% Energy • 17% Liveness
2% Instrumentalness • 55% Positiveness
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Remo Drive
Summertime
135 bpm • D Maj • 03:44 • -7.18db
29% Popularity • 61% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 61% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Mansions
Blackest Sky
135 bpm • G min • 03:23 • -4.43db
17% Popularity • 54% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 54% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Cottonwood Firing Squad
Caskets
135 bpm • A Maj • 03:44 • -10.32db
14% Popularity • 84% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 84% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Someone Still Loves You Boris Yeltsin
Glue Girls
137 bpm • C# Maj • 03:25 • -10.18db
22% Popularity • 70% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 70% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Look Mexico
Done and Done
137 bpm • C Maj • 03:02 • -5.5db
9% Popularity • 39% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 39% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Tokyo Police Club
End of a Spark
135 bpm • G Maj • 03:36 • -5.82db
25% Popularity • 49% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 49% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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TTNG
26 Is Dancier Than 4
138 bpm • D# Maj • 04:47 • -5.53db
29% Popularity • 36% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 36% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Feed Me Jack
Twice
138 bpm • D min • 03:55 • -7.08db
32% Popularity • 48% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
32% Popularity • 48% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Mat Kerekes
The Clubs / The People's Attention
138 bpm • D Maj • 03:01 • -9.52db
30% Popularity • 46% Danceability • 67% Energy • 11% Liveness
7% Instrumentalness • 37% Positiveness
30% Popularity • 46% Danceability • 67% Energy • 11% Liveness
7% Instrumentalness • 37% Positiveness
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Rozwell Kid
Kangaroo Pocket
138 bpm • G# Maj • 04:30 • -6.01db
27% Popularity • 47% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
27% Popularity • 47% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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All Get Out
Orchestra
138 bpm • G# Maj • 03:22 • -5.06db
15% Popularity • 47% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 47% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Foxing
Night Channels
138 bpm • B min • 04:16 • -8.56db
34% Popularity • 51% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 51% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
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A Great Big Pile of Leaves
Learning Curves (Bonus Track)
134 bpm • D Maj • 02:47 • -4.85db
16% Popularity • 52% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
16% Popularity • 52% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
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Delta Sleep
Camp Adventure
138 bpm • E Maj • 03:06 • -17db
39% Popularity • 59% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 59% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Seahaven
Andreas
134 bpm • D Maj • 03:11 • -7.61db
32% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Weatherbox
Drag Out
134 bpm • D# Maj • 03:51 • -7.47db
11% Popularity • 66% Danceability • 51% Energy • 24% Liveness
4% Instrumentalness • 74% Positiveness
11% Popularity • 66% Danceability • 51% Energy • 24% Liveness
4% Instrumentalness • 74% Positiveness
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All Get Out
Balance
138 bpm • C# Maj • 03:17 • -4.36db
12% Popularity • 47% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 47% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Remo Drive
Blue Ribbon
138 bpm • C# Maj • 02:23 • -5.95db
32% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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A Great Big Pile of Leaves
Learn to Share
138 bpm • C Maj • 05:11 • -8.93db
25% Popularity • 48% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 48% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
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Dads
If Your Song Title Has The Word "Beach" ...
138 bpm • D Maj • 02:37 • -9.13db
31% Popularity • 50% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 33% Positiveness
31% Popularity • 50% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 33% Positiveness
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As Tall As Lions
Stab City
138 bpm • A# min • 03:36 • -7.21db
28% Popularity • 40% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 40% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Zolof the Rock & Roll Destroyer
Plays Pretty for Baby
134 bpm • G# Maj • 02:07 • -5.17db
38% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Someone Still Loves You Boris Yeltsin
You Could Write a Book
133 bpm • G Maj • 03:12 • -9.49db
11% Popularity • 72% Danceability • 66% Energy • 11% Liveness
41% Instrumentalness • 89% Positiveness
11% Popularity • 72% Danceability • 66% Energy • 11% Liveness
41% Instrumentalness • 89% Positiveness
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Dear and the Headlights
If Not For My Glasses
139 bpm • B Maj • 02:50 • -6.39db
24% Popularity • 56% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 56% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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A Great Big Pile of Leaves
Pet Mouse
139 bpm • E Maj • 02:43 • -4.85db
28% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Into It. Over It.
