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We Don't Talk Anymore
Songs like
We Don't Talk Anymore
by
Rick Braun
Based on a tempo of (+/- 10%) and a similar genre
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Four80East
Cookie Strut
98 bpm • F min • 05:28 • -9db
46% Popularity • 74% Danceability • 66% Energy • 9% Liveness
81% Instrumentalness • 84% Positiveness
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The Rippingtons
Into You
98 bpm • D Maj • 03:56 • -9.91db
30% Popularity • 73% Danceability • 54% Energy • 4% Liveness
13% Instrumentalness • 50% Positiveness
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Kevin Toney
Just Like The First Time
98 bpm • G Maj • 04:39 • -7.4db
40% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 57% Positiveness
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Jeffery Smith
Let's Get It Started
98 bpm • C min • 06:16 • -14db
47% Popularity • 70% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 57% Positiveness
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Jazz Holdouts
Morning Breeze
98 bpm • C Maj • 04:12 • -9db
46% Popularity • 72% Danceability • 62% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Rick Braun
Pool Dancer
98 bpm • F Maj • 04:20 • -9db
28% Popularity • 80% Danceability • 56% Energy • 7% Liveness
57% Instrumentalness • 75% Positiveness
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Jonathan Fritzén
In Motion
98 bpm • A# min • 04:18 • -10.7db
48% Popularity • 76% Danceability • 56% Energy • 20% Liveness
92% Instrumentalness • 84% Positiveness
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Ray Obiedo
Moodswing
98 bpm • A min • 04:39 • -12.46db
28% Popularity • 76% Danceability • 44% Energy • 11% Liveness
75% Instrumentalness • 65% Positiveness
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Marc Antoine
Minority
98 bpm • G Maj • 04:17 • -11.87db
12% Popularity • 69% Danceability • 53% Energy • 9% Liveness
64% Instrumentalness • 49% Positiveness
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Fattburger
So Far So What
98 bpm • A min • 04:44 • -11db
29% Popularity • 66% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 86% Positiveness
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Bob James
Mind Games
97 bpm • C# Maj • 04:38 • -9db
33% Popularity • 63% Danceability • 64% Energy • 25% Liveness
66% Instrumentalness • 76% Positiveness
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Rick Braun
Me And You
98 bpm • G Maj • 04:32 • -8.87db
17% Popularity • 67% Danceability • 65% Energy • 5% Liveness
60% Instrumentalness • 86% Positiveness
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Jay Soto
Sunday Smile
97 bpm • E min • 03:45 • -7db
26% Popularity • 68% Danceability • 88% Energy • 6% Liveness
60% Instrumentalness • 81% Positiveness
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Gail Jhonson
Pacific Breeze
97 bpm • F min • 03:44 • -9.92db
51% Popularity • 77% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
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The Sax Pack
The Sax Pack
99 bpm • G Maj • 03:34 • -6db
47% Popularity • 78% Danceability • 69% Energy • 7% Liveness
73% Instrumentalness • 71% Positiveness
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Fattburger
Daydreaming
97 bpm • D Maj • 04:55 • -12.95db
28% Popularity • 66% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
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Freddie Ravel
Sunny Side Up
97 bpm • B min • 04:17 • -8.49db
41% Popularity • 57% Danceability • 74% Energy • 4% Liveness
74% Instrumentalness • 83% Positiveness
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Rick Braun
Get up and Dance
98 bpm • D min • 04:25 • -6.75db
25% Popularity • 74% Danceability • 63% Energy • 5% Liveness
93% Instrumentalness • 77% Positiveness
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Adam Hawley
Can You Feel It
97 bpm • D Maj • 04:11 • -5.12db
52% Popularity • 80% Danceability • 60% Energy • 5% Liveness
24% Instrumentalness • 78% Positiveness
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Lindsey Webster
It's Not You, It's Me
97 bpm • A min • 05:27 • -8.92db
18% Popularity • 71% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Lisa Addeo
Deep Blue C
99 bpm • A# min • 04:26 • -10.06db
47% Popularity • 69% Danceability • 71% Energy • 4% Liveness
89% Instrumentalness • 78% Positiveness
