Songs like We Met Once by Matthew Mayer
Based on a tempo of (+/- 10%) and a similar genre
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Patrick Avalon
the graceful goodbye
73 bpm • F Maj • 02:30 • -24.85db
15% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
15% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Matthew Mayer
Swing
73 bpm • G Maj • 02:11 • -17.45db
10% Popularity • 37% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
10% Popularity • 37% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Luna Nicols
Hopeful
73 bpm • G Maj • 02:13 • -21.3db
12% Popularity • 48% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
12% Popularity • 48% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Beyond the Notes
Abide With Me Tis Eventide
73 bpm • C min • 03:15 • -25.4db
9% Popularity • 35% Danceability • 2% Energy • 16% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 35% Danceability • 2% Energy • 16% Liveness
92% Instrumentalness • 7% Positiveness
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Masako
Remembrance (Part 1)
73 bpm • D min • 05:31 • -23.77db
9% Popularity • 25% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Kris Baines
Please Come Home
73 bpm • D Maj • 02:25 • -20.75db
15% Popularity • 36% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
15% Popularity • 36% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
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Marco Monteverde
All'Imbrunire
73 bpm • C Maj • 02:16 • -19.35db
18% Popularity • 40% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
18% Popularity • 40% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Matthew Mayer
The Piano Puppeteer
73 bpm • C Maj • 02:24 • -28.9db
11% Popularity • 38% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 38% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Richard Laurence
As The Nights Draw In
73 bpm • E min • 02:30 • -24.39db
12% Popularity • 41% Danceability • 6% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
12% Popularity • 41% Danceability • 6% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
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Lynn Yew Evers
Dream Chaser
73 bpm • G Maj • 04:20 • -20.41db
19% Popularity • 41% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
19% Popularity • 41% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Amalie Williams
Honey Breeze
73 bpm • C Maj • 02:16 • -25.07db
10% Popularity • 32% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
10% Popularity • 32% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Pam Asberry
Siciliano
73 bpm • G min • 03:12 • -20.71db
12% Popularity • 54% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
12% Popularity • 54% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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Dermott Reilly
Posthumous
73 bpm • D# Maj • 05:49 • -22.3db
14% Popularity • 26% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
14% Popularity • 26% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Matthew Mayer
At My Fingertips
73 bpm • D Maj • 02:51 • -17.24db
17% Popularity • 36% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 36% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Kathryn Toyama
Prayer for Peace
73 bpm • C# Maj • 01:52 • -19.57db
28% Popularity • 33% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
28% Popularity • 33% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Andreas Beskow
Opus. 27 "Existence" (Piano Solo)
74 bpm • D# Maj • 03:02 • -23.81db
8% Popularity • 34% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
8% Popularity • 34% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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El Sam
Thrill on Segway
72 bpm • D# Maj • 02:48 • -18.46db
16% Popularity • 28% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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George Strezov
Lament
74 bpm • A# Maj • 03:33 • -24.38db
45% Popularity • 40% Danceability • 8% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
45% Popularity • 40% Danceability • 8% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Guru Woof Entspannungsmusik für Kinder
Vier Sinne - Pianoversion
72 bpm • C Maj • 02:17 • -22.88db
16% Popularity • 32% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 32% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Matthew Mayer
Insignificant Man
73 bpm • C Maj • 03:09 • -30.31db
10% Popularity • 44% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
10% Popularity • 44% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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Neil Patton
I Heard the Voice of Jesus Say
74 bpm • D min • 04:33 • -17db
11% Popularity • 35% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 35% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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Louis Landon
No More Fear
72 bpm • A# Maj • 04:42 • -22.42db
11% Popularity • 25% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 25% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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None
Always Somewhere In Spring - Piano
72 bpm • A min • 02:11 • -17.82db
12% Popularity • 47% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
12% Popularity • 47% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Amy Lauren
Midnight Song
72 bpm • B Maj • 02:11 • -28.61db
13% Popularity • 37% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 37% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Ricardo Sardinha
Prece ao Consolador
72 bpm • C Maj • 03:41 • -24.54db
9% Popularity • 38% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 38% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Matthew Mayer
We Met Once
73 bpm • A Maj • 03:12 • -20.35db
10% Popularity • 42% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
10% Popularity • 42% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Emma Jackson
Aurora's Daydream
72 bpm • D Maj • 02:46 • -25.93db
37% Popularity • 28% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
37% Popularity • 28% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Pam Asberry
Nocturne
72 bpm • A# min • 03:38 • -21.53db
12% Popularity • 40% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 40% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Christine Brown
Moonlight Lullabye
74 bpm • E Maj • 04:50 • -21.93db
10% Popularity • 29% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
10% Popularity • 29% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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White As Snow
Endless Mercy
74 bpm • D Maj • 01:53 • -27.28db
35% Popularity • 40% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
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Richard Laurence
Contemplation No.2
72 bpm • G Maj • 02:48 • -26.61db
20% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
20% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Matthew Mayer
Never the Same
74 bpm • D Maj • 03:37 • -37.54db
7% Popularity • 30% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
7% Popularity • 30% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Jennifer Roberts
Dreamweaver's Waltz
74 bpm • C# Maj • 02:26 • -30.61db
21% Popularity • 25% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
21% Popularity • 25% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Beyond the Notes
Father in Heaven We Do Believe
72 bpm • D# Maj • 03:36 • -21.7db
10% Popularity • 46% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 46% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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EAMONN KARRAN
Goodnight My Son
74 bpm • G Maj • 04:09 • -20.2db
19% Popularity • 28% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
19% Popularity • 28% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Ulvi Gurbanov
Catch and Frame The Moment
74 bpm • F Maj • 01:56 • -26db
10% Popularity • 45% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
10% Popularity • 45% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
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Gianmarco Merlini
Colori d'Anima
71 bpm • E Maj • 03:13 • -18.73db
8% Popularity • 20% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Matthew Mayer
Love
72 bpm • C Maj • 02:31 • -21.51db
31% Popularity • 40% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
31% Popularity • 40% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Michael P. Boone
Over the meadow
71 bpm • F Maj • 02:55 • -21.53db
13% Popularity • 40% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
13% Popularity • 40% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Holly Baines
Sanchez
75 bpm • G Maj • 04:18 • -20.77db
11% Popularity • 28% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
11% Popularity • 28% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Derek Westra
Savior, Redeemer of My Soul
75 bpm • C# Maj • 02:43 • -19.39db
11% Popularity • 40% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 40% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Christian Lindquist
My Morning
75 bpm • G# Maj • 03:50 • -16.94db
12% Popularity • 44% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
12% Popularity • 44% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Kathryn Kaye
April Rain
71 bpm • E Maj • 05:04 • -22.07db
8% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
8% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Matthew Mayer
Bare
71 bpm • C Maj • 01:43 • -18.81db
13% Popularity • 29% Danceability • 0% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
13% Popularity • 29% Danceability • 0% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Jeff Kinder
Considerations
71 bpm • C Maj • 02:43 • -21.41db
21% Popularity • 40% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
21% Popularity • 40% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
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Rachel Currea
Song Without Words
75 bpm • G# Maj • 03:40 • -25.96db
9% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
9% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Janice Lacy
Dreaming of Daybreak
75 bpm • G Maj • 03:34 • -17.29db
9% Popularity • 29% Danceability • 22% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 29% Danceability • 22% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Ali Qurbanov
Again Alone
71 bpm • D# Maj • 01:52 • -29.72db
11% Popularity • 39% Danceability • 3% Energy • 14% Liveness
87% Instrumentalness • 13% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 14% Liveness
87% Instrumentalness • 13% Positiveness
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Umit Mamedov
Clever Audience
71 bpm • A min • 02:12 • -27.43db
11% Popularity • 33% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
11% Popularity • 33% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Matthew Mayer
Doc
71 bpm • A# Maj • 02:50 • -23.15db