Connecticut Steps
133 bpm • A Maj • 03:32 • -7.54db
1% Popularity • 48% Danceability • 88% Energy • 10% Liveness
20% Instrumentalness • 34% Positiveness
1% Popularity • 48% Danceability • 88% Energy • 10% Liveness
20% Instrumentalness • 34% Positiveness
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The Republic of Wolves
Spare Key
139 bpm • G# Maj • 03:44 • -6.1db
7% Popularity • 49% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 49% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Tokyo Police Club
Through the Wire
132 bpm • E Maj • 02:53 • -3.44db
9% Popularity • 40% Danceability • 87% Energy • 37% Liveness
1% Instrumentalness • 41% Positiveness
9% Popularity • 40% Danceability • 87% Energy • 37% Liveness
1% Instrumentalness • 41% Positiveness
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Dryjacket
Misused Adrenaline
140 bpm • C# Maj • 04:02 • -5.82db
20% Popularity • 47% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 47% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Dear and the Headlights
Carl Solomon Blues
133 bpm • C# Maj • 03:20 • -4.57db
20% Popularity • 46% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 46% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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A Great Big Pile of Leaves
Slumber Party
133 bpm • C Maj • 02:57 • -5.46db
19% Popularity • 57% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 57% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Oh No! Yoko
Hatshepsut
140 bpm • E min • 03:11 • -6.92db
10% Popularity • 60% Danceability • 67% Energy • 11% Liveness
76% Instrumentalness • 40% Positiveness
10% Popularity • 60% Danceability • 67% Energy • 11% Liveness
76% Instrumentalness • 40% Positiveness
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Someone Still Loves You Boris Yeltsin
Oceanographer
132 bpm • B Maj • 04:45 • -10.74db
8% Popularity • 71% Danceability • 44% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
8% Popularity • 71% Danceability • 44% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
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Tokyo Police Club
Bambi
140 bpm • C# min • 02:46 • -7.09db
47% Popularity • 62% Danceability • 85% Energy • 13% Liveness
3% Instrumentalness • 79% Positiveness
47% Popularity • 62% Danceability • 85% Energy • 13% Liveness
3% Instrumentalness • 79% Positiveness
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Dryjacket
Epi Pen Pals
140 bpm • D# Maj • 03:02 • -4.61db
31% Popularity • 51% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 51% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Active Bird Community
Pregame
140 bpm • B min • 03:59 • -5.13db
14% Popularity • 45% Danceability • 93% Energy • 12% Liveness
6% Instrumentalness • 31% Positiveness
14% Popularity • 45% Danceability • 93% Energy • 12% Liveness
6% Instrumentalness • 31% Positiveness
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A Great Big Pile of Leaves
This Is a Country Song...
133 bpm • G Maj • 04:25 • -5.39db
18% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Dear and the Headlights
It's Gettin' Easy
140 bpm • B Maj • 03:31 • -4.99db
25% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Prawn
Why You Always Leave a Note
140 bpm • D Maj • 04:48 • -6.24db
21% Popularity • 52% Danceability • 93% Energy • 21% Liveness
2% Instrumentalness • 28% Positiveness
21% Popularity • 52% Danceability • 93% Energy • 21% Liveness
2% Instrumentalness • 28% Positiveness
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All Get Out
All My Friends Are Dead
140 bpm • F# Maj • 03:31 • -4.54db
9% Popularity • 39% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 39% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Somos
Dead Wrong
132 bpm • D# Maj • 02:38 • -5.95db
30% Popularity • 44% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Analog Rebellion
Nothing Is Wrong
132 bpm • E Maj • 02:08 • -2.62db
20% Popularity • 55% Danceability • 95% Energy • 87% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 55% Danceability • 95% Energy • 87% Liveness
0% Instrumentalness • 68% Positiveness
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A Great Big Pile of Leaves
Meet Me at the Mall, Bring Your Swim Tru...
