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We Three Kings of Orient Are
Songs like
We Three Kings of Orient Are
by
John Carlini
Based on a tempo of (+/- 10%) and a similar genre
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Buster B. Jones
Back Porch Boogie
93 bpm • A Maj • 02:01 • -15.19db
14% Popularity • 47% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Grant Gordy
Beacon
93 bpm • D Maj • 04:51 • -13db
15% Popularity • 44% Danceability • 35% Energy • 17% Liveness
80% Instrumentalness • 40% Positiveness
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Musik für Geschäfte Bgm
Abenteuerlich
93 bpm • A min • 01:53 • -15.93db
15% Popularity • 64% Danceability • 30% Energy • 11% Liveness
75% Instrumentalness • 56% Positiveness
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Beppe Gambetta
Model 400 Buckboard
93 bpm • G Maj • 03:40 • -18.52db
7% Popularity • 57% Danceability • 27% Energy • 8% Liveness
69% Instrumentalness • 73% Positiveness
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Ed Gerhard
Duet
93 bpm • F# Maj • 02:30 • -21db
17% Popularity • 46% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Jake Eddy
Garfield's Lowdown Blackberry Blossom
93 bpm • A# Maj • 01:34 • -11.85db
17% Popularity • 44% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 91% Positiveness
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DAVID GRISMAN QUINTET
NEON TETRA
93 bpm • B Maj • 06:03 • -19.45db
9% Popularity • 51% Danceability • 33% Energy • 71% Liveness
80% Instrumentalness • 55% Positiveness
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Daniel lork
Marseille
93 bpm • A Maj • 02:08 • -25.19db
19% Popularity • 71% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
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EUFORIA LA VERSATILIDAD
Solo
94 bpm • F# min • 01:22 • -27.49db
11% Popularity • 49% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Matt Flinner Trio
Fallen Star
93 bpm • C Maj • 03:32 • -11.8db
12% Popularity • 55% Danceability • 31% Energy • 16% Liveness
87% Instrumentalness • 29% Positiveness
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Isato Nakagawa
不演唱(ぶるーす)
94 bpm • D Maj • 03:29 • -19.18db
10% Popularity • 62% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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Jens Hausmann
Rubber Biscuit
94 bpm • E Maj • 03:47 • -12.78db
12% Popularity • 56% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
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Franco Morone
Picking the Joys of Life
94 bpm • C Maj • 03:39 • -21.97db
14% Popularity • 44% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Efrat
Love Kicked the Devil
92 bpm • C Maj • 02:29 • -7.09db
0% Popularity • 53% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Muziek voor Honden
Opmerkelijk - Stemmingen
92 bpm • D# Maj • 01:54 • -16.6db
8% Popularity • 67% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 53% Positiveness
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Peter Finger
Summer in France
92 bpm • B min • 05:37 • -12.56db
11% Popularity • 43% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Pierre Bensusan
Water Music
92 bpm • F Maj • 02:08 • -22.18db
17% Popularity • 50% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 83% Positiveness
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Mike John
Hawaii
92 bpm • F# Maj • 02:15 • -30.8db
20% Popularity • 55% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 73% Positiveness
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Franco Morone
Back to Nashville
92 bpm • G Maj • 01:37 • -11.72db
31% Popularity • 62% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 96% Positiveness
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Aron B Trio
Cortado
92 bpm • G Maj • 03:23 • -13.35db
9% Popularity • 60% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
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Mikael Máni
You Know How This Will End
94 bpm • D Maj • 02:26 • -11.62db
11% Popularity • 52% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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John Carlini
Poor Wayfaring Stranger
94 bpm • D min • 04:06 • -17.41db
0% Popularity • 54% Danceability • 25% Energy • 20% Liveness
55% Instrumentalness • 43% Positiveness
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Grant Gordy
Elegy for Tony Rice
94 bpm • D min • 05:16 • -14.77db
10% Popularity • 37% Danceability • 21% Energy • 23% Liveness
84% Instrumentalness • 15% Positiveness
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Bryan Sutton & Jeff White
Mt. Dora Waltz
92 bpm • C Maj • 04:10 • -12.68db
11% Popularity • 41% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 49% Positiveness
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Muziek voor Honden
Trots - Momenten
95 bpm • C Maj • 01:51 • -16.93db
9% Popularity • 67% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
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Slow Snow
月曜日のきらめき
95 bpm • A min • 02:07 • -17db
8% Popularity • 53% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 73% Positiveness
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Chris Howell
Writ Large
91 bpm • C# min • 02:41 • -13.46db
23% Popularity • 50% Danceability • 45% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
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John Reischman
A Prairie Jewel
95 bpm • D Maj • 04:11 • -17db
18% Popularity • 62% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 40% Positiveness
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Al Petteway
Falls
95 bpm • D# Maj • 01:59 • -18db
16% Popularity • 45% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
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Mikael Máni
Katie, Not Klara
95 bpm • B Maj • 03:15 • -11.75db
15% Popularity • 60% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
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John Carlini
Bolivia
95 bpm • B min • 03:29 • -12.7db
0% Popularity • 52% Danceability • 51% Energy • 12% Liveness
42% Instrumentalness • 25% Positiveness
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Frank Vignola
Groove Thang
90 bpm • C Maj • 01:35 • -16.25db
10% Popularity • 83% Danceability • 15% Energy • 10% Liveness
81% Instrumentalness • 86% Positiveness
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Russ Barenberg
A Dream for Sophie
96 bpm • B min • 01:46 • -13.29db
21% Popularity • 50% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 38% Positiveness
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Julian Lage & Chris Eldridge
Old Grimes
96 bpm • D Maj • 02:50 • -17.4db
25% Popularity • 45% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 86% Positiveness
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AUST1N VIBES
Blackhawk Angels - Instrumental Version
90 bpm • D Maj • 01:22 • -16db
23% Popularity • 28% Danceability • 14% Energy • 18% Liveness
81% Instrumentalness • 46% Positiveness
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Muziek voor Honden
Energiek Slapende Honden - Gevoel
96 bpm • F Maj • 01:50 • -17.23db
10% Popularity • 70% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 64% Positiveness
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John Carlini
How Deep Is the Ocean
96 bpm • C min • 05:28 • -28.23db
0% Popularity • 42% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 27% Positiveness
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Al Petteway
Elk Mountain Rag
90 bpm • D Maj • 02:12 • -13.82db
8% Popularity • 60% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 74% Positiveness
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David Grier
Engagement Waltz
96 bpm • E min • 04:40 • -22db
16% Popularity • 53% Danceability • 10% Energy • 12% Liveness
69% Instrumentalness • 22% Positiveness
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John Reischman
Brooks
96 bpm • D Maj • 04:26 • -19.66db
12% Popularity • 45% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 25% Positiveness
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Butch Baldassari
Limehouse Blues
96 bpm • G Maj • 05:18 • -18.17db
0% Popularity • 56% Danceability • 22% Energy • 9% Liveness
82% Instrumentalness • 35% Positiveness
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Heather on the Corner
5. Birds (Instrumental)
96 bpm • G Maj • 02:43 • -15db
16% Popularity • 46% Danceability • 24% Energy • 37% Liveness
80% Instrumentalness • 24% Positiveness
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Bill Evans
Mother Nature's Son
89 bpm • D Maj • 01:20 • -15.29db
13% Popularity • 56% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 60% Positiveness
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Two Turtles Duo
Corneria
90 bpm • G min • 03:29 • -14.98db
12% Popularity • 62% Danceability • 30% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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Rio Bossa Trio
Estoy Enamorado
97 bpm • C# min • 01:50 • -18.15db
13% Popularity • 52% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 72% Positiveness
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Tim Connell
Snowflake Reel
97 bpm • D Maj • 04:07 • -10.35db
11% Popularity • 57% Danceability • 48% Energy • 10% Liveness
85% Instrumentalness • 80% Positiveness
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Jeff Alexander
Lark in the Morning
89 bpm • D# Maj • 01:17 • -20.47db
19% Popularity • 54% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 72% Positiveness
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Matt Flinner Trio
In the Golden Zone
97 bpm • G Maj • 05:25 • -10.85db
11% Popularity • 64% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Enrico Maria Milanesi
I Want You Back
97 bpm • C# Maj • 03:04 • -14.46db
8% Popularity • 66% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 81% Positiveness
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Brooks Williams
Only For A Moment
89 bpm • G Maj • 02:23 • -16.86db
12% Popularity • 49% Danceability • 27% Energy • 12% Liveness
46% Instrumentalness • 25% Positiveness
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Kevin Eubanks
Thought About Thinking
89 bpm • B min • 04:06 • -23.66db
10% Popularity • 36% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Muziek voor Honden
Huis
97 bpm • C Maj • 01:48 • -14.99db
16% Popularity • 64% Danceability • 43% Energy • 12% Liveness
80% Instrumentalness • 48% Positiveness
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Ed Gerhard
Spike #2
97 bpm • F# Maj • 02:02 • -21.48db
9% Popularity • 49% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 75% Positiveness
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Daniel lork
Even
89 bpm • G# Maj • 02:01 • -21.29db
20% Popularity • 61% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 16% Positiveness
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Two Turtles Duo
Corneria - Take 2
89 bpm • G min • 03:29 • -13.5db
13% Popularity • 60% Danceability • 36% Energy • 15% Liveness
91% Instrumentalness • 71% Positiveness
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Beppe Gambetta
Dark Yellow Thread
89 bpm • G# Maj • 05:54 • -9.23db
8% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Michel Haumont
April
97 bpm • A Maj • 02:33 • -15.98db
22% Popularity • 59% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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Alison Brown
Regalito
98 bpm • E Maj • 03:44 • -16.32db
9% Popularity • 66% Danceability • 35% Energy • 30% Liveness
92% Instrumentalness • 86% Positiveness
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Josh Anderson
Sharp Top
98 bpm • E min • 01:17 • -15.55db
13% Popularity • 59% Danceability • 27% Energy • 10% Liveness
39% Instrumentalness • 74% Positiveness
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Marcel Dadi
Windy and Warmmy / Town
88 bpm • A min • 02:19 • -26.41db
14% Popularity • 49% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 75% Positiveness
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Arne Jansen
Sailing to Philadelphia
98 bpm • E min • 04:11 • -20.74db
15% Popularity • 59% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Gontiti
funny cat
98 bpm • A Maj • 01:39 • -14.71db
8% Popularity • 83% Danceability • 17% Energy • 12% Liveness
65% Instrumentalness • 93% Positiveness
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眠れる音楽 クラシック
ミュージック(睡眠)
98 bpm • C Maj • 02:46 • -18.03db
13% Popularity • 73% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Tim Connell
I Am a Pilgrim
88 bpm • A Maj • 05:09 • -10.66db
10% Popularity • 68% Danceability • 29% Energy • 12% Liveness
74% Instrumentalness • 42% Positiveness
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Tony Trischka
Liberec
98 bpm • C Maj • 02:41 • -25.17db
12% Popularity • 44% Danceability • 27% Energy • 16% Liveness
74% Instrumentalness • 81% Positiveness
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Paul Lenart
Waterbug
88 bpm • G Maj • 01:59 • -13.15db
7% Popularity • 46% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
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Doyle Dykes
Has Anybody Seen My Gal
98 bpm • D Maj • 02:06 • -13.13db
9% Popularity • 54% Danceability • 33% Energy • 8% Liveness
82% Instrumentalness • 81% Positiveness
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Efrat
Are You Worthy
88 bpm • A min • 04:09 • -6.01db
0% Popularity • 38% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Edan W. Smith
Finding Shade In The Summer
88 bpm • F Maj • 02:18 • -19.86db
15% Popularity • 59% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Julian Lage & Chris Eldridge
For Critter
99 bpm • D Maj • 04:16 • -15.91db
9% Popularity • 45% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
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All the Raw Melodies
Lost Melody, Pt. 07
99 bpm • A# min • 01:03 • -31.13db
12% Popularity • 31% Danceability • 5% Energy • 12% Liveness
79% Instrumentalness • 12% Positiveness
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Rudy Linka
Easygoing
99 bpm • G Maj • 01:56 • -18.96db
8% Popularity • 50% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Butch Baldassari
The Game's Afoot
99 bpm • C Maj • 03:09 • -13.75db
0% Popularity • 75% Danceability • 17% Energy • 8% Liveness
75% Instrumentalness • 52% Positiveness
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Phillips, Grier & Flinner
Dozing in the Sun Through the Window
99 bpm • D min • 05:44 • -21.07db
11% Popularity • 82% Danceability • 10% Energy • 10% Liveness
66% Instrumentalness • 25% Positiveness
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Jens Hausmann
Z
99 bpm • E min • 00:56 • -12.91db
8% Popularity • 49% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 58% Positiveness
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Musik für Geschäfte Bgm
Ernst Speichert
99 bpm • C Maj • 01:46 • -14.84db
17% Popularity • 72% Danceability • 36% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
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Muziek voor Honden
Speels - Honden
99 bpm • F min • 01:46 • -16.67db
10% Popularity • 69% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 63% Positiveness
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Butch Baldassari, John Reischman & Robin Bullock
Waltz in the Bluegrass
99 bpm • F Maj • 04:30 • -15.88db
12% Popularity • 63% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 43% Positiveness
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Francoz
Etapa 5
99 bpm • F# min • 01:00 • -13.75db
22% Popularity • 51% Danceability • 26% Energy • 11% Liveness
38% Instrumentalness • 55% Positiveness
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John Carlini
Donna Lee
99 bpm • G# Maj • 04:10 • -10.64db
0% Popularity • 68% Danceability • 49% Energy • 22% Liveness
82% Instrumentalness • 71% Positiveness
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Bob Brozman
Heading Uptown
87 bpm • D Maj • 02:23 • -14.14db
33% Popularity • 59% Danceability • 36% Energy • 11% Liveness
83% Instrumentalness • 60% Positiveness
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Efrat
Bring Me Peace
87 bpm • A min • 03:24 • -8.73db
0% Popularity • 38% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Apostolos Leventopoulos
Sunny Afternoon
100 bpm • C Maj • 03:59 • -12.07db
13% Popularity • 70% Danceability • 22% Energy • 12% Liveness
51% Instrumentalness • 27% Positiveness
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Antoine Boyer
Norwegian Wood
100 bpm • D Maj • 03:31 • -15.02db
13% Popularity • 46% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 21% Positiveness
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Eric Peterson
Just Me and My Taylor 810
100 bpm • F# Maj • 02:36 • -15.55db
10% Popularity • 65% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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John Carlini
Reflections for Two Spanish Guitars
87 bpm • B Maj • 01:26 • -16.25db
0% Popularity • 44% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Derek Brookshire
Something Borrowed Something Blue
100 bpm • B min • 02:43 • -14.53db
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 66% Positiveness
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Grant Gordy
To Ron
87 bpm • A Maj • 06:25 • -17.58db
10% Popularity • 60% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
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Muziek voor Honden
Eersteklas Slapende Honden Momenten
100 bpm • C Maj • 01:45 • -17.47db
9% Popularity • 64% Danceability • 40% Energy • 12% Liveness
96% Instrumentalness • 77% Positiveness
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Kurt Hummel
Southern Comfort
100 bpm • D Maj • 02:09 • -19.17db
12% Popularity • 49% Danceability • 15% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
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Adam J. Snyder
Whats the news
100 bpm • B min • 02:44 • -14.35db
8% Popularity • 72% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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John Carlini
Alaska
87 bpm • G Maj • 02:37 • -26.12db
0% Popularity • 34% Danceability • 2% Energy • 11% Liveness
61% Instrumentalness • 25% Positiveness
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Tony Rice
Nardis
100 bpm • A min • 03:36 • -21.53db
6% Popularity • 43% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Phillips, Grier & Flinner
A Long Time Ago
100 bpm • G Maj • 05:33 • -16.89db
11% Popularity • 55% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 38% Positiveness
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Al Petteway
Baby Bear Rag
86 bpm • G Maj • 02:52 • -16.68db
10% Popularity • 55% Danceability • 10% Energy • 13% Liveness
87% Instrumentalness • 66% Positiveness
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Peter Finger
Unexpected Waltz
86 bpm • D Maj • 03:23 • -15.16db
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
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Rio Bossa Trio
Chica Mulata
101 bpm • A Maj • 01:28 • -14.75db
17% Popularity • 61% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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John Sebastian
Younger Girl
101 bpm • G# Maj • 02:24 • -12.38db
9% Popularity • 52% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Spencer Walton
Paddling Away
101 bpm • E Maj • 02:12 • -18.23db
14% Popularity • 48% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 61% Positiveness
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Peter Luha
Memories to Andalusia
85 bpm • E min • 00:58 • -17.14db
23% Popularity • 30% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 62% Positiveness
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We Three Kings of Orient Are