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Wedding Ring
Songs like
Wedding Ring
by
Glen Hansard
Based on a tempo of (+/- 10%) and a similar genre
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The Frames
Fitzcarraldo
149 bpm • D Maj • 09:40 • -10.09db
5% Popularity • 33% Danceability • 47% Energy • 70% Liveness
2% Instrumentalness • 27% Positiveness
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John Paul White
Black Leaf
149 bpm • B Maj • 03:00 • -20db
27% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tom Francis
Upon These Stones
149 bpm • C min • 04:18 • -14db
32% Popularity • 58% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 20% Positiveness
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Iron & Wine
Song in Stone
149 bpm • F Maj • 03:21 • -10.62db
36% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Brandi Carlile
Whatever You Do
149 bpm • G Maj • 04:07 • -8db
41% Popularity • 41% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Glen Hansard
Wedding Ring
149 bpm • E Maj • 04:47 • -13db
35% Popularity • 48% Danceability • 38% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
36% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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King Charles
Gamble for a Rose
148 bpm • B Maj • 04:30 • -4.71db
35% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Colm Mac Con Iomaire
Let It Go
150 bpm • A Maj • 02:01 • -15db
29% Popularity • 44% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew And The Atlas
On A Midnight Street - Acoustic Version
150 bpm • D Maj • 03:33 • -13db
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Sam Amidon
I Wish I Wish
148 bpm • D Maj • 02:47 • -13.4db
24% Popularity • 50% Danceability • 26% Energy • 7% Liveness
37% Instrumentalness • 40% Positiveness
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Glen Hansard
You Will Become
148 bpm • B min • 03:48 • -17.21db
6% Popularity • 41% Danceability • 23% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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The Milk Carton Kids
There by Your Side
151 bpm • C Maj • 04:04 • -19.53db
25% Popularity • 48% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Aoife O'Donovan
Nebraska - Acoustic
148 bpm • D Maj • 03:48 • -13db
37% Popularity • 52% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Mic Christopher
You Ain't Goin' Nowhere - Live At The Lo...
147 bpm • C Maj • 05:04 • -9.95db
3% Popularity • 34% Danceability • 44% Energy • 81% Liveness
0% Instrumentalness • 51% Positiveness
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Stu Larsen
Skin & Bone
151 bpm • C Maj • 05:51 • -9.84db
29% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Damien Jurado
Little Jackson
147 bpm • C Maj • 02:29 • -9.43db
19% Popularity • 32% Danceability • 56% Energy • 15% Liveness
33% Instrumentalness • 49% Positiveness
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Glen Hansard
Talking With The Wolves
148 bpm • B min • 04:43 • -12.51db
4% Popularity • 69% Danceability • 48% Energy • 10% Liveness
20% Instrumentalness • 57% Positiveness
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The Milk Carton Kids
Shooting Shadows
151 bpm • C min • 03:40 • -15db
25% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Brett Dennen
Bonfire
147 bpm • G# Maj • 03:25 • -9.46db
22% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Joy Williams
Till Forever (Acoustic)
152 bpm • A Maj • 03:55 • -11db
35% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Frames
Look Back Now
146 bpm • D Maj • 04:15 • -15.63db
4% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Austin Basham
See You Soon
152 bpm • A# Maj • 03:58 • -9.21db
26% Popularity • 29% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Glen Hansard
Why Woman
147 bpm • E Maj • 03:03 • -8.19db
48% Popularity • 41% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Rod Ladgrove
How Many Times
146 bpm • G Maj • 02:39 • -6.74db
26% Popularity • 62% Danceability • 52% Energy • 30% Liveness
1% Instrumentalness • 26% Positiveness
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Ciaran Lavery
Your Artist
146 bpm • F Maj • 03:48 • -12db
21% Popularity • 65% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
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Peter Bradley Adams
Hey Believers
146 bpm • D# Maj • 03:58 • -14.65db
28% Popularity • 56% Danceability • 19% Energy • 12% Liveness
11% Instrumentalness • 20% Positiveness
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The Frames
What Happens When the Heart Just Stops
145 bpm • C Maj • 05:12 • -14.56db
3% Popularity • 43% Danceability • 14% Energy • 81% Liveness
0% Instrumentalness • 36% Positiveness
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Aoife O'Donovan
Stanley Park
145 bpm • C# Maj • 02:50 • -11db
43% Popularity • 47% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Glen Hansard
Bird Of Sorrow
147 bpm • C# min • 05:50 • -11.31db
9% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Noah Gundersen
First Defeat
144 bpm • F Maj • 04:03 • -11db
46% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Mastersons
I Found You
144 bpm • F Maj • 04:49 • -11.15db
10% Popularity • 45% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Peter Bradley Adams
Come Tomorrow
145 bpm • B min • 04:16 • -16.43db
38% Popularity • 66% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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John Joseph Brill
The Grape and the Grain
144 bpm • G Maj • 02:51 • -17.94db
8% Popularity • 62% Danceability • 19% Energy • 11% Liveness
15% Instrumentalness • 44% Positiveness
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Ben Taylor
I Try
144 bpm • F# Maj • 02:32 • -14db
42% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
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Glen Hansard
Lowly Deserter
152 bpm • C min • 03:02 • -5db
27% Popularity • 46% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Isbells
Dreamer
154 bpm • G# Maj • 04:25 • -13.13db
40% Popularity • 63% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 43% Positiveness
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Teitur
I Was Just Thinking
154 bpm • F# Maj • 03:31 • -12db
32% Popularity • 46% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Head And The Heart
Simple Man - Recorded at Spotify Studios...
144 bpm • C Maj • 02:18 • -11.12db
32% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Alexi Murdoch
Song For You
155 bpm • E Maj • 04:17 • -25.11db
52% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Donovan Woods
On The Nights You Stay Home
155 bpm • D Maj • 03:49 • -10db
25% Popularity • 68% Danceability • 60% Energy • 10% Liveness
10% Instrumentalness • 76% Positiveness
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Glen Hansard
One Of Us Will Lose
145 bpm • E Maj • 03:28 • -8.5db
18% Popularity • 40% Danceability • 61% Energy • 11% Liveness
53% Instrumentalness • 30% Positiveness
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Ian Britt
The Shape Of Us
143 bpm • A Maj • 04:16 • -12db
30% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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You+Me
Open Door
156 bpm • F# Maj • 03:41 • -13db
31% Popularity • 36% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Beta Radio
Sitting Room
143 bpm • G# Maj • 04:09 • -14db
42% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Peter Bradley Adams
I Cannot Settle Down
156 bpm • C Maj • 03:53 • -12.42db
34% Popularity • 54% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Josh Ritter
Best For The Best
142 bpm • E Maj • 03:58 • -10.39db
10% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Glen Hansard
Renata
144 bpm • C Maj • 04:13 • -7.02db
2% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Staves
Rain City
156 bpm • F Maj • 03:38 • -15.27db
14% Popularity • 25% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Erin Rae
Playing Old Games
142 bpm • C Maj • 03:29 • -8.27db
27% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Damien Rice
I Don't Want to Change You
142 bpm • E min • 05:26 • -9.7db
46% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Hudson Taylor
Old Soul (acoustic)
141 bpm • D Maj • 04:42 • -8.33db
40% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Glen Hansard
This Gift
144 bpm • A# Maj • 04:47 • -7.96db
32% Popularity • 44% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Peter Bradley Adams
Lorraine
141 bpm • E Maj • 04:33 • -9.27db
31% Popularity • 61% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Bruno Merz
Highways
141 bpm • G Maj • 04:33 • -15.7db
14% Popularity • 67% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Dylan LeBlanc
Easy Way Out
158 bpm • A min • 04:37 • -8.8db
35% Popularity • 56% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Mic Christopher
I've Got Your Back - Live At The Lobby
141 bpm • E Maj • 04:03 • -8.61db
1% Popularity • 40% Danceability • 48% Energy • 94% Liveness
0% Instrumentalness • 44% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Glen Hansard
Sleeping
144 bpm • D Maj • 03:36 • -14.21db
21% Popularity • 37% Danceability • 12% Energy • 31% Liveness
1% Instrumentalness • 29% Positiveness
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The Milk Carton Kids
A Sea of Roses
141 bpm • F# Maj • 03:19 • -17.15db
33% Popularity • 52% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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The Frames
Sickbeds
140 bpm • E Maj • 04:12 • -14.89db
3% Popularity • 48% Danceability • 27% Energy • 20% Liveness
63% Instrumentalness • 16% Positiveness
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Peter Bradley Adams
New Orleans
140 bpm • D Maj • 03:25 • -10.61db
22% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Daniel Martin Moore
Golden Age
140 bpm • A# Maj • 03:37 • -11.66db
16% Popularity • 38% Danceability • 22% Energy • 11% Liveness
34% Instrumentalness • 9% Positiveness
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Beta Radio
On the Frame
140 bpm • F Maj • 03:39 • -13.99db
42% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Glen Hansard
Stay the Road
140 bpm • D Maj • 04:01 • -14.46db
20% Popularity • 62% Danceability • 18% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
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Bahamas
Can't Take You With Me
140 bpm • F Maj • 03:10 • -9db
34% Popularity • 23% Danceability • 30% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
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Andrea von Kampen
Trainsong
159 bpm • E Maj • 02:38 • -10.36db
29% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Nathan Reich
The Dream Song
139 bpm • D# Maj • 04:15 • -15.58db
32% Popularity • 69% Danceability • 16% Energy • 8% Liveness
50% Instrumentalness • 8% Positiveness
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Andrew Combs
I Envy the Wind
139 bpm • C Maj • 03:14 • -15.14db
26% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Gary Jules
Dustcloud and the Honeybees
159 bpm • C Maj • 03:24 • -17.06db
10% Popularity • 55% Danceability • 14% Energy • 10% Liveness
12% Instrumentalness • 52% Positiveness
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Glen Hansard
Lucky Man
156 bpm • G Maj • 04:47 • -6.79db
21% Popularity • 30% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ruth Moody
Make A Change
139 bpm • C# Maj • 04:40 • -18.02db
14% Popularity • 39% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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The Frames
Red Chord
139 bpm • A Maj • 09:34 • -12.19db
3% Popularity • 32% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
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I'm With Her
Be My Husband
160 bpm • C# Maj • 03:15 • -11.03db
28% Popularity • 73% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Bell X1
The Upswing
139 bpm • A Maj • 04:59 • -11.85db
37% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Perrin Lamb
There Is No Me Without You
160 bpm • C Maj • 03:41 • -9.12db
39% Popularity • 56% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Glen Hansard
When Your Mind's Made Up
158 bpm • C Maj • 03:41 • -9db
44% Popularity • 55% Danceability • 49% Energy • 10% Liveness
9% Instrumentalness • 24% Positiveness
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KALEO
All the Pretty Girls - Recorded at Spoti...
139 bpm • C# Maj • 05:07 • -10.07db
46% Popularity • 47% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Emily Barker
Nostalgia
139 bpm • E Maj • 03:48 • -15.83db
31% Popularity • 65% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jakob Dylan
Will It Grow
138 bpm • C# min • 04:49 • -10.82db
26% Popularity • 70% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
54% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Old Sea Brigade
We Belong
138 bpm • D Maj • 03:49 • -13.68db
42% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Glen Hansard
Leave A Light
139 bpm • D# Maj • 04:25 • -11.47db
26% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Rhiannon Giddens
Forever Young
138 bpm • G Maj • 04:21 • -11db
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Iron & Wine
Thomas County Law
161 bpm • D Maj • 03:24 • -11.17db
42% Popularity • 52% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 68% Positiveness
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Andrew Combs
Lauralee
138 bpm • F# Maj • 03:55 • -8db
25% Popularity • 59% Danceability • 44% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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The Civil Wars
Dust to Dust - Acoustic
138 bpm • C# Maj • 03:43 • -17.11db
23% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Josh Ritter
Miles Away
138 bpm • D# Maj • 03:53 • -7.17db
38% Popularity • 56% Danceability • 58% Energy • 10% Liveness
36% Instrumentalness • 20% Positiveness
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Glen Hansard
Time Will Be The Healer
139 bpm • B min • 04:26 • -9db
34% Popularity • 42% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Stu Larsen
The Black Tree
138 bpm • E Maj • 03:39 • -16.38db
26% Popularity • 49% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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The War On Drugs
Accidentally Like a Martyr - Recorded at...
137 bpm • F Maj • 04:17 • -10.88db
32% Popularity • 50% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Denison Witmer
Constant Muse
137 bpm • E Maj • 03:50 • -14.97db
17% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Bradley Adams
Good Man
137 bpm • G# Maj • 03:28 • -14db
39% Popularity • 77% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Mancub Babywoman
A Little Too Much
162 bpm • F Maj • 03:58 • -10.32db
12% Popularity • 63% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Glen Hansard
Movin' On
138 bpm • E min • 05:15 • -9.13db
19% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ira Wolf
Great Divide
162 bpm • F Maj • 04:01 • -9.03db
42% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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J. Tillman
Love No Less Worthy
136 bpm • A# Maj • 03:13 • -18.91db
28% Popularity • 58% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ford Turrell
The Heaviest Stars
136 bpm • F Maj • 03:58 • -15.57db
19% Popularity • 54% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ruth Moody
One and Only
136 bpm • D Maj • 04:54 • -11.18db
19% Popularity • 54% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Wedding Ring