140 bpm • C Maj • 02:21 • -4.49db
19% Popularity • 55% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 55% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Dads
Chewing Ghosts
140 bpm • G Maj • 03:35 • -6.04db
16% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
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You Blew It!
Better to Best
140 bpm • F# Maj • 04:30 • -6.9db
21% Popularity • 45% Danceability • 83% Energy • 17% Liveness
18% Instrumentalness • 41% Positiveness
21% Popularity • 45% Danceability • 83% Energy • 17% Liveness
18% Instrumentalness • 41% Positiveness
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Three Man Cannon
Honest
140 bpm • C Maj • 04:07 • -7.22db
16% Popularity • 56% Danceability • 53% Energy • 47% Liveness
48% Instrumentalness • 60% Positiveness
16% Popularity • 56% Danceability • 53% Energy • 47% Liveness
48% Instrumentalness • 60% Positiveness
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Owen
Blues to Black
132 bpm • C Maj • 05:07 • -8.5db
11% Popularity • 58% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
11% Popularity • 58% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Choir Vandals
Freaking Out
132 bpm • E Maj • 03:32 • -6.44db
27% Popularity • 67% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 67% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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A Great Big Pile of Leaves
Flying Fish
140 bpm • C Maj • 03:33 • -5.74db
25% Popularity • 55% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 55% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Mansions
City Don't Care
132 bpm • E min • 03:42 • -3.21db
19% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Smidley
Dead Retriever
132 bpm • E Maj • 03:10 • -6.12db
19% Popularity • 48% Danceability • 95% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 48% Danceability • 95% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
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Prawn
Fracture
141 bpm • D Maj • 03:58 • -7.13db
10% Popularity • 30% Danceability • 82% Energy • 10% Liveness
44% Instrumentalness • 14% Positiveness
10% Popularity • 30% Danceability • 82% Energy • 10% Liveness
44% Instrumentalness • 14% Positiveness
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The Gromble
Don't Stand a Chance
141 bpm • E Maj • 03:39 • -4db
22% Popularity • 32% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 32% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dear and the Headlights
I'm Not Crying. You're Not Crying, Are Y...
141 bpm • F# Maj • 02:56 • -5.73db
36% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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A Great Big Pile of Leaves
Pizzanomics
132 bpm • D Maj • 03:19 • -6.71db
19% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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As Tall As Lions
A Break, A Pause
131 bpm • G# min • 03:40 • -7.2db
24% Popularity • 48% Danceability • 69% Energy • 21% Liveness
1% Instrumentalness • 53% Positiveness
24% Popularity • 48% Danceability • 69% Energy • 21% Liveness
1% Instrumentalness • 53% Positiveness
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Sun Club
Tropicoller Lease
131 bpm • E Maj • 03:19 • -3.07db
3% Popularity • 29% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 29% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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TTNG
Left Aligned
131 bpm • G# min • 03:24 • -6.67db
26% Popularity • 63% Danceability • 65% Energy • 77% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 63% Danceability • 65% Energy • 77% Liveness
0% Instrumentalness • 70% Positiveness
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Mansions
If You're Leaving
131 bpm • B Maj • 03:20 • -5.74db
9% Popularity • 67% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
9% Popularity • 67% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Copeland
Good Morning Fire Eater
131 bpm • E Maj • 04:08 • -9.43db
32% Popularity • 27% Danceability • 78% Energy • 10% Liveness
44% Instrumentalness • 38% Positiveness
32% Popularity • 27% Danceability • 78% Energy • 10% Liveness
44% Instrumentalness • 38% Positiveness
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A Great Big Pile of Leaves
Hit Reset
131 bpm • E Maj • 03:39 • -5.11db
18% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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As Tall As Lions
Be Here Now
131 bpm • G# min • 03:57 • -5.07db