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Acoustic Alchemy
Tuff Puzzle
97 bpm • D min • 05:14 • -8.95db
37% Popularity • 67% Danceability • 67% Energy • 8% Liveness
80% Instrumentalness • 78% Positiveness
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Steve Cole
Got It Goin' On
99 bpm • A# min • 04:06 • -7.67db
31% Popularity • 68% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 85% Positiveness
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Rick Braun
She's the One
99 bpm • A min • 04:09 • -8.89db
17% Popularity • 69% Danceability • 67% Energy • 9% Liveness
95% Instrumentalness • 62% Positiveness
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Gota
In The City Life
99 bpm • G Maj • 03:36 • -9.53db
48% Popularity • 72% Danceability • 62% Energy • 11% Liveness
55% Instrumentalness • 64% Positiveness
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Jeff Golub
Mercy Mercy Me
97 bpm • E Maj • 03:47 • -6.87db
48% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
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Paul Taylor
Aerial
97 bpm • F# Maj • 04:28 • -10.04db
21% Popularity • 71% Danceability • 55% Energy • 12% Liveness
57% Instrumentalness • 62% Positiveness
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Wayman Tisdale
Brazilia
97 bpm • E min • 03:58 • -9.6db
38% Popularity • 68% Danceability • 77% Energy • 21% Liveness
90% Instrumentalness • 62% Positiveness
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Steve Cole
So into You
99 bpm • C# Maj • 04:04 • -10db
28% Popularity • 75% Danceability • 64% Energy • 4% Liveness
93% Instrumentalness • 87% Positiveness
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Tom Grant
Firefly
99 bpm • C Maj • 04:29 • -22.93db
30% Popularity • 64% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 48% Positiveness
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Rick Braun
Nightwalk
99 bpm • F min • 06:39 • -9.95db
24% Popularity • 75% Danceability • 53% Energy • 16% Liveness
90% Instrumentalness • 64% Positiveness
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Rick Braun/Richard Elliot
Sao Paulo
97 bpm • C min • 04:28 • -12.84db
31% Popularity • 67% Danceability • 50% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
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Urban Knights
The Gypsy
100 bpm • G Maj • 03:56 • -9.82db
43% Popularity • 76% Danceability • 60% Energy • 31% Liveness
82% Instrumentalness • 84% Positiveness
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Jeff Golub
On The Wes Side
96 bpm • A min • 04:26 • -11.33db
49% Popularity • 73% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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The Rippingtons
Affair In San Miguel
100 bpm • G Maj • 05:07 • -12.74db
36% Popularity • 57% Danceability • 67% Energy • 35% Liveness
26% Instrumentalness • 46% Positiveness
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Threestyle
Ready to Go
100 bpm • E min • 04:02 • -6.83db
48% Popularity • 68% Danceability • 82% Energy • 7% Liveness
18% Instrumentalness • 65% Positiveness
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Dan Siegel
In Your Eyes
96 bpm • G# Maj • 04:09 • -9.17db
30% Popularity • 67% Danceability • 52% Energy • 6% Liveness
59% Instrumentalness • 62% Positiveness
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Nite Flyte
Open Your Heart
100 bpm • F# min • 03:23 • -8db
36% Popularity • 60% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 59% Positiveness
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Brian Tarquin
Freeway Jam
100 bpm • C Maj • 04:41 • -10.16db
24% Popularity • 67% Danceability • 60% Energy • 17% Liveness
89% Instrumentalness • 89% Positiveness
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3rd Force
Dance With Me
100 bpm • C Maj • 04:26 • -10db
35% Popularity • 70% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 75% Positiveness
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Rob Zinn
All In
100 bpm • C Maj • 03:47 • -8.41db
38% Popularity • 69% Danceability • 57% Energy • 13% Liveness
86% Instrumentalness • 55% Positiveness
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Jazz Holdouts
Workin'
100 bpm • F Maj • 04:06 • -9db
47% Popularity • 64% Danceability • 69% Energy • 12% Liveness
88% Instrumentalness • 47% Positiveness