9% Popularity • 44% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Pascal Coppé
Tears in my Memories
75 bpm • F# min • 03:36 • -23.35db
21% Popularity • 52% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
21% Popularity • 52% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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The Reverence Project
Abide With Me
71 bpm • D# Maj • 04:20 • -28.47db
16% Popularity • 48% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
16% Popularity • 48% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Rachel LaFond
Gratitude
75 bpm • G Maj • 03:24 • -20.54db
9% Popularity • 45% Danceability • 8% Energy • 6% Liveness
88% Instrumentalness • 15% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 6% Liveness
88% Instrumentalness • 15% Positiveness
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Michael Allen Harrison
A Dream Is a Wish Your Heart Makes
71 bpm • F Maj • 05:06 • -20.61db
17% Popularity • 24% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
17% Popularity • 24% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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J. M. Quintana Cámara
Chrysalis - Piano Version
75 bpm • A Maj • 02:44 • -26.46db
16% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
16% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Matthew Mayer
Altruism
71 bpm • C Maj • 02:05 • -38.61db
18% Popularity • 42% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 53% Positiveness
18% Popularity • 42% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 53% Positiveness
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Maryna Aksenov
When You Are Here
76 bpm • A# min • 02:27 • -23.33db
17% Popularity • 36% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
17% Popularity • 36% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Masako
Calling
70 bpm • F Maj • 04:53 • -16.6db
7% Popularity • 28% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 28% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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The pianist's dreams
Once upon a time
76 bpm • A min • 01:12 • -28.79db
16% Popularity • 25% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
16% Popularity • 25% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
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Adolfo Viguera
Always You
76 bpm • E Maj • 02:55 • -26db
22% Popularity • 30% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
22% Popularity • 30% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Tomasz Trzcinski
Preludiana: Episode 1
70 bpm • E min • 02:09 • -20.28db
15% Popularity • 33% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 33% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Matthew Mayer
Breathe
71 bpm • C Maj • 02:45 • -37.32db
8% Popularity • 32% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
8% Popularity • 32% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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double stone
18. Seventy Times Seven
76 bpm • E min • 02:22 • -26.31db
15% Popularity • 26% Danceability • 2% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 2% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Danis
Explanations in Sky Garden Breeze.
76 bpm • C Maj • 01:32 • -20.56db
20% Popularity • 39% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
20% Popularity • 39% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Penguin Piano
A Little Story - Piano Version
70 bpm • G Maj • 03:52 • -17.79db
14% Popularity • 43% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
14% Popularity • 43% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
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Renee' Michele
Best Friends
70 bpm • E Maj • 05:04 • -16.23db
26% Popularity • 25% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
26% Popularity • 25% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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JIWOO
A Life Sent On
70 bpm • C Maj • 02:30 • -28.91db
11% Popularity • 34% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
11% Popularity • 34% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Matthew Mayer
The Cold Shore
71 bpm • C Maj • 03:37 • -19.43db
6% Popularity • 33% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
6% Popularity • 33% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Tony O'Connor
Ripples In My Mind
76 bpm • G min • 04:56 • -19.91db
10% Popularity • 30% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
10% Popularity • 30% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Andrew Trotter
Dance des morts
70 bpm • D Maj • 02:12 • -31.41db
10% Popularity • 9% Danceability • 0% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
10% Popularity • 9% Danceability • 0% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Rada Neal
Autumn Beauty
70 bpm • C# min • 04:25 • -24.15db
11% Popularity • 23% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
11% Popularity • 23% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
► Preview
Kris Baines
Fireside Contemplation (Interlude)
76 bpm • E min • 01:05 • -23.15db
11% Popularity • 34% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
11% Popularity • 34% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
► Preview
Jeremy Cullen
Theme from the Handover
76 bpm • F min • 02:20 • -23.11db
13% Popularity • 41% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
