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We Face Our Enemy Together
Songs like
We Face Our Enemy Together
by
Sam Hulick
Based on a tempo of (+/- 10%) and a similar genre
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Dynamedion
The Truth Lies Hidden Beneath the Ice
75 bpm • D min • 02:01 • -16.16db
8% Popularity • 34% Danceability • 39% Energy • 33% Liveness
93% Instrumentalness • 4% Positiveness
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Piotr Musiał
Into the Storm
75 bpm • G min • 04:34 • -13.84db
35% Popularity • 7% Danceability • 47% Energy • 31% Liveness
77% Instrumentalness • 7% Positiveness
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Sam Hulick
Combat Simulator Tier 1
75 bpm • G min • 01:18 • -12.76db
16% Popularity • 34% Danceability • 54% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
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Jeremy Soule
Death or Sovngarde
75 bpm • F min • 03:00 • -10.38db
46% Popularity • 25% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Nick Arundel
Invasion
75 bpm • C# Maj • 02:50 • -16.55db
30% Popularity • 33% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
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Adam Skorupa
Ladybug
75 bpm • G# Maj • 03:01 • -10.75db
20% Popularity • 29% Danceability • 73% Energy • 12% Liveness
95% Instrumentalness • 23% Positiveness
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Junkie XL
Redemption
75 bpm • G min • 01:45 • -24.5db
24% Popularity • 20% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Piotr Musiał
Brave New World
75 bpm • C Maj • 04:01 • -15db
35% Popularity • 38% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
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Greg Edmonson
Badlands
75 bpm • D Maj • 02:44 • -12db
25% Popularity • 22% Danceability • 51% Energy • 44% Liveness
91% Instrumentalness • 20% Positiveness
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Sam Hulick
We Face Our Enemy Together
75 bpm • E min • 01:40 • -10.13db
29% Popularity • 20% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Joris de Man
The Proving - Part 1 - Motherland
76 bpm • F Maj • 01:43 • -16.08db
31% Popularity • 31% Danceability • 56% Energy • 9% Liveness
83% Instrumentalness • 15% Positiveness
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Jason Graves
The Ritual
74 bpm • F Maj • 04:05 • -15.42db
10% Popularity • 22% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Zimmer
Contingency
76 bpm • G Maj • 02:15 • -13.7db
36% Popularity • 45% Danceability • 58% Energy • 54% Liveness
94% Instrumentalness • 32% Positiveness
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Olivier Deriviere
Plague Tale
76 bpm • G min • 02:16 • -18.54db
38% Popularity • 7% Danceability • 11% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
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Piotr Musiał
Damned Souls
76 bpm • E min • 04:38 • -16db
34% Popularity • 18% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Sam Hulick
We Fought As a United Galaxy
75 bpm • E min • 01:58 • -18db
28% Popularity • 12% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Joris de Man
Into The Frozen Wilds
75 bpm • G# Maj • 01:11 • -19db
38% Popularity • 16% Danceability • 31% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
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Marcin Przybyłowicz
King Bran's Final Voyage
74 bpm • D min • 02:12 • -19.77db
46% Popularity • 6% Danceability • 20% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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John Paesano
Memories
76 bpm • C min • 02:48 • -24.89db
25% Popularity • 7% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Brad Derrick
Vestige of Hope
74 bpm • D min • 01:29 • -15.66db
41% Popularity • 20% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Greg Edmonson
Bustin' Chops
74 bpm • D Maj • 02:07 • -10.82db
22% Popularity • 53% Danceability • 58% Energy • 15% Liveness
80% Instrumentalness • 31% Positiveness
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Sam Hulick
What Might've Been
76 bpm • A min • 01:48 • -12.03db
8% Popularity • 17% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Joris de Man
The Welcome of Stones - Part 1 - Motherl...
76 bpm • C# Maj • 01:21 • -25.78db
32% Popularity • 33% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Final Conversation
73 bpm • G min • 01:37 • -24.05db
34% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Sascha Dikiciyan
Main Menu Theme
73 bpm • G min • 03:37 • -17db
31% Popularity • 7% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Inon Zur
Still Standing
73 bpm • D min • 04:02 • -21.37db
21% Popularity • 12% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Brad Derrick
Tides of the Abecean Sea
73 bpm • G min • 05:38 • -17db
28% Popularity • 8% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Petri Alanko
Waking Up to a Nightmare
77 bpm • G min • 02:17 • -24.46db
15% Popularity • 18% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Sam Hulick
Pain Of Glass
73 bpm • C min • 02:23 • -30.54db
2% Popularity • 29% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Keko
Dueling Destinies - A Star Wars: Knights...
77 bpm • E min • 04:59 • -13db
29% Popularity • 10% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Christopher Lennertz
Dogs of War: Main Title
77 bpm • D# Maj • 02:58 • -14.77db
39% Popularity • 10% Danceability • 20% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Rata Novus
77 bpm • E min • 02:45 • -22.05db
30% Popularity • 15% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Cris Velasco
The End...
