Songs like We Share by The Soul Searchers
Based on a tempo of (+/- 10%) and a similar genre
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Syl Johnson
Different Strokes
108 bpm • D Maj • 02:19 • -9.61db
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
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Tom Scott
Today
108 bpm • D min • 03:22 • -9.46db
31% Popularity • 47% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 47% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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The Soul Searchers
Blowout
108 bpm • C Maj • 06:07 • -8.89db
4% Popularity • 65% Danceability • 62% Energy • 8% Liveness
78% Instrumentalness • 59% Positiveness
4% Popularity • 65% Danceability • 62% Energy • 8% Liveness
78% Instrumentalness • 59% Positiveness
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Marva Whitney
It's My Thing - Pt. 2
108 bpm • G Maj • 01:52 • -9.8db
25% Popularity • 75% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
25% Popularity • 75% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Brass Construction
Dance
108 bpm • G Maj • 09:43 • -3.14db
11% Popularity • 58% Danceability • 97% Energy • 37% Liveness
2% Instrumentalness • 82% Positiveness
11% Popularity • 58% Danceability • 97% Energy • 37% Liveness
2% Instrumentalness • 82% Positiveness
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Graham Central Station
The Jam
108 bpm • B min • 08:12 • -11db
37% Popularity • 70% Danceability • 83% Energy • 11% Liveness
33% Instrumentalness • 65% Positiveness
37% Popularity • 70% Danceability • 83% Energy • 11% Liveness
33% Instrumentalness • 65% Positiveness
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Uncle Louie
I Like Funky Music
108 bpm • F min • 04:00 • -7db
30% Popularity • 80% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 80% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Jackson Sisters
I Believe In Miracles - Extended Version
108 bpm • F Maj • 04:51 • -11.68db
39% Popularity • 67% Danceability • 82% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 67% Danceability • 82% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
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Clarence Reid
Living Together is Keeping Us Apart
108 bpm • A# min • 03:00 • -14.94db
15% Popularity • 66% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
15% Popularity • 66% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Marva Whitney
It's My Thing (You Can't Tell Me Who To ...
108 bpm • D min • 03:57 • -12db
25% Popularity • 77% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
25% Popularity • 77% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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The Bar-Kays
Holy Ghost
108 bpm • B Maj • 08:12 • -8db
38% Popularity • 70% Danceability • 96% Energy • 7% Liveness
75% Instrumentalness • 80% Positiveness
38% Popularity • 70% Danceability • 96% Energy • 7% Liveness
75% Instrumentalness • 80% Positiveness
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Commodores
The Assembly Line
108 bpm • F min • 05:08 • -7.67db
22% Popularity • 46% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 46% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Soul Searchers
We Share
108 bpm • C# Maj • 02:49 • -8.32db
5% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Chicago Gangsters
Gangster Boogie
108 bpm • A# Maj • 05:14 • -1.44db
27% Popularity • 56% Danceability • 100% Energy • 33% Liveness
36% Instrumentalness • 71% Positiveness
27% Popularity • 56% Danceability • 100% Energy • 33% Liveness
36% Instrumentalness • 71% Positiveness
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Clarence Reid
It's Good Enough for Daddy
108 bpm • B Maj • 02:57 • -15.58db
15% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
15% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
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Chuck Brown and the Soul Searchers
If It Ain't Funky
108 bpm • G# Maj • 06:04 • -6.92db
20% Popularity • 76% Danceability • 86% Energy • 8% Liveness
74% Instrumentalness • 82% Positiveness
20% Popularity • 76% Danceability • 86% Energy • 8% Liveness
74% Instrumentalness • 82% Positiveness
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Ohio Players
Pleasure
108 bpm • C Maj • 05:32 • -7.33db
15% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Faze-O
Funky Reputation
108 bpm • D Maj • 05:14 • -8.64db
11% Popularity • 75% Danceability • 91% Energy • 9% Liveness
33% Instrumentalness • 71% Positiveness
11% Popularity • 75% Danceability • 91% Energy • 9% Liveness
33% Instrumentalness • 71% Positiveness
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Black Ivory
I Keep Asking You Questions
108 bpm • D Maj • 03:08 • -5db
12% Popularity • 56% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
12% Popularity • 56% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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Eddie Kendricks
Let Me Run Into Your Lonely Heart
107 bpm • D Maj • 03:10 • -12db
21% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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The Beginning Of The End
Sleep On Dream On
109 bpm • G Maj • 04:04 • -6.01db
25% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Kay Gees
My Favorite Song
107 bpm • D Maj • 02:36 • -9.47db
12% Popularity • 51% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 51% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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20th Century Steel Band
Heaven and Hell Is on Earth
107 bpm • D min • 05:13 • -12.91db
25% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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The Soul Searchers
Funk to the Folks
109 bpm • C# Maj • 04:21 • -9.98db
2% Popularity • 74% Danceability • 77% Energy • 15% Liveness
6% Instrumentalness • 94% Positiveness
2% Popularity • 74% Danceability • 77% Energy • 15% Liveness
6% Instrumentalness • 94% Positiveness
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Don Blackman
Yabba Dabba Doo
107 bpm • B min • 05:19 • -11.03db
17% Popularity • 65% Danceability • 72% Energy • 15% Liveness
6% Instrumentalness • 54% Positiveness
17% Popularity • 65% Danceability • 72% Energy • 15% Liveness
6% Instrumentalness • 54% Positiveness
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Chuck Brown
Back It On Up
107 bpm • B Maj • 06:34 • -8.42db
7% Popularity • 75% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 75% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Parliament
Getten To Know You
109 bpm • C# min • 05:18 • -16.91db
27% Popularity • 65% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 65% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 90% Positiveness
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Fatback Band
Yum Yum (Gimme Some)
109 bpm • F# min • 03:18 • -13.82db
38% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Z.Z. Hill
I Think I'd Do It
109 bpm • C Maj • 02:11 • -10.3db
22% Popularity • 70% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 70% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Byrd
Back from the Dead
109 bpm • A# Maj • 03:06 • -11.08db
32% Popularity • 75% Danceability • 86% Energy • 7% Liveness
10% Instrumentalness • 70% Positiveness
32% Popularity • 75% Danceability • 86% Energy • 7% Liveness
10% Instrumentalness • 70% Positiveness
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African Music Machine
Tropical
109 bpm • D Maj • 02:22 • -7.99db
24% Popularity • 88% Danceability • 87% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
24% Popularity • 88% Danceability • 87% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
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Mandrill
Children Of The Sun
109 bpm • A min • 04:57 • -6.95db
19% Popularity • 41% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
19% Popularity • 41% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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Magnum
Evolution
107 bpm • G# min • 05:50 • -10db
30% Popularity • 56% Danceability • 84% Energy • 11% Liveness
38% Instrumentalness • 76% Positiveness
30% Popularity • 56% Danceability • 84% Energy • 11% Liveness
38% Instrumentalness • 76% Positiveness
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Fatback Band
Put the Funk on You
109 bpm • B min • 03:12 • -12.81db
14% Popularity • 79% Danceability • 81% Energy • 15% Liveness
2% Instrumentalness • 79% Positiveness
14% Popularity • 79% Danceability • 81% Energy • 15% Liveness
2% Instrumentalness • 79% Positiveness
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The Beginning Of The End
Pretty Girl
107 bpm • G Maj • 04:59 • -7.14db
26% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Brick
Good High
109 bpm • A Maj • 03:12 • -7.4db
24% Popularity • 77% Danceability • 84% Energy • 7% Liveness
4% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 84% Energy • 7% Liveness
4% Instrumentalness • 96% Positiveness
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Bohannon
The Pimp Walk
107 bpm • F Maj • 04:05 • -8.04db
13% Popularity • 71% Danceability • 87% Energy • 4% Liveness
81% Instrumentalness • 70% Positiveness
13% Popularity • 71% Danceability • 87% Energy • 4% Liveness
81% Instrumentalness • 70% Positiveness
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Harlem Underground Band
Smokin' Cheeba Cheeba
106 bpm • A Maj • 07:39 • -10db
27% Popularity • 52% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 52% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Bob James
Take Me To The Mardi Gras
106 bpm • A# Maj • 05:49 • -8.6db
34% Popularity • 48% Danceability • 73% Energy • 5% Liveness
84% Instrumentalness • 90% Positiveness
34% Popularity • 48% Danceability • 73% Energy • 5% Liveness
84% Instrumentalness • 90% Positiveness
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Fatback Band
Wicky Wacky
109 bpm • G Maj • 03:18 • -15db
35% Popularity • 81% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 81% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Lafayette Afro Rock Band
Hihache
110 bpm • C Maj • 06:57 • -10db
38% Popularity • 55% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 88% Positiveness
