Songs like We Love Brett Favre by Elroy & the Diehards
Based on a tempo of (+/- 10%) and a similar genre
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Elroy & the Diehards
We Love Brett Favre
114 bpm • D Maj • 04:02 • -10.98db
2% Popularity • 65% Danceability • 51% Energy • 99% Liveness
0% Instrumentalness • 45% Positiveness
2% Popularity • 65% Danceability • 51% Energy • 99% Liveness
0% Instrumentalness • 45% Positiveness
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Valentine Mary
Prohibit
114 bpm • A# Maj • 02:39 • -15.21db
29% Popularity • 79% Danceability • 54% Energy • 20% Liveness
13% Instrumentalness • 94% Positiveness
29% Popularity • 79% Danceability • 54% Energy • 20% Liveness
13% Instrumentalness • 94% Positiveness
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Tim Wilson
First Baptist Bar And Grill
114 bpm • A# min • 02:59 • -8db
21% Popularity • 78% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 78% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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The Back Alley Boys
Racin' Fool
114 bpm • A Maj • 03:19 • -5.47db
14% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Lennie Gallant
Man of Steel
114 bpm • B min • 04:58 • -12.63db
9% Popularity • 75% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 75% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Regez
Love Me Tonight
115 bpm • F Maj • 03:03 • -10.67db
18% Popularity • 68% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 68% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Big Earl
Made Love to Your Mother
113 bpm • B Maj • 01:41 • -6db
10% Popularity • 46% Danceability • 58% Energy • 91% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 46% Danceability • 58% Energy • 91% Liveness
0% Instrumentalness • 63% Positiveness
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Ryan Matter
His Way Of Saying
115 bpm • G# Maj • 03:00 • -10.51db
14% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Dick Jonas
Itazuke Tower
115 bpm • E Maj • 03:00 • -10.65db
11% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Eddy J Lemberger
I Love My Green Bay Packers! - Eddy J Ar...
113 bpm • A# Maj • 02:53 • -11.45db
7% Popularity • 80% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 80% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Slugs and Bugs
Piggy Little Toes
115 bpm • C Maj • 02:00 • -7.79db
12% Popularity • 56% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 56% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Rathburn
The Ballad of Casey At the Bat
115 bpm • G Maj • 05:33 • -10.2db
13% Popularity • 64% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 64% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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The Good Brothers
I-95 Song (The Asshole Song)
115 bpm • G Maj • 03:14 • -4db
24% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Dos Gringos
You Told Me I Would Be a Fighter Pilot
115 bpm • C# Maj • 04:06 • -7.47db
17% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Allan Caswell
Really Stupid People
115 bpm • A Maj • 02:38 • -5.8db
15% Popularity • 78% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 78% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Steven Hicks
Whole Lotta Lonesome
115 bpm • G Maj • 03:08 • -4.53db
19% Popularity • 82% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 82% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Frank R. Bellucci
King of Everything
115 bpm • B Maj • 03:38 • -7.06db
28% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Dick Twang Band
Old Blue Car
113 bpm • C Maj • 03:54 • -16.21db
18% Popularity • 82% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 78% Positiveness
18% Popularity • 82% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 78% Positiveness
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Aerik Arkadian
IO Pan!
116 bpm • A min • 05:39 • -6.21db
8% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Nadas
Carve Your Name
112 bpm • G Maj • 03:50 • -7.33db
12% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Dick Jonas
Ain't No Fighter Pilots Down In Hell
112 bpm • E Maj • 02:27 • -17.33db
11% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Angus Milne
That Joseland Boy, Jack
112 bpm • D Maj • 03:00 • -5.97db
9% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Denis Leary
F.U.
116 bpm • D Maj • 02:36 • -8.81db
11% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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RJ Boyle
Right Rigger
116 bpm • C# Maj • 04:16 • -8.69db
8% Popularity • 88% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 88% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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D.G.M.
My Life Was In A Terrible State Of This ...