21% Popularity • 30% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 30% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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PAWS
Sore Tummy
142 bpm • E Maj • 03:34 • -4.44db
28% Popularity • 45% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 31% Positiveness
28% Popularity • 45% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 31% Positiveness
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Someone Still Loves You Boris Yeltsin
The Beach Song
131 bpm • C# Maj • 02:47 • -9.47db
10% Popularity • 77% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 77% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Somos
Lifeline
142 bpm • A min • 02:50 • -4.89db
17% Popularity • 45% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 45% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Prawn
Scud Running
142 bpm • F Maj • 04:38 • -4.47db
24% Popularity • 50% Danceability • 93% Energy • 46% Liveness
11% Instrumentalness • 42% Positiveness
24% Popularity • 50% Danceability • 93% Energy • 46% Liveness
11% Instrumentalness • 42% Positiveness
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A Great Big Pile of Leaves
Yesterday's Clothes
142 bpm • D Maj • 03:29 • -6.57db
21% Popularity • 54% Danceability • 95% Energy • 23% Liveness
82% Instrumentalness • 64% Positiveness
21% Popularity • 54% Danceability • 95% Energy • 23% Liveness
82% Instrumentalness • 64% Positiveness
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Dear and the Headlights
Saintly Rows (Oh Oh)
142 bpm • F# Maj • 03:38 • -6db
21% Popularity • 54% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 54% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Velour
The Way She Said
142 bpm • E Maj • 03:11 • -6.32db
23% Popularity • 78% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 78% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Hrvrd
French Girls
130 bpm • E min • 05:05 • -6.85db
31% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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All Get Out
Sans
130 bpm • A# min • 04:22 • -4.41db
11% Popularity • 44% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 44% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Foxing
Quietus
130 bpm • E Maj • 04:36 • -10.11db
26% Popularity • 38% Danceability • 42% Energy • 17% Liveness
8% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 42% Energy • 17% Liveness
8% Instrumentalness • 18% Positiveness
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A Great Big Pile of Leaves
Bring Back Breakfast
142 bpm • A Maj • 04:02 • -7db
24% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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We Were Promised Jetpacks
Roll up Your Sleeves
143 bpm • B min • 04:16 • -6.13db
7% Popularity • 36% Danceability • 81% Energy • 20% Liveness
12% Instrumentalness • 37% Positiveness
7% Popularity • 36% Danceability • 81% Energy • 20% Liveness
12% Instrumentalness • 37% Positiveness
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Hikes
Spring Forward
130 bpm • D Maj • 07:20 • -7.58db
18% Popularity • 30% Danceability • 86% Energy • 10% Liveness
50% Instrumentalness • 49% Positiveness
18% Popularity • 30% Danceability • 86% Energy • 10% Liveness
50% Instrumentalness • 49% Positiveness
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Wavves
Green Eyes
143 bpm • F# Maj • 03:49 • -5.36db
41% Popularity • 42% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 42% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Seahaven
Flesh
143 bpm • A Maj • 03:33 • -4.58db
26% Popularity • 41% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 41% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Kay Kay and His Weathered Underground
Birds (On A Day Like Today)
143 bpm • C min • 03:54 • -5db
16% Popularity • 46% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 46% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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A Great Big Pile of Leaves
Kitchen Concert
142 bpm • A Maj • 03:05 • -5.18db
15% Popularity • 55% Danceability • 91% Energy • 17% Liveness
3% Instrumentalness • 41% Positiveness
15% Popularity • 55% Danceability • 91% Energy • 17% Liveness
3% Instrumentalness • 41% Positiveness
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The Good Life
Some Tragedy
143 bpm • C Maj • 03:44 • -9db
19% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Coasta
Young Blood
129 bpm • A# min • 03:37 • -7.59db
25% Popularity • 57% Danceability • 77% Energy • 11% Liveness
14% Instrumentalness • 50% Positiveness
25% Popularity • 57% Danceability • 77% Energy • 11% Liveness
14% Instrumentalness • 50% Positiveness