Songs like Weeping Willow by Ray LaMontagne
Based on a tempo of (+/- 10%) and a similar genre
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Tom West
A Folk Singer From Outer Space
131 bpm • D# Maj • 04:10 • -9.33db
19% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Ray LaMontagne
Weeping Willow
131 bpm • A Maj • 03:22 • -12db
27% Popularity • 53% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 53% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Jenn Grant
Keep a Light On
131 bpm • F# Maj • 03:06 • -8.59db
37% Popularity • 59% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 59% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Hush Kids
All My Love
132 bpm • C Maj • 03:43 • -12db
33% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Valerie June
Fallin'
130 bpm • C Maj • 03:18 • -12db
23% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Dawes
Crack The Case
130 bpm • F Maj • 05:54 • -10db
40% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Ruston Kelly
Rubber
130 bpm • E Maj • 03:18 • -9db
34% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ray LaMontagne
Let's Make It Last
131 bpm • D# Maj • 04:27 • -16.18db
33% Popularity • 52% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
33% Popularity • 52% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Robert John Ardiff
Eskimo Coat
130 bpm • C min • 04:15 • -8.52db
19% Popularity • 64% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
19% Popularity • 64% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
51% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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CALIFORNIA GOLD
Stand Close
130 bpm • C Maj • 04:00 • -6.86db
34% Popularity • 50% Danceability • 45% Energy • 4% Liveness
1% Instrumentalness • 10% Positiveness
34% Popularity • 50% Danceability • 45% Energy • 4% Liveness
1% Instrumentalness • 10% Positiveness
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Gregory Alan Isakov
Saint Valentine
132 bpm • D# Maj • 03:23 • -11db
56% Popularity • 54% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
56% Popularity • 54% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Beta Radio
Sans Land - Acoustic
130 bpm • B Maj • 03:08 • -15.02db
18% Popularity • 45% Danceability • 17% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
18% Popularity • 45% Danceability • 17% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
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Ray LaMontagne
Strong Enough
131 bpm • D Maj • 03:34 • -8.61db
50% Popularity • 72% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
50% Popularity • 72% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Rose Cousins
The Agreement
132 bpm • C Maj • 03:00 • -14.5db
17% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Julian Taylor
Ballad of a Young Troubadour
130 bpm • A# Maj • 05:36 • -9.57db
46% Popularity • 53% Danceability • 51% Energy • 11% Liveness
55% Instrumentalness • 70% Positiveness
46% Popularity • 53% Danceability • 51% Energy • 11% Liveness
55% Instrumentalness • 70% Positiveness
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Robby Hecht
A Night Together
132 bpm • D# Maj • 02:46 • -8db
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Hiss Golden Messenger
Everybody Needs Somebody
129 bpm • B Maj • 03:30 • -7db
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Molly Parden
Kitchen Table
133 bpm • D# Maj • 03:28 • -10db
27% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ray LaMontagne
Are We Really Through
129 bpm • B Maj • 04:59 • -13.99db
30% Popularity • 62% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 62% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Bahamas
Half Your Love
133 bpm • A Maj • 02:23 • -7.03db
37% Popularity • 65% Danceability • 35% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
37% Popularity • 65% Danceability • 35% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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Kris Delmhorst
Wind's Gonna Find a Way
133 bpm • A min • 03:49 • -11db
9% Popularity • 47% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 47% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Hush Kids
Oasis
129 bpm • D Maj • 04:01 • -9.42db
23% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tyler Ramsey
Firewood
128 bpm • D min • 04:32 • -8.34db
11% Popularity • 38% Danceability • 37% Energy • 16% Liveness
11% Instrumentalness • 20% Positiveness
11% Popularity • 38% Danceability • 37% Energy • 16% Liveness
11% Instrumentalness • 20% Positiveness
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Joe Pug
Here Again
134 bpm • B Maj • 01:59 • -13.76db
18% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Iron & Wine
Sweet Talk
134 bpm • G# Maj • 03:38 • -8.23db
14% Popularity • 64% Danceability • 68% Energy • 9% Liveness
16% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 68% Energy • 9% Liveness
16% Instrumentalness • 90% Positiveness
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Dawes
Fisherman's Blues
134 bpm • C Maj • 04:49 • -10.08db
21% Popularity • 62% Danceability • 43% Energy • 14% Liveness
6% Instrumentalness • 34% Positiveness
21% Popularity • 62% Danceability • 43% Energy • 14% Liveness
6% Instrumentalness • 34% Positiveness
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Jeffrey Martin
Billy Burroughs
134 bpm • G# min • 03:55 • -11db
23% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold
128 bpm • B Maj • 03:20 • -10db
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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The Ballroom Thieves
Unlovely
134 bpm • C Maj • 04:19 • -8db
15% Popularity • 41% Danceability • 41% Energy • 31% Liveness
3% Instrumentalness • 29% Positiveness
15% Popularity • 41% Danceability • 41% Energy • 31% Liveness
3% Instrumentalness • 29% Positiveness
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Pieta Brown
We Are Not Machines
128 bpm • C Maj • 04:32 • -12db
8% Popularity • 40% Danceability • 19% Energy • 24% Liveness
14% Instrumentalness • 6% Positiveness
8% Popularity • 40% Danceability • 19% Energy • 24% Liveness
14% Instrumentalness • 6% Positiveness
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The Secret Sisters
Hand Over My Heart
134 bpm • D# Maj • 04:17 • -7.76db
31% Popularity • 60% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 60% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Ray LaMontagne
Paper Man
127 bpm • F# Maj • 04:25 • -9.46db
33% Popularity • 31% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 31% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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The Avett Brothers
Victory
135 bpm • A# Maj • 03:53 • -11.14db
50% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
50% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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JOSEPH
Come On Up To The House
135 bpm • D Maj • 04:00 • -10.5db
18% Popularity • 41% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
18% Popularity • 41% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Bahamas
Not Cool Anymore
127 bpm • F Maj • 02:06 • -9.98db
43% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Courtney Hartman
Nothing We Say
127 bpm • G# Maj • 03:31 • -14.05db
16% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Frankie Lee
Speakeasy
135 bpm • E Maj • 05:20 • -9.15db
24% Popularity • 44% Danceability • 44% Energy • 36% Liveness
12% Instrumentalness • 24% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 36% Liveness
12% Instrumentalness • 24% Positiveness
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Lula Wiles
Leave Me Now
135 bpm • A# Maj • 04:30 • -12.23db
23% Popularity • 39% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
23% Popularity • 39% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Ondara
Good Question
127 bpm • F# Maj • 03:38 • -11.39db
27% Popularity • 55% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 55% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Molly Parden
Who Did You Leave for Me
127 bpm • C Maj • 03:02 • -11.3db
32% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Bahamas
Turn Back Time
127 bpm • A# Maj • 03:27 • -11.45db
29% Popularity • 80% Danceability • 48% Energy • 18% Liveness
4% Instrumentalness • 55% Positiveness
29% Popularity • 80% Danceability • 48% Energy • 18% Liveness
4% Instrumentalness • 55% Positiveness
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Rachel Baiman
I Could've Been Your Lover Too
136 bpm • B min • 03:09 • -10.78db
29% Popularity • 78% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 78% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Ida Mae
Baby I Need A Driver
126 bpm • G Maj • 04:36 • -10.95db
10% Popularity • 52% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 52% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Anaïs Mitchell
Now You Know
126 bpm • B Maj • 03:09 • -11.71db
26% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tyler Ramsey
The Bottom Of The Sea
136 bpm • D Maj • 05:53 • -8.15db
11% Popularity • 66% Danceability • 49% Energy • 12% Liveness
60% Instrumentalness • 36% Positiveness
11% Popularity • 66% Danceability • 49% Energy • 12% Liveness
60% Instrumentalness • 36% Positiveness
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Becca Mancari
Golden
136 bpm • D# Maj • 05:13 • -11.53db
34% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Down Like Silver
Idaho
136 bpm • C# Maj • 03:30 • -15.05db
34% Popularity • 68% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 49% Positiveness
34% Popularity • 68% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 49% Positiveness
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The Avett Brothers
Women Like You
126 bpm • F Maj • 04:13 • -11.61db
29% Popularity • 56% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Kathleen Edwards
Simple Math
126 bpm • F Maj • 04:15 • -7.85db
15% Popularity • 56% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 56% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Hiss Golden Messenger
Down at the Uptown
126 bpm • D Maj • 03:26 • -11.92db
14% Popularity • 56% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 56% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Ray LaMontagne
It's Always Been You
136 bpm • G Maj • 05:35 • -13.37db
32% Popularity • 30% Danceability • 24% Energy • 10% Liveness
25% Instrumentalness • 11% Positiveness
32% Popularity • 30% Danceability • 24% Energy • 10% Liveness
25% Instrumentalness • 11% Positiveness
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Joan Shelley
The Push and Pull
126 bpm • F# Maj • 02:33 • -13db
33% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold - Acoustic
136 bpm • B Maj • 03:05 • -10.33db
14% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Sarah Harmer
Just Get Here
137 bpm • G Maj • 03:41 • -11.77db
23% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Valerie June
With You - A Sweet Little Love Song Demo
125 bpm • G Maj • 02:34 • -14db
41% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Peter Bradley Adams
Good Man
137 bpm • G# Maj • 03:28 • -14db
40% Popularity • 77% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
40% Popularity • 77% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Becca Mancari
Golden (Acoustic)
137 bpm • E Maj • 05:07 • -10.92db
41% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Brent Cobb
Feet Off The Ground
137 bpm • A Maj • 04:18 • -6.5db
44% Popularity • 46% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 46% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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James Vincent McMorrow
Call me back
125 bpm • B Maj • 03:18 • -8.2db
14% Popularity • 82% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 83% Positiveness
14% Popularity • 82% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 83% Positiveness
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Sarah Harmer
St. Peter's Bay
125 bpm • B min • 03:14 • -9db
30% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Down Like Silver
First Light
125 bpm • A min • 03:28 • -13db
37% Popularity • 77% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 77% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Avett Brothers
Tell The Truth
125 bpm • E Maj • 03:22 • -8.5db
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
60% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
60% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Waylon Payne
Santa Ana Winds
125 bpm • G Maj • 04:16 • -9.1db
32% Popularity • 56% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
32% Popularity • 56% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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The Secret Sisters
Nowhere, Baby
138 bpm • D# Maj • 04:39 • -7.71db
20% Popularity • 46% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 46% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Kirby Brown
Sweet Shame
124 bpm • G Maj • 03:02 • -10.82db
24% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Joy Williams
Front Porch
124 bpm • C# Maj • 03:51 • -10.02db
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Avett Brothers
Better Here
138 bpm • D# Maj • 03:50 • -8.22db
25% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Combs
Like A Feather
138 bpm • C Maj • 03:48 • -8.34db
26% Popularity • 57% Danceability • 48% Energy • 16% Liveness
7% Instrumentalness • 54% Positiveness
26% Popularity • 57% Danceability • 48% Energy • 16% Liveness
7% Instrumentalness • 54% Positiveness
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Lillie Mae
Terlingua Girl
138 bpm • D Maj • 04:14 • -7.88db
20% Popularity • 26% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
20% Popularity • 26% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Kathleen Edwards
Take It With You When You Go
124 bpm • C Maj • 03:57 • -9.33db
13% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Lola Kirke
Monster (Acoustic)
138 bpm • A min • 03:58 • -10.25db
7% Popularity • 43% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 43% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
54% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Bahamas
Already Yours
124 bpm • C Maj • 02:05 • -12db
43% Popularity • 66% Danceability • 29% Energy • 18% Liveness
36% Instrumentalness • 53% Positiveness
43% Popularity • 66% Danceability • 29% Energy • 18% Liveness
36% Instrumentalness • 53% Positiveness
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Angel Snow
Handed in My Halo
139 bpm • E min • 03:35 • -9.66db
14% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ray LaMontagne
Hannah
124 bpm • G Maj • 05:42 • -16db
35% Popularity • 62% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
35% Popularity • 62% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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Jill Andrews
The Blues Have Blown Away
123 bpm • C Maj • 02:47 • -9.1db
35% Popularity • 75% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 75% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Craig Cardiff
Lake Michigan
123 bpm • G# Maj • 04:38 • -16.8db
11% Popularity • 40% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 40% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Combs
I Envy the Wind
139 bpm • C Maj • 03:14 • -15.14db
18% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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The Ballroom Thieves
In the Dark
139 bpm • E Maj • 03:34 • -7.51db
21% Popularity • 68% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 68% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Kathleen Edwards
Glenfern
123 bpm • D Maj • 04:30 • -6.16db
33% Popularity • 67% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 67% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Brett Dennen
Comeback Kid (Acoustic)
123 bpm • C Maj • 04:37 • -13db
13% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Ray LaMontagne
God Willin' & the Creek Don't Rise
123 bpm • G Maj • 03:09 • -7.97db
40% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Anna Tivel
Dust and Magic
140 bpm • D Maj • 02:59 • -10.11db
27% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lori McKenna
When You're My Age
140 bpm • B Maj • 05:11 • -8db
37% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Lake Street Dive
I Can Change
140 bpm • C Maj • 03:11 • -12db
52% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ben Harper
Don't Let Me Disappear
140 bpm • G Maj • 04:24 • -12.07db
37% Popularity • 49% Danceability • 46% Energy • 16% Liveness
27% Instrumentalness • 5% Positiveness
37% Popularity • 49% Danceability • 46% Energy • 16% Liveness
27% Instrumentalness • 5% Positiveness
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Kathleen Edwards
Feelings Fade
140 bpm • A min • 03:21 • -9.66db
14% Popularity • 49% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 49% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Dan Mangan
Love You Madly
140 bpm • B Maj • 03:33 • -12.7db
18% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Jeff Tweedy
Guess Again
123 bpm • C Maj • 03:17 • -5.87db
39% Popularity • 64% Danceability • 66% Energy • 11% Liveness
37% Instrumentalness • 51% Positiveness
39% Popularity • 64% Danceability • 66% Energy • 11% Liveness
37% Instrumentalness • 51% Positiveness
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Bahamas
Can't Complain
140 bpm • G Maj • 01:54 • -11.57db
37% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Susto
Daniel
140 bpm • A Maj • 03:40 • -10.64db
28% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Anderson East
Josephine
140 bpm • B Maj • 03:42 • -11.56db
31% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Tré Burt
Caught It from the Rye
122 bpm • G Maj • 03:04 • -7.05db
17% Popularity • 54% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 54% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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The Avett Brothers
Back Into The Light
141 bpm • D Maj • 03:50 • -11.67db
33% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Mason Jennings
Real Heart
122 bpm • D# min • 03:48 • -11.34db
24% Popularity • 68% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 68% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