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Marcus Johnson
Chillaxin
100 bpm • G Maj • 04:28 • -12db
31% Popularity • 76% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 34% Positiveness
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Paul Taylor
Exotica
96 bpm • C Maj • 04:56 • -9.05db
33% Popularity • 64% Danceability • 70% Energy • 11% Liveness
10% Instrumentalness • 58% Positiveness
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Althea Rene
Gypsy Soul
96 bpm • G min • 03:42 • -6.67db
23% Popularity • 76% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 63% Positiveness
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Fattburger
Work To Do
100 bpm • F min • 04:16 • -9db
34% Popularity • 70% Danceability • 66% Energy • 9% Liveness
85% Instrumentalness • 85% Positiveness
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Freddie Ravel
Conversations
96 bpm • F min • 04:45 • -9.92db
32% Popularity • 72% Danceability • 64% Energy • 5% Liveness
82% Instrumentalness • 90% Positiveness
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3rd Force
Big Shot
100 bpm • A min • 04:24 • -6db
44% Popularity • 72% Danceability • 87% Energy • 4% Liveness
9% Instrumentalness • 88% Positiveness
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Rocco Ventrella
Winelight
100 bpm • F min • 06:46 • -8.67db
23% Popularity • 70% Danceability • 59% Energy • 6% Liveness
60% Instrumentalness • 61% Positiveness
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Ragan Whiteside
Jam It
100 bpm • F min • 04:01 • -9.67db
30% Popularity • 70% Danceability • 52% Energy • 12% Liveness
6% Instrumentalness • 75% Positiveness
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Jackiem Joyner
Elevation
100 bpm • E min • 04:44 • -5.8db
51% Popularity • 78% Danceability • 72% Energy • 16% Liveness
20% Instrumentalness • 71% Positiveness
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The Sax Pack
The World Is A Ghetto
100 bpm • C min • 05:28 • -7db
30% Popularity • 72% Danceability • 81% Energy • 20% Liveness
55% Instrumentalness • 80% Positiveness
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Kim Waters
Hudson River Nights
100 bpm • G Maj • 04:54 • -7.43db
28% Popularity • 70% Danceability • 79% Energy • 12% Liveness
11% Instrumentalness • 72% Positiveness
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Marion Meadows
Black Pearl
96 bpm • A# Maj • 04:27 • -6.63db
22% Popularity • 72% Danceability • 67% Energy • 52% Liveness
4% Instrumentalness • 77% Positiveness
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Wayman Tisdale
Breakfast with Tiffany
100 bpm • C Maj • 04:40 • -9.83db
36% Popularity • 68% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 66% Positiveness
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Dee Lucas
Tried and True
100 bpm • C Maj • 03:46 • -4.51db
39% Popularity • 74% Danceability • 79% Energy • 30% Liveness
55% Instrumentalness • 86% Positiveness
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Rick Braun
Brazz Street
100 bpm • D Maj • 04:42 • -8db
43% Popularity • 76% Danceability • 55% Energy • 14% Liveness
53% Instrumentalness • 47% Positiveness
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Jay Soto
Just Like That
96 bpm • F min • 03:52 • -6.8db
29% Popularity • 74% Danceability • 86% Energy • 7% Liveness
69% Instrumentalness • 77% Positiveness
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Pieces Of A Dream
Right Back Atcha
100 bpm • G Maj • 04:49 • -6.63db
29% Popularity • 71% Danceability • 78% Energy • 6% Liveness
12% Instrumentalness • 84% Positiveness
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3rd Force
You Got It
100 bpm • B min • 04:34 • -9db
28% Popularity • 74% Danceability • 71% Energy • 4% Liveness
66% Instrumentalness • 85% Positiveness
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Chris Geith
Watch Your Step
96 bpm • E min • 03:50 • -6.84db
45% Popularity • 65% Danceability • 78% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
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Four80East
Bumper to Bumper
100 bpm • E min • 03:58 • -11.27db
41% Popularity • 74% Danceability • 61% Energy • 23% Liveness
88% Instrumentalness • 56% Positiveness
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Joe McBride
Midnight In Madrid
96 bpm • F min • 04:40 • -10.1db
42% Popularity • 68% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 74% Positiveness
