Songs like We Must Be Killers by Mikky Ekko
Based on a tempo of (+/- 10%) and a similar genre
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Hayden Calnin
Coward
124 bpm • C Maj • 04:12 • -9db
32% Popularity • 41% Danceability • 47% Energy • 13% Liveness
25% Instrumentalness • 22% Positiveness
32% Popularity • 41% Danceability • 47% Energy • 13% Liveness
25% Instrumentalness • 22% Positiveness
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Grace Mitchell
Your Design
124 bpm • E min • 04:13 • -10db
24% Popularity • 62% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
24% Popularity • 62% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Mikky Ekko
We Must Be Killers
124 bpm • E min • 03:19 • -12db
40% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Hannah Ellis
You Were Never Gone
124 bpm • G Maj • 05:14 • -13.79db
33% Popularity • 42% Danceability • 18% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
33% Popularity • 42% Danceability • 18% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
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Maty Noyes
Haunted
124 bpm • D min • 02:44 • -11.25db
30% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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MEG MYERS
Heart Heart Head
125 bpm • G# min • 04:11 • -8.23db
33% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Fleurie
Love and War
123 bpm • D min • 05:14 • -8.54db
54% Popularity • 45% Danceability • 37% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
54% Popularity • 45% Danceability • 37% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Hurts
Mercy
123 bpm • B min • 04:06 • -8db
40% Popularity • 46% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 46% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Zella Day
East of Eden
123 bpm • C# min • 03:06 • -3.2db
59% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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PHILDEL
Beside You
126 bpm • A min • 03:30 • -11.3db
34% Popularity • 74% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 74% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Mikky Ekko
Time
122 bpm • F# Maj • 04:14 • -12db
39% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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MEG MYERS
The Morning After
123 bpm • A min • 03:23 • -11.77db
29% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Cat Pierce
You Belong to Me
122 bpm • C min • 04:01 • -6db
47% Popularity • 32% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 32% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lawless
Dear God
126 bpm • G Maj • 04:31 • -11db
41% Popularity • 47% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
41% Popularity • 47% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Milo Greene
What's the Matter
126 bpm • B min • 04:28 • -10db
41% Popularity • 54% Danceability • 60% Energy • 31% Liveness
60% Instrumentalness • 47% Positiveness
41% Popularity • 54% Danceability • 60% Energy • 31% Liveness
60% Instrumentalness • 47% Positiveness
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Meiko
Bad Things
126 bpm • A min • 03:14 • -12.24db
36% Popularity • 69% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
36% Popularity • 69% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Naughty Boy
No One’s Here To Sleep
122 bpm • C min • 04:32 • -6.88db
46% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mikky Ekko
What's It Like Now - Awoltalk Remix
122 bpm • G Maj • 03:47 • -6.98db
4% Popularity • 67% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
4% Popularity • 67% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rachel Taylor
Silence Looks Good On You
122 bpm • C Maj • 04:06 • -5db
12% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Sleeping Wolf
The Wreck of Our Hearts
126 bpm • A Maj • 03:47 • -8db
37% Popularity • 62% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
37% Popularity • 62% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Joy Williams
Until the Levee
126 bpm • D Maj • 02:40 • -10db
29% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Karmina
All the King's Horses
126 bpm • G min • 04:10 • -7.24db
46% Popularity • 37% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
46% Popularity • 37% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Mecca Kalani
Feel Me
122 bpm • A# Maj • 03:06 • -10db
27% Popularity • 53% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 53% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Keaton Henson
Sweetheart, What Have You Done to Us
126 bpm • A min • 03:30 • -13.11db
39% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Lo-Fang
Boris
122 bpm • D Maj • 03:37 • -12.99db
38% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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CLOVES
Frail Love
126 bpm • A Maj • 03:25 • -6db
35% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dotan
Home II
127 bpm • B min • 05:31 • -13db
42% Popularity • 43% Danceability • 31% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
42% Popularity • 43% Danceability • 31% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
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SYML
The War
127 bpm • A min • 05:54 • -12.6db
48% Popularity • 25% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 25% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Woodkid
Land Of All
127 bpm • D Maj • 05:16 • -9.1db
41% Popularity • 34% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 8% Positiveness
41% Popularity • 34% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 8% Positiveness
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Mikky Ekko
Kids - Cut Snake Remix
121 bpm • G# Maj • 04:47 • -6.56db
3% Popularity • 78% Danceability • 65% Energy • 7% Liveness
54% Instrumentalness • 34% Positiveness
3% Popularity • 78% Danceability • 65% Energy • 7% Liveness
54% Instrumentalness • 34% Positiveness
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Until The Ribbon Breaks
Romeo
127 bpm • A min • 04:18 • -8db
8% Popularity • 33% Danceability • 52% Energy • 46% Liveness
11% Instrumentalness • 30% Positiveness
8% Popularity • 33% Danceability • 52% Energy • 46% Liveness
11% Instrumentalness • 30% Positiveness
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Correatown
All You Left Behind
121 bpm • B min • 03:51 • -11.79db
17% Popularity • 40% Danceability • 49% Energy • 29% Liveness
55% Instrumentalness • 20% Positiveness
17% Popularity • 40% Danceability • 49% Energy • 29% Liveness
55% Instrumentalness • 20% Positiveness
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Florence + The Machine
Various Storms & Saints
121 bpm • A# min • 04:09 • -6.79db
