Songs like Wein, Weib Und Gesang, Walzer Op.333 (Wine, Woman And Song, Waltz Op.333 / Aimer, Boire Et Chanter, Valse Op.333 / Vino, Donna E Canto, Valzer Op.333 / Vino, Mujeres Y Canciones, Vals Op.333) by Ricci Ferra
Based on a tempo of (+/- 10%) and a similar genre
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Hollywood Big Orchestra
Dr Zivago
185 bpm • G Maj • 02:51 • -9db
38% Popularity • 25% Danceability • 39% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 39% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
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Ricci Ferra
Morgenblätter-Walzer Op.279
185 bpm • A min • 03:50 • -13.87db
5% Popularity • 31% Danceability • 20% Energy • 21% Liveness
10% Instrumentalness • 48% Positiveness
5% Popularity • 31% Danceability • 20% Energy • 21% Liveness
10% Instrumentalness • 48% Positiveness
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Alfred Hause
Roses From The South, Waltz op. 388 - Ro...
185 bpm • A# Maj • 03:09 • -11.68db
21% Popularity • 26% Danceability • 29% Energy • 6% Liveness
80% Instrumentalness • 60% Positiveness
21% Popularity • 26% Danceability • 29% Energy • 6% Liveness
80% Instrumentalness • 60% Positiveness
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Sinfonieorchester des Tschechischen Rundfunks
Walzer, Op. 307: Wiener Bonbons
185 bpm • F Maj • 03:50 • -24db
23% Popularity • 26% Danceability • 9% Energy • 13% Liveness
80% Instrumentalness • 42% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 13% Liveness
80% Instrumentalness • 42% Positiveness
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Mario Battaini
Sulle rive del Danubio azzurro, Op. 314 ...
186 bpm • D Maj • 03:32 • -10.96db
24% Popularity • 52% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
24% Popularity • 52% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
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50 Guitars of Tommy Garrett
Love Me With All Your Heart
184 bpm • G Maj • 02:36 • -12.25db
34% Popularity • 37% Danceability • 35% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
34% Popularity • 37% Danceability • 35% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
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Orchestra The Spv
Viennese Bon - Bons
183 bpm • F Maj • 06:19 • -13.66db
9% Popularity • 30% Danceability • 13% Energy • 25% Liveness
76% Instrumentalness • 22% Positiveness
9% Popularity • 30% Danceability • 13% Energy • 25% Liveness
76% Instrumentalness • 22% Positiveness
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Ricci Ferra
Wein, Weib Und Gesang, Walzer Op.333 (Wi...
185 bpm • A# Maj • 03:51 • -14.42db
14% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
14% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
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Alfred Hause
Walzer Aus Der Streicher-Serenade
184 bpm • G Maj • 03:26 • -15.03db
13% Popularity • 16% Danceability • 33% Energy • 64% Liveness
10% Instrumentalness • 42% Positiveness
13% Popularity • 16% Danceability • 33% Energy • 64% Liveness
10% Instrumentalness • 42% Positiveness
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The New 101 Strings Orchestra
Voices of Spring
183 bpm • F Maj • 02:35 • -12.08db
28% Popularity • 36% Danceability • 11% Energy • 29% Liveness
13% Instrumentalness • 63% Positiveness
28% Popularity • 36% Danceability • 11% Energy • 29% Liveness
13% Instrumentalness • 63% Positiveness
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Kurt Edelhagen
Rock: 46 Takte Pro Minute - Rock A Beati...
183 bpm • F min • 03:37 • -9db
20% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 94% Positiveness
20% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 94% Positiveness
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Gran Orquesta Vienesa
HarmonÃa Celeste
183 bpm • D Maj • 02:58 • -8.01db
14% Popularity • 27% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 48% Positiveness
14% Popularity • 27% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 48% Positiveness
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Dirk Schiefen
Dolannes Melodie
182 bpm • G Maj • 03:08 • -7.82db
31% Popularity • 9% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 25% Positiveness
31% Popularity • 9% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 25% Positiveness
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Ricci Ferra
Rosen Aus Dem Süden, Walzer Op.388 (Ros...