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Tim Bowman
Let It Shine
96 bpm • C min • 04:06 • -7.12db
46% Popularity • 61% Danceability • 86% Energy • 20% Liveness
88% Instrumentalness • 74% Positiveness
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Rick Braun
A Very Good Thing
96 bpm • F Maj • 04:47 • -10.65db
33% Popularity • 74% Danceability • 59% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
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Gail Jhonson
My Soldier
96 bpm • D Maj • 04:21 • -9.05db
29% Popularity • 64% Danceability • 69% Energy • 8% Liveness
95% Instrumentalness • 89% Positiveness
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Fattburger
Anything's Possible
100 bpm • F# Maj • 04:31 • -8.9db
32% Popularity • 65% Danceability • 64% Energy • 6% Liveness
72% Instrumentalness • 70% Positiveness
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Nite Flyte
Square Route
100 bpm • F# min • 03:25 • -9.44db
34% Popularity • 62% Danceability • 66% Energy • 7% Liveness
86% Instrumentalness • 57% Positiveness
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Art Porter
Lakeshore Drive
100 bpm • G Maj • 05:04 • -8.46db
32% Popularity • 60% Danceability • 76% Energy • 20% Liveness
4% Instrumentalness • 74% Positiveness
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Ricardo Silveira
Francesa
100 bpm • D Maj • 05:31 • -10.45db
35% Popularity • 71% Danceability • 58% Energy • 11% Liveness
85% Instrumentalness • 92% Positiveness
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Paul Taylor
On The Move
96 bpm • A# Maj • 04:24 • -6.93db
27% Popularity • 79% Danceability • 57% Energy • 5% Liveness
54% Instrumentalness • 69% Positiveness
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Rick Braun
Cadillac Slim
100 bpm • F Maj • 04:26 • -9.93db
17% Popularity • 73% Danceability • 50% Energy • 18% Liveness
89% Instrumentalness • 57% Positiveness
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Najee
Najee's Theme
96 bpm • G# Maj • 04:35 • -18.72db
30% Popularity • 71% Danceability • 30% Energy • 6% Liveness
40% Instrumentalness • 63% Positiveness
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Bob Mamet
At Midnight
100 bpm • G min • 04:00 • -11.84db
33% Popularity • 62% Danceability • 66% Energy • 8% Liveness
92% Instrumentalness • 93% Positiveness
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Jonathan Fritzén
Undercover
100 bpm • E min • 04:18 • -9.49db
43% Popularity • 70% Danceability • 78% Energy • 3% Liveness
84% Instrumentalness • 55% Positiveness
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Richard Elliot
Chill Factor
95 bpm • F min • 04:58 • -6db
43% Popularity • 69% Danceability • 73% Energy • 14% Liveness
34% Instrumentalness • 69% Positiveness
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Doc Powell
We'll Make It Last
101 bpm • G Maj • 04:57 • -6.37db
39% Popularity • 67% Danceability • 79% Energy • 10% Liveness
57% Instrumentalness • 75% Positiveness
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Pieces Of A Dream
Malibu Nights
101 bpm • C Maj • 05:41 • -12.13db
19% Popularity • 65% Danceability • 60% Energy • 10% Liveness
67% Instrumentalness • 69% Positiveness
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Najee
Stratosphere
101 bpm • F# Maj • 04:40 • -8.42db
28% Popularity • 57% Danceability • 84% Energy • 8% Liveness
48% Instrumentalness • 25% Positiveness
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Rick Braun
Kisses in the Rain
95 bpm • F min • 04:32 • -12db
48% Popularity • 67% Danceability • 56% Energy • 5% Liveness
89% Instrumentalness • 76% Positiveness
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Zachary Breaux
Never Can Say Goodbye
95 bpm • C# Maj • 05:06 • -9.74db
26% Popularity • 61% Danceability • 67% Energy • 12% Liveness
91% Instrumentalness • 71% Positiveness
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Jackiem Joyner
Trinity
101 bpm • C min • 04:13 • -5.61db
25% Popularity • 68% Danceability • 78% Energy • 9% Liveness
21% Instrumentalness • 72% Positiveness
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Freddie Fox
No U Turn
101 bpm • C Maj • 03:59 • -10.09db
23% Popularity • 80% Danceability • 68% Energy • 11% Liveness
74% Instrumentalness • 78% Positiveness
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Paul Jackson, Jr.