43% Popularity • 36% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 36% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Whitaker
My Own
128 bpm • F Maj • 05:18 • -13.19db
38% Popularity • 34% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 34% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Taylor
Come to This
128 bpm • C Maj • 03:37 • -7.21db
38% Popularity • 31% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 31% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Andrew Belle
In My Veins - Erin Mccarley
128 bpm • C Maj • 05:18 • -7.84db
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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CAIRO
Addict
128 bpm • F# min • 05:06 • -11.68db
19% Popularity • 54% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
19% Popularity • 54% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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The Paper Kites
Willow Tree March
120 bpm • E min • 04:36 • -9.23db
43% Popularity • 60% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 60% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Halsey
Trouble - Stripped
120 bpm • G# min • 03:34 • -6.8db
49% Popularity • 68% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 68% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Brighton
Forest Fire
128 bpm • B min • 03:51 • -9.84db
38% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Mikky Ekko
Pressure Pills
128 bpm • A# Maj • 03:39 • -12db
12% Popularity • 65% Danceability • 48% Energy • 26% Liveness
9% Instrumentalness • 18% Positiveness
12% Popularity • 65% Danceability • 48% Energy • 26% Liveness
9% Instrumentalness • 18% Positiveness
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Transviolet
Bloodstream
120 bpm • F Maj • 03:28 • -6.84db
38% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Natasha Blume
Ghost
120 bpm • G# Maj • 03:52 • -8db
36% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter As a Horse
The Passenger
120 bpm • A min • 03:35 • -8db
36% Popularity • 53% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 7% Positiveness
36% Popularity • 53% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 7% Positiveness
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Ed Tullett
In Cure
120 bpm • G Maj • 04:02 • -10.41db
19% Popularity • 54% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 54% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Early Winters
Count Me In
120 bpm • A# Maj • 04:01 • -13.18db
37% Popularity • 62% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
37% Popularity • 62% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Mikky Ekko
U
120 bpm • G Maj • 03:57 • -8.01db
26% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Aquilo
Calling Me
120 bpm • A min • 03:33 • -9.58db
28% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jill Andrews
The End of Everything
120 bpm • F min • 04:45 • -8db
16% Popularity • 51% Danceability • 70% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
16% Popularity • 51% Danceability • 70% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
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Ivy & Gold
Not Had Enough
120 bpm • E min • 04:06 • -5db
23% Popularity • 56% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 56% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Crywolf
The Hunger in Your Haunt
120 bpm • A min • 03:56 • -7.13db
27% Popularity • 57% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 57% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Ruelle
Bad Dream
120 bpm • G# min • 04:08 • -6.46db
46% Popularity • 62% Danceability • 61% Energy • 11% Liveness
16% Instrumentalness • 24% Positiveness
46% Popularity • 62% Danceability • 61% Energy • 11% Liveness
16% Instrumentalness • 24% Positiveness
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Mikky Ekko
Come Out and Die
120 bpm • A Maj • 04:09 • -4.84db
17% Popularity • 54% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 54% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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PHILDEL
Storm Song
120 bpm • G min • 03:50 • -7.48db
42% Popularity • 64% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 64% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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MISSIO
Can I Exist
120 bpm • F Maj • 04:33 • -8db
42% Popularity • 43% Danceability • 49% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
42% Popularity • 43% Danceability • 49% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
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Aquilo
I Gave It All
120 bpm • F# Maj • 03:52 • -11db
38% Popularity • 47% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 47% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Halsey
I Walk The Line
120 bpm • A min • 02:45 • -6.25db
50% Popularity • 50% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 50% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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MARINA
Immortal
120 bpm • F min • 05:21 • -7.59db
42% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Mikky Ekko
Comatose
120 bpm • G Maj • 03:47 • -11db
22% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Zella Day
1965
120 bpm • C Maj • 03:38 • -5.53db
40% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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flora cash
Sadness Is Taking Over
120 bpm • G# min • 03:48 • -7.69db
36% Popularity • 51% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
36% Popularity • 51% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Ivy & Gold
Eye of the Storm
120 bpm • G min • 03:04 • -8.25db
36% Popularity • 45% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 45% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Halsey
Control
120 bpm • E min • 03:34 • -5.64db
70% Popularity • 55% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
70% Popularity • 55% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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LAUREL
Blue Blood
129 bpm • A min • 03:56 • -8db
38% Popularity • 64% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 64% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Bear's Den
Fortress
129 bpm • F# min • 05:21 • -7.99db
31% Popularity • 34% Danceability • 56% Energy • 12% Liveness
36% Instrumentalness • 10% Positiveness
31% Popularity • 34% Danceability • 56% Energy • 12% Liveness
36% Instrumentalness • 10% Positiveness
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Hozier
Take Me To Church
129 bpm • E min • 04:01 • -5.3db
84% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
84% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Gin Wigmore
