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We Should Be Friends
Songs like
We Should Be Friends
by
Miranda Lambert
Based on a tempo of (+/- 10%) and a similar genre
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Florida Georgia Line
Smooth
161 bpm • F# Maj • 02:50 • -5.42db
51% Popularity • 48% Danceability • 85% Energy • 67% Liveness
0% Instrumentalness • 33% Positiveness
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Miranda Lambert
We Should Be Friends
161 bpm • C Maj • 02:50 • -6.21db
44% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Carrie Underwood
Smoke Break
160 bpm • B Maj • 03:18 • -4db
48% Popularity • 45% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Cagle
Got My Country On
160 bpm • G Maj • 03:53 • -5db
41% Popularity • 50% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Carly Pearce
Next Girl
160 bpm • B Maj • 02:44 • -4db
60% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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James Barker Band
Lawn Chair Lazy
162 bpm • C# Maj • 03:16 • -5db
40% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Jana Kramer
Circles
162 bpm • F# Maj • 03:59 • -5db
36% Popularity • 52% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Miranda Lambert
Nobody's Fool
160 bpm • A Maj • 03:43 • -3.77db
32% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Cagle
Laredo
160 bpm • A# min • 03:50 • -6db
46% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
50% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Kelleigh Bannen
Smoke When I Drink
160 bpm • A Maj • 02:59 • -4.76db
20% Popularity • 55% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Granger Smith
If the Boot Fits
162 bpm • D# Maj • 02:50 • -5.74db
45% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Jason Aldean
First Time Again
162 bpm • E min • 03:24 • -3.83db
43% Popularity • 41% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Lainey Wilson
Sayin’ What I’m Thinkin’
160 bpm • B Maj • 03:21 • -9.15db
54% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Carrie Underwood
Last Name
160 bpm • D# Maj • 04:01 • -3.15db
57% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Jon Pardi
Up All Night
163 bpm • A Maj • 03:29 • -4.94db
58% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Miranda Lambert
Pretty Bitchin'
164 bpm • G Maj • 03:31 • -5.35db
36% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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David Nail
Red Light
164 bpm • A Maj • 04:06 • -3db
48% Popularity • 39% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Little Big Town
Day Drinking
164 bpm • A Maj • 02:58 • -2.52db
58% Popularity • 59% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Big & Rich
Look at You
164 bpm • B Maj • 03:43 • -5db
43% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Chase Rice
Carolina Can
158 bpm • B Maj • 03:40 • -6.61db
19% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Miranda Lambert
Over You
158 bpm • F# Maj • 04:13 • -6.97db
55% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Craig Campbell
See You Try
164 bpm • E Maj • 03:02 • -5.42db
33% Popularity • 56% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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David Nail
Night's On Fire
164 bpm • E Maj • 03:09 • -4.16db
55% Popularity • 54% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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A Thousand Horses
(This Ain’t No) Drunk Dial
158 bpm • E Maj • 03:29 • -4.8db
22% Popularity • 40% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Kelsea Ballerini
YOU'RE DRUNK, GO HOME
158 bpm • G# Maj • 02:55 • -3.71db
53% Popularity • 48% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 63% Positiveness
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Miranda Lambert
It All Comes Out in the Wash
164 bpm • C Maj • 03:34 • -4.93db
48% Popularity • 60% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Chicks
Cowboy Take Me Away
164 bpm • F# Maj • 04:47 • -7.26db
71% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Joe Nichols
Yeah
166 bpm • B Maj • 03:51 • -4.65db
54% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Carrie Underwood
Undo It
156 bpm • D Maj • 02:57 • -2.26db
59% Popularity • 48% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
61% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Chase Rice
Three Chords & The Truth
166 bpm • G# Maj • 03:54 • -4.72db
43% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Miranda Lambert
All Kinds of Kinds
157 bpm • C Maj • 04:26 • -4db
37% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Runaway June
Buy My Own Drinks
156 bpm • F Maj • 03:22 • -4.36db
48% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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RaeLynn
God Made Girls
156 bpm • D# Maj • 03:35 • -2.94db
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Ashley McBryde
Bible and a .44
156 bpm • A# Maj • 03:55 • -8.4db
50% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jana Kramer
Why Ya Wanna
167 bpm • E Maj • 03:41 • -3db
48% Popularity • 30% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Aldean
A Little More Summertime
168 bpm • A Maj • 03:39 • -4.45db
52% Popularity • 48% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Miranda Lambert
Dry Town
166 bpm • G Maj • 02:42 • -3.36db
34% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Jerrod Niemann
Blue Bandana
168 bpm • A Maj • 03:27 • -5db
31% Popularity • 48% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Old Dominion
Not Everything's About You
168 bpm • D# Maj • 03:54 • -4.26db
44% Popularity • 46% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Easton Corbin
Baby Be My Love Song
168 bpm • C Maj • 03:19 • -6.15db
50% Popularity • 49% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Janson
Power of Positive Drinkin'
168 bpm • B Maj • 03:30 • -4.89db
43% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Ashley McBryde
American Scandal
168 bpm • E Maj • 04:02 • -4db
40% Popularity • 49% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Miranda Lambert
Heart Like Mine
155 bpm • G# Maj • 02:57 • -3.39db
49% Popularity • 44% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Brandy Clark
Big Day in a Small Town
154 bpm • B Maj • 03:43 • -3.59db
26% Popularity • 58% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Rhett
Drink A Little Beer
168 bpm • A Maj • 03:34 • -4.65db
41% Popularity • 34% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Sunny Sweeney
Bad Girl Phase
154 bpm • F Maj • 03:22 • -3.41db
24% Popularity • 52% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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William Michael Morgan
Vinyl
154 bpm • F Maj • 03:18 • -6db
36% Popularity • 57% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Miranda Lambert
Only Prettier
168 bpm • G# Maj • 03:09 • -2.4db
53% Popularity • 39% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Jerrod Niemann
What Do You Want
153 bpm • E Maj • 03:34 • -10.12db
42% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Turner
All Over Me
170 bpm • C# Maj • 03:19 • -7db
47% Popularity • 55% Danceability • 78% Energy • 19% Liveness
1% Instrumentalness • 89% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
71% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Miranda Lambert
Bad Boy
154 bpm • A Maj • 04:40 • -6.12db
25% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Logan Mize
Can't Get Away from a Good Time
170 bpm • G# Maj • 04:16 • -3.83db
38% Popularity • 43% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 75% Positiveness
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Lady A
Downtown
170 bpm • A Maj • 03:15 • -5.29db
55% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Reba McEntire
The Night The Lights Went Out In Georgia
170 bpm • G min • 04:17 • -11.7db
66% Popularity • 43% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Abbott Band
My Texas
170 bpm • D Maj • 03:11 • -5.82db
49% Popularity • 52% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Pistol Annies
Hush Hush
152 bpm • B Maj • 03:23 • -6db
42% Popularity • 54% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Miranda Lambert
I've Got Wheels
154 bpm • C Maj • 03:40 • -7.17db
26% Popularity • 41% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
46% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Lady A
You Look Good
152 bpm • C Maj • 03:01 • -4.65db
54% Popularity • 66% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Midland
Make A Little
152 bpm • E Maj • 03:01 • -5.16db
54% Popularity • 57% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Cam
Half Broke Heart
152 bpm • B Maj • 03:03 • -3.43db
33% Popularity • 70% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Miranda Lambert
Another Sunday in the South
170 bpm • C Maj • 03:50 • -6.13db
33% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
58% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Cole Swindell
Hope You Get Lonely Tonight
152 bpm • A# Maj • 03:47 • -4db
51% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Cam
Mayday
152 bpm • C# min • 03:36 • -5.92db
40% Popularity • 52% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Runaway June
Lipstick
171 bpm • D Maj • 03:00 • -3.76db
37% Popularity • 48% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Easton Corbin
Yup
172 bpm • A# Maj • 03:13 • -6db
45% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Lee Brice
Parking Lot Party
172 bpm • C# Maj • 03:27 • -5.76db
54% Popularity • 54% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
62% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jason Aldean
They Don't Know
172 bpm • A# min • 03:15 • -2.25db
49% Popularity • 43% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
73% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Kane Brown
Better Place
172 bpm • E Maj • 03:42 • -6.65db
45% Popularity • 65% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Easton Corbin
Clockwork
172 bpm • C Maj • 03:09 • -4.85db
47% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Mike Ryan
Dancing All Around It
172 bpm • B min • 03:34 • -5db
44% Popularity • 42% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Terri Clark
Better Things To Do
151 bpm • A# Maj • 03:08 • -5.87db
56% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Rhett
Playing With Fire
150 bpm • B Maj • 03:26 • -4db
37% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
50% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Joey + Rory
Cheater, Cheater
150 bpm • E Maj • 02:59 • -4.77db
51% Popularity • 61% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Jana Kramer
I Got the Boy
150 bpm • C Maj • 03:21 • -5.95db
56% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Miranda Lambert
Highway Vagabond
173 bpm • B min • 03:53 • -7.17db
40% Popularity • 45% Danceability • 82% Energy • 6% Liveness
3% Instrumentalness • 91% Positiveness
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Craig Morgan
This Ain't Nothin'
150 bpm • F# Maj • 04:02 • -5.32db
46% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Thomas Rhett
Playing With Fire - Pop Version
150 bpm • B Maj • 03:25 • -4.31db
41% Popularity • 52% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Montgomery Gentry
Hell Yeah
174 bpm • C Maj • 04:49 • -6.65db
50% Popularity • 37% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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A Thousand Horses
Smoke
150 bpm • G Maj • 03:39 • -5.53db
33% Popularity • 43% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Tenille Townes
Somebody's Daughter
174 bpm • C Maj • 03:46 • -5.22db
46% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Miranda Lambert
Priscilla
173 bpm • C# Maj • 03:26 • -5.68db
30% Popularity • 60% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Luke Bryan
She Get Me High
174 bpm • F Maj • 03:32 • -5db
30% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Toby Keith
Drunk Americans
149 bpm • D Maj • 03:20 • -6db
41% Popularity • 46% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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We Should Be Friends