Songs like We Shall Behold Him by Vickie Winans
Based on a tempo of (+/- 10%) and a similar genre
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Vickie Winans
We Shall Behold Him
74 bpm • A# Maj • 05:54 • -12.32db
24% Popularity • 40% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Rev. Milton Brunson
Safe In His Arms
74 bpm • F Maj • 04:55 • -7.26db
40% Popularity • 35% Danceability • 53% Energy • 86% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 35% Danceability • 53% Energy • 86% Liveness
0% Instrumentalness • 24% Positiveness
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New Jersey Mass Choir
O the Blood
73 bpm • C Maj • 04:46 • -12.39db
31% Popularity • 63% Danceability • 49% Energy • 71% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 63% Danceability • 49% Energy • 71% Liveness
0% Instrumentalness • 81% Positiveness
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Ted Winn
Grateful
73 bpm • C# Maj • 04:16 • -7.91db
29% Popularity • 34% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 34% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Kurt Carr
Bless Somebody Else (Dorothy's Song)
75 bpm • G# Maj • 05:43 • -4db
27% Popularity • 26% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 26% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Rev. Paul Jones
I Won’t Complain
75 bpm • F min • 04:52 • -10.09db
45% Popularity • 17% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 17% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Pastor Mike Jr.
Amazing
76 bpm • A# min • 03:26 • -6.86db
51% Popularity • 26% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 26% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Rev. Milton Brunson
I Tried Him & I Know Him
72 bpm • C# Maj • 05:35 • -14db
22% Popularity • 22% Danceability • 31% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 22% Danceability • 31% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
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Le'Andria Johnson
Change Is Now
76 bpm • F# Maj • 03:35 • -7.53db
21% Popularity • 28% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 28% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Kevin Davidson & The Voices
Fight On
76 bpm • B Maj • 06:03 • -9.26db
25% Popularity • 22% Danceability • 43% Energy • 90% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 22% Danceability • 43% Energy • 90% Liveness
0% Instrumentalness • 9% Positiveness
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Jessica Reedy
Something Out Of Nothing
72 bpm • C# Maj • 03:38 • -6.73db
42% Popularity • 35% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 35% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Troy Sneed
Kept by His Grace
76 bpm • G min • 04:30 • -3.13db
22% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Vicki Yohe
I'm At Peace
77 bpm • C# Maj • 05:50 • -11.52db
32% Popularity • 31% Danceability • 17% Energy • 69% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 31% Danceability • 17% Energy • 69% Liveness
0% Instrumentalness • 28% Positiveness
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The Williams Brothers
Still Here
71 bpm • G min • 05:22 • -7.65db
42% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Jekalyn Carr
It's Yours
78 bpm • B Maj • 06:58 • -3.56db
40% Popularity • 39% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 39% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 31% Positiveness
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West Angeles Cogic Mass Choir And Congregation
Lord Prepare Me To Be A Sanctuary
78 bpm • G Maj • 05:36 • -5.49db
41% Popularity • 38% Danceability • 89% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 38% Danceability • 89% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
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Casey J
I'm Yours
79 bpm • C# Maj • 07:49 • -7db
39% Popularity • 38% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 38% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
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Zacardi Cortez
1 on 1
80 bpm • C# min • 05:20 • -9db
27% Popularity • 34% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 34% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Joshua Rogers
Pour Your Oil
80 bpm • A Maj • 04:18 • -7.82db
29% Popularity • 28% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 28% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Rev. Milton Brunson
For the Good of Them
80 bpm • F# Maj • 06:43 • -15db
27% Popularity • 23% Danceability • 40% Energy • 75% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 23% Danceability • 40% Energy • 75% Liveness
0% Instrumentalness • 23% Positiveness
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Amber Bullock
How Great Is Our God
80 bpm • G# Maj • 04:47 • -4.29db
39% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Virtue
Great Is Thy Faithfulness
80 bpm • G Maj • 03:41 • -5.86db
26% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Georgia Mass Choir
Hold on Help Is on the Way
81 bpm • G Maj • 06:13 • -10.28db
21% Popularity • 35% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 35% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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L.A. Mass Choir
That's When You Bless Me
81 bpm • F min • 05:55 • -14.22db
39% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Dorothy Norwood
Shake the Devil Off
81 bpm • F min • 04:28 • -5.22db
31% Popularity • 66% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 66% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
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Rev. Milton Brunson
If I Be Lifted
81 bpm • F Maj • 04:55 • -16.73db
15% Popularity • 27% Danceability • 36% Energy • 80% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 27% Danceability • 36% Energy • 80% Liveness
0% Instrumentalness • 28% Positiveness
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New Direction
Hold Out
82 bpm • F min • 07:36 • -8db
27% Popularity • 39% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 39% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Joshua's Troop
He's A Mighty God
67 bpm • F Maj • 04:49 • -7.87db
27% Popularity • 51% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 51% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 45% Positiveness
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The Georgia Mass Choir
Come On In the Room
82 bpm • D min • 07:18 • -13db
33% Popularity • 41% Danceability • 45% Energy • 90% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 41% Danceability • 45% Energy • 90% Liveness
0% Instrumentalness • 41% Positiveness
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Walter Hawkins
He's That Kind Of Friend
82 bpm • F# Maj • 10:06 • -14.26db
22% Popularity • 32% Danceability • 35% Energy • 73% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 32% Danceability • 35% Energy • 73% Liveness
0% Instrumentalness • 30% Positiveness
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Lisa Knowles
What He's Done for Me
82 bpm • A# Maj • 05:42 • -3.19db
35% Popularity • 50% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 50% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Vickie Winans
Stay With Me
82 bpm • G# Maj • 05:20 • -11.19db
5% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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New Direction
When All God's Children Get Together
82 bpm • C Maj • 03:52 • -3.57db
21% Popularity • 51% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 51% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
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Luther Barnes
Jesus Cares
82 bpm • G# Maj • 05:20 • -9.92db
19% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Anita Wilson
More Than Anything
83 bpm • B Maj • 08:03 • -7.08db
45% Popularity • 29% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 29% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Miami Mass Choir
It Is For Me
83 bpm • G Maj • 06:11 • -8db
36% Popularity • 33% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
36% Popularity • 33% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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James Cleveland & The Southern California Community Choir
God Is
84 bpm • A# Maj • 06:47 • -18db
37% Popularity • 29% Danceability • 16% Energy • 11% Liveness
22% Instrumentalness • 11% Positiveness
37% Popularity • 29% Danceability • 16% Energy • 11% Liveness
22% Instrumentalness • 11% Positiveness
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Vickie Winans
More Than Enough
82 bpm • C# Maj • 06:26 • -8.13db
15% Popularity • 24% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 24% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Isabel Davis
The Call
85 bpm • C# Maj • 09:41 • -8db
33% Popularity • 38% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 38% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Rev. Milton Brunson
Thank You
85 bpm • C# Maj • 03:37 • -9db
21% Popularity • 28% Danceability • 57% Energy • 93% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 28% Danceability • 57% Energy • 93% Liveness
0% Instrumentalness • 39% Positiveness
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Anita Wilson
More Than Anything (Radio Edit)
84 bpm • B Maj • 04:20 • -6db
43% Popularity • 33% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 33% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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![For the Rest of My Life (I'll Serve Him) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02ef4577e8be67e8868294cc03)
Rev. Timothy Wright
For the Rest of My Life (I'll Serve Him)...
85 bpm • C# Maj • 04:57 • -7.1db
29% Popularity • 43% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 43% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Le'Andria Johnson
Sunday Best Medley 1
86 bpm • D# min • 05:07 • -5db
29% Popularity • 26% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 26% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
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Jekalyn Carr
You Will Win
86 bpm • A Maj • 08:03 • -4db
42% Popularity • 35% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 35% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Judith Christie McAllister
The Lord's Prayer
86 bpm • G# Maj • 02:14 • -12.53db
33% Popularity • 44% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 44% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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Vickie Winans
You Never Left Me
87 bpm • C# min • 05:33 • -10.16db
2% Popularity • 59% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 59% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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James Cleveland
I Don't Feel Noways Tired
87 bpm • G# Maj • 06:41 • -23.7db
29% Popularity • 32% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 32% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Yolanda Adams
In the Midst of It All
88 bpm • C Maj • 06:57 • -5.73db
41% Popularity • 38% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 38% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Myron Butler & Levi
Redeemed
88 bpm • D# Maj • 05:28 • -7.36db
12% Popularity • 40% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 40% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Jekalyn Carr
My Portion
86 bpm • F Maj • 04:10 • -5.34db
39% Popularity • 37% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 37% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Rev. Timothy Wright
Yes, I'm a Believer
89 bpm • C# Maj • 04:56 • -14.7db
28% Popularity • 40% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 40% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Tramaine Hawkins
Holy One v1.1
86 bpm • F# Maj • 06:30 • -11.61db
26% Popularity • 27% Danceability • 46% Energy • 19% Liveness
2% Instrumentalness • 30% Positiveness
26% Popularity • 27% Danceability • 46% Energy • 19% Liveness
2% Instrumentalness • 30% Positiveness
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Walter Hawkins
Thank You
89 bpm • G# Maj • 10:42 • -10db
39% Popularity • 47% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 47% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Pace
Have Your Way
89 bpm • C# Maj • 05:54 • -11.08db
15% Popularity • 30% Danceability • 39% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 30% Danceability • 39% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Anita Wilson
Jesus Will
89 bpm • B Maj • 09:17 • -4.99db
44% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Joshua Rogers
STILL GON' TRUST
90 bpm • F Maj • 04:57 • -6.37db
33% Popularity • 23% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 23% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Judith Christie McAllister
To Our God!
90 bpm • F# min • 06:22 • -7.13db
29% Popularity • 34% Danceability • 75% Energy • 97% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 34% Danceability • 75% Energy • 97% Liveness
0% Instrumentalness • 36% Positiveness
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The Florida Mass Choir
How Excellent Is Your Name
90 bpm • C Maj • 07:52 • -4.72db
22% Popularity • 27% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 27% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Amber Bullock
Thank You Lord
90 bpm • A# min • 04:10 • -3db
46% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Vickie Winans
You Turn Me
90 bpm • F min • 05:49 • -5.66db
3% Popularity • 70% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 70% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Earnest Pugh
Alpha & Omega
90 bpm • C# Maj • 03:43 • -7.16db
24% Popularity • 41% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 41% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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The Canton Spirituals
Heavenly Choir
91 bpm • C Maj • 08:59 • -10.41db
32% Popularity • 32% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Jessica Reedy
Put It On The Altar
92 bpm • C# min • 04:06 • -5.94db
47% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Neal Roberson
Down Through the Years
92 bpm • F min • 04:07 • -6db
33% Popularity • 51% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 51% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Rev. Milton Brunson
I'm Available to You
91 bpm • A# Maj • 06:19 • -15db
36% Popularity • 20% Danceability • 38% Energy • 91% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 20% Danceability • 38% Energy • 91% Liveness
0% Instrumentalness • 22% Positiveness
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Dottie Peoples & The Peoples Choice Chorale
Get Your House In Order
92 bpm • C# Maj • 04:23 • -15.54db
25% Popularity • 60% Danceability • 30% Energy • 94% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 60% Danceability • 30% Energy • 94% Liveness
0% Instrumentalness • 35% Positiveness
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Norman Hutchins
A Move of God Is on the Way
92 bpm • G# min • 04:48 • -3.44db
25% Popularity • 66% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 66% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Tim Bowman Jr
He Will
92 bpm • F Maj • 03:56 • -5.07db
1% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
1% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Rev. Timothy Wright
Trouble Don't Last Always
93 bpm • C# Maj • 06:24 • -12.14db
40% Popularity • 46% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 46% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Stephen Hurd
Revelation 19:1 - Live
93 bpm • C# Maj • 05:34 • -7db
51% Popularity • 30% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 30% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Lamar Campbell
It's All About The Love
93 bpm • F# Maj • 05:14 • -5db
32% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
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Joshua's Troop
Everybody Clap Your Hands
94 bpm • C# Maj • 04:50 • -6db
44% Popularity • 63% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 63% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 89% Positiveness
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Joshua Rogers
Rain On Us
94 bpm • C min • 02:59 • -8.32db
44% Popularity • 35% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 35% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Norman Hutchins
God's Got a Blessing
95 bpm • C# min • 04:21 • -5db
52% Popularity • 66% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 66% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Rev. Timothy Wright
Jesus,Jesus,Jesus
94 bpm • C# Maj • 06:32 • -9.87db
37% Popularity • 37% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 37% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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The Straight Gate Mass Choir
Holy One
95 bpm • F min • 06:05 • -4.83db
32% Popularity • 56% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 56% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 55% Positiveness
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Stephen Hurd
Lead Me To The Rock
93 bpm • G# Maj • 05:44 • -12.7db
26% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Lamar Campbell & Spirit Of Praise
More Than Anything
95 bpm • G# Maj • 06:36 • -10.18db
45% Popularity • 51% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 51% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Colorado Mass Choir
Glad About It
95 bpm • C# Maj • 05:16 • -8db
26% Popularity • 64% Danceability • 88% Energy • 26% Liveness
6% Instrumentalness • 82% Positiveness
26% Popularity • 64% Danceability • 88% Energy • 26% Liveness
6% Instrumentalness • 82% Positiveness
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T.D. Jakes
What a Mighty God We Serve - Medley
95 bpm • C# Maj • 04:19 • -7.47db
16% Popularity • 66% Danceability • 85% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 66% Danceability • 85% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
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Bryan Popin
I Got Out
95 bpm • A# Maj • 04:57 • -5db
35% Popularity • 58% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 58% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 64% Positiveness
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Douglas Miller
My Soul Has Been Anchored In the Lord
96 bpm • C Maj • 06:03 • -13.55db
39% Popularity • 38% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 38% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Rev. Timothy Wright
Leaning On Everlasting Arm
96 bpm • G# Maj • 06:09 • -7.01db
20% Popularity • 44% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 44% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Earnest Pugh
God Wants To Heal You
96 bpm • C# Maj • 05:19 • -7.43db
26% Popularity • 44% Danceability • 53% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 44% Danceability • 53% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
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Chester D.T. Baldwin
I Still Hear Mama Praying
96 bpm • F Maj • 05:52 • -6.59db
32% Popularity • 46% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 46% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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Walter Hawkins
Be Grateful
96 bpm • C# Maj • 07:30 • -13.7db
33% Popularity • 25% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 25% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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James Moss
We Must Praise
96 bpm • C Maj • 05:08 • -6.58db
45% Popularity • 31% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 31% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Rev. Milton Brunson
My Mind Is Made Up
96 bpm • C# min • 05:26 • -11db
19% Popularity • 60% Danceability • 90% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 60% Danceability • 90% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
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William Becton
Be Encouraged
96 bpm • C# Maj • 05:10 • -10.86db
48% Popularity • 37% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 37% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Earnest Pugh
Wrapped Up, Tied Up, Tangled Up
96 bpm • F min • 07:24 • -5.98db
19% Popularity • 27% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 27% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
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Rev. James Moore
I Will Trust In The Lord
97 bpm • D Maj • 07:11 • -7.57db
26% Popularity • 60% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 60% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Erica Campbell
A Little More Jesus
97 bpm • F min • 03:56 • -5db
45% Popularity • 70% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 70% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Donald Lawrence & The Tri-City Singers
Bless Me (The Prayer Of Jabez)
97 bpm • D# Maj • 06:42 • -5.77db
41% Popularity • 26% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 26% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Isaiah Templeton
Everything Will Be Alright
97 bpm • C# Maj • 05:35 • -9.45db
27% Popularity • 39% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 39% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jekalyn Carr
Greater is Coming
98 bpm • F min • 06:39 • -3.48db
38% Popularity • 43% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 43% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Earnest Pugh
Trade it All
97 bpm • A# Maj • 04:52 • -11.84db
37% Popularity • 27% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 27% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Rev. James Moore
Joy
97 bpm • A Maj • 07:46 • -12.19db
21% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Erica Campbell
A Little More Jesus
97 bpm • G# Maj • 03:55 • -4db
29% Popularity • 70% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 70% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness