Songs like We Were Young by Sam Collins
Based on a tempo of (+/- 10%) and a similar genre
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Sam Collins
That's Right
125 bpm • G Maj • 02:43 • -5.6db
19% Popularity • 80% Danceability • 85% Energy • 10% Liveness
82% Instrumentalness • 81% Positiveness
19% Popularity • 80% Danceability • 85% Energy • 10% Liveness
82% Instrumentalness • 81% Positiveness
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Ravell
Siento
125 bpm • D Maj • 02:41 • -6db
23% Popularity • 80% Danceability • 79% Energy • 9% Liveness
38% Instrumentalness • 49% Positiveness
23% Popularity • 80% Danceability • 79% Energy • 9% Liveness
38% Instrumentalness • 49% Positiveness
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FREAK ON
We Got The Fire
125 bpm • D min • 03:21 • -4db
25% Popularity • 81% Danceability • 84% Energy • 19% Liveness
72% Instrumentalness • 90% Positiveness
25% Popularity • 81% Danceability • 84% Energy • 19% Liveness
72% Instrumentalness • 90% Positiveness
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AdamDarling
Free My Body
125 bpm • E Maj • 02:50 • -5db
10% Popularity • 87% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 87% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Wave Wave
Trumpz
125 bpm • G Maj • 02:07 • -3.78db
42% Popularity • 72% Danceability • 91% Energy • 23% Liveness
75% Instrumentalness • 57% Positiveness
42% Popularity • 72% Danceability • 91% Energy • 23% Liveness
75% Instrumentalness • 57% Positiveness
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CASHEW
KUFF
125 bpm • B Maj • 02:52 • -7.93db
20% Popularity • 79% Danceability • 87% Energy • 35% Liveness
92% Instrumentalness • 82% Positiveness
20% Popularity • 79% Danceability • 87% Energy • 35% Liveness
92% Instrumentalness • 82% Positiveness
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Sam Collins
That's Right - Extended Mix
125 bpm • G Maj • 04:21 • -5.76db
3% Popularity • 80% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 83% Positiveness
3% Popularity • 80% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 83% Positiveness
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Phil Harris
Ricca
125 bpm • G Maj • 03:06 • -4.78db
22% Popularity • 80% Danceability • 94% Energy • 27% Liveness
86% Instrumentalness • 58% Positiveness
22% Popularity • 80% Danceability • 94% Energy • 27% Liveness
86% Instrumentalness • 58% Positiveness
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Jude & Frank
This Is How We Do It
125 bpm • F min • 02:52 • -5.42db
13% Popularity • 76% Danceability • 82% Energy • 9% Liveness
24% Instrumentalness • 96% Positiveness
13% Popularity • 76% Danceability • 82% Energy • 9% Liveness
24% Instrumentalness • 96% Positiveness
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Victor Martelli
Sexy Bitch
125 bpm • C Maj • 03:31 • -7.67db
19% Popularity • 74% Danceability • 85% Energy • 19% Liveness
77% Instrumentalness • 43% Positiveness
19% Popularity • 74% Danceability • 85% Energy • 19% Liveness
77% Instrumentalness • 43% Positiveness
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Irfan Baldan
Swingin'
125 bpm • C# min • 04:03 • -6.13db
19% Popularity • 73% Danceability • 98% Energy • 7% Liveness
88% Instrumentalness • 37% Positiveness
19% Popularity • 73% Danceability • 98% Energy • 7% Liveness
88% Instrumentalness • 37% Positiveness
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CASHEW
House Head
125 bpm • B min • 02:22 • -4.71db
25% Popularity • 86% Danceability • 90% Energy • 8% Liveness
68% Instrumentalness • 62% Positiveness
25% Popularity • 86% Danceability • 90% Energy • 8% Liveness
68% Instrumentalness • 62% Positiveness
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Paolo Pellegrino
Lento
125 bpm • F# Maj • 02:45 • -4.79db
14% Popularity • 81% Danceability • 100% Energy • 25% Liveness
40% Instrumentalness • 51% Positiveness
14% Popularity • 81% Danceability • 100% Energy • 25% Liveness
40% Instrumentalness • 51% Positiveness
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Felix Harrer
Warm It Up - Radio Edit
125 bpm • C Maj • 02:40 • -3.8db
21% Popularity • 76% Danceability • 85% Energy • 30% Liveness
56% Instrumentalness • 43% Positiveness
21% Popularity • 76% Danceability • 85% Energy • 30% Liveness
56% Instrumentalness • 43% Positiveness
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KOCHAM
Pump Is Like
125 bpm • C# min • 02:35 • -5.28db
30% Popularity • 80% Danceability • 98% Energy • 14% Liveness
84% Instrumentalness • 40% Positiveness
30% Popularity • 80% Danceability • 98% Energy • 14% Liveness
84% Instrumentalness • 40% Positiveness
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Crunkz
Down
125 bpm • F# Maj • 02:39 • -5db
23% Popularity • 76% Danceability • 78% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
23% Popularity • 76% Danceability • 78% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
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Groove Delight
Running
125 bpm • G Maj • 02:39 • -7.59db
43% Popularity • 68% Danceability • 98% Energy • 9% Liveness
68% Instrumentalness • 62% Positiveness
43% Popularity • 68% Danceability • 98% Energy • 9% Liveness
68% Instrumentalness • 62% Positiveness
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CASHEW
2009
125 bpm • C# Maj • 02:37 • -4.69db
25% Popularity • 77% Danceability • 90% Energy • 35% Liveness
86% Instrumentalness • 36% Positiveness
25% Popularity • 77% Danceability • 90% Energy • 35% Liveness
86% Instrumentalness • 36% Positiveness
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Tujamo
IFLDM
125 bpm • C# Maj • 02:49 • -6db
29% Popularity • 70% Danceability • 94% Energy • 18% Liveness
58% Instrumentalness • 59% Positiveness
29% Popularity • 70% Danceability • 94% Energy • 18% Liveness
58% Instrumentalness • 59% Positiveness
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Yanoy
You Make Me Feel That
125 bpm • F# min • 02:54 • -6.18db
30% Popularity • 74% Danceability • 97% Energy • 22% Liveness
72% Instrumentalness • 97% Positiveness
30% Popularity • 74% Danceability • 97% Energy • 22% Liveness
72% Instrumentalness • 97% Positiveness
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StereoKilla
Da Pump
125 bpm • F# Maj • 02:23 • -6.21db
38% Popularity • 84% Danceability • 97% Energy • 20% Liveness
87% Instrumentalness • 66% Positiveness
38% Popularity • 84% Danceability • 97% Energy • 20% Liveness
87% Instrumentalness • 66% Positiveness
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Sam Collins
Pancake
125 bpm • B min • 03:29 • -4db
14% Popularity • 87% Danceability • 91% Energy • 5% Liveness
10% Instrumentalness • 52% Positiveness
14% Popularity • 87% Danceability • 91% Energy • 5% Liveness
10% Instrumentalness • 52% Positiveness
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Trace
Me & U
125 bpm • G Maj • 02:36 • -6.56db
35% Popularity • 76% Danceability • 96% Energy • 29% Liveness
75% Instrumentalness • 86% Positiveness
35% Popularity • 76% Danceability • 96% Energy • 29% Liveness
75% Instrumentalness • 86% Positiveness
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CASHEW
Gotta Do It
125 bpm • A# min • 03:23 • -5.73db
37% Popularity • 77% Danceability • 94% Energy • 37% Liveness
83% Instrumentalness • 78% Positiveness
37% Popularity • 77% Danceability • 94% Energy • 37% Liveness
83% Instrumentalness • 78% Positiveness
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WEISS
Ain't Me Without You - Westend Remix
125 bpm • F# min • 03:17 • -5db
38% Popularity • 67% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 67% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
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The Holy
One Time
125 bpm • C# Maj • 03:38 • -6.8db
24% Popularity • 75% Danceability • 94% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
24% Popularity • 75% Danceability • 94% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
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Sean Lafayette
Say Something
125 bpm • A min • 02:27 • -7.76db
19% Popularity • 66% Danceability • 93% Energy • 22% Liveness
56% Instrumentalness • 84% Positiveness
19% Popularity • 66% Danceability • 93% Energy • 22% Liveness
56% Instrumentalness • 84% Positiveness
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Sam Collins
Covid Rave
125 bpm • B Maj • 02:57 • -3.81db
5% Popularity • 67% Danceability • 96% Energy • 12% Liveness
27% Instrumentalness • 54% Positiveness
5% Popularity • 67% Danceability • 96% Energy • 12% Liveness
27% Instrumentalness • 54% Positiveness
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Paul Jockey
Sometimes To Feel - Edit
125 bpm • F# min • 02:56 • -6.47db
16% Popularity • 72% Danceability • 94% Energy • 40% Liveness
39% Instrumentalness • 23% Positiveness
16% Popularity • 72% Danceability • 94% Energy • 40% Liveness
39% Instrumentalness • 23% Positiveness
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Control Room
Feeling Like 50 Again
125 bpm • B Maj • 02:10 • -4.25db
21% Popularity • 66% Danceability • 97% Energy • 44% Liveness
3% Instrumentalness • 76% Positiveness
21% Popularity • 66% Danceability • 97% Energy • 44% Liveness
3% Instrumentalness • 76% Positiveness
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SWEETLOU
Get Me High
125 bpm • G Maj • 02:58 • -6.66db
16% Popularity • 72% Danceability • 86% Energy • 24% Liveness
1% Instrumentalness • 62% Positiveness
16% Popularity • 72% Danceability • 86% Energy • 24% Liveness
1% Instrumentalness • 62% Positiveness
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Landis
Like Honey
125 bpm • A min • 02:18 • -4.13db
26% Popularity • 77% Danceability • 96% Energy • 16% Liveness
64% Instrumentalness • 54% Positiveness
26% Popularity • 77% Danceability • 96% Energy • 16% Liveness
64% Instrumentalness • 54% Positiveness
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Juan Galvis
Like U
125 bpm • F min • 02:27 • -5db
13% Popularity • 77% Danceability • 96% Energy • 34% Liveness
23% Instrumentalness • 71% Positiveness
13% Popularity • 77% Danceability • 96% Energy • 34% Liveness
23% Instrumentalness • 71% Positiveness
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Matt Steffanina
Drop The Mic
125 bpm • G Maj • 03:10 • -2.45db
22% Popularity • 81% Danceability • 98% Energy • 6% Liveness
11% Instrumentalness • 58% Positiveness
22% Popularity • 81% Danceability • 98% Energy • 6% Liveness
11% Instrumentalness • 58% Positiveness
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SIDEPIECE
Sextacy
125 bpm • C# min • 02:33 • -4.79db
55% Popularity • 81% Danceability • 95% Energy • 31% Liveness
31% Instrumentalness • 87% Positiveness
55% Popularity • 81% Danceability • 95% Energy • 31% Liveness
31% Instrumentalness • 87% Positiveness
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Kallaghan
TO (Todo)
125 bpm • C# Maj • 03:22 • -3.29db
24% Popularity • 82% Danceability • 88% Energy • 29% Liveness
65% Instrumentalness • 79% Positiveness
24% Popularity • 82% Danceability • 88% Energy • 29% Liveness
65% Instrumentalness • 79% Positiveness
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JUNTARO
Amerindio
125 bpm • B Maj • 03:00 • -4.08db
35% Popularity • 77% Danceability • 93% Energy • 19% Liveness
60% Instrumentalness • 48% Positiveness
35% Popularity • 77% Danceability • 93% Energy • 19% Liveness
60% Instrumentalness • 48% Positiveness
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![Miami (Öwnboss Extended Remix) [feat. Nile Rodgers] cover art](https://i.scdn.co/image/ab67616d00001e026d5ed5a5afcf52c593c03af9)
Lola Audreys
Miami (Öwnboss Extended Remix)
125 bpm • C# Maj • 03:45 • -5.92db
33% Popularity • 78% Danceability • 85% Energy • 4% Liveness
1% Instrumentalness • 65% Positiveness
33% Popularity • 78% Danceability • 85% Energy • 4% Liveness
1% Instrumentalness • 65% Positiveness
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Jay Crusoe
Hey Jerry!
125 bpm • F min • 02:38 • -3.63db
19% Popularity • 85% Danceability • 95% Energy • 4% Liveness
80% Instrumentalness • 58% Positiveness
19% Popularity • 85% Danceability • 95% Energy • 4% Liveness
80% Instrumentalness • 58% Positiveness
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Dessic
Nights into Days
125 bpm • C min • 02:12 • -4.46db
28% Popularity • 74% Danceability • 68% Energy • 12% Liveness
65% Instrumentalness • 15% Positiveness
28% Popularity • 74% Danceability • 68% Energy • 12% Liveness
65% Instrumentalness • 15% Positiveness
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SUBSHIFT
Unexpected
125 bpm • G# Maj • 02:54 • -7.68db
16% Popularity • 73% Danceability • 88% Energy • 35% Liveness
78% Instrumentalness • 56% Positiveness
16% Popularity • 73% Danceability • 88% Energy • 35% Liveness
78% Instrumentalness • 56% Positiveness
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CASHEW
Rakata Rakata
125 bpm • C# Maj • 03:38 • -5.78db
47% Popularity • 81% Danceability • 92% Energy • 32% Liveness
79% Instrumentalness • 52% Positiveness
47% Popularity • 81% Danceability • 92% Energy • 32% Liveness
79% Instrumentalness • 52% Positiveness
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Ghost of Tellus
MBOP
125 bpm • B min • 02:12 • -7.82db
15% Popularity • 86% Danceability • 71% Energy • 8% Liveness
74% Instrumentalness • 50% Positiveness
15% Popularity • 86% Danceability • 71% Energy • 8% Liveness
74% Instrumentalness • 50% Positiveness
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Ciszak
No Self Control
125 bpm • C Maj • 02:52 • -5.9db
38% Popularity • 84% Danceability • 91% Energy • 7% Liveness
44% Instrumentalness • 58% Positiveness
38% Popularity • 84% Danceability • 91% Energy • 7% Liveness
44% Instrumentalness • 58% Positiveness
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Stupid Goldfish
They Know
125 bpm • G Maj • 02:22 • -7.22db
23% Popularity • 82% Danceability • 64% Energy • 22% Liveness
17% Instrumentalness • 46% Positiveness
23% Popularity • 82% Danceability • 64% Energy • 22% Liveness
17% Instrumentalness • 46% Positiveness
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Sam Collins
Wa Wa - Sam Collins & Salkin VIP Edit
125 bpm • G# min • 02:57 • -4.85db
7% Popularity • 77% Danceability • 80% Energy • 23% Liveness
3% Instrumentalness • 76% Positiveness
7% Popularity • 77% Danceability • 80% Energy • 23% Liveness
3% Instrumentalness • 76% Positiveness
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Finiq
Big Boss - Sam Collins Remix
125 bpm • C# Maj • 03:22 • -3.27db
0% Popularity • 85% Danceability • 84% Energy • 15% Liveness
34% Instrumentalness • 80% Positiveness
0% Popularity • 85% Danceability • 84% Energy • 15% Liveness
34% Instrumentalness • 80% Positiveness
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CASHEW
We Can Find A Way
125 bpm • B min • 02:24 • -7.79db
18% Popularity • 83% Danceability • 95% Energy • 29% Liveness
56% Instrumentalness • 70% Positiveness
18% Popularity • 83% Danceability • 95% Energy • 29% Liveness
56% Instrumentalness • 70% Positiveness
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Shelco Garcia & Teenwolf
You're Makin' Me High
125 bpm • G Maj • 02:54 • -5.27db
24% Popularity • 73% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
24% Popularity • 73% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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KOCHAM
Brooklyn House
125 bpm • B Maj • 02:22 • -8.55db
27% Popularity • 85% Danceability • 85% Energy • 5% Liveness
79% Instrumentalness • 69% Positiveness
27% Popularity • 85% Danceability • 85% Energy • 5% Liveness
79% Instrumentalness • 69% Positiveness
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WILL K
Panorama
125 bpm • C# min • 03:35 • -4.91db
22% Popularity • 78% Danceability • 92% Energy • 3% Liveness
54% Instrumentalness • 80% Positiveness
22% Popularity • 78% Danceability • 92% Energy • 3% Liveness
54% Instrumentalness • 80% Positiveness
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Sam Collins
Your Feet
125 bpm • A Maj • 04:01 • -5.61db
3% Popularity • 80% Danceability • 88% Energy • 7% Liveness
82% Instrumentalness • 44% Positiveness
3% Popularity • 80% Danceability • 88% Energy • 7% Liveness
82% Instrumentalness • 44% Positiveness
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Tujamo
Get Get Down
125 bpm • F Maj • 02:43 • -3.43db
44% Popularity • 67% Danceability • 97% Energy • 22% Liveness
87% Instrumentalness • 37% Positiveness
44% Popularity • 67% Danceability • 97% Energy • 22% Liveness
87% Instrumentalness • 37% Positiveness
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KENO
PICASSO
125 bpm • C# Maj • 02:43 • -4.48db
9% Popularity • 85% Danceability • 79% Energy • 8% Liveness
35% Instrumentalness • 75% Positiveness
9% Popularity • 85% Danceability • 79% Energy • 8% Liveness
35% Instrumentalness • 75% Positiveness
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BRANDON
Going Gone
125 bpm • C Maj • 02:37 • -5.95db
27% Popularity • 76% Danceability • 82% Energy • 25% Liveness
32% Instrumentalness • 86% Positiveness
27% Popularity • 76% Danceability • 82% Energy • 25% Liveness
32% Instrumentalness • 86% Positiveness
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Le Pard
Distracted
125 bpm • F Maj • 02:39 • -5.9db
17% Popularity • 72% Danceability • 94% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
17% Popularity • 72% Danceability • 94% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
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Sunnery James & Ryan Marciano
Ducati
125 bpm • G Maj • 03:00 • -8.07db
28% Popularity • 77% Danceability • 81% Energy • 12% Liveness
25% Instrumentalness • 28% Positiveness
28% Popularity • 77% Danceability • 81% Energy • 12% Liveness
25% Instrumentalness • 28% Positiveness
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Sam Collins
What I Want
125 bpm • C# Maj • 02:19 • -3.47db
7% Popularity • 85% Danceability • 94% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
7% Popularity • 85% Danceability • 94% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
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AtcG
Don't Stop The Music
125 bpm • D Maj • 02:55 • -5.3db
34% Popularity • 85% Danceability • 74% Energy • 7% Liveness
3% Instrumentalness • 30% Positiveness
34% Popularity • 85% Danceability • 74% Energy • 7% Liveness
3% Instrumentalness • 30% Positiveness
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KENO
O.M.G.
125 bpm • D Maj • 02:44 • -5.12db
28% Popularity • 92% Danceability • 94% Energy • 4% Liveness
37% Instrumentalness • 67% Positiveness
28% Popularity • 92% Danceability • 94% Energy • 4% Liveness
37% Instrumentalness • 67% Positiveness
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BEYGE
The Next Episode
125 bpm • E Maj • 01:58 • -6.6db
39% Popularity • 87% Danceability • 69% Energy • 13% Liveness
38% Instrumentalness • 32% Positiveness
39% Popularity • 87% Danceability • 69% Energy • 13% Liveness
38% Instrumentalness • 32% Positiveness
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Trace
Gas Pedal
125 bpm • G Maj • 03:42 • -6.77db
32% Popularity • 81% Danceability • 95% Energy • 34% Liveness
49% Instrumentalness • 78% Positiveness
32% Popularity • 81% Danceability • 95% Energy • 34% Liveness
49% Instrumentalness • 78% Positiveness
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Coal Minors
Scrubs
125 bpm • B Maj • 02:08 • -8.54db
26% Popularity • 76% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
26% Popularity • 76% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Sam Collins
Favorite Thing
125 bpm • F# min • 02:59 • -5.38db
4% Popularity • 74% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 74% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Siwell
Rewind - Radio Edit
125 bpm • G Maj • 02:55 • -5.79db
18% Popularity • 69% Danceability • 94% Energy • 61% Liveness
3% Instrumentalness • 40% Positiveness
18% Popularity • 69% Danceability • 94% Energy • 61% Liveness
3% Instrumentalness • 40% Positiveness
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Aaron Echo
Downtown
125 bpm • D Maj • 02:43 • -4.96db
25% Popularity • 75% Danceability • 92% Energy • 35% Liveness
51% Instrumentalness • 92% Positiveness
25% Popularity • 75% Danceability • 92% Energy • 35% Liveness
51% Instrumentalness • 92% Positiveness
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CASHEW
Oh Yea
125 bpm • E min • 02:19 • -2.43db
29% Popularity • 80% Danceability • 96% Energy • 12% Liveness
36% Instrumentalness • 48% Positiveness
29% Popularity • 80% Danceability • 96% Energy • 12% Liveness
36% Instrumentalness • 48% Positiveness
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Kideko
Al Chica - Baddies Only Remix
125 bpm • F# min • 02:03 • -5.21db
31% Popularity • 54% Danceability • 96% Energy • 14% Liveness
29% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 96% Energy • 14% Liveness
29% Instrumentalness • 26% Positiveness
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EMDI
L.S.D
125 bpm • A Maj • 02:22 • -5.54db
14% Popularity • 64% Danceability • 91% Energy • 20% Liveness
40% Instrumentalness • 50% Positiveness
14% Popularity • 64% Danceability • 91% Energy • 20% Liveness
40% Instrumentalness • 50% Positiveness
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Sam Collins
Coast To Coast
125 bpm • A Maj • 04:59 • -4.9db
19% Popularity • 76% Danceability • 91% Energy • 9% Liveness
16% Instrumentalness • 53% Positiveness
19% Popularity • 76% Danceability • 91% Energy • 9% Liveness
16% Instrumentalness • 53% Positiveness
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Trace
Talking
125 bpm • G Maj • 02:37 • -4.99db
21% Popularity • 79% Danceability • 100% Energy • 32% Liveness
37% Instrumentalness • 4% Positiveness
21% Popularity • 79% Danceability • 100% Energy • 32% Liveness
37% Instrumentalness • 4% Positiveness
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Sevek
Bang Bang
125 bpm • F min • 02:24 • -6.74db
44% Popularity • 64% Danceability • 80% Energy • 16% Liveness
6% Instrumentalness • 36% Positiveness
44% Popularity • 64% Danceability • 80% Energy • 16% Liveness
6% Instrumentalness • 36% Positiveness
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aboywithabag
Treat U Wrong
125 bpm • G Maj • 02:02 • -6.22db
15% Popularity • 60% Danceability • 89% Energy • 5% Liveness
66% Instrumentalness • 66% Positiveness
15% Popularity • 60% Danceability • 89% Energy • 5% Liveness
66% Instrumentalness • 66% Positiveness
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Honey & Badger
Wallifornia
125 bpm • A Maj • 02:35 • -2.83db
34% Popularity • 91% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 91% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Guglielmo Nasini
House Control
125 bpm • E min • 02:36 • -6.5db
22% Popularity • 65% Danceability • 98% Energy • 10% Liveness
26% Instrumentalness • 67% Positiveness
22% Popularity • 65% Danceability • 98% Energy • 10% Liveness
26% Instrumentalness • 67% Positiveness
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Sam Collins
1922
125 bpm • G Maj • 02:06 • -5.07db
8% Popularity • 82% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 82% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Kuyano
Drippin
125 bpm • C min • 02:34 • -7.12db
40% Popularity • 60% Danceability • 84% Energy • 29% Liveness
23% Instrumentalness • 51% Positiveness
40% Popularity • 60% Danceability • 84% Energy • 29% Liveness
23% Instrumentalness • 51% Positiveness
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MelyJones
Muy Fuente (ESH Edit)
125 bpm • D min • 02:14 • -5.74db
10% Popularity • 83% Danceability • 81% Energy • 1% Liveness
8% Instrumentalness • 73% Positiveness
10% Popularity • 83% Danceability • 81% Energy • 1% Liveness
8% Instrumentalness • 73% Positiveness
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Södermalm
Fortaleza
125 bpm • C Maj • 02:50 • -11.17db
14% Popularity • 84% Danceability • 81% Energy • 34% Liveness
72% Instrumentalness • 66% Positiveness
14% Popularity • 84% Danceability • 81% Energy • 34% Liveness
72% Instrumentalness • 66% Positiveness
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Andres Corkidi
A Weekend Thing
125 bpm • G# Maj • 02:50 • -6.36db
28% Popularity • 78% Danceability • 78% Energy • 43% Liveness
16% Instrumentalness • 42% Positiveness
28% Popularity • 78% Danceability • 78% Energy • 43% Liveness
16% Instrumentalness • 42% Positiveness
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Mazdem
Somebody to Love
125 bpm • F# min • 03:20 • -5.33db
37% Popularity • 64% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
37% Popularity • 64% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
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Sam Collins
Coast To Coast (Extended Mix)
125 bpm • A Maj • 05:30 • -6.19db
5% Popularity • 76% Danceability • 88% Energy • 10% Liveness
13% Instrumentalness • 51% Positiveness
5% Popularity • 76% Danceability • 88% Energy • 10% Liveness
13% Instrumentalness • 51% Positiveness
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Iceleak
Name
125 bpm • G# Maj • 02:34 • -6.76db
20% Popularity • 77% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
20% Popularity • 77% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
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Westend
Moderation (At Night)
125 bpm • F# Maj • 02:54 • -6.45db
33% Popularity • 67% Danceability • 86% Energy • 4% Liveness
1% Instrumentalness • 31% Positiveness
33% Popularity • 67% Danceability • 86% Energy • 4% Liveness
1% Instrumentalness • 31% Positiveness
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NO SIGNE
Public
125 bpm • C# Maj • 02:52 • -5.11db
27% Popularity • 83% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 65% Positiveness
27% Popularity • 83% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 65% Positiveness
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Crunkz
Superlike - VIP Mix
125 bpm • F min • 02:08 • -5db
30% Popularity • 77% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 77% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Stupid Goldfish
Vulture
125 bpm • C# Maj • 02:23 • -7.48db
30% Popularity • 82% Danceability • 69% Energy • 36% Liveness
4% Instrumentalness • 60% Positiveness
30% Popularity • 82% Danceability • 69% Energy • 36% Liveness
4% Instrumentalness • 60% Positiveness
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Sam Collins
Chanel Suit
125 bpm • F# Maj • 04:32 • -8.32db
3% Popularity • 83% Danceability • 74% Energy • 8% Liveness
12% Instrumentalness • 70% Positiveness
3% Popularity • 83% Danceability • 74% Energy • 8% Liveness
12% Instrumentalness • 70% Positiveness
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Mr. Belt & Wezol
Fool
125 bpm • G Maj • 02:32 • -7.84db
44% Popularity • 70% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 70% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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OZLEMEK
Bitch Like Amber
125 bpm • G# min • 02:04 • -11.31db
33% Popularity • 80% Danceability • 67% Energy • 16% Liveness
4% Instrumentalness • 59% Positiveness
33% Popularity • 80% Danceability • 67% Energy • 16% Liveness
4% Instrumentalness • 59% Positiveness
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Rasster
La Vida
125 bpm • D# Maj • 02:35 • -3.32db
34% Popularity • 68% Danceability • 95% Energy • 63% Liveness
28% Instrumentalness • 50% Positiveness
34% Popularity • 68% Danceability • 95% Energy • 63% Liveness
28% Instrumentalness • 50% Positiveness
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KALVYN
Hit The Club
125 bpm • D Maj • 02:09 • -5.22db
33% Popularity • 64% Danceability • 87% Energy • 16% Liveness
78% Instrumentalness • 79% Positiveness
33% Popularity • 64% Danceability • 87% Energy • 16% Liveness
78% Instrumentalness • 79% Positiveness
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PANKIDZ
Players
125 bpm • G# Maj • 02:22 • -7.28db
23% Popularity • 84% Danceability • 92% Energy • 12% Liveness
13% Instrumentalness • 84% Positiveness
23% Popularity • 84% Danceability • 92% Energy • 12% Liveness
13% Instrumentalness • 84% Positiveness
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Sam Collins
La Revolution
125 bpm • A Maj • 03:10 • -5.2db
50% Popularity • 72% Danceability • 99% Energy • 35% Liveness
70% Instrumentalness • 28% Positiveness
50% Popularity • 72% Danceability • 99% Energy • 35% Liveness
70% Instrumentalness • 28% Positiveness
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CASHEW
Believe In Music
125 bpm • A min • 03:08 • -6.69db
18% Popularity • 84% Danceability • 85% Energy • 32% Liveness
28% Instrumentalness • 70% Positiveness
18% Popularity • 84% Danceability • 85% Energy • 32% Liveness
28% Instrumentalness • 70% Positiveness
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Maxx Lyon
Trujillana
126 bpm • D Maj • 02:00 • -7.53db
24% Popularity • 72% Danceability • 80% Energy • 24% Liveness
35% Instrumentalness • 60% Positiveness
24% Popularity • 72% Danceability • 80% Energy • 24% Liveness
35% Instrumentalness • 60% Positiveness
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Rawdolff
La Locura
124 bpm • D Maj • 02:40 • -6.42db
19% Popularity • 78% Danceability • 72% Energy • 10% Liveness
28% Instrumentalness • 48% Positiveness
19% Popularity • 78% Danceability • 72% Energy • 10% Liveness
28% Instrumentalness • 48% Positiveness
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Toxic Joy
Bad Bitches
125 bpm • G# min • 02:29 • -6.95db
37% Popularity • 69% Danceability • 91% Energy • 35% Liveness
55% Instrumentalness • 65% Positiveness
37% Popularity • 69% Danceability • 91% Energy • 35% Liveness
55% Instrumentalness • 65% Positiveness
