Songs like We The People by Kid Rock
Based on a tempo of (+/- 10%) and a similar genre
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Kip Moore
Somethin' 'Bout A Truck
176 bpm • B Maj • 03:33 • -5.42db
70% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
70% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Cory Marks
Outlaws & Outsiders
176 bpm • A Maj • 03:17 • -3.81db
64% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Foreigner
Juke Box Hero
177 bpm • A Maj • 04:19 • -5.55db
69% Popularity • 36% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 36% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Stapleton
Midnight Train To Memphis
177 bpm • A Maj • 03:42 • -7.57db
63% Popularity • 28% Danceability • 93% Energy • 37% Liveness
1% Instrumentalness • 62% Positiveness
63% Popularity • 28% Danceability • 93% Energy • 37% Liveness
1% Instrumentalness • 62% Positiveness
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The Charlie Daniels Band
Drinkin' My Baby Goodbye
177 bpm • A Maj • 03:41 • -10.25db
54% Popularity • 54% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
54% Popularity • 54% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Alan Jackson
Chattahoochee
175 bpm • C Maj • 02:28 • -9.67db
75% Popularity • 61% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
75% Popularity • 61% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Warrant
Cherry Pie
177 bpm • D Maj • 03:21 • -4.16db
64% Popularity • 41% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
64% Popularity • 41% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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The Lacs
Dirt Road Dollars
174 bpm • A# min • 04:38 • -4.44db
57% Popularity • 59% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 59% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Kid Rock
I Am the Bullgod
178 bpm • D Maj • 04:50 • -4db
47% Popularity • 42% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 42% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Toby Keith
American Ride
174 bpm • A Maj • 02:45 • -3db
62% Popularity • 52% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 52% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Moccasin Creek
Friends of All Kinds
174 bpm • A# Maj • 04:06 • -6.62db
24% Popularity • 50% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 50% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Tim Montana
Hillbilly Rich
174 bpm • C# Maj • 03:01 • -3.34db
42% Popularity • 62% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 62% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Black Crowes
Twice As Hard
173 bpm • C Maj • 04:09 • -3.54db
60% Popularity • 38% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 38% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Travis Tritt
T-R-O-U-B-L-E
179 bpm • G Maj • 03:00 • -4.33db
60% Popularity • 30% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 30% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 79% Positiveness
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Kid Rock
When U Love Someone
172 bpm • D Maj • 05:40 • -5.74db
38% Popularity • 51% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 51% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 21% Positiveness
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Molly Hatchet
Flirtin' with Disaster
180 bpm • A Maj • 04:59 • -6.26db
58% Popularity • 27% Danceability • 82% Energy • 18% Liveness
2% Instrumentalness • 74% Positiveness
58% Popularity • 27% Danceability • 82% Energy • 18% Liveness
2% Instrumentalness • 74% Positiveness
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Sawyer Brown
The Race Is On
180 bpm • E Maj • 02:53 • -14db
63% Popularity • 59% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
63% Popularity • 59% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Jelly Roll
Bottle and Mary Jane
180 bpm • B min • 02:52 • -7.67db
72% Popularity • 55% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 55% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Toby Keith
Made in America
172 bpm • A Maj • 03:13 • -6db
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Cagle
What Kinda Gone
172 bpm • F Maj • 03:01 • -5.24db
61% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
73% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
73% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Kid Rock
Johnny Cash
172 bpm • G Maj • 04:41 • -3.01db
50% Popularity • 62% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 62% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Tim McGraw
Something Like That
172 bpm • F Maj • 03:03 • -5.68db
73% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
73% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Brice
Parking Lot Party
172 bpm • C# Maj • 03:27 • -5.76db
54% Popularity • 54% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 54% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Hootie & The Blowfish
Hold My Hand
171 bpm • B Maj • 04:18 • -5.13db
62% Popularity • 22% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 22% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Brooks Jefferson
Ain't Goin' Down (Til the Sun Comes Up)
171 bpm • C Maj • 04:31 • -4.31db
50% Popularity • 48% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 48% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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mgk
