Songs like Weatherman by Sam Primack
Based on a tempo of (+/- 10%) and a similar genre
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Ato Blankson-Wood
Tell Her - Reprise
78 bpm • C# Maj • 01:07 • -17.54db
13% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Christine Allado
Clockwork
78 bpm • A min • 05:00 • -9.08db
20% Popularity • 39% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 39% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Timothy Gulan
Emma
78 bpm • G# Maj • 03:32 • -14.09db
7% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sam Primack
Weatherman
78 bpm • A Maj • 03:01 • -8.16db
11% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Paul Williams
Romeo Midnight
78 bpm • C# Maj • 01:35 • -13.95db
13% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Charlotte Wakefield
Rise
79 bpm • A# Maj • 03:21 • -6.74db
13% Popularity • 34% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 34% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Christian Borle
When The Earth Stopped Turning
79 bpm • E Maj • 04:00 • -15.92db
11% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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"Calendar Girls" Original London Cast
Time Passing
79 bpm • A# Maj • 02:01 • -12.3db
11% Popularity • 43% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 43% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Jeremy Jordan
Apple-Picking Song
77 bpm • G Maj • 03:07 • -10.14db
13% Popularity • 62% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 62% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Williams
"Aaay"Mless
78 bpm • D min • 02:57 • -7.12db
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Dahan
On the Threshold of Eternity
77 bpm • A# Maj • 03:51 • -8.95db
24% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Soara-Joye Ross
Finally
77 bpm • D Maj • 04:38 • -4.33db
8% Popularity • 42% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 42% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Michael Deaner
Better Than You
79 bpm • G Maj • 03:59 • -8.26db
26% Popularity • 78% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 78% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Nikki M. James
Viola’s Soliloquy - 2nd Reprise
77 bpm • B Maj • 01:51 • -15.25db
12% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Neil Bartram
Apples & Oranges
76 bpm • A# Maj • 03:35 • -11.67db
21% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kyle Mcarthur
The Man in 4-B
80 bpm • E Maj • 03:16 • -10.29db
8% Popularity • 40% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 40% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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My Big Fat Blonde Musical Cast
My White Whale
80 bpm • C Maj • 01:52 • -12.53db
9% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Joshua Dowen
Do It for Our Country
80 bpm • A# Maj • 02:45 • -5.73db
7% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Deaner
The Fight
76 bpm • F min • 02:00 • -7.81db
22% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Betsy Wolfe
Transition 5
76 bpm • A min • 01:02 • -13.24db
20% Popularity • 40% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 40% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Jeremy Shamos
(Might as Well) Go to Hell
80 bpm • F Maj • 04:14 • -11.71db
14% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lauren Kennedy
I Don't Wanna Miss a Thing
80 bpm • E Maj • 03:16 • -8db
8% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Christian Borle
Show Me The Stage
80 bpm • C# min • 02:46 • -7.86db
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Krystal Joy Brown
Calm, Cool, and Collected
76 bpm • D# Maj • 03:13 • -5.51db
9% Popularity • 60% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 60% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Pippa Cleary
Pieces of My Heart
80 bpm • D# Maj • 02:49 • -14.59db
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Rob Rokicki
Down and Under
80 bpm • D Maj • 03:21 • -7.38db
12% Popularity • 61% Danceability • 59% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 61% Danceability • 59% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
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Mo Willems
We Are in a Play
76 bpm • G# Maj • 04:47 • -7.04db
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Andy Mientus
Goes Away
76 bpm • D min • 03:23 • -9.59db
9% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Daniel Breaker
The King's Sonnet
76 bpm • F# Maj • 02:11 • -8.19db
8% Popularity • 36% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 36% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Christian Borle
Totally Safe
75 bpm • C# Maj • 01:33 • -4.75db
9% Popularity • 42% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 42% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Charlotte Volet
I Won't Wait Tomorrow
81 bpm • B Maj • 03:00 • -7.04db
23% Popularity • 37% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 37% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Lynn Ahrens
Knoxville
81 bpm • C Maj • 04:51 • -11.15db
11% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Groban
Pierre & Anatole
75 bpm • C# min • 03:56 • -7.22db
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ato Blankson-Wood
Tell Her
81 bpm • G# Maj • 02:18 • -10.25db
20% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Georgie Westall
Down, Down into the Dark
81 bpm • F Maj • 02:09 • -3.52db
7% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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J. Elaine Marcos
Honestly
81 bpm • G Maj • 03:43 • -5.42db
10% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Nirvaan Pal
Kodiak
81 bpm • G min • 02:32 • -7.88db
9% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Original Cast of Hope Despair Musical
Turn It Around
75 bpm • F# Maj • 05:42 • -10.77db
8% Popularity • 53% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 53% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Gaby Alter
Back of the Bus
81 bpm • A# Maj • 02:48 • -9.09db
14% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Joey Richter
Just a Movie
75 bpm • C# Maj • 02:29 • -8.3db
11% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Pulp Musicals
Gunpowder and Rum, Part 3
75 bpm • F min • 03:55 • -8.08db
9% Popularity • 38% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 38% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Kelly McIntyre
I Fell In Love In Juvie Hall!
81 bpm • D# Maj • 03:12 • -6.89db
9% Popularity • 32% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 32% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Michael McElroy
Until The Day
75 bpm • F min • 03:17 • -7.38db
9% Popularity • 75% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 75% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Eden Espinosa
Malagueña
82 bpm • E min • 04:10 • -9.26db
10% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Jeremy Shamos
Tomorrow Is Tonight
82 bpm • C# Maj • 02:56 • -12.23db
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ellie Fishman
See You on the Other Side
82 bpm • C min • 04:18 • -8.8db
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Will Reynolds
At the Plaza
83 bpm • A Maj • 03:33 • -10.49db
19% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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The Dear Edwina Singers
Frankenguest
74 bpm • E Maj • 03:05 • -5.85db
10% Popularity • 61% Danceability • 73% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 61% Danceability • 73% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
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Mary Testa
Rita's Confession
73 bpm • G Maj • 03:41 • -8.9db
13% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sydney Shepherd
The Forgetting
83 bpm • E min • 02:36 • -9.4db
8% Popularity • 46% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 46% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Krystina Alabado
We’re Just in Your Head
83 bpm • G Maj • 01:57 • -11.67db
21% Popularity • 70% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 70% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Ellie Fishman
Making History
83 bpm • G Maj • 04:16 • -5.1db
11% Popularity • 46% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 46% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Will Reynolds
Ease (Reprise)
74 bpm • C min • 00:57 • -14.97db
20% Popularity • 39% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 39% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Micah Sandt
White Cliffs of Dover (Reprise)
73 bpm • D# Maj • 02:33 • -19.14db
11% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Malcolm Gets
Speaking French
83 bpm • C min • 04:19 • -11.01db
11% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Junie B. Jones Cast
Time to Make a Drawing
84 bpm • C Maj • 02:02 • -7.2db
17% Popularity • 70% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 70% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Liv Andrusier
Ride The Moment
85 bpm • D Maj • 03:45 • -6.52db
16% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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ARLO HILL
The Lost Battalion
83 bpm • A min • 01:32 • -10.83db
9% Popularity • 48% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 48% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Christian Borle
Peggy Hewitt & Mysty Del Giorno
72 bpm • E Maj • 02:50 • -13db
9% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Liz Callaway
What Could Be Better?
85 bpm • C Maj • 03:52 • -15.21db
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Sutton Foster
Do the Right Thing, Greg
72 bpm • G Maj • 03:06 • -10.94db
20% Popularity • 45% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 45% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Isaac Joshua Brown
When You Wake Up
85 bpm • G# Maj • 02:14 • -9.29db
11% Popularity • 33% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 33% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Denée Benton
What'd You Do This Time?
85 bpm • A Maj • 02:31 • -7.89db
9% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Christian Borle
My Dogs
85 bpm • E Maj • 04:51 • -9.52db
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lynn Ahrens
The Butterfly
85 bpm • C Maj • 02:30 • -12.73db
11% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Caesar Samayoa
Terminaly Human
85 bpm • G# Maj • 02:59 • -12.99db
15% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Central Park Cast
Maybe Potentially Great
85 bpm • D Maj • 02:58 • -8.63db
9% Popularity • 65% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 65% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Frankenstein World Premiere Cast
The Proposition
86 bpm • C min • 04:46 • -3.76db
23% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Maury Yeston
Alive!
71 bpm • C Maj • 04:39 • -9.72db
7% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Liv Andrusier
The Charmed Existence of Fred Rose
86 bpm • C# Maj • 03:01 • -9.15db
16% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Michael McCorry Rose
Lion Tamer (Reprise)
71 bpm • C# Maj • 01:07 • -13.74db
16% Popularity • 57% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 57% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Cass Morgan
How Far Can You See?
87 bpm • F Maj • 06:22 • -12.02db
10% Popularity • 50% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 50% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Amelia Fei
Today Is (Part 1)
86 bpm • C# Maj • 04:01 • -7.52db
21% Popularity • 43% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 43% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ramin Karimloo
Finale Act II
87 bpm • A# Maj • 05:29 • -14.37db
14% Popularity • 37% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 37% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Williams
Maybe It's Time to Move On
87 bpm • E Maj • 03:11 • -8.7db
8% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Vicki Lewis
Can't Get 'Em Out
70 bpm • G Maj • 03:27 • -8.63db
16% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Jeremy Shamos
I Can't Read
87 bpm • C# Maj • 03:10 • -11.6db
16% Popularity • 53% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 53% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Lauren Kennedy
The Argument
87 bpm • D# Maj • 02:01 • -11.14db
8% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Darlesia Cearcy
Getting Ready for the Dance
87 bpm • F Maj • 03:33 • -9.53db
17% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Broderick Joshua
On The Way Home
70 bpm • C# Maj • 02:07 • -11.2db
5% Popularity • 41% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
5% Popularity • 41% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Frankenstein World Premiere Cast
Prelude
88 bpm • G min • 02:36 • -7.43db
18% Popularity • 46% Danceability • 44% Energy • 40% Liveness
2% Instrumentalness • 8% Positiveness
18% Popularity • 46% Danceability • 44% Energy • 40% Liveness
2% Instrumentalness • 8% Positiveness
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Erin Davie
Buddy Kissed Me
88 bpm • C# Maj • 01:22 • -8.63db
7% Popularity • 52% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 52% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Maria Thayer
Hey Boys
89 bpm • A# min • 01:07 • -5db
16% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
14% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Caesar Samayoa
The How-Tos
88 bpm • F Maj • 03:59 • -9.04db
18% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Roger Rees
A Man of No Importance
89 bpm • C Maj • 08:17 • -13db
12% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Patch the Pirate
My One Big Chance
89 bpm • C Maj • 02:52 • -4.97db
10% Popularity • 47% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 47% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Holden William Hagelberger
Horse
90 bpm • D Maj • 02:43 • -9.31db
7% Popularity • 70% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 70% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Krystina Alabado
The Girl Who Drove Away
90 bpm • F Maj • 02:41 • -9.66db
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Robert Lenzi
Time
90 bpm • G# Maj • 03:15 • -11db
31% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Drew Gasparini
Hello, My Name Is Drew
90 bpm • G Maj • 03:39 • -7db
11% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Daphne Rubin-Vega
Dance with Me
90 bpm • A Maj • 02:15 • -6.59db
7% Popularity • 56% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 56% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Sydney Farley
Montage: This Is The Way... / Miss Asp's...
91 bpm • E Maj • 05:05 • -8.19db
7% Popularity • 54% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 54% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Gaby Alter
Festival of Champions
90 bpm • F Maj • 03:32 • -5.81db
9% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Nunsense 30th Anniversary Cast
Playing Second Fiddle
91 bpm • B min • 02:01 • -16.08db
10% Popularity • 67% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 67% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Jeremy Shamos
Prologue/Schlimmer!
91 bpm • C Maj • 04:46 • -10.77db
14% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