13% Popularity • 41% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Matthew Mayer
Happiness Awaits
71 bpm • G Maj • 02:24 • -18.67db
8% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
8% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Bruno Lawrence Raco
Warm Up II: Evil Like Me
76 bpm • G min • 01:56 • -17.61db
14% Popularity • 24% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 20% Positiveness
14% Popularity • 24% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 20% Positiveness
► Preview
Zachary Bruno
Trusting Always
70 bpm • E Maj • 03:59 • -22.24db
21% Popularity • 30% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
21% Popularity • 30% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Shaun Taylor McManus
Carry Me
70 bpm • C Maj • 03:27 • -19.99db
11% Popularity • 27% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 27% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
White As Snow
Sacred Visions
70 bpm • C Maj • 01:10 • -26.95db
34% Popularity • 42% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
34% Popularity • 42% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Beyond the Notes
As Now We Take the Sacrament
70 bpm • D# Maj • 03:29 • -22.36db
12% Popularity • 42% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
12% Popularity • 42% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Matthew Mayer
Art
76 bpm • C Maj • 02:36 • -17.98db
11% Popularity • 41% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
11% Popularity • 41% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
► Preview
Lynn Tredeau
Ilunabarra
69 bpm • E Maj • 02:46 • -25.39db
19% Popularity • 47% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 39% Positiveness
19% Popularity • 47% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 39% Positiveness
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Hans Sjögren
Au début de l'été
77 bpm • A min • 03:16 • -28db
9% Popularity • 36% Danceability • 3% Energy • 22% Liveness
93% Instrumentalness • 8% Positiveness
9% Popularity • 36% Danceability • 3% Energy • 22% Liveness
93% Instrumentalness • 8% Positiveness
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Shiba
Thank You, See You Tomorrow
69 bpm • D Maj • 04:03 • -32db
11% Popularity • 40% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 15% Positiveness
11% Popularity • 40% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 15% Positiveness
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Klaus
Circuit
69 bpm • G# Maj • 02:02 • -38.56db
8% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Joshua Rinne
The Waters Edge
69 bpm • A min • 02:42 • -26.16db
13% Popularity • 26% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Matthew Mayer
Frere Jacques
70 bpm • A Maj • 03:26 • -16.82db
5% Popularity • 45% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
5% Popularity • 45% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Pachelbel
Johann Pachelbel : Canon In D Major
77 bpm • D Maj • 02:32 • -18.05db
12% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
12% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Freddy Minc
Détours
69 bpm • D min • 05:45 • -20db
10% Popularity • 33% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
10% Popularity • 33% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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ElÃas Berntsson
Me Desapego de Todo
69 bpm • D Maj • 01:29 • -29db
23% Popularity • 39% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Rada Neal
Beautiful Old Rhyme
69 bpm • G# Maj • 03:00 • -21.3db
11% Popularity • 45% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
11% Popularity • 45% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
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Barbara Monti
Piano 2
77 bpm • F Maj • 02:37 • -19.56db
11% Popularity • 29% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
11% Popularity • 29% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Matthew Mayer
Lights Out
70 bpm • C Maj • 03:12 • -19.27db
17% Popularity • 32% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
17% Popularity • 32% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Emma Jackson
Velvet Embrace
68 bpm • F# Maj • 02:44 • -25.4db
43% Popularity • 34% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
43% Popularity • 34% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Keith Martinson
Morning Sky
68 bpm • C min • 02:25 • -21.43db
11% Popularity • 33% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
11% Popularity • 33% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Bob Yonker
Night Falls Softly
78 bpm • A min • 03:25 • -22.35db
13% Popularity • 24% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
13% Popularity • 24% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Craig Urquhart
Grace
68 bpm • A Maj • 04:36 • -29.19db
18% Popularity • 50% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
18% Popularity • 50% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Kinslea Rae
Autumn Sunset
68 bpm • C# Maj • 01:48 • -29.51db
16% Popularity • 30% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
16% Popularity • 30% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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Matthew Mayer
Rise
70 bpm • A# Maj • 03:24 • -16.17db
20% Popularity • 33% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 10% Positiveness
20% Popularity • 33% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 10% Positiveness