Bad Mother F*cker
182 bpm • A# min • 03:33 • -4.99db
64% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Owen
Beachin'
182 bpm • F# Maj • 03:11 • -5db
59% Popularity • 53% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 53% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Giovannie and the Hired Guns
Ramon Ayala
182 bpm • E Maj • 02:48 • -4.11db
58% Popularity • 49% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 49% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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The Lacs
Country Road
170 bpm • G# min • 03:59 • -5.41db
47% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
71% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
71% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Tom Petty and the Heartbreakers
Mary Jane's Last Dance
170 bpm • G min • 04:33 • -9.06db
73% Popularity • 46% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
73% Popularity • 46% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Blake Shelton
Boys 'Round Here
170 bpm • D Maj • 04:48 • -6.37db
67% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
67% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Kid Rock
Son of Detroit
169 bpm • D Maj • 04:18 • -2.34db
31% Popularity • 44% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 44% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Craig Morgan
Redneck Yacht Club
168 bpm • G# Maj • 03:50 • -5.41db
65% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
65% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Gary Allan
Get Off On The Pain
168 bpm • C Maj • 03:54 • -5db
39% Popularity • 38% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 38% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Kenny Chesney
Summertime
168 bpm • E Maj • 03:26 • -5.5db
62% Popularity • 48% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 48% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Matchbox Twenty
Push
168 bpm • F# Maj • 03:58 • -7.9db
74% Popularity • 42% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
74% Popularity • 42% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Brad Paisley
Mud on the Tires
185 bpm • D Maj • 03:28 • -7.98db
63% Popularity • 44% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 44% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Kid Rock
Don't Tell Me U Love Me
169 bpm • F Maj • 04:20 • -5.38db
33% Popularity • 57% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 57% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Bad Company
Shooting Star - 2015 Remaster
166 bpm • A Maj • 06:17 • -9.36db
59% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Tim Montana
Cowboys on the Run
166 bpm • A# Maj • 03:06 • -3.19db
43% Popularity • 61% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 61% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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The Lacs
Keep It Redneck
166 bpm • D Maj • 03:55 • -4.98db
47% Popularity • 59% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 59% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Mark Chesnutt
Bubba Shot The Jukebox
165 bpm • G Maj • 03:05 • -8.45db
63% Popularity • 54% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
63% Popularity • 54% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Sawyer Brown
Six Days On The Road
165 bpm • G Maj • 02:52 • -2.7db
57% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Kid Rock
Cocky
184 bpm • A Maj • 03:57 • -3.2db
58% Popularity • 62% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 62% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Marshall Tucker Band
Can't You See
164 bpm • G Maj • 06:05 • -5.49db
68% Popularity • 41% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
68% Popularity • 41% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Charlie Daniels Band
The South's Gonna Do It Again
164 bpm • A Maj • 03:57 • -9.69db
50% Popularity • 45% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 45% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Dierks Bentley
What Was I Thinkin'
165 bpm • F min • 04:20 • -6.24db
72% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Toby Keith
Red Solo Cup
164 bpm • E Maj • 03:43 • -6.59db
68% Popularity • 54% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 54% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Cody Jinks
Loud and Heavy
164 bpm • C min • 03:50 • -6.71db
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Kid Rock
Cowboy
167 bpm • C# Maj • 04:17 • -2.92db
65% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
65% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Little Big Town
Day Drinking
164 bpm • A Maj • 02:58 • -2.52db
58% Popularity • 59% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 59% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
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Puddle Of Mudd
Control
164 bpm • F# Maj • 03:50 • -3.45db
64% Popularity • 44% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
64% Popularity • 44% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Blackberry Smoke
Good One Comin' on
163 bpm • G Maj • 03:40 • -5.12db
52% Popularity • 40% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 40% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Mel McDaniel
Louisiana Saturday Night
163 bpm • D Maj • 02:24 • -7.31db
72% Popularity • 69% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
72% Popularity • 69% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Steve Earle
Copperhead Road
163 bpm • G Maj • 04:29 • -15.49db
68% Popularity • 37% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 37% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Kid Rock
Midnight Train to Memphis
164 bpm • C# Maj • 04:44 • -6.26db
45% Popularity • 54% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 54% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Kenny Wayne Shepherd
Spank
162 bpm • A Maj • 03:01 • -3.04db
31% Popularity • 59% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 59% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Alabama
Song of the South
162 bpm • A Maj • 03:10 • -8db
69% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Cagle
Let There Be Cowgirls
162 bpm • B Maj • 04:33 • -5.56db
52% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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The Black Crowes
She Talks To Angels
160 bpm • E Maj • 05:29 • -5.78db
67% Popularity • 58% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 58% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
71% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
71% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Gary Allan
Watching Airplanes
160 bpm • B Maj • 04:02 • -3.59db
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Tracy Lawrence
Find out Who Your Friends Are
160 bpm • D Maj • 03:49 • -5db
31% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Ted Nugent
Fred Bear
159 bpm • A min • 07:42 • -7db
48% Popularity • 42% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 42% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Owen
Grass Is Always Greener
158 bpm • A# Maj • 03:08 • -3.98db
43% Popularity • 48% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 48% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Jelly Roll
Need A Favor
158 bpm • F# Maj • 03:17 • -4.25db
80% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
80% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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John Mellencamp
Authority Song
156 bpm • D Maj • 03:49 • -4.99db
57% Popularity • 50% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 50% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Tim McGraw
Where The Green Grass Grows
160 bpm • G Maj • 03:21 • -7.91db
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Creed
Higher
156 bpm • D Maj • 05:16 • -6.25db
77% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
77% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Kenny Wayne Shepherd
Blue on Black
155 bpm • G Maj • 05:33 • -7.34db
60% Popularity • 41% Danceability • 68% Energy • 21% Liveness
11% Instrumentalness • 56% Positiveness
60% Popularity • 41% Danceability • 68% Energy • 21% Liveness
11% Instrumentalness • 56% Positiveness
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Brooks & Dunn
Hillbilly Deluxe
155 bpm • G Maj • 04:18 • -5db
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Easton Corbin
All Over The Road
200 bpm • F Maj • 02:43 • -3.58db
69% Popularity • 49% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
69% Popularity • 49% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Kid Rock
Collide
200 bpm • A Maj • 04:48 • -4.2db
37% Popularity • 43% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 43% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You
201 bpm • C Maj • 03:21 • -5.37db
64% Popularity • 38% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 38% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Rehab
Bartender (Sittin' At A Bar)
152 bpm • E Maj • 03:39 • -3.71db
53% Popularity • 59% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 59% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Uncle Kracker
Drift Away
152 bpm • B Maj • 04:15 • -5.08db
67% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
67% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Ray
Higher Education
152 bpm • B Maj • 03:37 • -4.28db
42% Popularity • 59% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 59% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Tim McGraw
Don't Take The Girl
204 bpm • C Maj • 04:09 • -8.67db
62% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Hinder
What Ya Gonna Do
151 bpm • D Maj • 04:06 • -4db
47% Popularity • 37% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 37% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Brooks & Dunn
Hard Workin' Man
152 bpm • C Maj • 02:58 • -9.36db
62% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
62% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Upchurch
Outlaw
151 bpm • C# min • 04:05 • -9.32db
54% Popularity • 73% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 73% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Rehab
Bartender Song (Sittin' At A Bar) - Alt/...
152 bpm • E Maj • 03:49 • -6.01db
63% Popularity • 67% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
63% Popularity • 67% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Joe Diffie
Third Rock from the Sun
151 bpm • A Maj • 03:06 • -8.64db
50% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Dierks Bentley
Drunk On A Plane
206 bpm • A Maj • 04:14 • -5.57db
69% Popularity • 42% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
69% Popularity • 42% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