Walkin'
101 bpm • F# Maj • 04:04 • -7.11db
35% Popularity • 69% Danceability • 74% Energy • 8% Liveness
89% Instrumentalness • 76% Positiveness
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Fattburger
Groovin'
101 bpm • G# Maj • 03:37 • -8.51db
44% Popularity • 76% Danceability • 58% Energy • 33% Liveness
90% Instrumentalness • 89% Positiveness
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Rick Braun
Night Walk
101 bpm • A# min • 05:19 • -12.45db
27% Popularity • 70% Danceability • 44% Energy • 8% Liveness
89% Instrumentalness • 82% Positiveness
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Althea Rene
In the Moment
95 bpm • C Maj • 04:11 • -13.35db
40% Popularity • 70% Danceability • 57% Energy • 14% Liveness
83% Instrumentalness • 81% Positiveness
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Greg Manning
I Need to Know
95 bpm • G min • 04:46 • -8.28db
31% Popularity • 62% Danceability • 58% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
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Les Sabler
Esselle's Dance
95 bpm • G Maj • 04:30 • -10.3db
34% Popularity • 72% Danceability • 59% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
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Brian Clay
Honey Grove Lane
95 bpm • F min • 03:47 • -8db
35% Popularity • 57% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Eric Valentine
Velvet Groove
95 bpm • F# Maj • 03:57 • -7db
23% Popularity • 73% Danceability • 69% Energy • 12% Liveness
79% Instrumentalness • 74% Positiveness
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Jeff Golub
Silhouette
95 bpm • A# min • 04:40 • -10.62db
38% Popularity • 74% Danceability • 47% Energy • 12% Liveness
80% Instrumentalness • 65% Positiveness
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Norman Brown
Soul Dance
95 bpm • F min • 04:14 • -7db
45% Popularity • 70% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 84% Positiveness
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Rick Braun
Silk
95 bpm • A# min • 05:35 • -10db
29% Popularity • 73% Danceability • 53% Energy • 5% Liveness
81% Instrumentalness • 72% Positiveness
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Brian Hughes
One 2 One
95 bpm • E min • 05:26 • -11db
22% Popularity • 66% Danceability • 63% Energy • 7% Liveness
91% Instrumentalness • 75% Positiveness
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Freddie Ravel
Sunny Side Up
95 bpm • B min • 04:11 • -10db
46% Popularity • 76% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
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Warren Hill
La Dolce Vita
95 bpm • D Maj • 05:25 • -6.59db
49% Popularity • 66% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
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Kim Waters
The Ride
95 bpm • G Maj • 04:50 • -8.43db
39% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
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Jeff Golub
Playin' It Cool
95 bpm • F# min • 04:49 • -10db
32% Popularity • 74% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 77% Positiveness
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Rick Braun
Christiane
95 bpm • C Maj • 04:45 • -6.62db
17% Popularity • 70% Danceability • 67% Energy • 7% Liveness
13% Instrumentalness • 73% Positiveness
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We Don't Talk Anymore