186 bpm • F Maj • 04:28 • -16.33db
5% Popularity • 27% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
5% Popularity • 27% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
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Alfred Hause
Klavierkonzert Nr. 21 - Andante - Elvira...
185 bpm • F Maj • 03:35 • -13.88db
23% Popularity • 14% Danceability • 32% Energy • 29% Liveness
64% Instrumentalness • 11% Positiveness
23% Popularity • 14% Danceability • 32% Energy • 29% Liveness
64% Instrumentalness • 11% Positiveness
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The New 101 Strings Orchestra
A Thousand and One Nights Waltz
181 bpm • A Maj • 01:59 • -11.85db
13% Popularity • 51% Danceability • 12% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
13% Popularity • 51% Danceability • 12% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
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Das Orchester Claudius Alzner
Volare
180 bpm • A# Maj • 02:20 • -12db
30% Popularity • 34% Danceability • 33% Energy • 2% Liveness
36% Instrumentalness • 93% Positiveness
30% Popularity • 34% Danceability • 33% Energy • 2% Liveness
36% Instrumentalness • 93% Positiveness
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Gran Orquesta Vienesa
Bombones de Viena
182 bpm • F Maj • 03:10 • -7db
17% Popularity • 34% Danceability • 40% Energy • 19% Liveness
96% Instrumentalness • 68% Positiveness
17% Popularity • 34% Danceability • 40% Energy • 19% Liveness
96% Instrumentalness • 68% Positiveness
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The Gino Marinello Orchestra
More Than I Can Say
190 bpm • A# Maj • 02:53 • -13.5db
35% Popularity • 42% Danceability • 39% Energy • 16% Liveness
81% Instrumentalness • 35% Positiveness
35% Popularity • 42% Danceability • 39% Energy • 16% Liveness
81% Instrumentalness • 35% Positiveness
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Ricci Ferra
Serenata "Leise Flehen Meine Lieder"
187 bpm • D Maj • 03:40 • -14.55db
3% Popularity • 15% Danceability • 33% Energy • 19% Liveness
95% Instrumentalness • 26% Positiveness
3% Popularity • 15% Danceability • 33% Energy • 19% Liveness
95% Instrumentalness • 26% Positiveness
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Gary Freeman
Il Silencio
190 bpm • A# Maj • 02:54 • -11.09db
41% Popularity • 9% Danceability • 43% Energy • 21% Liveness
88% Instrumentalness • 19% Positiveness
41% Popularity • 9% Danceability • 43% Energy • 21% Liveness
88% Instrumentalness • 19% Positiveness
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Jean Claude Borelly
Stranger in the Night
190 bpm • G min • 03:01 • -8.13db
38% Popularity • 33% Danceability • 52% Energy • 40% Liveness
82% Instrumentalness • 50% Positiveness
38% Popularity • 33% Danceability • 52% Energy • 40% Liveness
82% Instrumentalness • 50% Positiveness
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Studio Tanz Orchester Klaus Hallen
Valse, Op. 66a - (Wiener Waltzer / 60 BP...
180 bpm • F Maj • 02:08 • -10db
15% Popularity • 44% Danceability • 38% Energy • 9% Liveness
71% Instrumentalness • 74% Positiveness
15% Popularity • 44% Danceability • 38% Energy • 9% Liveness
71% Instrumentalness • 74% Positiveness
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Gran Orquesta Vienesa
Olas del Danubio
180 bpm • F Maj • 02:57 • -8db
26% Popularity • 24% Danceability • 41% Energy • 48% Liveness
86% Instrumentalness • 56% Positiveness
26% Popularity • 24% Danceability • 41% Energy • 48% Liveness
86% Instrumentalness • 56% Positiveness
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Cologne Ballroom Orchestra
Chim Chim Cheree - Viennese Waltz
180 bpm • G# min • 02:08 • -14db
21% Popularity • 38% Danceability • 41% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
21% Popularity • 38% Danceability • 41% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
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Ricci Ferra
Geschichten Aus Dem Wienerwald, Op.325 (...
182 bpm • A# Maj • 03:10 • -15.71db
21% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
21% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
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Nikos Constantine
Le Meteque
180 bpm • A Maj • 03:05 • -22.81db
21% Popularity • 48% Danceability • 20% Energy • 9% Liveness
18% Instrumentalness • 44% Positiveness
21% Popularity • 48% Danceability • 20% Energy • 9% Liveness
18% Instrumentalness • 44% Positiveness
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Richard Abel
La Spagnola
180 bpm • F Maj • 02:56 • -11.31db
32% Popularity • 51% Danceability • 25% Energy • 6% Liveness
52% Instrumentalness • 61% Positiveness
32% Popularity • 51% Danceability • 25% Energy • 6% Liveness
52% Instrumentalness • 61% Positiveness
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Combo Alfredo
Zeit für Romantik (time for romantics) ...
180 bpm • C Maj • 03:02 • -11db
17% Popularity • 39% Danceability • 51% Energy • 11% Liveness
49% Instrumentalness • 51% Positiveness
17% Popularity • 39% Danceability • 51% Energy • 11% Liveness
49% Instrumentalness • 51% Positiveness
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Kurt Edelhagen
Foxtrott: 46 Takte Pro Minute - Dinah; W...
180 bpm • F Maj • 02:58 • -10.68db
32% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
32% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
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Ballroom Dance Orchestra
An Der Schonen Blauen Donau - Vienna Wal...
180 bpm • D# Maj • 03:41 • -9.72db
21% Popularity • 54% Danceability • 48% Energy • 26% Liveness
21% Instrumentalness • 79% Positiveness
21% Popularity • 54% Danceability • 48% Energy • 26% Liveness
21% Instrumentalness • 79% Positiveness
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Ricci Ferra
Die Moldau
180 bpm • E min • 04:14 • -11.09db
7% Popularity • 13% Danceability • 32% Energy • 10% Liveness
77% Instrumentalness • 11% Positiveness
7% Popularity • 13% Danceability • 32% Energy • 10% Liveness
77% Instrumentalness • 11% Positiveness
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Band4Dancers
Rosen aus dem Süden, Op. 388
179 bpm • F Maj • 03:33 • -7.56db
10% Popularity • 10% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 27% Positiveness
10% Popularity • 10% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 27% Positiveness
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Ballroom Orchestra and Singers
Sang Viennois (Vals) - Instrumental
179 bpm • C Maj • 04:09 • -9.62db
1% Popularity • 21% Danceability • 39% Energy • 28% Liveness
6% Instrumentalness • 45% Positiveness
1% Popularity • 21% Danceability • 39% Energy • 28% Liveness
6% Instrumentalness • 45% Positiveness
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Gary Freeman
I Left My Heart In San Francisco
191 bpm • C Maj • 02:46 • -10.19db
19% Popularity • 12% Danceability • 41% Energy • 11% Liveness
46% Instrumentalness • 21% Positiveness
19% Popularity • 12% Danceability • 41% Energy • 11% Liveness
46% Instrumentalness • 21% Positiveness
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Kurt Edelhagen
Wiener Walzer: 60 Takte Pro Minute - Wie...
179 bpm • C Maj • 03:07 • -11db
36% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
36% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
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Nikos Ignatiadis
Austrian Alpes
192 bpm • G# Maj • 02:45 • -10.67db
32% Popularity • 29% Danceability • 46% Energy • 29% Liveness
47% Instrumentalness • 30% Positiveness
32% Popularity • 29% Danceability • 46% Energy • 29% Liveness
47% Instrumentalness • 30% Positiveness
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Ballroom Dance Orchestra
Zwei Herzen Im Dreivierteltakt - Vienna ...
180 bpm • C Maj • 02:46 • -11.91db
26% Popularity • 49% Danceability • 60% Energy • 29% Liveness
25% Instrumentalness • 73% Positiveness
26% Popularity • 49% Danceability • 60% Energy • 29% Liveness
25% Instrumentalness • 73% Positiveness
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Ricci Ferra
Wiener Blut, Walzer Op.354 (Vienna Blood...
178 bpm • C Maj • 03:48 • -11.63db
18% Popularity • 28% Danceability • 29% Energy • 34% Liveness
88% Instrumentalness • 52% Positiveness
18% Popularity • 28% Danceability • 29% Energy • 34% Liveness
88% Instrumentalness • 52% Positiveness
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The Manhattan Pops
The Waves of the Danube
178 bpm • F Maj • 02:50 • -11.42db
20% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
20% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
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Fratelli D'Italia
Incanto - Slow Waltz Bpm 30
178 bpm • C Maj • 03:01 • -8.77db
9% Popularity • 15% Danceability • 29% Energy • 28% Liveness
56% Instrumentalness • 19% Positiveness
9% Popularity • 15% Danceability • 29% Energy • 28% Liveness
56% Instrumentalness • 19% Positiveness
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Gran Orquesta Vienesa
Cuentos de los Bosques de Viena
178 bpm • A# Maj • 02:23 • -9.09db
21% Popularity • 33% Danceability • 33% Energy • 64% Liveness
95% Instrumentalness • 47% Positiveness
21% Popularity • 33% Danceability • 33% Energy • 64% Liveness
95% Instrumentalness • 47% Positiveness
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Claudius Alzner
Rock around the clock - How hight the mo...
178 bpm • C Maj • 03:19 • -13.01db
25% Popularity • 45% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 81% Positiveness
25% Popularity • 45% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 81% Positiveness
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Ballroom Dance Orchestra
Rote Rosen - Vienna Waltz
180 bpm • F Maj • 02:53 • -12db
35% Popularity • 36% Danceability • 38% Energy • 13% Liveness
40% Instrumentalness • 64% Positiveness
35% Popularity • 36% Danceability • 38% Energy • 13% Liveness
40% Instrumentalness • 64% Positiveness
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The New 101 Strings Orchestra
Emperor Waltz
177 bpm • C Maj • 02:16 • -9.13db
16% Popularity • 44% Danceability • 19% Energy • 21% Liveness
84% Instrumentalness • 80% Positiveness
16% Popularity • 44% Danceability • 19% Energy • 21% Liveness
84% Instrumentalness • 80% Positiveness
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Dancelife Studio Orchestra
Whatever Will Be Will Be ((Viennese Walt...
177 bpm • A# Maj • 01:24 • -11db
18% Popularity • 39% Danceability • 49% Energy • 29% Liveness
87% Instrumentalness • 96% Positiveness
18% Popularity • 39% Danceability • 49% Energy • 29% Liveness
87% Instrumentalness • 96% Positiveness
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Orquesta Concierto de Viena
Vals del Emperador
177 bpm • C Maj • 03:27 • -15.59db
36% Popularity • 20% Danceability • 16% Energy • 31% Liveness
75% Instrumentalness • 46% Positiveness
36% Popularity • 20% Danceability • 16% Energy • 31% Liveness
75% Instrumentalness • 46% Positiveness
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Ricci Ferra
Impromptu, Op. 90 No.4 As-Major
177 bpm • G# Maj • 03:04 • -16.81db
2% Popularity • 25% Danceability • 16% Energy • 19% Liveness
89% Instrumentalness • 27% Positiveness
2% Popularity • 25% Danceability • 16% Energy • 19% Liveness
89% Instrumentalness • 27% Positiveness
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Alfred Hause
The Blue Danube Waltz opus 314 - Le Beau...
177 bpm • D Maj • 03:40 • -13.39db
32% Popularity • 30% Danceability • 25% Energy • 8% Liveness
62% Instrumentalness • 29% Positiveness
32% Popularity • 30% Danceability • 25% Energy • 8% Liveness
62% Instrumentalness • 29% Positiveness
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Caravelli
Tes Tenders Anneés
176 bpm • A Maj • 02:38 • -9.77db
9% Popularity • 19% Danceability • 40% Energy • 10% Liveness
35% Instrumentalness • 40% Positiveness
9% Popularity • 19% Danceability • 40% Energy • 10% Liveness
35% Instrumentalness • 40% Positiveness
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Orquesta Filarmonica de Rumania
Noches de Viena
176 bpm • D Maj • 02:05 • -9db
38% Popularity • 25% Danceability • 33% Energy • 14% Liveness
90% Instrumentalness • 57% Positiveness
38% Popularity • 25% Danceability • 33% Energy • 14% Liveness
90% Instrumentalness • 57% Positiveness
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Blue Heaven
Que Sera Sera
175 bpm • C Maj • 02:29 • -10db
42% Popularity • 35% Danceability • 48% Energy • 28% Liveness
48% Instrumentalness • 69% Positiveness
42% Popularity • 35% Danceability • 48% Energy • 28% Liveness
48% Instrumentalness • 69% Positiveness
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Orquesta Concierto de Viena
Vinos Mujeres y Canto
177 bpm • A# Maj • 03:08 • -14db
32% Popularity • 30% Danceability • 17% Energy • 11% Liveness
56% Instrumentalness • 48% Positiveness
32% Popularity • 30% Danceability • 17% Energy • 11% Liveness
56% Instrumentalness • 48% Positiveness
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Dirk Schiefen
Trompeten-Medley 1 - Il Silenzio/Wunderl...
196 bpm • A# Maj • 05:16 • -10.89db
16% Popularity • 19% Danceability • 30% Energy • 33% Liveness
87% Instrumentalness • 58% Positiveness
16% Popularity • 19% Danceability • 30% Energy • 33% Liveness
87% Instrumentalness • 58% Positiveness
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World Sound Orchestra
Happy Luxemburg
174 bpm • A# Maj • 02:11 • -6.44db
21% Popularity • 50% Danceability • 71% Energy • 32% Liveness
86% Instrumentalness • 79% Positiveness
21% Popularity • 50% Danceability • 71% Energy • 32% Liveness
86% Instrumentalness • 79% Positiveness
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50 Guitars of Tommy Garrett
You Don't Have To Say You Love Me
197 bpm • F min • 02:44 • -12.32db
38% Popularity • 35% Danceability • 32% Energy • 10% Liveness
75% Instrumentalness • 31% Positiveness
38% Popularity • 35% Danceability • 32% Energy • 10% Liveness
75% Instrumentalness • 31% Positiveness
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Band4Dancers
Wiener Blut, Op. 354
174 bpm • C Maj • 03:28 • -5.76db
16% Popularity • 11% Danceability • 59% Energy • 26% Liveness
94% Instrumentalness • 30% Positiveness
16% Popularity • 11% Danceability • 59% Energy • 26% Liveness
94% Instrumentalness • 30% Positiveness
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Philippe Dubois
Memory
173 bpm • G# Maj • 04:00 • -16.59db
30% Popularity • 14% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 9% Positiveness
30% Popularity • 14% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 9% Positiveness
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Orquesta Concierto de Viena
Sangre Vienesa
177 bpm • B Maj • 02:56 • -14db
36% Popularity • 19% Danceability • 27% Energy • 35% Liveness
27% Instrumentalness • 18% Positiveness
36% Popularity • 19% Danceability • 27% Energy • 35% Liveness
27% Instrumentalness • 18% Positiveness
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Willy Schobben
Viva La Pappa Col Pomodoro
173 bpm • D# Maj • 02:04 • -10db
25% Popularity • 50% Danceability • 64% Energy • 14% Liveness
90% Instrumentalness • 96% Positiveness
25% Popularity • 50% Danceability • 64% Energy • 14% Liveness
90% Instrumentalness • 96% Positiveness
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Gary Freeman
Summertime In Venice
172 bpm • A# Maj • 03:26 • -9.26db
18% Popularity • 17% Danceability • 49% Energy • 41% Liveness
86% Instrumentalness • 18% Positiveness
18% Popularity • 17% Danceability • 49% Energy • 41% Liveness
86% Instrumentalness • 18% Positiveness
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Francis Dupont
Ciribirbin
172 bpm • D# Maj • 03:00 • -14db
26% Popularity • 33% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
26% Popularity • 33% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Pascale Andrews
Viens Me Rejoindre
172 bpm • C Maj • 03:00 • -3.84db
19% Popularity • 20% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 53% Positiveness
19% Popularity • 20% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 53% Positiveness
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Eddie Calvert
Il Silenzio
170 bpm • A# Maj • 03:16 • -11.83db
36% Popularity • 16% Danceability • 35% Energy • 18% Liveness
86% Instrumentalness • 27% Positiveness
36% Popularity • 16% Danceability • 35% Energy • 18% Liveness
86% Instrumentalness • 27% Positiveness
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Orquesta Concierto de Viena
Ondas del Danubio
176 bpm • A min • 03:01 • -15db
39% Popularity • 21% Danceability • 24% Energy • 21% Liveness
78% Instrumentalness • 44% Positiveness
39% Popularity • 21% Danceability • 24% Energy • 21% Liveness
78% Instrumentalness • 44% Positiveness
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Orquesta de Concierto
Sangre Vienesa
201 bpm • C Maj • 03:03 • -7.61db
17% Popularity • 31% Danceability • 50% Energy • 33% Liveness
68% Instrumentalness • 60% Positiveness
17% Popularity • 31% Danceability • 50% Energy • 33% Liveness
68% Instrumentalness • 60% Positiveness
► Preview
Gary Freeman
Dolannes Melodie
171 bpm • C Maj • 03:22 • -11db
36% Popularity • 26% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
36% Popularity • 26% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
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World Sound Orchestra
Happy Music
170 bpm • C# Maj • 02:58 • -6.91db
16% Popularity • 67% Danceability • 95% Energy • 6% Liveness
92% Instrumentalness • 98% Positiveness
16% Popularity • 67% Danceability • 95% Energy • 6% Liveness
92% Instrumentalness • 98% Positiveness
► Preview
Francis Dupont
Dolannes Melodie
172 bpm • D# Maj • 03:23 • -12db
27% Popularity • 46% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 46% Positiveness
27% Popularity • 46% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 46% Positiveness
► Preview
Pascale Andrews
Toutes Les Femmes Sont Belles
171 bpm • C Maj • 03:43 • -5db
32% Popularity • 44% Danceability • 62% Energy • 11% Liveness
82% Instrumentalness • 67% Positiveness
32% Popularity • 44% Danceability • 62% Energy • 11% Liveness
82% Instrumentalness • 67% Positiveness
► Preview
Gentlemen Of Trumpets
Melodia Romantica
202 bpm • F Maj • 02:53 • -7.71db
29% Popularity • 16% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
29% Popularity • 16% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
► Preview
Orquesta Concierto de Viena
Cuentos de Los Bosques de Viena
176 bpm • C Maj • 02:50 • -16db
36% Popularity • 20% Danceability • 17% Energy • 29% Liveness
88% Instrumentalness • 32% Positiveness
36% Popularity • 20% Danceability • 17% Energy • 29% Liveness
88% Instrumentalness • 32% Positiveness
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Gary Freeman
C'Est Si Bon
170 bpm • C Maj • 02:28 • -9db
10% Popularity • 24% Danceability • 41% Energy • 9% Liveness
39% Instrumentalness • 44% Positiveness
10% Popularity • 24% Danceability • 41% Energy • 9% Liveness
39% Instrumentalness • 44% Positiveness
► Preview
Orchestra Grand Cafe
Bummel-Petrus
170 bpm • C Maj • 02:53 • -12.32db
10% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Dirk Schiefen
Santa Lucia
169 bpm • D# Maj • 03:05 • -7.28db
10% Popularity • 9% Danceability • 44% Energy • 18% Liveness
92% Instrumentalness • 21% Positiveness
10% Popularity • 9% Danceability • 44% Energy • 18% Liveness
92% Instrumentalness • 21% Positiveness
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Tol & Tol
Cinderella's Waltz
168 bpm • C Maj • 03:18 • -12.03db
21% Popularity • 36% Danceability • 28% Energy • 18% Liveness
4% Instrumentalness • 54% Positiveness
21% Popularity • 36% Danceability • 28% Energy • 18% Liveness
4% Instrumentalness • 54% Positiveness
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Frank Davis Orchestra
Only You
168 bpm • F Maj • 02:37 • -8.72db
17% Popularity • 33% Danceability • 48% Energy • 33% Liveness
52% Instrumentalness • 17% Positiveness
17% Popularity • 33% Danceability • 48% Energy • 33% Liveness
52% Instrumentalness • 17% Positiveness
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Orquesta Concierto de Viena
Los Amaneceres en Austria
174 bpm • A# Maj • 02:33 • -14.45db
34% Popularity • 23% Danceability • 25% Energy • 20% Liveness
95% Instrumentalness • 53% Positiveness
34% Popularity • 23% Danceability • 25% Energy • 20% Liveness
95% Instrumentalness • 53% Positiveness
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Alfred Hause
Blumenwalzer
167 bpm • D Maj • 03:42 • -13.96db
24% Popularity • 25% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 51% Positiveness
24% Popularity • 25% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 51% Positiveness
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Richard Abel
Dolannes Melody
166 bpm • C Maj • 03:24 • -11.46db
28% Popularity • 40% Danceability • 36% Energy • 35% Liveness
89% Instrumentalness • 55% Positiveness
28% Popularity • 40% Danceability • 36% Energy • 35% Liveness
89% Instrumentalness • 55% Positiveness
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Francis Dupont
For Ever Love
166 bpm • F# Maj • 03:50 • -15.55db
23% Popularity • 34% Danceability • 26% Energy • 18% Liveness
24% Instrumentalness • 24% Positiveness
23% Popularity • 34% Danceability • 26% Energy • 18% Liveness
24% Instrumentalness • 24% Positiveness
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Claudius Alzner
Cant help falling in love - Forever and ...
206 bpm • F Maj • 02:49 • -12.21db
35% Popularity • 17% Danceability • 27% Energy • 7% Liveness
14% Instrumentalness • 58% Positiveness
35% Popularity • 17% Danceability • 27% Energy • 7% Liveness
14% Instrumentalness • 58% Positiveness
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Hector Delfosse
Ciao Ciao Bambina
166 bpm • D Maj • 02:29 • -11db
38% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
38% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
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Orquesta Concierto de Viena
Vida de Artistas
172 bpm • C Maj • 03:09 • -13.6db
30% Popularity • 24% Danceability • 25% Energy • 16% Liveness
59% Instrumentalness • 28% Positiveness
30% Popularity • 24% Danceability • 25% Energy • 16% Liveness
59% Instrumentalness • 28% Positiveness
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Dirk Schiefen
Love Story
166 bpm • A min • 03:30 • -8.66db
22% Popularity • 22% Danceability • 48% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
22% Popularity • 22% Danceability • 48% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
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Richard Abel
Charming Waltzes
166 bpm • A# Maj • 04:42 • -9.43db
10% Popularity • 45% Danceability • 40% Energy • 66% Liveness
54% Instrumentalness • 80% Positiveness
10% Popularity • 45% Danceability • 40% Energy • 66% Liveness
54% Instrumentalness • 80% Positiveness
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Kurt Edelhagen
Quickstep: 52 Takte Pro Minute - Spatzen...
208 bpm • D# Maj • 03:50 • -9.79db
21% Popularity • 52% Danceability • 72% Energy • 28% Liveness
89% Instrumentalness • 95% Positiveness
21% Popularity • 52% Danceability • 72% Energy • 28% Liveness
89% Instrumentalness • 95% Positiveness
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Gentlemen Of Trumpets
Aber Dich Gibt's Nur Einmal Für Mich
208 bpm • A# Maj • 03:13 • -4.64db
27% Popularity • 17% Danceability • 56% Energy • 34% Liveness
93% Instrumentalness • 39% Positiveness
27% Popularity • 17% Danceability • 56% Energy • 34% Liveness
93% Instrumentalness • 39% Positiveness
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Gary Freeman
Open Your Heart
164 bpm • A# Maj • 03:28 • -11db
15% Popularity • 24% Danceability • 50% Energy • 22% Liveness
84% Instrumentalness • 26% Positiveness
15% Popularity • 24% Danceability • 50% Energy • 22% Liveness
84% Instrumentalness • 26% Positiveness
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Zantalino y su Orquesta
El Danubio Azul - Le Beau Danube Bleu
163 bpm • D# Maj • 03:56 • -6.07db
14% Popularity • 55% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 49% Positiveness
14% Popularity • 55% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 49% Positiveness
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Francis Dupont
Wonderland by Night
164 bpm • D# Maj • 02:51 • -13db
27% Popularity • 38% Danceability • 47% Energy • 22% Liveness
89% Instrumentalness • 31% Positiveness
27% Popularity • 38% Danceability • 47% Energy • 22% Liveness
89% Instrumentalness • 31% Positiveness
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Nikos Constantine
Zorba The Greek
160 bpm • G Maj • 02:59 • -20.37db
18% Popularity • 36% Danceability • 25% Energy • 7% Liveness
8% Instrumentalness • 41% Positiveness
18% Popularity • 36% Danceability • 25% Energy • 7% Liveness
8% Instrumentalness • 41% Positiveness
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Richard Abel
Valses en robes de bal / Waltzes in even...
162 bpm • D# Maj • 02:58 • -10.7db
23% Popularity • 49% Danceability • 30% Energy • 33% Liveness
97% Instrumentalness • 58% Positiveness
23% Popularity • 49% Danceability • 30% Energy • 33% Liveness
97% Instrumentalness • 58% Positiveness
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The Romantic Sound Orchestra
Elisabeth-Serenade
160 bpm • C Maj • 03:15 • -11.68db
29% Popularity • 29% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 45% Positiveness
29% Popularity • 29% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 45% Positiveness
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Ballroom Orchestra and Singers
Le Beau Danube Bleu (Vals) - Instrumenta...
160 bpm • C Maj • 03:09 • -12.23db
3% Popularity • 29% Danceability • 26% Energy • 51% Liveness
22% Instrumentalness • 77% Positiveness
3% Popularity • 29% Danceability • 26% Energy • 51% Liveness
22% Instrumentalness • 77% Positiveness
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Jean Claude Borelly
La mélodie du lac d'amour
160 bpm • G min • 03:32 • -7.25db
23% Popularity • 35% Danceability • 56% Energy • 17% Liveness
49% Instrumentalness • 43% Positiveness
23% Popularity • 35% Danceability • 56% Energy • 17% Liveness
49% Instrumentalness • 43% Positiveness
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Francis Dupont
La Montana
160 bpm • D# Maj • 03:49 • -11.76db
19% