Songs like We Will Commit Wolf Murder by of Montreal
Based on a tempo of (+/- 10%) and a similar genre
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of Montreal
We Will Commit Wolf Murder
108 bpm • C Maj • 05:29 • -5.92db
44% Popularity • 32% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 32% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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The Flaming Lips
The Yeah Yeah Yeah Song
108 bpm • E Maj • 03:52 • -4db
34% Popularity • 64% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 64% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Yucky Duster
The Ropes
108 bpm • B min • 01:56 • -5.08db
28% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Peter Bjorn and John
Objects Of My Affection
108 bpm • A Maj • 04:35 • -7db
39% Popularity • 47% Danceability • 92% Energy • 23% Liveness
15% Instrumentalness • 32% Positiveness
39% Popularity • 47% Danceability • 92% Energy • 23% Liveness
15% Instrumentalness • 32% Positiveness
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Casiotone For The Painfully Alone
Natural Light
108 bpm • C Maj • 02:23 • -11.97db
19% Popularity • 84% Danceability • 42% Energy • 9% Liveness
52% Instrumentalness • 81% Positiveness
19% Popularity • 84% Danceability • 42% Energy • 9% Liveness
52% Instrumentalness • 81% Positiveness
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Sunset Rubdown
The Taming of the Hands That Came Back t...
108 bpm • A# min • 06:06 • -5.39db
15% Popularity • 38% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 38% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Deerhoof
Fete d'Adieu
109 bpm • A Maj • 03:16 • -3.47db
30% Popularity • 70% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 70% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Teeth
Molly Make Him Pay
109 bpm • C Maj • 02:57 • -3.8db
22% Popularity • 58% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 58% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Mirah
Recommendation
109 bpm • C Maj • 01:20 • -8.02db
33% Popularity • 49% Danceability • 72% Energy • 22% Liveness
4% Instrumentalness • 80% Positiveness
33% Popularity • 49% Danceability • 72% Energy • 22% Liveness
4% Instrumentalness • 80% Positiveness
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Voxtrot
The Start of Something
107 bpm • G# Maj • 04:32 • -7.61db
52% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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of Montreal
Spiteful Intervention
109 bpm • F# Maj • 03:38 • -4.26db
28% Popularity • 60% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 60% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Pavement
Stereo
109 bpm • D Maj • 03:07 • -11.55db
45% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Self
Pattycake
107 bpm • A min • 04:05 • -6.16db
25% Popularity • 91% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 91% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Coma Cinema
Caroline, Please Kill Me
107 bpm • A Maj • 01:49 • -3.55db
49% Popularity • 38% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 38% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Cera
Best I Can
109 bpm • B min • 03:19 • -7.17db
33% Popularity • 58% Danceability • 77% Energy • 72% Liveness
19% Instrumentalness • 30% Positiveness
33% Popularity • 58% Danceability • 77% Energy • 72% Liveness
19% Instrumentalness • 30% Positiveness
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WHY?
Gemini (Birthday Song)
109 bpm • D# Maj • 05:27 • -4.08db
28% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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of Montreal
Malefic Dowery
107 bpm • C Maj • 02:36 • -6.96db
19% Popularity • 64% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 64% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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The Dodos
Red And Purple
106 bpm • A# min • 04:40 • -6.85db
11% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Sufjan Stevens
Come On! Feel the Illinoise! Part I: The...
110 bpm • E min • 06:45 • -8.5db
47% Popularity • 43% Danceability • 46% Energy • 12% Liveness
9% Instrumentalness • 71% Positiveness
47% Popularity • 43% Danceability • 46% Energy • 12% Liveness
9% Instrumentalness • 71% Positiveness
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Neutral Milk Hotel
The Fool
110 bpm • D min • 01:53 • -4.91db
52% Popularity • 28% Danceability • 68% Energy • 53% Liveness
85% Instrumentalness • 31% Positiveness
52% Popularity • 28% Danceability • 68% Energy • 53% Liveness
85% Instrumentalness • 31% Positiveness
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Car Seat Headrest
(Joe Gets Kicked Out of School for Using...
106 bpm • D Maj • 05:37 • -7.7db
46% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Sidney Gish
I Eat Salads Now
110 bpm • E Maj • 01:59 • -14.19db
41% Popularity • 78% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 78% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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The Apples In Stereo
Green Machine
110 bpm • E Maj • 02:50 • -11.96db
21% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Cheekface
Best Life
110 bpm • D Maj • 03:07 • -7.03db
36% Popularity • 93% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 93% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Born Ruffians
Foxes Mate For Life
110 bpm • G Maj • 04:30 • -5.77db
35% Popularity • 62% Danceability • 57% Energy • 6% Liveness
5% Instrumentalness • 58% Positiveness
35% Popularity • 62% Danceability • 57% Energy • 6% Liveness
5% Instrumentalness • 58% Positiveness
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Thao
The Evening
110 bpm • D Maj • 03:24 • -6.23db
28% Popularity • 77% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 77% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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The Strokes
Modern Girls & Old Fashion Men - Reptili...
111 bpm • A Maj • 03:38 • -4db
46% Popularity • 51% Danceability • 60% Energy • 5% Liveness
56% Instrumentalness • 32% Positiveness
46% Popularity • 51% Danceability • 60% Energy • 5% Liveness
56% Instrumentalness • 32% Positiveness
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Car Seat Headrest
1937 State Park
111 bpm • G# Maj • 04:00 • -6db
48% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Apples In Stereo
Ruby
111 bpm • C Maj • 03:08 • -7.32db
27% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Someone Still Loves You Boris Yeltsin
Anne Elephant
105 bpm • F Maj • 04:49 • -8.93db
18% Popularity • 61% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 15% Positiveness
18% Popularity • 61% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 15% Positiveness
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of Montreal
Lysergic Bliss
111 bpm • F# min • 04:04 • -6db
42% Popularity • 48% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 86% Positiveness
42% Popularity • 48% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 86% Positiveness
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Born Ruffians
Kurt Vonnegut
111 bpm • D min • 04:03 • -5db
24% Popularity • 62% Danceability • 59% Energy • 8% Liveness
7% Instrumentalness • 76% Positiveness
24% Popularity • 62% Danceability • 59% Energy • 8% Liveness
7% Instrumentalness • 76% Positiveness
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Grandaddy
Hewletts Daughter
105 bpm • D Maj • 03:05 • -9db
33% Popularity • 61% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 61% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Pavement
Shady Lane
111 bpm • C Maj • 03:50 • -11.75db
46% Popularity • 48% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 48% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Car Seat Headrest
Destroyed By Hippie Powers
105 bpm • A Maj • 05:03 • -5.68db
53% Popularity • 53% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
53% Popularity • 53% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
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Sidney Gish
Sophisticated Space
105 bpm • B Maj • 03:14 • -9.98db
34% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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of Montreal
Godly Intersex
105 bpm • C# Maj • 03:31 • -6.37db
18% Popularity • 63% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 63% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Dodos
Neighbors
104 bpm • G Maj • 04:15 • -14.73db
20% Popularity • 46% Danceability • 26% Energy • 35% Liveness
17% Instrumentalness • 55% Positiveness
20% Popularity • 46% Danceability • 26% Energy • 35% Liveness
17% Instrumentalness • 55% Positiveness
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Nana Grizol
Tambourine - N - Thyme
112 bpm • C Maj • 02:29 • -5.52db
35% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Neutral Milk Hotel
Gardenhead / Leave Me Alone
104 bpm • E Maj • 03:13 • -10db
32% Popularity • 42% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 42% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Architecture In Helsinki
Do the Whirlwind
112 bpm • C Maj • 04:34 • -8db
30% Popularity • 82% Danceability • 41% Energy • 39% Liveness
6% Instrumentalness • 58% Positiveness
30% Popularity • 82% Danceability • 41% Energy • 39% Liveness
6% Instrumentalness • 58% Positiveness
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Tapes 'n Tapes
Just Drums
104 bpm • B Maj • 03:44 • -7.3db
29% Popularity • 77% Danceability • 70% Energy • 10% Liveness
53% Instrumentalness • 79% Positiveness
29% Popularity • 77% Danceability • 70% Energy • 10% Liveness
53% Instrumentalness • 79% Positiveness
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of Montreal
my fair lady
112 bpm • F Maj • 04:25 • -7.1db
25% Popularity • 60% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
25% Popularity • 60% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Modest Mouse
Gravity Rides Everything
103 bpm • E Maj • 04:19 • -8db
51% Popularity • 40% Danceability • 44% Energy • 50% Liveness
4% Instrumentalness • 71% Positiveness
51% Popularity • 40% Danceability • 44% Energy • 50% Liveness
4% Instrumentalness • 71% Positiveness
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Enon
Knock That Door
113 bpm • G Maj • 02:53 • -10db
31% Popularity • 77% Danceability • 76% Energy • 12% Liveness
58% Instrumentalness • 60% Positiveness
31% Popularity • 77% Danceability • 76% Energy • 12% Liveness
58% Instrumentalness • 60% Positiveness
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Foxygen
No Destruction
113 bpm • D Maj • 04:56 • -8db
38% Popularity • 60% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 60% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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MGMT
Electric Feel - Rasta Wigs Remix
103 bpm • G# Maj • 04:19 • -4.14db
10% Popularity • 58% Danceability • 95% Energy • 19% Liveness
3% Instrumentalness • 38% Positiveness
10% Popularity • 58% Danceability • 95% Energy • 19% Liveness
3% Instrumentalness • 38% Positiveness
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Vampire Weekend
Ladies of Cambridge
103 bpm • F Maj • 02:39 • -6db
41% Popularity • 59% Danceability • 73% Energy • 14% Liveness
8% Instrumentalness • 69% Positiveness
41% Popularity • 59% Danceability • 73% Energy • 14% Liveness
8% Instrumentalness • 69% Positiveness
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The Unicorns
The Unicorns: 2014 (Demo Version)
114 bpm • G Maj • 03:34 • -6.52db
13% Popularity • 69% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 36% Positiveness
13% Popularity • 69% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 36% Positiveness
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The Teeth
Yellow
114 bpm • G Maj • 02:06 • -5.74db
20% Popularity • 80% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 80% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Miniature Tigers
Cannibal Queen
114 bpm • C# Maj • 02:44 • -6.17db
50% Popularity • 69% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 69% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Car Seat Headrest
Cute Thing
114 bpm • A# Maj • 05:39 • -5.16db
53% Popularity • 31% Danceability • 74% Energy • 12% Liveness
29% Instrumentalness • 27% Positiveness
53% Popularity • 31% Danceability • 74% Energy • 12% Liveness
29% Instrumentalness • 27% Positiveness
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of Montreal
it's different for girls
114 bpm • C Maj • 03:59 • -6db
37% Popularity • 60% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 60% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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Deerhoof
Your Dystopic Creation Doesn't Fear You
115 bpm • G Maj • 02:55 • -7db
35% Popularity • 79% Danceability • 74% Energy • 45% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 79% Danceability • 74% Energy • 45% Liveness
0% Instrumentalness • 64% Positiveness
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Department Of Eagles
No One Does It Like You
115 bpm • C# min • 03:58 • -5.21db
29% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Unicorns
I Don't Wanna Die
102 bpm • A Maj • 02:03 • -10db
36% Popularity • 61% Danceability • 43% Energy • 21% Liveness
1% Instrumentalness • 61% Positiveness
36% Popularity • 61% Danceability • 43% Energy • 21% Liveness
1% Instrumentalness • 61% Positiveness
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Clap Your Hands Say Yeah
Gimmie Some Salt
102 bpm • G Maj • 03:03 • -6.52db
33% Popularity • 71% Danceability • 68% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
33% Popularity • 71% Danceability • 68% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
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Girls
Hellhole Ratrace
115 bpm • A Maj • 06:56 • -7.37db
33% Popularity • 40% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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of Montreal
I Was A Landscape in Your Dream
115 bpm • A min • 03:05 • -7.1db
27% Popularity • 60% Danceability • 52% Energy • 31% Liveness
72% Instrumentalness • 65% Positiveness
27% Popularity • 60% Danceability • 52% Energy • 31% Liveness
72% Instrumentalness • 65% Positiveness
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Destroyer
Poor in Love
115 bpm • E Maj • 03:26 • -10.35db
28% Popularity • 59% Danceability • 46% Energy • 19% Liveness
3% Instrumentalness • 19% Positiveness
28% Popularity • 59% Danceability • 46% Energy • 19% Liveness
3% Instrumentalness • 19% Positiveness
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The Shins
Sleeping Lessons
115 bpm • E Maj • 03:57 • -8.99db
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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The Unicorns
Tuff Luff
101 bpm • D Maj • 04:15 • -13.96db
25% Popularity • 40% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
25% Popularity • 40% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Best Coast
Boyfriend
115 bpm • C Maj • 02:29 • -4db
46% Popularity • 26% Danceability • 88% Energy • 14% Liveness
15% Instrumentalness • 60% Positiveness
46% Popularity • 26% Danceability • 88% Energy • 14% Liveness
15% Instrumentalness • 60% Positiveness
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Avey Tare's Slasher Flicks
Little Fang
115 bpm • B min • 04:11 • -6.08db
37% Popularity • 69% Danceability • 71% Energy • 27% Liveness
4% Instrumentalness • 43% Positiveness
37% Popularity • 69% Danceability • 71% Energy • 27% Liveness
4% Instrumentalness • 43% Positiveness
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St. Vincent
Cruel
115 bpm • C# Maj • 03:34 • -8.32db
46% Popularity • 57% Danceability • 70% Energy • 9% Liveness
46% Instrumentalness • 44% Positiveness
46% Popularity • 57% Danceability • 70% Energy • 9% Liveness
46% Instrumentalness • 44% Positiveness
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Modest Mouse
Broke
115 bpm • B Maj • 03:19 • -6db
48% Popularity • 48% Danceability • 80% Energy • 33% Liveness
52% Instrumentalness • 36% Positiveness
48% Popularity • 48% Danceability • 80% Energy • 33% Liveness
52% Instrumentalness • 36% Positiveness
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Dirty Projectors
Swing Lo Magellan
101 bpm • F min • 02:37 • -10db
36% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Coconut Records
It's Not You It's Me
101 bpm • A Maj • 02:40 • -4db
47% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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of Montreal
Vegan in Furs
116 bpm • G Maj • 03:53 • -3.21db
19% Popularity • 67% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 67% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Rubblebucket
Silly Fathers
116 bpm • G# Maj • 04:10 • -7.14db
23% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Dead Man's Bones
Pa Pa Power
116 bpm • F# Maj • 04:05 • -8db
46% Popularity • 65% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 65% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Enon
In This City
116 bpm • C# Maj • 04:01 • -6.94db
25% Popularity • 84% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 84% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Someone Still Loves You Boris Yeltsin
Travel Song
100 bpm • C# min • 03:21 • -8.65db
22% Popularity • 65% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 48% Positiveness
22% Popularity • 65% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 48% Positiveness
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Grandaddy
Where I'm Anymore
100 bpm • C Maj • 06:06 • -9.52db
14% Popularity • 64% Danceability • 41% Energy • 8% Liveness
6% Instrumentalness • 70% Positiveness
14% Popularity • 64% Danceability • 41% Energy • 8% Liveness
6% Instrumentalness • 70% Positiveness
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Deerhoof
A Filthy Fifth (Secret Mobilization)
116 bpm • C# Maj • 03:16 • -6.47db
11% Popularity • 41% Danceability • 86% Energy • 36% Liveness
7% Instrumentalness • 21% Positiveness
11% Popularity • 41% Danceability • 86% Energy • 36% Liveness
7% Instrumentalness • 21% Positiveness
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Girlpool
Before the World Was Big
100 bpm • E min • 02:21 • -8.72db
31% Popularity • 67% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 67% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Moldy Peaches
Lucky Number Nine
100 bpm • D Maj • 02:07 • -7.41db
42% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Architecture In Helsinki
Heart It Races
100 bpm • C min • 03:14 • -8.23db
39% Popularity • 80% Danceability • 64% Energy • 6% Liveness
3% Instrumentalness • 77% Positiveness
39% Popularity • 80% Danceability • 64% Energy • 6% Liveness
3% Instrumentalness • 77% Positiveness
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Miniature Tigers
Gold Skull
100 bpm • F Maj • 02:36 • -6.63db
28% Popularity • 58% Danceability • 72% Energy • 44% Liveness
56% Instrumentalness • 64% Positiveness
28% Popularity • 58% Danceability • 72% Energy • 44% Liveness
56% Instrumentalness • 64% Positiveness
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Pinback
Good To Sea
100 bpm • G Maj • 03:11 • -8db
47% Popularity • 77% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 77% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 93% Positiveness
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of Montreal
Sink The Seine
100 bpm • D min • 01:04 • -5.78db
44% Popularity • 47% Danceability • 85% Energy • 26% Liveness
14% Instrumentalness • 44% Positiveness
44% Popularity • 47% Danceability • 85% Energy • 26% Liveness
14% Instrumentalness • 44% Positiveness
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Sidney Gish
Not but for You, Bunny
100 bpm • C min • 04:02 • -12db
38% Popularity • 80% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
38% Popularity • 80% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
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LCD Soundsystem
I Can Change
117 bpm • C# Maj • 05:52 • -6.57db
58% Popularity • 64% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 64% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Foxygen
San Francisco
117 bpm • A# Maj • 03:47 • -7.95db
55% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Casiotone For The Painfully Alone
Optimist vs. the Silent Alarm (When the ...
117 bpm • C Maj • 01:51 • -9db
26% Popularity • 62% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 62% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Car Seat Headrest
Drunk Drivers/Killer Whales
117 bpm • D Maj • 06:14 • -7.95db
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Thao
Bag of Hammers
99 bpm • D Maj • 02:49 • -7.88db
34% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Pinback
Fortress
117 bpm • G Maj • 04:10 • -7.56db
47% Popularity • 80% Danceability • 60% Energy • 12% Liveness
50% Instrumentalness • 96% Positiveness
47% Popularity • 80% Danceability • 60% Energy • 12% Liveness
50% Instrumentalness • 96% Positiveness
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Wolf Parade
Fine Young Cannibals
117 bpm • C Maj • 06:31 • -9.88db
37% Popularity • 60% Danceability • 61% Energy • 13% Liveness
59% Instrumentalness • 62% Positiveness
37% Popularity • 60% Danceability • 61% Energy • 13% Liveness
59% Instrumentalness • 62% Positiveness
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Built To Spill
Big Dipper
117 bpm • B min • 04:09 • -8.28db
43% Popularity • 68% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 68% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Midlake
King Fish Pies
117 bpm • C# min • 04:20 • -11.44db
24% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
24% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Enon
Window Display
118 bpm • G Maj • 03:11 • -5.01db
18% Popularity • 53% Danceability • 87% Energy • 32% Liveness
8% Instrumentalness • 68% Positiveness
18% Popularity • 53% Danceability • 87% Energy • 32% Liveness
8% Instrumentalness • 68% Positiveness
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STRFKR
Holly
118 bpm • C# min • 03:00 • -7.77db
28% Popularity • 60% Danceability • 82% Energy • 5% Liveness
85% Instrumentalness • 62% Positiveness
28% Popularity • 60% Danceability • 82% Energy • 5% Liveness
85% Instrumentalness • 62% Positiveness
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The Apples In Stereo
Pine Away
99 bpm • A Maj • 04:07 • -10.83db
17% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Magnetic Fields
Absolutely Cuckoo
99 bpm • B Maj • 01:34 • -10db
50% Popularity • 46% Danceability • 42% Energy • 17% Liveness
88% Instrumentalness • 89% Positiveness
50% Popularity • 46% Danceability • 42% Energy • 17% Liveness
88% Instrumentalness • 89% Positiveness
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Someone Still Loves You Boris Yeltsin
Pangea
118 bpm • D Maj • 02:48 • -7.63db
30% Popularity • 60% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 60% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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of Montreal
Bassem Sabry
118 bpm • F Maj • 04:44 • -5.47db
25% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
