Songs like Weathervane by Joe Farrell
Based on a tempo of (+/- 10%) and a similar genre
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Roger Glenn
Don't Leave
144 bpm • F Maj • 04:06 • -9.77db
14% Popularity • 55% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 55% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Larry Coryell
Low-Lee-Tah
144 bpm • B Maj • 04:20 • -15.65db
15% Popularity • 39% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 52% Positiveness
15% Popularity • 39% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 52% Positiveness
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Stanley Clarke
Unexpected Days
144 bpm • C min • 05:51 • -14.4db
8% Popularity • 33% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 33% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Farrell
Weathervane
144 bpm • F# Maj • 08:00 • -4.47db
3% Popularity • 36% Danceability • 87% Energy • 24% Liveness
38% Instrumentalness • 70% Positiveness
3% Popularity • 36% Danceability • 87% Energy • 24% Liveness
38% Instrumentalness • 70% Positiveness
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Jeremy Steig
Waves
144 bpm • F Maj • 05:54 • -13.48db
8% Popularity • 41% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 41% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Chico Hamilton
V-O
143 bpm • C min • 03:59 • -10.75db
11% Popularity • 30% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 30% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Jaki Byard Quartet
Dolphy - Live - #2
143 bpm • G# Maj • 10:40 • -9.78db
1% Popularity • 53% Danceability • 49% Energy • 33% Liveness
2% Instrumentalness • 54% Positiveness
1% Popularity • 53% Danceability • 49% Energy • 33% Liveness
2% Instrumentalness • 54% Positiveness
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Henry Franklin
Little Miss Laurie
143 bpm • G min • 07:39 • -19.64db
8% Popularity • 42% Danceability • 17% Energy • 15% Liveness
80% Instrumentalness • 47% Positiveness
8% Popularity • 42% Danceability • 17% Energy • 15% Liveness
80% Instrumentalness • 47% Positiveness
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Chico Hamilton Quintet
Transfusion
145 bpm • D Maj • 02:45 • -10.46db
13% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Farrell
Cloud Cream
145 bpm • G min • 06:15 • -6.16db
4% Popularity • 49% Danceability • 73% Energy • 11% Liveness
75% Instrumentalness • 76% Positiveness
4% Popularity • 49% Danceability • 73% Energy • 11% Liveness
75% Instrumentalness • 76% Positiveness
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Gary Burton Quartet
Sweet Rain
143 bpm • C# Maj • 04:25 • -17db
8% Popularity • 30% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Idris Muhammad
By The Red Sea
142 bpm • F min • 08:53 • -17.39db
18% Popularity • 58% Danceability • 48% Energy • 4% Liveness
85% Instrumentalness • 81% Positiveness
18% Popularity • 58% Danceability • 48% Energy • 4% Liveness
85% Instrumentalness • 81% Positiveness
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Woody Shaw
Every Time I See You
142 bpm • A min • 07:13 • -11.99db
5% Popularity • 48% Danceability • 40% Energy • 12% Liveness
91% Instrumentalness • 66% Positiveness
5% Popularity • 48% Danceability • 40% Energy • 12% Liveness
91% Instrumentalness • 66% Positiveness
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Stanley Clarke
Song to John, (Pt. 2)
143 bpm • G Maj • 06:05 • -20.63db
14% Popularity • 37% Danceability • 35% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
14% Popularity • 37% Danceability • 35% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
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Charles Kynard
Greeze
142 bpm • G Maj • 04:43 • -9.28db
9% Popularity • 52% Danceability • 64% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
9% Popularity • 52% Danceability • 64% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Joe Farrell
I Won't Be Back
145 bpm • D min • 10:06 • -5.99db
3% Popularity • 39% Danceability • 89% Energy • 34% Liveness
39% Instrumentalness • 91% Positiveness
3% Popularity • 39% Danceability • 89% Energy • 34% Liveness
39% Instrumentalness • 91% Positiveness
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Leon Thomas
Damn Nam (Ain't Goin' to Vietnam)
142 bpm • C Maj • 04:44 • -10.58db
7% Popularity • 48% Danceability • 47% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 48% Danceability • 47% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Chico Hamilton
Helena
142 bpm • A# min • 04:25 • -11.23db
25% Popularity • 60% Danceability • 66% Energy • 7% Liveness
69% Instrumentalness • 76% Positiveness
25% Popularity • 60% Danceability • 66% Energy • 7% Liveness
69% Instrumentalness • 76% Positiveness
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Tony Williams
Fred
142 bpm • F# min • 06:44 • -15.86db
24% Popularity • 30% Danceability • 70% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
24% Popularity • 30% Danceability • 70% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
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The George Benson Quartet
The Cooker
146 bpm • C# Maj • 04:16 • -14db
18% Popularity • 44% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 44% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Chico Hamilton Quintet
Passin' Thru
142 bpm • D Maj • 08:19 • -12.22db
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Lenny White
Ritmo Loco
142 bpm • D Maj • 01:18 • -17.66db
25% Popularity • 51% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
25% Popularity • 51% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
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The Headhunters
Here And Now
141 bpm • A# min • 07:06 • -9.57db
10% Popularity • 39% Danceability • 56% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
10% Popularity • 39% Danceability • 56% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
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Charles Kynard
Afro-Disiac
147 bpm • A# Maj • 04:58 • -16.68db
20% Popularity • 63% Danceability • 49% Energy • 7% Liveness
92% Instrumentalness • 87% Positiveness
20% Popularity • 63% Danceability • 49% Energy • 7% Liveness
92% Instrumentalness • 87% Positiveness
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Walter Bishop, Jr.
Coral Keys
141 bpm • D min • 05:37 • -21.15db
10% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
10% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
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Paul Horn
Impropture - Live
141 bpm • C Maj • 02:28 • -23.65db
1% Popularity • 46% Danceability • 3% Energy • 10% Liveness
42% Instrumentalness • 48% Positiveness
1% Popularity • 46% Danceability • 3% Energy • 10% Liveness
42% Instrumentalness • 48% Positiveness
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Marion Brown
Maimoun
141 bpm • C Maj • 07:33 • -10.91db
15% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
15% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
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Reuben Wilson
I Say A Little Prayer
141 bpm • A# Maj • 08:10 • -11.21db
8% Popularity • 67% Danceability • 54% Energy • 6% Liveness
87% Instrumentalness • 83% Positiveness
8% Popularity • 67% Danceability • 54% Energy • 6% Liveness
87% Instrumentalness • 83% Positiveness
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Jeremy Steig
Mint Tea
148 bpm • F min • 05:20 • -12.69db
11% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Jack DeJohnette
Epilog
148 bpm • B min • 03:14 • -12.35db
32% Popularity • 68% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 97% Positiveness
32% Popularity • 68% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 97% Positiveness
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Larry Coryell
Spaces (Infinite)
148 bpm • D Maj • 09:23 • -16.26db
10% Popularity • 36% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 29% Positiveness
10% Popularity • 36% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 29% Positiveness
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Wayne Shorter
Beauty and the Beast
140 bpm • G min • 05:04 • -7db
30% Popularity • 67% Danceability • 57% Energy • 6% Liveness
50% Instrumentalness • 65% Positiveness
30% Popularity • 67% Danceability • 57% Energy • 6% Liveness
50% Instrumentalness • 65% Positiveness
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Bennie Maupin
Water Torture
148 bpm • C Maj • 04:53 • -14db
20% Popularity • 46% Danceability • 39% Energy • 10% Liveness
77% Instrumentalness • 48% Positiveness
20% Popularity • 46% Danceability • 39% Energy • 10% Liveness
77% Instrumentalness • 48% Positiveness
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Steve Kuhn
A Change Of Face
149 bpm • C min • 04:58 • -10.05db
22% Popularity • 31% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
22% Popularity • 31% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Lenny White
Rapid Transit
149 bpm • B min • 03:58 • -12.94db
9% Popularity • 36% Danceability • 94% Energy • 41% Liveness
85% Instrumentalness • 38% Positiveness
9% Popularity • 36% Danceability • 94% Energy • 41% Liveness
85% Instrumentalness • 38% Positiveness
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Joe Farrell
Come Rain or Come Shine
139 bpm • G Maj • 03:21 • -10.23db
2% Popularity • 57% Danceability • 9% Energy • 10% Liveness
30% Instrumentalness • 56% Positiveness
2% Popularity • 57% Danceability • 9% Energy • 10% Liveness
30% Instrumentalness • 56% Positiveness
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Eddie Harris
Happy Gemini
139 bpm • C# Maj • 03:00 • -15.74db
17% Popularity • 85% Danceability • 38% Energy • 6% Liveness
75% Instrumentalness • 79% Positiveness
17% Popularity • 85% Danceability • 38% Energy • 6% Liveness
75% Instrumentalness • 79% Positiveness
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Azar Lawrence
Forces Of Nature
150 bpm • B Maj • 08:40 • -8.75db
12% Popularity • 37% Danceability • 84% Energy • 29% Liveness
6% Instrumentalness • 52% Positiveness
12% Popularity • 37% Danceability • 84% Energy • 29% Liveness
6% Instrumentalness • 52% Positiveness
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John Klemmer
Utopia: Man's Dream, Part 2
138 bpm • A# Maj • 03:50 • -20.16db
8% Popularity • 40% Danceability • 9% Energy • 70% Liveness
10% Instrumentalness • 28% Positiveness
8% Popularity • 40% Danceability • 9% Energy • 70% Liveness
10% Instrumentalness • 28% Positiveness
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Reuben Wilson
Stormy - Remastered 1997
138 bpm • E min • 05:46 • -12db
11% Popularity • 75% Danceability • 52% Energy • 32% Liveness
87% Instrumentalness • 87% Positiveness
11% Popularity • 75% Danceability • 52% Energy • 32% Liveness
87% Instrumentalness • 87% Positiveness
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Pat Martino
Impressions
150 bpm • A min • 04:34 • -12.74db
24% Popularity • 31% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
24% Popularity • 31% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
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Joe Farrell
Besame Mucho
149 bpm • D Maj • 07:22 • -11.16db
2% Popularity • 59% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
2% Popularity • 59% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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Denny Zeitlin
Repeat
138 bpm • G# Maj • 03:17 • -18.47db
9% Popularity • 50% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 48% Positiveness
9% Popularity • 50% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 48% Positiveness
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Big John Patton
Soul Woman
138 bpm • G# min • 07:42 • -9.56db
14% Popularity • 56% Danceability • 63% Energy • 12% Liveness
51% Instrumentalness • 74% Positiveness
14% Popularity • 56% Danceability • 63% Energy • 12% Liveness
51% Instrumentalness • 74% Positiveness
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Junior Mance
Tin Tin Deo
138 bpm • F min • 04:39 • -15.54db
30% Popularity • 61% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 83% Positiveness
30% Popularity • 61% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 83% Positiveness
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Charles Kynard
Shout
138 bpm • F Maj • 06:23 • -9.97db
8% Popularity • 60% Danceability • 70% Energy • 23% Liveness
45% Instrumentalness • 92% Positiveness
8% Popularity • 60% Danceability • 70% Energy • 23% Liveness
45% Instrumentalness • 92% Positiveness
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The Jazz Crusaders
Rainy Night In Georgia
151 bpm • F min • 04:09 • -8.22db
12% Popularity • 49% Danceability • 73% Energy • 37% Liveness
6% Instrumentalness • 67% Positiveness
12% Popularity • 49% Danceability • 73% Energy • 37% Liveness
6% Instrumentalness • 67% Positiveness
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Joe Farrell
Time's Lie
138 bpm • C# min • 08:29 • -10.46db
6% Popularity • 44% Danceability • 54% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
6% Popularity • 44% Danceability • 54% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Eddie Henderson
Involuntary Bliss
137 bpm • C# min • 06:52 • -9.44db
7% Popularity • 30% Danceability • 57% Energy • 9% Liveness
79% Instrumentalness • 50% Positiveness
7% Popularity • 30% Danceability • 57% Energy • 9% Liveness
79% Instrumentalness • 50% Positiveness
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Art Farmer
Siddhartha
137 bpm • D min • 07:38 • -14db
22% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
22% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
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Art Blakey & The Jazz Messengers
Reflections In Blue
136 bpm • G# Maj • 04:48 • -9.61db
8% Popularity • 55% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
8% Popularity • 55% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
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Woody Shaw
Think On Me
136 bpm • A# Maj • 10:50 • -12.84db
19% Popularity • 44% Danceability • 35% Energy • 15% Liveness
26% Instrumentalness • 36% Positiveness
19% Popularity • 44% Danceability • 35% Energy • 15% Liveness
26% Instrumentalness • 36% Positiveness
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Jimmy McGriff
Heavy Weight
136 bpm • C# Maj • 06:52 • -10.44db
10% Popularity • 43% Danceability • 70% Energy • 20% Liveness
66% Instrumentalness • 42% Positiveness
10% Popularity • 43% Danceability • 70% Energy • 20% Liveness
66% Instrumentalness • 42% Positiveness
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Joe Farrell
Shrdlu's Blues
136 bpm • A Maj • 03:17 • -13.36db
1% Popularity • 44% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 44% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Jazz Crusaders
Freedom Sound
136 bpm • F min • 08:23 • -12.81db
14% Popularity • 54% Danceability • 40% Energy • 22% Liveness
39% Instrumentalness • 68% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 22% Liveness
39% Instrumentalness • 68% Positiveness
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Weather Report
Mr. Gone
136 bpm • C Maj • 05:19 • -12.14db
5% Popularity • 38% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 38% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jack McDuff
Teardrops from My Eyes
136 bpm • A# Maj • 02:00 • -11.57db
20% Popularity • 71% Danceability • 49% Energy • 6% Liveness
87% Instrumentalness • 58% Positiveness
20% Popularity • 71% Danceability • 49% Energy • 6% Liveness
87% Instrumentalness • 58% Positiveness
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Milt Jackson
I'm Not So Sure
136 bpm • A# min • 07:55 • -16.69db
9% Popularity • 45% Danceability • 45% Energy • 9% Liveness
46% Instrumentalness • 85% Positiveness
9% Popularity • 45% Danceability • 45% Energy • 9% Liveness
46% Instrumentalness • 85% Positiveness
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Harold Land Quintet
The Peace-Maker
136 bpm • F min • 05:07 • -16.67db
13% Popularity • 45% Danceability • 19% Energy • 6% Liveness
3% Instrumentalness • 37% Positiveness
13% Popularity • 45% Danceability • 19% Energy • 6% Liveness
3% Instrumentalness • 37% Positiveness
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Horace Silver Quintet
The Happy Medium
135 bpm • A# Maj • 04:56 • -7.54db
9% Popularity • 50% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 63% Positiveness
9% Popularity • 50% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 63% Positiveness
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Joe Farrell
Arab Arab
135 bpm • C Maj • 09:56 • -7.49db
2% Popularity • 41% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 41% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Oliver Nelson
Flight For Freedom
135 bpm • A# Maj • 04:31 • -7.88db
12% Popularity • 48% Danceability • 68% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
12% Popularity • 48% Danceability • 68% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
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Tony Williams
Mr. Spock
153 bpm • F# min • 06:13 • -14db
15% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 49% Positiveness
15% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 49% Positiveness
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Horace Silver
Summer In Central Park - Remastered
135 bpm • D min • 04:41 • -12.77db
34% Popularity • 52% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
34% Popularity • 52% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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David Axelrod
1,000 Rads
153 bpm • F min • 08:07 • -11.54db
8% Popularity • 71% Danceability • 56% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
8% Popularity • 71% Danceability • 56% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
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Richard "Groove" Holmes
Mama's Groove
154 bpm • A# min • 07:07 • -13.35db
8% Popularity • 41% Danceability • 70% Energy • 30% Liveness
88% Instrumentalness • 93% Positiveness
8% Popularity • 41% Danceability • 70% Energy • 30% Liveness
88% Instrumentalness • 93% Positiveness
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Weather Report
Cannon Ball
135 bpm • D# Maj • 04:35 • -17db
18% Popularity • 35% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
18% Popularity • 35% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
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Gary Bartz
For My Baby
154 bpm • A min • 04:58 • -7.71db
8% Popularity • 42% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 42% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Blue Mitchell
Soul Turn Around
154 bpm • G min • 04:23 • -11.66db
7% Popularity • 53% Danceability • 83% Energy • 16% Liveness
72% Instrumentalness • 80% Positiveness
7% Popularity • 53% Danceability • 83% Energy • 16% Liveness
72% Instrumentalness • 80% Positiveness
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Larry Coryell
Birdfingers
154 bpm • F min • 03:10 • -10db
25% Popularity • 43% Danceability • 91% Energy • 5% Liveness
81% Instrumentalness • 69% Positiveness
25% Popularity • 43% Danceability • 91% Energy • 5% Liveness
81% Instrumentalness • 69% Positiveness
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Charles Earland
Here Comes Charlie - Instrumental
134 bpm • C min • 08:17 • -9.06db
11% Popularity • 66% Danceability • 67% Energy • 11% Liveness
45% Instrumentalness • 74% Positiveness
11% Popularity • 66% Danceability • 67% Energy • 11% Liveness
45% Instrumentalness • 74% Positiveness
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Horace Silver
The Jody Grind
154 bpm • F min • 05:50 • -9db
32% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Ronnie Foster
Tuesday Heartbreak
154 bpm • F min • 04:51 • -12db
17% Popularity • 41% Danceability • 67% Energy • 7% Liveness
77% Instrumentalness • 80% Positiveness
17% Popularity • 41% Danceability • 67% Energy • 7% Liveness
77% Instrumentalness • 80% Positiveness
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Richard "Groove" Holmes
Theme From "Love Story" - Remastered
134 bpm • G min • 03:38 • -11db
15% Popularity • 53% Danceability • 48% Energy • 16% Liveness
86% Instrumentalness • 66% Positiveness
15% Popularity • 53% Danceability • 48% Energy • 16% Liveness
86% Instrumentalness • 66% Positiveness
► Preview
Weather Report
Morning Lake
134 bpm • C Maj • 04:24 • -16.73db
18% Popularity • 41% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 41% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Gary Bartz
Uhuru Sasa
134 bpm • G Maj • 02:19 • -12.7db
16% Popularity • 62% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 62% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 72% Positiveness
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Mark Murphy
On The Red Clay
134 bpm • A# min • 04:38 • -7.55db
12% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Charles Earland
Black Talk - Rudy Van Gelder Remaster
133 bpm • C Maj • 07:49 • -7.79db
22% Popularity • 69% Danceability • 75% Energy • 21% Liveness
79% Instrumentalness • 94% Positiveness
22% Popularity • 69% Danceability • 75% Energy • 21% Liveness
79% Instrumentalness • 94% Positiveness
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Roy Ayers Ubiquity
He's Coming
156 bpm • A# Maj • 06:17 • -15.45db
10% Popularity • 42% Danceability • 54% Energy • 23% Liveness
55% Instrumentalness • 96% Positiveness
10% Popularity • 42% Danceability • 54% Energy • 23% Liveness
55% Instrumentalness • 96% Positiveness
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O'Donel Levy
Call Me
133 bpm • A# Maj • 04:03 • -15.51db
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 92% Positiveness
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 92% Positiveness
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The Awakening
Kera's Dance
133 bpm • A Maj • 10:03 • -18.03db
11% Popularity • 53% Danceability • 30% Energy • 22% Liveness
81% Instrumentalness • 43% Positiveness
11% Popularity • 53% Danceability • 30% Energy • 22% Liveness
81% Instrumentalness • 43% Positiveness
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Max Roach
Abstrutions
156 bpm • C# min • 03:38 • -13.66db
23% Popularity • 62% Danceability • 42% Energy • 64% Liveness
88% Instrumentalness • 64% Positiveness
23% Popularity • 62% Danceability • 42% Energy • 64% Liveness
88% Instrumentalness • 64% Positiveness
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Gene Ammons
Jungle Strut
133 bpm • D# min • 05:11 • -14db
28% Popularity • 65% Danceability • 62% Energy • 5% Liveness
12% Instrumentalness • 55% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 5% Liveness
12% Instrumentalness • 55% Positiveness
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The Cannonball Adderley Quintet
My Lady Blue - Instrumental
133 bpm • B min • 04:45 • -17.01db
11% Popularity • 62% Danceability • 34% Energy • 13% Liveness
50% Instrumentalness • 71% Positiveness
11% Popularity • 62% Danceability • 34% Energy • 13% Liveness
50% Instrumentalness • 71% Positiveness
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Ronnie Foster
Serenade To A Rock
133 bpm • C Maj • 06:15 • -11.16db
9% Popularity • 73% Danceability • 51% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
9% Popularity • 73% Danceability • 51% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
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Andrew Hill
Soul Special
132 bpm • D# Maj • 08:22 • -11.37db
9% Popularity • 62% Danceability • 46% Energy • 9% Liveness
11% Instrumentalness • 77% Positiveness
9% Popularity • 62% Danceability • 46% Energy • 9% Liveness
11% Instrumentalness • 77% Positiveness
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The Brecker Brothers
A Creature of Many Faces
132 bpm • F Maj • 07:40 • -5.38db
14% Popularity • 61% Danceability • 54% Energy • 31% Liveness
88% Instrumentalness • 36% Positiveness
14% Popularity • 61% Danceability • 54% Energy • 31% Liveness
88% Instrumentalness • 36% Positiveness
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Leon Spencer
Where I’m Coming From
157 bpm • G Maj • 05:37 • -19db
13% Popularity • 62% Danceability • 42% Energy • 8% Liveness
71% Instrumentalness • 72% Positiveness
13% Popularity • 62% Danceability • 42% Energy • 8% Liveness
71% Instrumentalness • 72% Positiveness
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Tony Williams
Million Dollar Legs
132 bpm • F Maj • 06:35 • -15.45db
11% Popularity • 44% Danceability • 67% Energy • 16% Liveness
40% Instrumentalness • 77% Positiveness
11% Popularity • 44% Danceability • 67% Energy • 16% Liveness
40% Instrumentalness • 77% Positiveness
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Jimmy McGriff
Tight Times
157 bpm • C Maj • 03:58 • -7.65db
14% Popularity • 69% Danceability • 66% Energy • 8% Liveness
9% Instrumentalness • 80% Positiveness
14% Popularity • 69% Danceability • 66% Energy • 8% Liveness
9% Instrumentalness • 80% Positiveness
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Eddie Henderson
Kudu
132 bpm • F# Maj • 06:06 • -11db
14% Popularity • 51% Danceability • 73% Energy • 17% Liveness
83% Instrumentalness • 55% Positiveness
14% Popularity • 51% Danceability • 73% Energy • 17% Liveness
83% Instrumentalness • 55% Positiveness
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Joe Farrell
Silver Lace
132 bpm • G# Maj • 08:14 • -9.51db
2% Popularity • 48% Danceability • 52% Energy • 12% Liveness
7% Instrumentalness • 47% Positiveness
2% Popularity • 48% Danceability • 52% Energy • 12% Liveness
7% Instrumentalness • 47% Positiveness
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Calvin Keys
B. K.
132 bpm • G Maj • 09:20 • -13.14db
11% Popularity • 60% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 76% Positiveness
11% Popularity • 60% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 76% Positiveness
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Oscar Peterson Quartet
Dancin' Feet
132 bpm • A# Maj • 06:18 • -16.94db
13% Popularity • 50% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
13% Popularity • 50% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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The Jazz Crusaders
Jackson!
132 bpm • D# Maj • 02:44 • -9.45db
28% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Azar Lawrence
The Awakening
131 bpm • B min • 06:46 • -7.79db
14% Popularity • 45% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
14% Popularity • 45% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Eddie Henderson
Galaxy
158 bpm • D# Maj • 06:36 • -11db
8% Popularity • 36% Danceability • 68% Energy • 7% Liveness
78% Instrumentalness • 33% Positiveness
8% Popularity • 36% Danceability • 68% Energy • 7% Liveness
78% Instrumentalness • 33% Positiveness
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Joe Farrell
Night Dancing
131 bpm • G# Maj • 05:47 • -6.04db
3% Popularity • 68% Danceability • 92% Energy • 6% Liveness
87% Instrumentalness • 88% Positiveness
3% Popularity • 68% Danceability • 92% Energy • 6% Liveness
87% Instrumentalness • 88% Positiveness