116 bpm • D min • 06:29 • -7.88db
10% Popularity • 70% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 70% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Larry Pierce
Big Tit Linda
116 bpm • C Maj • 02:50 • -5.52db
17% Popularity • 78% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 78% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Allan Caswell
The Virus
112 bpm • G Maj • 02:43 • -6.25db
7% Popularity • 72% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 72% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Elroy & the Diehards
Reggie's Song
116 bpm • B Maj • 02:18 • -12.46db
0% Popularity • 60% Danceability • 33% Energy • 11% Liveness
68% Instrumentalness • 12% Positiveness
0% Popularity • 60% Danceability • 33% Energy • 11% Liveness
68% Instrumentalness • 12% Positiveness
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DC Hall
Payin' Me for This
116 bpm • A Maj • 02:15 • -12.13db
17% Popularity • 82% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 82% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Joe Slack and the Astro Rats
Drinking On the Porch With Master Jack
117 bpm • D Maj • 00:55 • -9.51db
7% Popularity • 56% Danceability • 75% Energy • 56% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 56% Danceability • 75% Energy • 56% Liveness
0% Instrumentalness • 93% Positiveness
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Ryan Matter
His Way of Saying
111 bpm • D# Maj • 03:00 • -17.36db
13% Popularity • 62% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 62% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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David Young & the Interstate Kings
Juice All Gone
117 bpm • G Maj • 03:39 • -7.88db
12% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Alabama Big Earl
There's A Critter Up My S******
111 bpm • G Maj • 01:46 • -5db
15% Popularity • 59% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 59% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Kyle Shobe & the Walk 'Em Boys
I've Been Everywhere ...(in Montana)
117 bpm • C# Maj • 04:48 • -6.42db
9% Popularity • 50% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 50% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Hormonal Imbalance
Skeeter on My Peter
117 bpm • C# min • 01:34 • -7.67db
8% Popularity • 57% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 57% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Little Johnny Trailer Trash
Friend
111 bpm • F Maj • 02:39 • -4.85db
13% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Tim Wilson
Clean Underwear
118 bpm • G Maj • 01:42 • -6.67db
7% Popularity • 69% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 69% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Morris Lewis
Miss You
118 bpm • A Maj • 04:08 • -12.06db
17% Popularity • 54% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 54% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Dirty Bomb
Peggy Sue
118 bpm • C Maj • 03:15 • -4.02db
9% Popularity • 65% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 65% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Bear Kincaid
Here We Go Brownies
118 bpm • C Maj • 03:07 • -4.19db
9% Popularity • 50% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 50% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Back Alley Boys
Long Time Comin' Home
110 bpm • E Maj • 02:51 • -8.55db
14% Popularity • 59% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 59% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Dick Jonas
I 'Druther Be An F-4 Jock
110 bpm • D Maj • 01:29 • -21.96db
13% Popularity • 80% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 80% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Scuzz Twittly
Just the Tip
110 bpm • E Maj • 01:40 • -8.62db
14% Popularity • 64% Danceability • 60% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 64% Danceability • 60% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Acoustic Smoke
Mate's Lament
118 bpm • C# Maj • 03:43 • -9.61db
8% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Reverend Revolver
The Cold of December
110 bpm • B min • 02:42 • -11.83db
13% Popularity • 77% Danceability • 57% Energy • 12% Liveness
29% Instrumentalness • 90% Positiveness
13% Popularity • 77% Danceability • 57% Energy • 12% Liveness
29% Instrumentalness • 90% Positiveness
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Danny Scott
City Farm
110 bpm • D Maj • 02:40 • -7db
16% Popularity • 72% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 72% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Pat Dailey
I Ain't Drunk, I Just Been Drinkin'
110 bpm • D Maj • 02:12 • -4.22db
8% Popularity • 66% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 66% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Dos Gringos
TAMI 21
110 bpm • D Maj • 04:57 • -8.16db
10% Popularity • 63% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 63% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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James Brian Coffey
Big Train A Comin'
110 bpm • E Maj • 02:47 • -9.07db
13% Popularity • 76% Danceability • 60% Energy • 5% Liveness
8% Instrumentalness • 62% Positiveness
13% Popularity • 76% Danceability • 60% Energy • 5% Liveness
8% Instrumentalness • 62% Positiveness
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Sonny Fields
Down on the River
110 bpm • A Maj • 02:57 • -7.6db
25% Popularity • 76% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 76% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Elroy & the Diehards
Packer Tattoo
118 bpm • B Maj • 02:16 • -9.29db
0% Popularity • 68% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 68% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Wes Brown
Bad Mother Fucker
110 bpm • F min • 04:10 • -9.11db
17% Popularity • 72% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 72% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Tweed
Two Feet
118 bpm • G Maj • 02:17 • -7.01db
16% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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James Coffey
I'm An Engineer
110 bpm • D Maj • 02:48 • -12.67db
10% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Mantlepiece
Murderous Mary
110 bpm • C Maj • 03:10 • -6.85db
21% Popularity • 72% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 72% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Sonny Fields
Make It with You
110 bpm • D Maj • 03:05 • -8.85db
25% Popularity • 75% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 75% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Alabama Big Earl
Men Are Pigs
110 bpm • G Maj • 02:17 • -5db
8% Popularity • 74% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 74% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Ryan Matter
Lost & Lonely
110 bpm • F# Maj • 03:56 • -13.29db
14% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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SIMPLY CRAIG
99
110 bpm • D Maj • 03:16 • -8.48db
17% Popularity • 60% Danceability • 60% Energy • 42% Liveness
5% Instrumentalness • 68% Positiveness
17% Popularity • 60% Danceability • 60% Energy • 42% Liveness
5% Instrumentalness • 68% Positiveness
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MacLean & MacLean
Dolly Parton's Tits
118 bpm • D# Maj • 01:52 • -7.05db
19% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Mark Kaye
The Joe Biden Blues
110 bpm • G Maj • 02:28 • -8.12db
9% Popularity • 62% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 62% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Bird & Macdonald
Father of a Boy Named Sue
109 bpm • E Maj • 02:19 • -12.79db
11% Popularity • 69% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 69% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Fred Eaglesmith
Indiana Road
109 bpm • C# Maj • 08:15 • -10.23db
9% Popularity • 73% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 73% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Woodpecker Stew
Reno Bound (Electric)
109 bpm • F# min • 03:00 • -10.1db
10% Popularity • 67% Danceability • 76% Energy • 10% Liveness
20% Instrumentalness • 91% Positiveness
10% Popularity • 67% Danceability • 76% Energy • 10% Liveness
20% Instrumentalness • 91% Positiveness
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Tommy Cox
Ballad of Whitey Mack
109 bpm • C Maj • 02:14 • -12.31db
9% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Relaxing Blues Music
Empty Pockets Blues
109 bpm • E min • 03:40 • -13.19db
8% Popularity • 87% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 87% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Albert Kuhlman
The Pocahontas
109 bpm • G Maj • 03:32 • -19.82db
28% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Liam McGibbon
60 Days
109 bpm • E Maj • 03:01 • -13.33db
10% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Tim Wilson
Church League Softball Fistfight
120 bpm • C Maj • 01:51 • -1db
16% Popularity • 64% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Jerry Dean
Forget You More
120 bpm • A Maj • 03:33 • -1.76db
15% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Elroy & the Diehards
Go Go Packers
120 bpm • D Maj • 02:16 • -8.57db
0% Popularity • 51% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 51% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Green Bay Packers / Fan Anthems
Green Bay Packers / Titletown Usa
120 bpm • G min • 03:23 • -3.03db
8% Popularity • 91% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 91% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Sonny Fields
Slow Time Down
120 bpm • D min • 02:28 • -7.76db
32% Popularity • 67% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 67% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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The Jim Ryan Project
Every Country Song Tells a Story
120 bpm • A Maj • 03:12 • -10.92db
25% Popularity • 75% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
25% Popularity • 75% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Tim Wilson
Handicap Tag On A Black Corvette
120 bpm • G Maj • 01:48 • -5.26db
12% Popularity • 77% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 77% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
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Scuzz Twittly
The Sycamore Strut
120 bpm • B min • 01:36 • -10.13db
19% Popularity • 64% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
19% Popularity • 64% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Ryan Matter
Truth Behind Me
120 bpm • C# Maj • 03:56 • -16.54db
14% Popularity • 57% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
14% Popularity • 57% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
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Danny Scott
If I'm Wrong
108 bpm • A Maj • 02:30 • -7.79db
19% Popularity • 69% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 69% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Sonny Fields
Way Down South
120 bpm • A Maj • 02:56 • -6.74db
25% Popularity • 79% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 79% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Sixstring
Jackson
120 bpm • C Maj • 03:01 • -10.63db
8% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Tim Wilson
Jetpack
120 bpm • D Maj • 02:40 • -4.03db
17% Popularity • 70% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 70% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Dean Pike
The Lobster Song
120 bpm • D Maj • 04:49 • -7.07db
9% Popularity • 52% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 52% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Scuzz Twittly
Beer in the Cooler
120 bpm • G Maj • 02:04 • -10.34db
14% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Reverend Revolver
Slack Them Reins
120 bpm • G Maj • 02:44 • -8.99db
18% Popularity • 73% Danceability • 82% Energy • 10% Liveness
7% Instrumentalness • 76% Positiveness
18% Popularity • 73% Danceability • 82% Energy • 10% Liveness
7% Instrumentalness • 76% Positiveness
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Elroy & the Diehards
Go Go Packers (Extended Version)
120 bpm • G Maj • 04:28 • -8.62db
0% Popularity • 76% Danceability • 73% Energy • 11% Liveness
35% Instrumentalness • 25% Positiveness
0% Popularity • 76% Danceability • 73% Energy • 11% Liveness
35% Instrumentalness • 25% Positiveness
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Conspiracy Music Guru
Big Pharma
120 bpm • D# min • 04:52 • -11.48db
9% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Buck 22
Drop It Like a Tailgate
120 bpm • G Maj • 03:36 • -5.98db
9% Popularity • 94% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 94% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Mikey Mason
Letterkenny
120 bpm • D Maj • 02:04 • -13.25db
13% Popularity • 82% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 82% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Regez Band
Different Kind of Game
120 bpm • D Maj • 02:59 • -7.74db
13% Popularity • 67% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 67% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Rathburn
Take Me Out to the Ballgame ...and Swing...
120 bpm • G Maj • 02:48 • -12.22db
9% Popularity • 72% Danceability • 58% Energy • 54% Liveness
10% Instrumentalness • 77% Positiveness
9% Popularity • 72% Danceability • 58% Energy • 54% Liveness
10% Instrumentalness • 77% Positiveness
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Tim Wilson
Mr. Cajun Boyfriend Man
120 bpm • A Maj • 02:38 • -6.05db
8% Popularity • 81% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 81% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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El Wencho
Fifty Dollars & a Flask of Crown
120 bpm • E Maj • 03:01 • -7.76db
17% Popularity • 91% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 91% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Danny Scott
Opposites Attract
120 bpm • C Maj • 02:58 • -7db
12% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Mitchells Theatre
I Wanna Be Like Elvis
120 bpm • D Maj • 03:28 • -7.5db
14% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Benjamin Schwartz
Cookie Jar
120 bpm • G Maj • 04:32 • -7.05db
23% Popularity • 70% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 70% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Toho Revival
2 Bells
120 bpm • C Maj • 03:24 • -4.7db
14% Popularity • 32% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 32% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Sonny Fields
It's Saturday Again
120 bpm • G Maj • 03:41 • -8.66db
25% Popularity • 60% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 60% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Country Rockin' Rebels
The Ballad of Scott and the Texas Highwa...
108 bpm • C Maj • 02:30 • -9.53db
7% Popularity • 70% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 70% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
