Songs like We Wanna Know by Larry Owens
Based on a tempo of (+/- 10%) and a similar genre
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Graham De Wilde
Cumulus (B)
141 bpm • A# min • 05:28 • -12.28db
10% Popularity • 39% Danceability • 60% Energy • 8% Liveness
26% Instrumentalness • 11% Positiveness
10% Popularity • 39% Danceability • 60% Energy • 8% Liveness
26% Instrumentalness • 11% Positiveness
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Larry Owens
We Wanna Know
141 bpm • F Maj • 01:53 • -7.16db
9% Popularity • 55% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 55% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Marc Durst
Tutti Flutti Swing
142 bpm • D# Maj • 02:03 • -11.82db
25% Popularity • 56% Danceability • 38% Energy • 22% Liveness
97% Instrumentalness • 54% Positiveness
25% Popularity • 56% Danceability • 38% Energy • 22% Liveness
97% Instrumentalness • 54% Positiveness
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Parry Music
Mime's the Word
140 bpm • C Maj • 01:07 • -26.58db
12% Popularity • 44% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 90% Positiveness
12% Popularity • 44% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 90% Positiveness
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Oakwood Station
Turtle Beach
142 bpm • C# min • 02:57 • -11db
22% Popularity • 64% Danceability • 37% Energy • 14% Liveness
97% Instrumentalness • 50% Positiveness
22% Popularity • 64% Danceability • 37% Energy • 14% Liveness
97% Instrumentalness • 50% Positiveness
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Bohoman
Elevator Music
140 bpm • C Maj • 02:48 • -7.59db
41% Popularity • 86% Danceability • 68% Energy • 6% Liveness
86% Instrumentalness • 86% Positiveness
41% Popularity • 86% Danceability • 68% Energy • 6% Liveness
86% Instrumentalness • 86% Positiveness
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A_A_RonHD
Song 3
142 bpm • G# Maj • 02:47 • -14db
11% Popularity • 61% Danceability • 48% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
11% Popularity • 61% Danceability • 48% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
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HitsLab
Elevator Music Background
140 bpm • C Maj • 01:10 • -11.63db
26% Popularity • 72% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
26% Popularity • 72% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
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Naofumi Hataya
侵入
140 bpm • G# min • 01:00 • -12.01db
29% Popularity • 58% Danceability • 44% Energy • 15% Liveness
95% Instrumentalness • 62% Positiveness
29% Popularity • 58% Danceability • 44% Energy • 15% Liveness
95% Instrumentalness • 62% Positiveness
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Julian Korzeniowsky
Jet Set
140 bpm • C min • 05:23 • -12.83db
15% Popularity • 66% Danceability • 38% Energy • 12% Liveness
20% Instrumentalness • 34% Positiveness
15% Popularity • 66% Danceability • 38% Energy • 12% Liveness
20% Instrumentalness • 34% Positiveness
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antronsongs
Summer of Tomfoolery (Theme of the Glunk...
140 bpm • D Maj • 01:12 • -11.84db
23% Popularity • 59% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 74% Positiveness
23% Popularity • 59% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 74% Positiveness
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Larry Owens
A Strange Loop
140 bpm • A# Maj • 03:20 • -7db
15% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gabriel Gundacker
Wii Snorkeling
143 bpm • A# Maj • 03:20 • -15.88db
30% Popularity • 63% Danceability • 39% Energy • 30% Liveness
6% Instrumentalness • 67% Positiveness
30% Popularity • 63% Danceability • 39% Energy • 30% Liveness
6% Instrumentalness • 67% Positiveness
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John Wasson
Caravan - Bad Drumming
140 bpm • G# Maj • 01:41 • -10.83db
28% Popularity • 54% Danceability • 74% Energy • 18% Liveness
29% Instrumentalness • 69% Positiveness
28% Popularity • 54% Danceability • 74% Energy • 18% Liveness
29% Instrumentalness • 69% Positiveness
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John Shakespeare
Hollywood Stars
143 bpm • C Maj • 03:02 • -12.22db
13% Popularity • 48% Danceability • 47% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
13% Popularity • 48% Danceability • 47% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
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Tove Jansson
Moominvalley Mood
139 bpm • A Maj • 02:36 • -7.29db
18% Popularity • 19% Danceability • 27% Energy • 11% Liveness
16% Instrumentalness • 15% Positiveness
18% Popularity • 19% Danceability • 27% Energy • 11% Liveness
16% Instrumentalness • 15% Positiveness
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Walter Wanderley
Angelique
143 bpm • B min • 02:45 • -15.56db
32% Popularity • 52% Danceability • 30% Energy • 11% Liveness
7% Instrumentalness • 31% Positiveness
32% Popularity • 52% Danceability • 30% Energy • 11% Liveness
7% Instrumentalness • 31% Positiveness
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Larry Owens
Interlude
144 bpm • A# Maj • 03:04 • -11.82db
16% Popularity • 71% Danceability • 39% Energy • 12% Liveness
45% Instrumentalness • 33% Positiveness
16% Popularity • 71% Danceability • 39% Energy • 12% Liveness
45% Instrumentalness • 33% Positiveness
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Miss Piggy
Never Before, Never Again
144 bpm • F# Maj • 02:49 • -12.69db
28% Popularity • 36% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 36% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Lou Rawls
'Long About Midnight
138 bpm • D Maj • 02:43 • -8.02db
8% Popularity • 72% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 72% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Brian Bennett
Capital City
144 bpm • A min • 02:33 • -13.85db
13% Popularity • 54% Danceability • 48% Energy • 8% Liveness
52% Instrumentalness • 60% Positiveness
13% Popularity • 54% Danceability • 48% Energy • 8% Liveness
52% Instrumentalness • 60% Positiveness
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Seth MacFarlane
No Moon At All
138 bpm • C min • 02:22 • -8.88db
37% Popularity • 57% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 57% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Vibe Avenue
Waterfall
138 bpm • D Maj • 04:07 • -10.79db
20% Popularity • 61% Danceability • 55% Energy • 30% Liveness
77% Instrumentalness • 70% Positiveness
20% Popularity • 61% Danceability • 55% Energy • 30% Liveness
77% Instrumentalness • 70% Positiveness
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Larry Owens
Interlude (As Featured In "Bob Ross The ...
144 bpm • A# Maj • 03:04 • -11.82db
30% Popularity • 71% Danceability • 39% Energy • 12% Liveness
45% Instrumentalness • 33% Positiveness
30% Popularity • 71% Danceability • 39% Energy • 12% Liveness
45% Instrumentalness • 33% Positiveness
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Tupperwave
Alliance Of Elegance
138 bpm • C Maj • 02:46 • -7.43db
27% Popularity • 75% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
27% Popularity • 75% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
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Buddy Hackett
Shipoopi
138 bpm • A# Maj • 02:23 • -9db
31% Popularity • 49% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 49% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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CASIOPEA
コンジャンクション
144 bpm • G Maj • 01:39 • -9.13db
35% Popularity • 56% Danceability • 82% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
35% Popularity • 56% Danceability • 82% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Heinz Kiessling
Captain's Table
144 bpm • F Maj • 02:44 • -10db
23% Popularity • 43% Danceability • 40% Energy • 29% Liveness
38% Instrumentalness • 70% Positiveness
23% Popularity • 43% Danceability • 40% Energy • 29% Liveness
38% Instrumentalness • 70% Positiveness
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Jon Jelmer
Hawaiian Happiness
145 bpm • A Maj • 01:47 • -17db
38% Popularity • 76% Danceability • 25% Energy • 17% Liveness
90% Instrumentalness • 80% Positiveness
38% Popularity • 76% Danceability • 25% Energy • 17% Liveness
90% Instrumentalness • 80% Positiveness
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Larry Owens
Bouquet
144 bpm • D# Maj • 02:49 • -11.21db
0% Popularity • 60% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 60% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Cast - Family Guy
You've Got a Lot to See
145 bpm • B min • 02:48 • -8db
33% Popularity • 62% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 62% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Douglas Holmquist
Suburb
137 bpm • E min • 03:18 • -18.16db
15% Popularity • 55% Danceability • 18% Energy • 13% Liveness
79% Instrumentalness • 48% Positiveness
15% Popularity • 55% Danceability • 18% Energy • 13% Liveness
79% Instrumentalness • 48% Positiveness
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![Chat Music 6 [Last Night] (From](https://i.scdn.co/image/ab67616d00001e0267cf5fd8b38da1109caa34bd)
Andy Poland
Chat Music 6 [Last Night]
145 bpm • C# Maj • 01:46 • -17.33db
18% Popularity • 81% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 81% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Vince Guaraldi
Graveyard Theme
137 bpm • A Maj • 00:55 • -14.97db
34% Popularity • 53% Danceability • 26% Energy • 18% Liveness
88% Instrumentalness • 28% Positiveness
34% Popularity • 53% Danceability • 26% Energy • 18% Liveness
88% Instrumentalness • 28% Positiveness
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US Air Force Airmen Of Note
Spain
137 bpm • A# min • 05:18 • -12db
42% Popularity • 47% Danceability • 49% Energy • 65% Liveness
86% Instrumentalness • 79% Positiveness
42% Popularity • 47% Danceability • 49% Energy • 65% Liveness
86% Instrumentalness • 79% Positiveness
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Larry Owens
Brass Ring
144 bpm • F Maj • 02:45 • -11.72db
0% Popularity • 68% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 17% Positiveness
0% Popularity • 68% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 17% Positiveness
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サンディ・A・ホーン
抱いて、ルパン
146 bpm • C min • 04:34 • -8.35db
25% Popularity • 46% Danceability • 52% Energy • 22% Liveness
3% Instrumentalness • 44% Positiveness
25% Popularity • 46% Danceability • 52% Energy • 22% Liveness
3% Instrumentalness • 44% Positiveness
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Orquesta Melodia
Theme from Taxi
137 bpm • C min • 03:08 • -17.34db
2% Popularity • 79% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 67% Positiveness
2% Popularity • 79% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 67% Positiveness
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Brian Bennett
Dossier
136 bpm • D Maj • 02:41 • -14.51db
14% Popularity • 39% Danceability • 54% Energy • 7% Liveness
36% Instrumentalness • 24% Positiveness
14% Popularity • 39% Danceability • 54% Energy • 7% Liveness
36% Instrumentalness • 24% Positiveness
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Masayoshi Takanaka
AN INSATIABLE HIGH
146 bpm • C Maj • 10:09 • -15db
41% Popularity • 46% Danceability • 48% Energy • 4% Liveness
79% Instrumentalness • 69% Positiveness
41% Popularity • 46% Danceability • 48% Energy • 4% Liveness
79% Instrumentalness • 69% Positiveness
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The Simpsons
Homer's Barbershop Quartet (Medley)
136 bpm • C Maj • 01:35 • -12db
32% Popularity • 53% Danceability • 42% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 53% Danceability • 42% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
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Larry Owens
Somethin' Special
144 bpm • C Maj • 03:03 • -11.16db
0% Popularity • 61% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 61% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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James Clarke
Time Off
136 bpm • F Maj • 02:51 • -16.92db
11% Popularity • 60% Danceability • 37% Energy • 12% Liveness
95% Instrumentalness • 96% Positiveness
11% Popularity • 60% Danceability • 37% Energy • 12% Liveness
95% Instrumentalness • 96% Positiveness
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MALTA
A LETTER FROM SEPTEMBER
136 bpm • A min • 04:13 • -15.1db
29% Popularity • 60% Danceability • 29% Energy • 8% Liveness
26% Instrumentalness • 47% Positiveness
29% Popularity • 60% Danceability • 29% Energy • 8% Liveness
26% Instrumentalness • 47% Positiveness
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Dave Stahl Band
Scream Machine
147 bpm • A# Maj • 04:15 • -9.77db
18% Popularity • 53% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 62% Positiveness
18% Popularity • 53% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 62% Positiveness
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Masayoshi Takanaka
MALIBU
147 bpm • A Maj • 06:15 • -19.24db
44% Popularity • 57% Danceability • 31% Energy • 7% Liveness
91% Instrumentalness • 67% Positiveness
44% Popularity • 57% Danceability • 31% Energy • 7% Liveness
91% Instrumentalness • 67% Positiveness
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Halfbrick
The Stash
147 bpm • C# Maj • 02:50 • -11.51db
32% Popularity • 63% Danceability • 51% Energy • 14% Liveness
93% Instrumentalness • 55% Positiveness
32% Popularity • 63% Danceability • 51% Energy • 14% Liveness
93% Instrumentalness • 55% Positiveness
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Kevin MacLeod
In Your Arms
147 bpm • D min • 02:48 • -14.64db
25% Popularity • 18% Danceability • 15% Energy • 14% Liveness
97% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 15% Energy • 14% Liveness
97% Instrumentalness • 5% Positiveness
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Johnny Costa
It's You I Like
135 bpm • G min • 03:36 • -13.63db
20% Popularity • 41% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
20% Popularity • 41% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Harmonious Wail
Melodie Du Crouton
135 bpm • F min • 03:12 • -14.16db
15% Popularity • 60% Danceability • 42% Energy • 12% Liveness
31% Instrumentalness • 57% Positiveness
15% Popularity • 60% Danceability • 42% Energy • 12% Liveness
31% Instrumentalness • 57% Positiveness
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nelward
Change of Seasons
134 bpm • C Maj • 02:45 • -15db
9% Popularity • 31% Danceability • 35% Energy • 94% Liveness
61% Instrumentalness • 14% Positiveness
9% Popularity • 31% Danceability • 35% Energy • 94% Liveness
61% Instrumentalness • 14% Positiveness
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the Blue Devils
House Is Not a Home
148 bpm • G# Maj • 01:01 • -6.89db
33% Popularity • 15% Danceability • 70% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
33% Popularity • 15% Danceability • 70% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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insaneintherainmusic
Unfinished Business
134 bpm • A# min • 09:09 • -10.41db
19% Popularity • 54% Danceability • 47% Energy • 9% Liveness
70% Instrumentalness • 61% Positiveness
19% Popularity • 54% Danceability • 47% Energy • 9% Liveness
70% Instrumentalness • 61% Positiveness
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Keith Mansfield
Style City
148 bpm • A min • 03:18 • -15.99db
12% Popularity • 61% Danceability • 44% Energy • 25% Liveness
83% Instrumentalness • 72% Positiveness
12% Popularity • 61% Danceability • 44% Energy • 25% Liveness
83% Instrumentalness • 72% Positiveness
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John Swihart
Nap Hangs up the Phone
148 bpm • C Maj • 01:05 • -14.32db
23% Popularity • 73% Danceability • 28% Energy • 11% Liveness
48% Instrumentalness • 92% Positiveness
23% Popularity • 73% Danceability • 28% Energy • 11% Liveness
48% Instrumentalness • 92% Positiveness
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Sesor N Snug
Pipe Dream
148 bpm • G min • 03:23 • -15db
19% Popularity • 54% Danceability • 52% Energy • 11% Liveness
78% Instrumentalness • 24% Positiveness
19% Popularity • 54% Danceability • 52% Energy • 11% Liveness
78% Instrumentalness • 24% Positiveness
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Clive Richardson
Gay Activity
148 bpm • D Maj • 01:47 • -15.67db
38% Popularity • 60% Danceability • 32% Energy • 17% Liveness
87% Instrumentalness • 61% Positiveness
38% Popularity • 60% Danceability • 32% Energy • 17% Liveness
87% Instrumentalness • 61% Positiveness
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CASIOPEA
フルーツ・サラダ・サンデイ
134 bpm • G Maj • 04:01 • -10.27db
33% Popularity • 60% Danceability • 58% Energy • 11% Liveness
74% Instrumentalness • 60% Positiveness
33% Popularity • 60% Danceability • 58% Energy • 11% Liveness
74% Instrumentalness • 60% Positiveness
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Muzak Orchestra
50 Million Frenchman
134 bpm • A# Maj • 02:50 • -10.2db
16% Popularity • 84% Danceability • 62% Energy • 7% Liveness
79% Instrumentalness • 92% Positiveness
16% Popularity • 84% Danceability • 62% Energy • 7% Liveness
79% Instrumentalness • 92% Positiveness
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MALTA
SUMMER DREAMIN'
134 bpm • G Maj • 01:11 • -24.9db
32% Popularity • 18% Danceability • 16% Energy • 47% Liveness
38% Instrumentalness • 39% Positiveness
32% Popularity • 18% Danceability • 16% Energy • 47% Liveness
38% Instrumentalness • 39% Positiveness
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Larry Owens
Everybody Gets Fuzz'd Tonight, Pt. 1
149 bpm • A# min • 01:54 • -5.83db
0% Popularity • 61% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 61% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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helen's piano
Bee Theme
149 bpm • D min • 01:30 • -10db
35% Popularity • 77% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 98% Positiveness
35% Popularity • 77% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 98% Positiveness
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Trevor Duncan
Eastside Story
133 bpm • F# Maj • 01:27 • -8.87db
39% Popularity • 16% Danceability • 36% Energy • 14% Liveness
74% Instrumentalness • 8% Positiveness
39% Popularity • 16% Danceability • 36% Energy • 14% Liveness
74% Instrumentalness • 8% Positiveness
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Manfred Minnich
Flipp-Flopp - Remastered
133 bpm • C Maj • 03:11 • -7db
17% Popularity • 52% Danceability • 65% Energy • 37% Liveness
95% Instrumentalness • 77% Positiveness
17% Popularity • 52% Danceability • 65% Energy • 37% Liveness
95% Instrumentalness • 77% Positiveness
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Kane Parsons
Unnamed Shopping Muzak
149 bpm • F# Maj • 02:41 • -13.47db
26% Popularity • 59% Danceability • 60% Energy • 33% Liveness
56% Instrumentalness • 60% Positiveness
26% Popularity • 59% Danceability • 60% Energy • 33% Liveness
56% Instrumentalness • 60% Positiveness
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Lou Rawls
Here Comes Garfield
133 bpm • G Maj • 01:39 • -7.17db
20% Popularity • 81% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 81% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Larry Owens
Today
149 bpm • A# Maj • 03:06 • -6.78db
10% Popularity • 51% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 51% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Noah Faulkner
DSi Shop Theme
150 bpm • G Maj • 02:08 • -16.71db
33% Popularity • 66% Danceability • 23% Energy • 30% Liveness
87% Instrumentalness • 89% Positiveness
33% Popularity • 66% Danceability • 23% Energy • 30% Liveness
87% Instrumentalness • 89% Positiveness
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Minoru Mukaiya
Reflections of You
150 bpm • G Maj • 02:18 • -7.34db
35% Popularity • 68% Danceability • 60% Energy • 14% Liveness
92% Instrumentalness • 63% Positiveness
35% Popularity • 68% Danceability • 60% Energy • 14% Liveness
92% Instrumentalness • 63% Positiveness
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Werner Tautz
Off Broadway
150 bpm • D Maj • 02:30 • -8.71db
27% Popularity • 60% Danceability • 67% Energy • 46% Liveness
88% Instrumentalness • 85% Positiveness
27% Popularity • 60% Danceability • 67% Energy • 46% Liveness
88% Instrumentalness • 85% Positiveness
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insaneintherainmusic
Coconut Mall
132 bpm • C Maj • 04:00 • -13.07db
35% Popularity • 67% Danceability • 38% Energy • 10% Liveness
81% Instrumentalness • 53% Positiveness
35% Popularity • 67% Danceability • 38% Energy • 10% Liveness
81% Instrumentalness • 53% Positiveness
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SEATBELTS
Mushroom Hunting
132 bpm • E Maj • 03:19 • -6.37db
39% Popularity • 55% Danceability • 75% Energy • 32% Liveness
33% Instrumentalness • 96% Positiveness
39% Popularity • 55% Danceability • 75% Energy • 32% Liveness
33% Instrumentalness • 96% Positiveness
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Larry Owens
Everybody Gets Fuzz'd Tonight, Pt. 2
149 bpm • C min • 01:48 • -5.84db
0% Popularity • 64% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 64% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 61% Positiveness
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Laszlo Bencker
In House Jazz
132 bpm • C Maj • 03:31 • -8.78db
10% Popularity • 74% Danceability • 87% Energy • 28% Liveness
62% Instrumentalness • 87% Positiveness
10% Popularity • 74% Danceability • 87% Energy • 28% Liveness
62% Instrumentalness • 87% Positiveness
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Gabriel Gundacker
Wii Chess in the Park
132 bpm • D Maj • 02:29 • -16.56db
31% Popularity • 72% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 84% Positiveness
31% Popularity • 72% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 84% Positiveness
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The Hiram Olsen Group
Alekoki
132 bpm • C Maj • 02:24 • -19db
35% Popularity • 52% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
35% Popularity • 52% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
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Jonathan Wolff
The Jerry Show Theme - The Pilot Part 2
132 bpm • G min • 00:50 • -8.58db
11% Popularity • 49% Danceability • 46% Energy • 49% Liveness
22% Instrumentalness • 76% Positiveness
11% Popularity • 49% Danceability • 46% Energy • 49% Liveness
22% Instrumentalness • 76% Positiveness
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Anthony Lowry
Screw on the Loose
132 bpm • G# Maj • 01:00 • -5.61db
34% Popularity • 83% Danceability • 48% Energy • 17% Liveness
79% Instrumentalness • 78% Positiveness
34% Popularity • 83% Danceability • 48% Energy • 17% Liveness
79% Instrumentalness • 78% Positiveness
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Larry Owens
Tradewinds
132 bpm • D Maj • 03:10 • -12.53db
2% Popularity • 92% Danceability • 30% Energy • 10% Liveness
63% Instrumentalness • 52% Positiveness
2% Popularity • 92% Danceability • 30% Energy • 10% Liveness
63% Instrumentalness • 52% Positiveness
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Bob Sharples
Gay
151 bpm • D min • 01:12 • -17.38db
11% Popularity • 58% Danceability • 25% Energy • 19% Liveness
88% Instrumentalness • 60% Positiveness
11% Popularity • 58% Danceability • 25% Energy • 19% Liveness
88% Instrumentalness • 60% Positiveness
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Masayoshi Takanaka
CRYSTAL MEMORIES
131 bpm • C Maj • 06:02 • -12.4db
28% Popularity • 46% Danceability • 53% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
28% Popularity • 46% Danceability • 53% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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New Stories
Highway Blues
132 bpm • C# Maj • 08:06 • -12.04db
17% Popularity • 47% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 32% Positiveness
17% Popularity • 47% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 32% Positiveness
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Upright T-Rex Music
Bossa Bossa
152 bpm • F Maj • 01:02 • -16.36db
35% Popularity • 72% Danceability • 50% Energy • 7% Liveness
86% Instrumentalness • 88% Positiveness
35% Popularity • 72% Danceability • 50% Energy • 7% Liveness
86% Instrumentalness • 88% Positiveness
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Tony Kinsey
Star Parade
152 bpm • G min • 02:49 • -13.9db
14% Popularity • 39% Danceability • 40% Energy • 29% Liveness
79% Instrumentalness • 67% Positiveness
14% Popularity • 39% Danceability • 40% Energy • 29% Liveness
79% Instrumentalness • 67% Positiveness
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Alan Moorhouse
Charlie Chester Show
131 bpm • F Maj • 01:14 • -14db
18% Popularity • 61% Danceability • 51% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
18% Popularity • 61% Danceability • 51% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
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Gerhard Trede
Witty Fellow
130 bpm • A Maj • 02:20 • -11db
35% Popularity • 80% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
35% Popularity • 80% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
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Masayoshi Takanaka
BLUE CURACAO
131 bpm • D Maj • 05:28 • -9.75db
40% Popularity • 56% Danceability • 63% Energy • 9% Liveness
24% Instrumentalness • 71% Positiveness
40% Popularity • 56% Danceability • 63% Energy • 9% Liveness
24% Instrumentalness • 71% Positiveness
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HiP CoLouR
Under The Ocean
152 bpm • G Maj • 04:08 • -13.53db
8% Popularity • 74% Danceability • 34% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
8% Popularity • 74% Danceability • 34% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
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Jun Miyake
34 west 10th street
130 bpm • C min • 05:01 • -9.15db
16% Popularity • 53% Danceability • 80% Energy • 32% Liveness
70% Instrumentalness • 70% Positiveness
16% Popularity • 53% Danceability • 80% Energy • 32% Liveness
70% Instrumentalness • 70% Positiveness
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Anthony Mawer
Prima Bossa Nova
130 bpm • C Maj • 02:48 • -7.3db
39% Popularity • 37% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 37% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Alan Moorhouse
Music to Drive By
130 bpm • F Maj • 02:51 • -9db
36% Popularity • 58% Danceability • 73% Energy • 5% Liveness
81% Instrumentalness • 76% Positiveness
36% Popularity • 58% Danceability • 73% Energy • 5% Liveness
81% Instrumentalness • 76% Positiveness
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Laurie Johnson
Happy-Go-Lively
153 bpm • A# Maj • 01:58 • -11.05db
37% Popularity • 36% Danceability • 45% Energy • 7% Liveness
33% Instrumentalness • 61% Positiveness
37% Popularity • 36% Danceability • 45% Energy • 7% Liveness
33% Instrumentalness • 61% Positiveness
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Below The Staff
Luigi's Casino
130 bpm • D# Maj • 01:37 • -20.88db
19% Popularity • 84% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 52% Positiveness
19% Popularity • 84% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 52% Positiveness
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Noah Faulkner
KK Bossa
130 bpm • E min • 02:22 • -15.37db
24% Popularity • 78% Danceability • 49% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
24% Popularity • 78% Danceability • 49% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
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Muzak Orchestra
Tengo Ritmo
153 bpm • F min • 02:27 • -11.15db
27% Popularity • 58% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 58% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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insaneintherainmusic
Thomas the Tank Engine Theme
130 bpm • G# Maj • 03:44 • -10.72db
29% Popularity • 70% Danceability • 45% Energy • 4% Liveness
91% Instrumentalness • 78% Positiveness
29% Popularity • 70% Danceability • 45% Energy • 4% Liveness
91% Instrumentalness • 78% Positiveness
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Kevin MacLeod
Airport Lounge
130 bpm • G# Maj • 05:07 • -20.25db
27% Popularity • 67% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 86% Positiveness
27% Popularity • 67% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 86% Positiveness
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smilemete
I Appeared In A World Of..
130 bpm • C Maj • 01:48 • -18.05db
17% Popularity • 43% Danceability • 25% Energy • 32% Liveness
90% Instrumentalness • 30% Positiveness
17% Popularity • 43% Danceability • 25% Energy • 32% Liveness
90% Instrumentalness • 30% Positiveness