38% Popularity • 55% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 88% Positiveness
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Rhythm Machine
Put a Smile On Time
110 bpm • C# Maj • 03:54 • -9.14db
12% Popularity • 65% Danceability • 57% Energy • 20% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 65% Danceability • 57% Energy • 20% Liveness
1% Instrumentalness • 89% Positiveness
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Mandrill
Don't Mess With People
110 bpm • G Maj • 04:56 • -13.8db
13% Popularity • 64% Danceability • 46% Energy • 27% Liveness
40% Instrumentalness • 81% Positiveness
13% Popularity • 64% Danceability • 46% Energy • 27% Liveness
40% Instrumentalness • 81% Positiveness
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Marva Whitney
It's My Thing - Pt. 1
106 bpm • G Maj • 02:53 • -8.9db
21% Popularity • 85% Danceability • 54% Energy • 7% Liveness
16% Instrumentalness • 77% Positiveness
21% Popularity • 85% Danceability • 54% Energy • 7% Liveness
16% Instrumentalness • 77% Positiveness
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RAMP
The American Promise
106 bpm • A# min • 06:18 • -8.24db
14% Popularity • 83% Danceability • 92% Energy • 16% Liveness
5% Instrumentalness • 83% Positiveness
14% Popularity • 83% Danceability • 92% Energy • 16% Liveness
5% Instrumentalness • 83% Positiveness
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Bobby Byrd
Hot Pants - I'm Coming, Coming, I'm Comi...
110 bpm • B min • 02:30 • -8db
37% Popularity • 84% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
37% Popularity • 84% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
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The Brothers Johnson
Get The Funk Out Ma Face
106 bpm • D Maj • 02:27 • -13.15db
49% Popularity • 88% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
49% Popularity • 88% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
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Reuben Wilson
Inner City Blues
110 bpm • G# Maj • 04:46 • -13db
13% Popularity • 77% Danceability • 53% Energy • 29% Liveness
90% Instrumentalness • 85% Positiveness
13% Popularity • 77% Danceability • 53% Energy • 29% Liveness
90% Instrumentalness • 85% Positiveness
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Mandrill
Fencewalk
106 bpm • G Maj • 05:32 • -12db
35% Popularity • 58% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
35% Popularity • 58% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
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Black Heat
You Should've Listened
106 bpm • F# min • 05:39 • -13db
10% Popularity • 58% Danceability • 89% Energy • 23% Liveness
16% Instrumentalness • 80% Positiveness
10% Popularity • 58% Danceability • 89% Energy • 23% Liveness
16% Instrumentalness • 80% Positiveness
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Marvin Gaye
"T" Plays It Cool - Soundtrack Version
106 bpm • F min • 04:26 • -8.22db
32% Popularity • 75% Danceability • 88% Energy • 7% Liveness
86% Instrumentalness • 92% Positiveness
32% Popularity • 75% Danceability • 88% Energy • 7% Liveness
86% Instrumentalness • 92% Positiveness
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The J.B.'s
The Grunt
106 bpm • A Maj • 02:47 • -6.3db
30% Popularity • 72% Danceability • 77% Energy • 19% Liveness
72% Instrumentalness • 83% Positiveness
30% Popularity • 72% Danceability • 77% Energy • 19% Liveness
72% Instrumentalness • 83% Positiveness
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The Brothers Johnson
Brother Man
110 bpm • G Maj • 03:10 • -11.06db
31% Popularity • 89% Danceability • 82% Energy • 5% Liveness
81% Instrumentalness • 96% Positiveness
31% Popularity • 89% Danceability • 82% Energy • 5% Liveness
81% Instrumentalness • 96% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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B.T. Express
Once You Get It
106 bpm • C Maj • 03:20 • -9db
22% Popularity • 66% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 66% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Donald Byrd
Change (Makes You Want To Hustle)
106 bpm • C# Maj • 05:08 • -8.74db
30% Popularity • 70% Danceability • 82% Energy • 37% Liveness
28% Instrumentalness • 69% Positiveness
30% Popularity • 70% Danceability • 82% Energy • 37% Liveness
28% Instrumentalness • 69% Positiveness
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Chocolate Milk
Grand Theft
106 bpm • A min • 05:30 • -12.7db
10% Popularity • 78% Danceability • 52% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
10% Popularity • 78% Danceability • 52% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
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Little Beaver
Concrete Jungle
111 bpm • F# Maj • 04:50 • -5.89db
22% Popularity • 67% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 67% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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The Soul Searchers
Funk To The Folks
111 bpm • A# min • 04:15 • -7.95db