78 bpm • D min • 00:58 • -15.07db
35% Popularity • 41% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Dynamedion
The Second Wave Overture
78 bpm • G Maj • 05:04 • -17.07db
10% Popularity • 25% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Justin Bell
Eora (Title Theme)
78 bpm • C# min • 02:29 • -9db
39% Popularity • 16% Danceability • 24% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Joris de Man
Tell Me - Part 1 - Motherland
78 bpm • C min • 02:06 • -18.69db
32% Popularity • 16% Danceability • 12% Energy • 8% Liveness
26% Instrumentalness • 7% Positiveness
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John Paesano
No More Mercy
78 bpm • A# min • 02:20 • -11.67db
17% Popularity • 12% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Clint Mansell
An End, Once And For All
78 bpm • E min • 02:51 • -20.25db
40% Popularity • 21% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
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Sam Hulick
Lost in You
72 bpm • D Maj • 00:57 • -16.56db
28% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Sarah Covey
Mass Effect 3: a Future For the Krogan/A...
78 bpm • E min • 04:56 • -23.3db
24% Popularity • 8% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Brad Derrick
Alas, the Dragon Shall Break
72 bpm • E min • 06:15 • -17.93db
33% Popularity • 10% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Hans Zimmer
Invaders
79 bpm • D min • 01:30 • -13.47db
26% Popularity • 37% Danceability • 49% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
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Dynamedion
Helium 3
79 bpm • G min • 02:07 • -21.18db
11% Popularity • 13% Danceability • 17% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Daniel Licht
Main Theme
79 bpm • C Maj • 02:09 • -22.29db
41% Popularity • 18% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Sam Hulick
An End Once and For All - Extended Cut
79 bpm • E min • 04:46 • -16.42db
36% Popularity • 15% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Greg Edmonson
Reunion
79 bpm • F min • 01:41 • -15.81db
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Petri Alanko
Vacation
71 bpm • A min • 02:48 • -26.07db
20% Popularity • 23% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - High Intensity...
80 bpm • C Maj • 01:53 • -11.99db
9% Popularity • 22% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Christophe Beck
Welcome to London, Major
80 bpm • A# Maj • 02:22 • -28.04db
26% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jason Graves
A Call For Help
80 bpm • G# Maj • 06:31 • -14.8db
15% Popularity • 23% Danceability • 36% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Sam Hulick
A New Crush
72 bpm • F Maj • 01:37 • -26.76db
7% Popularity • 43% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Junkie XL
Claw Trucks - Extended Version
80 bpm • F min • 05:43 • -10.79db
24% Popularity • 35% Danceability • 88% Energy • 6% Liveness
78% Instrumentalness • 4% Positiveness
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Hans Zimmer
Safeguard
80 bpm • F min • 02:43 • -11.06db
33% Popularity • 45% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
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Kevin Riepl
Beast of the Blood Eaters
80 bpm • C# Maj • 02:26 • -15db
33% Popularity • 54% Danceability • 64% Energy • 18% Liveness
84% Instrumentalness • 53% Positiveness
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Christopher Lennertz
Agent Combat
80 bpm • C# Maj • 01:07 • -14.01db
25% Popularity • 42% Danceability • 65% Energy • 13% Liveness
27% Instrumentalness • 44% Positiveness
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Mikolai Stroinski
City Of Intrigues
80 bpm • D min • 02:06 • -13.25db
43% Popularity • 50% Danceability • 83% Energy • 23% Liveness
91% Instrumentalness • 67% Positiveness
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Sam Hulick
Liftoff
79 bpm • A Maj • 01:48 • -9.18db
5% Popularity • 10% Danceability • 29% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Gareth Coker
Approaching the End
80 bpm • D min • 01:08 • -21.26db
39% Popularity • 26% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Stuart Chatwood
The Blasted Heath
80 bpm • G min • 08:15 • -12.77db
37% Popularity • 40% Danceability • 73% Energy • 17% Liveness
77% Instrumentalness • 26% Positiveness
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Hans Zimmer
DNA
80 bpm • A min • 03:34 • -18.49db
34% Popularity • 12% Danceability • 25% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Borislav Slavov
Crynet, Shoot Him Down!
80 bpm • B min • 02:09 • -12.64db
23% Popularity • 61% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Junkie XL
Claw Trucks
80 bpm • A# min • 05:31 • -10.28db
22% Popularity • 35% Danceability • 87% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Sam Hulick
Resolution
71 bpm • C# Maj • 01:26 • -15.72db
27% Popularity • 16% Danceability • 16% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
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Gareth Coker
Climbing the Ginso Tree
80 bpm • B min • 05:39 • -22.1db
36% Popularity • 48% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Piotr Musiał
Wine Wars
80 bpm • D min • 02:04 • -9db
38% Popularity • 59% Danceability • 91% Energy • 73% Liveness
76% Instrumentalness • 51% Positiveness
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Doyle W. Donehoo
With Prejudice
80 bpm • A# Maj • 03:03 • -12db
18% Popularity • 39% Danceability • 54% Energy • 46% Liveness
90% Instrumentalness • 19% Positiveness
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James Hannigan
200 Years Ago, On an Icy Planet...
80 bpm • D min • 07:20 • -15db
18% Popularity • 17% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jack Wall
Reflections
80 bpm • D min • 01:19 • -21.34db
32% Popularity • 18% Danceability • 23% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
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Sam Hulick
Farewell and Into the Inevitable
80 bpm • C Maj • 02:00 • -12.94db
32% Popularity • 24% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Jason Graves
A Survivor Is Born
70 bpm • C Maj • 03:12 • -16db
28% Popularity • 27% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Jason Hayes
Valor My Shield
80 bpm • D Maj • 03:02 • -10.73db
22% Popularity • 37% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Junkie XL
The Rig
80 bpm • F min • 04:13 • -14.49db
20% Popularity • 24% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Brian Tyler
Prague Hostilities
80 bpm • F min • 03:42 • -14.12db
23% Popularity • 15% Danceability • 52% Energy • 29% Liveness
86% Instrumentalness • 7% Positiveness
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Joris de Man
The Cavalry Breaks Through - Part 1 - M...
80 bpm • F Maj • 01:46 • -17.63db
27% Popularity • 28% Danceability • 34% Energy • 26% Liveness
26% Instrumentalness • 6% Positiveness
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Sam Hulick
Wake Up
80 bpm • G min • 02:01 • -22db
30% Popularity • 32% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Raison Varner
Traversing the Deep
70 bpm • F min • 02:28 • -25.5db
19% Popularity • 21% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Sascha Dikiciyan
Party Music
70 bpm • F Maj • 02:03 • -12.45db
22% Popularity • 39% Danceability • 19% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Wake Up, Ciri
80 bpm • D min • 01:34 • -11.93db
47% Popularity • 14% Danceability • 27% Energy • 26% Liveness
69% Instrumentalness • 3% Positiveness
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Austin Wintory
The World Is Breaking
70 bpm • G Maj • 03:36 • -17.56db
21% Popularity • 22% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - High Intensity...
81 bpm • C# Maj • 01:12 • -12.1db
13% Popularity • 34% Danceability • 59% Energy • 32% Liveness
92% Instrumentalness • 15% Positiveness
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Sam Hulick
The Pillar's Heart
80 bpm • C Maj • 01:03 • -14.01db
5% Popularity • 30% Danceability • 39% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Greg Edmonson
Something Better
81 bpm • D Maj • 02:32 • -13.76db
18% Popularity • 14% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 20% Positiveness
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Gustaf Grefberg
Beginning
69 bpm • F Maj • 02:26 • -35.2db
20% Popularity • 18% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Jason Graves
Agamemnon Rising
82 bpm • F min • 02:48 • -19db
26% Popularity • 65% Danceability • 60% Energy • 15% Liveness
80% Instrumentalness • 71% Positiveness
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Petri Alanko
Deerfest
82 bpm • A min • 03:02 • -24.34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Roeder
Untamed
82 bpm • A min • 02:21 • -15.89db
15% Popularity • 12% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
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Sam Hulick
Leaving It All Behind
80 bpm • D Maj • 02:00 • -20.09db
19% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Jason Hayes
Echoes of the Past
69 bpm • A min • 01:54 • -12.11db
38% Popularity • 16% Danceability • 36% Energy • 24% Liveness
94% Instrumentalness • 19% Positiveness
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Raison Varner
Enter Skag Gully
82 bpm • A min • 02:48 • -18.36db
19% Popularity • 20% Danceability • 20% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Joris de Man
Within The Embrace - Part 2 - Out of the...
83 bpm • F Maj • 04:21 • -21.65db
30% Popularity • 8% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Petri Alanko
Beth
69 bpm • A# min • 03:29 • -18.04db
12% Popularity • 10% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Leon Willett
Dreamfall Theme
68 bpm • G# Maj • 02:39 • -16.2db
10% Popularity • 9% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Sam Hulick
The Clearing
70 bpm • G Maj • 02:02 • -20.31db
3% Popularity • 26% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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David GarcÃa DÃaz
The Bridge
82 bpm • F Maj • 01:25 • -21.85db
39% Popularity • 24% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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James Hannigan
Moon Crash
83 bpm • D Maj • 07:03 • -12.71db
10% Popularity • 12% Danceability • 65% Energy • 13% Liveness
97% Instrumentalness • 8% Positiveness
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Joris de Man
Prologue - Part 1 - Motherland
68 bpm • F min • 05:29 • -21db
43% Popularity • 6% Danceability • 12% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
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Michael McCann
LIMB Clinic
83 bpm • G# Maj • 01:44 • -23.29db
31% Popularity • 14% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Jason Graves
Reaching Roth
83 bpm • E min • 03:17 • -20.15db
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
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Sam Hulick
At World's Edge
68 bpm • C Maj • 04:45 • -12.33db
2% Popularity • 9% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Damjan Mravunac
A Worlds Apart
83 bpm • E min • 05:00 • -20db
22% Popularity • 16% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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We Face Our Enemy Together