Holding On To Hell
129 bpm • D Maj • 03:13 • -5db
31% Popularity • 73% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 73% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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BANKS
Waiting Game
129 bpm • F min • 03:27 • -10.31db
55% Popularity • 33% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 33% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Halsey
Young God
120 bpm • A min • 03:00 • -6.51db
55% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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MEG MYERS
After You
119 bpm • G# min • 04:54 • -5.36db
31% Popularity • 53% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 53% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Early Morning Rebel
Life Boat
119 bpm • G Maj • 03:01 • -6.1db
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Lawless
Likeness
119 bpm • G Maj • 04:17 • -8db
19% Popularity • 39% Danceability • 55% Energy • 9% Liveness
42% Instrumentalness • 26% Positiveness
19% Popularity • 39% Danceability • 55% Energy • 9% Liveness
42% Instrumentalness • 26% Positiveness
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Klergy
Fight for Survival
130 bpm • D min • 03:41 • -10.17db
35% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Little Children
Distant Shouts
130 bpm • E min • 05:42 • -10db
21% Popularity • 44% Danceability • 57% Energy • 39% Liveness
19% Instrumentalness • 30% Positiveness
21% Popularity • 44% Danceability • 57% Energy • 39% Liveness
19% Instrumentalness • 30% Positiveness
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WILDES
Bare
130 bpm • D# min • 04:02 • -10db
42% Popularity • 52% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
42% Popularity • 52% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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PHILDEL
The Disappearance of the Girl
130 bpm • B min • 04:08 • -9db
33% Popularity • 66% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 66% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Tommee Profitt
Hurts Like Hell
130 bpm • A min • 03:52 • -12.88db
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Mikky Ekko
Chained - Live at BBC Radio 1
118 bpm • A# Maj • 04:02 • -6.01db
9% Popularity • 47% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 47% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Claire Wyndham
Kingdom Fall
130 bpm • G min • 03:33 • -10.99db
44% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Halsey
Castle
130 bpm • G min • 04:37 • -7.46db
65% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
65% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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RAIGN
When It's All Over
130 bpm • A min • 03:46 • -8db
46% Popularity • 38% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 38% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Boy Epic
Scars
130 bpm • D min • 04:03 • -7.93db
46% Popularity • 48% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 48% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Paper Aeroplanes
Goldrush
130 bpm • D min • 03:28 • -16.08db
16% Popularity • 43% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 43% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Jaymes Young
What Should I Do
118 bpm • A min • 03:40 • -7.14db
33% Popularity • 79% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 79% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Llynks
Love You More
130 bpm • G min • 04:54 • -12db
35% Popularity • 50% Danceability • 27% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
35% Popularity • 50% Danceability • 27% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
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MISSIO
I Don't Even Care About You - Stripped
118 bpm • D Maj • 03:00 • -11.41db
24% Popularity • 33% Danceability • 38% Energy • 12% Liveness
16% Instrumentalness • 24% Positiveness
24% Popularity • 33% Danceability • 38% Energy • 12% Liveness
16% Instrumentalness • 24% Positiveness
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Fleurie
Fire in My Bones
118 bpm • A min • 03:35 • -10.57db
29% Popularity • 30% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 30% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Woodkid
Never Let You Down
118 bpm • B min • 04:32 • -9.7db
43% Popularity • 47% Danceability • 42% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
43% Popularity • 47% Danceability • 42% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
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WALK THE MOON
Iscariot
118 bpm • C# Maj • 05:23 • -11.16db
32% Popularity • 34% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 34% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ruelle
Until We Go Down
117 bpm • F min • 04:11 • -11.18db
46% Popularity • 44% Danceability • 29% Energy • 10% Liveness
22% Instrumentalness • 15% Positiveness
46% Popularity • 44% Danceability • 29% Energy • 10% Liveness
22% Instrumentalness • 15% Positiveness
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Mikky Ekko
Made of Light
117 bpm • G# Maj • 04:16 • -7.89db
14% Popularity • 49% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 49% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Klergy
World on Fire
132 bpm • B min • 03:46 • -10.95db
44% Popularity • 26% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
44% Popularity • 26% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Aquilo
Waiting
132 bpm • F# Maj • 03:45 • -16db
32% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Florence + The Machine
No Light, No Light
132 bpm • C Maj • 04:34 • -5.61db
53% Popularity • 43% Danceability • 75% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 43% Danceability • 75% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
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Dark Waves
I Don't Wanna Be In Love
132 bpm • G min • 03:14 • -7.63db
31% Popularity • 66% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 66% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Valerie Broussard
Trouble
132 bpm • D# min • 03:33 • -5.39db
54% Popularity • 56% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 56% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Carina Round
For Everything a Reason
116 bpm • G# Maj • 05:15 • -10.46db
36% Popularity • 44% Danceability • 33% Energy • 52% Liveness
2% Instrumentalness • 7% Positiveness
36% Popularity • 44% Danceability • 33% Energy • 52% Liveness
2% Instrumentalness • 7% Positiveness
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Keaton Henson
Flesh And Bone
132 bpm • A Maj • 04:32 • -10.4db
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