10% Popularity • 72% Danceability • 90% Energy • 15% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 72% Danceability • 90% Energy • 15% Liveness
1% Instrumentalness • 88% Positiveness
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The Headhunters
Straight From The Gate
105 bpm • A Maj • 05:31 • -8db
18% Popularity • 77% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 77% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Baby Huey
Listen To Me
111 bpm • C Maj • 06:41 • -7db
30% Popularity • 40% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 40% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The J.B.'s
Hot Pants Road
105 bpm • A min • 02:45 • -12db
38% Popularity • 83% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 95% Positiveness
38% Popularity • 83% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 95% Positiveness
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Reuben Wilson
Inner City Blues
111 bpm • G# Maj • 04:47 • -12db
29% Popularity • 79% Danceability • 54% Energy • 7% Liveness
88% Instrumentalness • 88% Positiveness
29% Popularity • 79% Danceability • 54% Energy • 7% Liveness
88% Instrumentalness • 88% Positiveness
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Gwen McCrae
The Rub
111 bpm • A Maj • 03:31 • -5db
38% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny "Hammond" Smith
Shifting Gears
111 bpm • F# Maj • 05:10 • -8.43db
39% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Byrd
Back From the Dead
111 bpm • D Maj • 03:27 • -7.09db
27% Popularity • 87% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 87% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Cathy Davis
Shakey Ground
111 bpm • A Maj • 06:37 • -6.93db
0% Popularity • 71% Danceability • 85% Energy • 69% Liveness
8% Instrumentalness • 83% Positiveness
0% Popularity • 71% Danceability • 85% Energy • 69% Liveness
8% Instrumentalness • 83% Positiveness
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The J.B.'s
The Grunt - Pts. 1 & 2
105 bpm • F# min • 03:32 • -10.82db
29% Popularity • 59% Danceability • 64% Energy • 15% Liveness
82% Instrumentalness • 76% Positiveness
29% Popularity • 59% Danceability • 64% Energy • 15% Liveness
82% Instrumentalness • 76% Positiveness
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The Whole Darn Family
Seven Minutes Of Funk
111 bpm • C min • 07:00 • -13db
29% Popularity • 63% Danceability • 60% Energy • 16% Liveness
77% Instrumentalness • 77% Positiveness
29% Popularity • 63% Danceability • 60% Energy • 16% Liveness
77% Instrumentalness • 77% Positiveness
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The Bar-Kays
Sang And Dance
111 bpm • D Maj • 02:58 • -11.91db
15% Popularity • 63% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 63% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Lafayette Afro Rock Band
Time Will Tell - Remastered
111 bpm • C# Maj • 04:46 • -7.56db
28% Popularity • 78% Danceability • 89% Energy • 8% Liveness
2% Instrumentalness • 83% Positiveness
28% Popularity • 78% Danceability • 89% Energy • 8% Liveness
2% Instrumentalness • 83% Positiveness
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Mandrill
Ape Is High
105 bpm • F Maj • 05:36 • -6db
24% Popularity • 71% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 71% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
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Willie Hutch
Brother's Gonna Work It Out - The Mack/S...
111 bpm • F# min • 04:47 • -11db
38% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Chuck Brown
We Need Some Money (Bout Money)
105 bpm • F# Maj • 08:24 • -10.05db
17% Popularity • 77% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 77% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Tony Alvon & The Belairs
Sexy Coffee Pot - Single Version;Remaste...
105 bpm • F Maj • 02:27 • -8.37db
17% Popularity • 76% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
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Little Beaver
Funkadelic Sound
111 bpm • C Maj • 02:31 • -4db
35% Popularity • 89% Danceability • 81% Energy • 13% Liveness
34% Instrumentalness • 98% Positiveness
35% Popularity • 89% Danceability • 81% Energy • 13% Liveness
34% Instrumentalness • 98% Positiveness
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Faze-O
Get Some Booty
111 bpm • D Maj • 02:52 • -7db
9% Popularity • 55% Danceability • 92% Energy • 24% Liveness
50% Instrumentalness • 54% Positiveness
9% Popularity • 55% Danceability • 92% Energy • 24% Liveness
50% Instrumentalness • 54% Positiveness
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Chuck Brown and the Soul Searchers
Bustin' Loose
111 bpm • D# min • 07:42 • -7.03db
41% Popularity • 86% Danceability • 90% Energy • 7% Liveness
5% Instrumentalness • 94% Positiveness
41% Popularity • 86% Danceability • 90% Energy • 7% Liveness
5% Instrumentalness • 94% Positiveness
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The New Birth
Keep on Doin' It
105 bpm • G min • 04:19 • -12.48db
16% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Chuck Brown
We Need Some Money (Bout Money) - Radio ...
105 bpm • B Maj • 04:32 • -7db
8% Popularity • 75% Danceability • 92% Energy • 4% Liveness
1% Instrumentalness • 88% Positiveness
8% Popularity • 75% Danceability • 92% Energy • 4% Liveness
1% Instrumentalness • 88% Positiveness
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Brass Construction
Changin'
111 bpm • C Maj • 08:14 • -4db
33% Popularity • 68% Danceability • 91% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
33% Popularity • 68% Danceability • 91% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
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Sound Experience
Devil With The Bust
112 bpm • D Maj • 05:43 • -11.27db
16% Popularity • 66% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
16% Popularity • 66% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Banbarra
Shack Up
112 bpm • A Maj • 02:59 • -9db
28% Popularity • 90% Danceability • 62% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
28% Popularity • 90% Danceability • 62% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
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James Mason
Sweet Power of Your Embrace
112 bpm • A min • 05:26 • -9.08db
31% Popularity • 60% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 60% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Bernard Wright
Spinnin'
112 bpm • D Maj • 05:31 • -7db
27% Popularity • 68% Danceability • 85% Energy • 4% Liveness
23% Instrumentalness • 64% Positiveness
27% Popularity • 68% Danceability • 85% Energy • 4% Liveness
23% Instrumentalness • 64% Positiveness
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The Mohawks
The Champ - Original Version
112 bpm • C Maj • 02:37 • -4.41db
34% Popularity • 77% Danceability • 82% Energy • 30% Liveness
93% Instrumentalness • 89% Positiveness
34% Popularity • 77% Danceability • 82% Energy • 30% Liveness
93% Instrumentalness • 89% Positiveness
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Brass Construction
Now Is Tomorrow (Anticipation)
112 bpm • G Maj • 05:58 • -5db
26% Popularity • 70% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 57% Positiveness
26% Popularity • 70% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 57% Positiveness
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The Chi-Lites
Are You My Woman? (Tell Me So)
112 bpm • A min • 03:02 • -6.75db
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Fatback Band
Let the Drums Speak
112 bpm • B Maj • 03:45 • -12db
32% Popularity • 60% Danceability • 65% Energy • 5% Liveness
66% Instrumentalness • 74% Positiveness
32% Popularity • 60% Danceability • 65% Energy • 5% Liveness
66% Instrumentalness • 74% Positiveness
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Clifford Nyren
Keep Running Away
112 bpm • B min • 02:56 • -5.56db
15% Popularity • 76% Danceability • 95% Energy • 5% Liveness
41% Instrumentalness • 48% Positiveness
15% Popularity • 76% Danceability • 95% Energy • 5% Liveness
41% Instrumentalness • 48% Positiveness
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Chuck Brown
We Need Some Money (Bout Money) - Radio ...
104 bpm • B Maj • 04:52 • -9.6db
1% Popularity • 78% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 78% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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The Soul Searchers
Think
112 bpm • A min • 04:44 • -9db
7% Popularity • 86% Danceability • 83% Energy • 10% Liveness
76% Instrumentalness • 92% Positiveness
7% Popularity • 86% Danceability • 83% Energy • 10% Liveness
76% Instrumentalness • 92% Positiveness
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Weldon Irvine
We Gettin' Down
112 bpm • A# min • 05:48 • -12.36db
22% Popularity • 56% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 56% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Eddie Kendricks
Girl You Need A Change Of Mind
104 bpm • D min • 07:42 • -12.56db
41% Popularity • 47% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
41% Popularity • 47% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
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Funkadelic
You'll Like it Too
104 bpm • F min • 04:29 • -9.73db
24% Popularity • 66% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 66% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The J.B.'s
All Aboard The Soul Funky Train
112 bpm • A# min • 04:33 • -9.46db
25% Popularity • 57% Danceability • 80% Energy • 23% Liveness
62% Instrumentalness • 95% Positiveness
25% Popularity • 57% Danceability • 80% Energy • 23% Liveness
62% Instrumentalness • 95% Positiveness
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Brass Construction
Talkin'
104 bpm • D Maj • 04:04 • -3.27db
15% Popularity • 61% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 61% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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The Soul Searchers
Stay with Me Jesus
112 bpm • G min • 05:06 • -17.85db
0% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
