Songs like We Praise You and Acknowledge You, O God by Concordia Publishing House
Based on a tempo of (+/- 10%) and a similar genre
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Catholic Music Initiative
God We Praise You
76 bpm • D Maj • 03:41 • -9.45db
16% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Nicolas Fayolle
Peace To Love
76 bpm • C# Maj • 02:47 • -17.76db
26% Popularity • 22% Danceability • 13% Energy • 14% Liveness
65% Instrumentalness • 9% Positiveness
26% Popularity • 22% Danceability • 13% Energy • 14% Liveness
65% Instrumentalness • 9% Positiveness
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Concordia Publishing House
Gr. 7 - At the Lamb's High Feast We Sing
76 bpm • D Maj • 03:17 • -13.8db
7% Popularity • 58% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 59% Positiveness
7% Popularity • 58% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 59% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Praise My Soul
76 bpm • D Maj • 02:53 • -21.23db
19% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Ron Hamilton
I Run to Christ
76 bpm • D# Maj • 03:49 • -7.85db
23% Popularity • 23% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 23% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Joncas
Take and Eat
76 bpm • A# Maj • 04:08 • -17.62db
38% Popularity • 15% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 18% Positiveness
38% Popularity • 15% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 18% Positiveness
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Maranatha! Vocal Band
The Servant Song
76 bpm • D Maj • 03:05 • -15.28db
40% Popularity • 34% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 34% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Easter Hymns Band
He Lives!
76 bpm • F Maj • 02:09 • -13db
28% Popularity • 22% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 22% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Concordia Publishing House
We Praise You and Acknowledge You, O God
76 bpm • C Maj • 05:48 • -12.26db
18% Popularity • 38% Danceability • 20% Energy • 6% Liveness
4% Instrumentalness • 17% Positiveness
18% Popularity • 38% Danceability • 20% Energy • 6% Liveness
4% Instrumentalness • 17% Positiveness
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Rory Cooney
Canticle of the Turning
76 bpm • E min • 03:36 • -9.75db
30% Popularity • 62% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 62% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Faithful Fathers
This Is the Day the Lord Has Made - Chur...
76 bpm • C Maj • 01:31 • -14.29db
17% Popularity • 7% Danceability • 17% Energy • 20% Liveness
58% Instrumentalness • 16% Positiveness
17% Popularity • 7% Danceability • 17% Energy • 20% Liveness
58% Instrumentalness • 16% Positiveness
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Michael John Trotta
I Shall See
77 bpm • E Maj • 03:38 • -28db
19% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
19% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Mary McDonald
Only God
75 bpm • A Maj • 03:22 • -20.74db
13% Popularity • 17% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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The Utah Valley Children's Choir
Have I Done any Good
75 bpm • F Maj • 02:56 • -25db
12% Popularity • 22% Danceability • 8% Energy • 13% Liveness
55% Instrumentalness • 14% Positiveness
12% Popularity • 22% Danceability • 8% Energy • 13% Liveness
55% Instrumentalness • 14% Positiveness
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Concordia Publishing House
New Songs of Celebration Render
76 bpm • G Maj • 03:27 • -12.48db
6% Popularity • 16% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 16% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Richard Redhead
Redhead 76 "Rock of Ages, Cleft for Me"
77 bpm • D# Maj • 02:41 • -24db
16% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Redeemer Choir Austin Texas
O For a Thousand Tongues to Sing (AZMON)
75 bpm • G Maj • 02:17 • -14.75db
9% Popularity • 14% Danceability • 18% Energy • 28% Liveness
50% Instrumentalness • 20% Positiveness
9% Popularity • 14% Danceability • 18% Energy • 28% Liveness
50% Instrumentalness • 20% Positiveness
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Easter Hymns Band
Were You There?
75 bpm • D# Maj • 04:35 • -23.6db
22% Popularity • 9% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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The Festival Choir and Hosanna Chorus
Holy God We Praise Thy Name
77 bpm • F Maj • 02:21 • -12.97db
15% Popularity • 20% Danceability • 24% Energy • 22% Liveness
2% Instrumentalness • 21% Positiveness
15% Popularity • 20% Danceability • 24% Energy • 22% Liveness
2% Instrumentalness • 21% Positiveness
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Salt Lake Vocal Artists
Did You Think to Pray
77 bpm • F# Maj • 04:04 • -21.65db
18% Popularity • 19% Danceability • 11% Energy • 17% Liveness
2% Instrumentalness • 7% Positiveness
18% Popularity • 19% Danceability • 11% Energy • 17% Liveness
2% Instrumentalness • 7% Positiveness
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Concordia Publishing House
Thy Strong Word
76 bpm • F min • 05:49 • -14.23db
11% Popularity • 21% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 21% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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William F. Smith
Soon and Very Soon
75 bpm • G Maj • 02:10 • -18db
7% Popularity • 51% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 51% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Joseph Barnby
Laudes Domini "When Morning Gilds the Sk...
77 bpm • C Maj • 04:12 • -21db
12% Popularity • 19% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 19% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Marian Grace
Salve Regina
77 bpm • D# min • 01:49 • -18.02db
28% Popularity • 28% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 28% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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The Wilds
Does Jesus Care
77 bpm • F Maj • 03:57 • -12.41db
20% Popularity • 25% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 25% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Bobby Fisher
Bread of Life
77 bpm • A# Maj • 03:28 • -16db
21% Popularity • 47% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 47% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Fountainview Academy Orchestra & Singers
Once to Every Man and Nation
77 bpm • F# min • 03:59 • -5.68db
4% Popularity • 31% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 31% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Rory Cooney
Jerusalem, My Destiny
77 bpm • A# Maj • 05:09 • -11.37db
22% Popularity • 16% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 16% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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David Haas
You Are Mine
77 bpm • A# Maj • 04:25 • -11.06db
50% Popularity • 30% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
50% Popularity • 30% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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The Redeemer Choir Austin Texas
And Can It Be That I Should Gain (SAGINA...
77 bpm • G Maj • 04:38 • -17.87db
11% Popularity • 29% Danceability • 15% Energy • 12% Liveness
39% Instrumentalness • 23% Positiveness
11% Popularity • 29% Danceability • 15% Energy • 12% Liveness
39% Instrumentalness • 23% Positiveness
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Rejike
In the Lord
77 bpm • F# Maj • 02:25 • -14.84db
27% Popularity • 18% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Concordia Publishing House
Agnus Dei
77 bpm • F Maj • 03:51 • -18.13db
8% Popularity • 25% Danceability • 16% Energy • 8% Liveness
4% Instrumentalness • 25% Positiveness
8% Popularity • 25% Danceability • 16% Energy • 8% Liveness
4% Instrumentalness • 25% Positiveness
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Michael Joncas
I Have Loved You
78 bpm • D Maj • 03:03 • -23.56db
34% Popularity • 18% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Jeff Lippencott
How Beautiful Your Songs of Praise
78 bpm • F Maj • 05:10 • -14.85db
9% Popularity • 7% Danceability • 26% Energy • 29% Liveness
67% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 26% Energy • 29% Liveness
67% Instrumentalness • 4% Positiveness
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Janèt Sullivan Whitaker
Here at This Table
78 bpm • A# Maj • 03:31 • -16.02db
14% Popularity • 31% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
14% Popularity • 31% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Fr. Louis Lambilotte
Come Holy Ghost
78 bpm • F Maj • 02:20 • -20.19db
33% Popularity • 18% Danceability • 10% Energy • 12% Liveness
60% Instrumentalness • 10% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 12% Liveness
60% Instrumentalness • 10% Positiveness
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Audrey Assad
Abide with Me
78 bpm • D# Maj • 04:40 • -12.3db
46% Popularity • 15% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 15% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Concordia Publishing House
Be Still, My Soul
77 bpm • F Maj • 05:45 • -15.38db
9% Popularity • 8% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Higher Things
Sing, My Tongue, The Glorious Battle
78 bpm • E min • 03:47 • -15.49db
11% Popularity • 14% Danceability • 18% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
11% Popularity • 14% Danceability • 18% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
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Jeff Lippencott
The Secret Place
74 bpm • E min • 05:11 • -24.07db
16% Popularity • 10% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
The Word Was God
74 bpm • A min • 02:18 • -33.13db
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Marty Haugen
Return to God
78 bpm • E min • 04:14 • -15.55db
28% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Joncas
I Have Loved You
74 bpm • D Maj • 02:15 • -14.76db
23% Popularity • 22% Danceability • 26% Energy • 17% Liveness
12% Instrumentalness • 23% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 17% Liveness
12% Instrumentalness • 23% Positiveness
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Concordia Publishing House
Lord, Thee I Love with All My Heart
78 bpm • A# Maj • 05:53 • -16.05db
9% Popularity • 12% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 12% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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London Festival Orchestra
Be Still My Soul - 32 Great Hymns Of The...
78 bpm • E Maj • 01:33 • -17.46db
29% Popularity • 19% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 19% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
Finale (Here Is Hope)
74 bpm • E Maj • 03:41 • -14.95db
27% Popularity • 12% Danceability • 18% Energy • 20% Liveness
3% Instrumentalness • 8% Positiveness
27% Popularity • 12% Danceability • 18% Energy • 20% Liveness
3% Instrumentalness • 8% Positiveness
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Easter Hymns Band
Thine Be the Glory
78 bpm • A# Maj • 03:11 • -10.45db
34% Popularity • 19% Danceability • 34% Energy • 14% Liveness
13% Instrumentalness • 39% Positiveness
34% Popularity • 19% Danceability • 34% Energy • 14% Liveness
13% Instrumentalness • 39% Positiveness
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The Redeemer Choir Austin Texas
There Is a Fountain Filled with Blood (F...
78 bpm • A# Maj • 03:54 • -16.18db
14% Popularity • 18% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
14% Popularity • 18% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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David Haas
How Can I Keep from Singing?
74 bpm • D Maj • 04:49 • -10.64db
25% Popularity • 44% Danceability • 33% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 44% Danceability • 33% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
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Concordia Publishing House
Thy Strong Word
74 bpm • F min • 05:48 • -13.65db
15% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hamilton Family
The Greatest Story Ever Told
73 bpm • D# Maj • 03:15 • -10.09db
24% Popularity • 14% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 14% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Mary E. Byrne
Be Thou My Vision
79 bpm • D# Maj • 02:16 • -15.66db
20% Popularity • 11% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
20% Popularity • 11% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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32 Great Hymns Of Faith Performers
This Is My Father's World
79 bpm • D Maj • 02:14 • -10.93db
27% Popularity • 16% Danceability • 27% Energy • 48% Liveness
83% Instrumentalness • 18% Positiveness
27% Popularity • 16% Danceability • 27% Energy • 48% Liveness
83% Instrumentalness • 18% Positiveness
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The Redeemer Choir Austin Texas
Stricken Smitten and Afflicted (O MEIN J...
73 bpm • F min • 03:03 • -17.79db
13% Popularity • 16% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
13% Popularity • 16% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Michael Joncas
In the Arms of God
73 bpm • C# Maj • 04:46 • -14.32db
27% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Albert F. Bayly
Lord, Whose Love in Humble Service
79 bpm • F Maj • 01:38 • -13.01db
19% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Utah Valley Children's Choir
Precious Savior
73 bpm • D Maj • 05:17 • -24.5db
10% Popularity • 25% Danceability • 5% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Jacopone da Todi
At the Cross Her Station Keeping
79 bpm • F Maj • 01:33 • -15.39db
21% Popularity • 22% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
21% Popularity • 22% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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London Festival Orchestra
We Gather Together - 32 Great Hymns Of T...
73 bpm • A# Maj • 02:16 • -11.76db
19% Popularity • 21% Danceability • 32% Energy • 13% Liveness
41% Instrumentalness • 21% Positiveness
19% Popularity • 21% Danceability • 32% Energy • 13% Liveness
41% Instrumentalness • 21% Positiveness
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Steven Anderson
Living For Jesus
79 bpm • F Maj • 02:02 • -15.44db
21% Popularity • 20% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 16% Positiveness
21% Popularity • 20% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 16% Positiveness
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Gregory the Great
Again We Keep This Solemn Fast
79 bpm • E min • 01:47 • -12.28db
21% Popularity • 22% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 22% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Concordia Publishing House
Abide with Me! Fast Falls the Eventide
79 bpm • D# Maj • 04:31 • -23.67db
11% Popularity • 10% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 10% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Michael Joncas
A Voice Cries Out
79 bpm • D Maj • 01:46 • -15.57db
13% Popularity • 30% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 30% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Festival Choir and Hosanna Chorus
Hail, Thou Once Despised Jesus
79 bpm • G Maj • 02:32 • -12db
11% Popularity • 13% Danceability • 28% Energy • 23% Liveness
7% Instrumentalness • 46% Positiveness
11% Popularity • 13% Danceability • 28% Energy • 23% Liveness
7% Instrumentalness • 46% Positiveness
► Preview
Scott Soper
Psalm 25: To You, O Lord
79 bpm • G Maj • 02:55 • -19db
13% Popularity • 22% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 22% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Christopher Walker
Like a Child Rests
80 bpm • C Maj • 02:34 • -20db
22% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Charles Villiers Stanford
St. Patrick's Breastplate "I Bind unto M...
72 bpm • G min • 07:39 • -18db
17% Popularity • 12% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
17% Popularity • 12% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
► Preview
Easter Hymns Band
When I Survey
80 bpm • D Maj • 03:31 • -13db
22% Popularity • 10% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 10% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Michael Joncas
Psalm 118: This Is the Day
79 bpm • F Maj • 02:56 • -11db
19% Popularity • 30% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 30% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Jeff Lippencott
Come, O Lamb of God
80 bpm • A Maj • 03:54 • -19.56db
11% Popularity • 22% Danceability • 15% Energy • 6% Liveness
37% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 15% Energy • 6% Liveness
37% Instrumentalness • 4% Positiveness
► Preview
Anthony Muhs
Down in Adoration Falling
80 bpm • C Maj • 01:27 • -13db
16% Popularity • 32% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 32% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Christopher Walker
Be Still and Know That I Am God
80 bpm • F Maj • 02:24 • -12db
27% Popularity • 26% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
27% Popularity • 26% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
The Concordia Choir
Ain't Got Time to Die
80 bpm • G min • 02:31 • -21.69db
24% Popularity • 33% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 33% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
The Schola Cantorum of St. Peter's in the Loop
Praise To The Lord, The Almighty
80 bpm • F Maj • 03:12 • -18.29db
17% Popularity • 17% Danceability • 12% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
17% Popularity • 17% Danceability • 12% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
► Preview
Jeanne Cotter
The Lord Is Kind and Merciful
80 bpm • C# Maj • 03:37 • -11db
26% Popularity • 20% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 20% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Don Moen
O God Our Help in Ages Past
80 bpm • A Maj • 02:25 • -11.52db
28% Popularity • 68% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 68% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Nathan J. Arnold
Psalm 25: Make Me To Know Your Ways (Voc...
80 bpm • D Maj • 05:02 • -13.98db
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Benedictines of Mary, Queen of Apostles
Holy God, We Praise Thy Name
80 bpm • F Maj • 03:17 • -21.13db
42% Popularity • 28% Danceability • 8% Energy • 11% Liveness
27% Instrumentalness • 12% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 11% Liveness
27% Instrumentalness • 12% Positiveness
► Preview
Gregory the Great
The Glory of These Forty Days
80 bpm • E min • 02:30 • -13.3db
23% Popularity • 22% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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John Keys
O God Beyond All Praising (Thaxted) - In...
72 bpm • A# Maj • 02:12 • -12.59db
14% Popularity • 20% Danceability • 12% Energy • 21% Liveness
94% Instrumentalness • 18% Positiveness
14% Popularity • 20% Danceability • 12% Energy • 21% Liveness
94% Instrumentalness • 18% Positiveness
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Benjamin Everson
Complete in Thee
80 bpm • D# Maj • 02:48 • -15db
32% Popularity • 35% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 35% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Free Presbyterian Church of Ulster Choirs
Grace! Tis a Charming Sound
80 bpm • G Maj • 02:57 • -14.99db
9% Popularity • 36% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 36% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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The Wilds
Christ Is Sufficient
72 bpm • F Maj • 03:55 • -10.89db
11% Popularity • 32% Danceability • 30% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
11% Popularity • 32% Danceability • 30% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Peter Scholtes
They'll Know We Are Christians
80 bpm • F min • 01:18 • -13db
35% Popularity • 59% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 59% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Easter Hymns Band
Jesus Is Risen Today
80 bpm • D Maj • 02:31 • -9db
34% Popularity • 24% Danceability • 41% Energy • 15% Liveness
24% Instrumentalness • 23% Positiveness
34% Popularity • 24% Danceability • 41% Energy • 15% Liveness
24% Instrumentalness • 23% Positiveness
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Billy Graham British and European Crusade Choirs
May God's Blessing
81 bpm • F# Maj • 01:38 • -11.2db
15% Popularity • 17% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 17% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Ron Hamilton
Rejoice in the Lord
80 bpm • G Maj • 04:03 • -15.1db
25% Popularity • 20% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 20% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Bliss
Let The Lower Lights Be Burning
81 bpm • A# Maj • 02:35 • -22.87db
13% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
13% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
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Steven Anderson
My God, How Wonderful The Art
81 bpm • G# Maj • 01:26 • -15.43db
23% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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32 Great Hymns Of Faith Performers
It Is Well
81 bpm • C# Maj • 02:27 • -17.51db
30% Popularity • 16% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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The Master's Chorale
You Are the Light
72 bpm • G Maj • 03:11 • -18.17db
17% Popularity • 9% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Christopher Idle
God, We Praise You
81 bpm • D Maj • 01:53 • -15db
20% Popularity • 23% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
20% Popularity • 23% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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West Coast Baptist College
Is He Worthy?
71 bpm • F Maj • 05:05 • -15.56db
25% Popularity • 20% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 20% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Delores Dufner OSB
Sing a New Church
71 bpm • D Maj • 03:12 • -11.47db
10% Popularity • 11% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
10% Popularity • 11% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
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The London Fox Taize Choir
Eat This Bread
81 bpm • G Maj • 04:28 • -13.46db
30% Popularity • 13% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 13% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Janèt Sullivan Whitaker
Here at This Table
81 bpm • A# Maj • 06:39 • -15db
20% Popularity • 36% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
20% Popularity • 36% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Musica Sacra
Teach Me Thy Way, O Lord
81 bpm • F Maj • 02:51 • -11db
25% Popularity • 14% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 14% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
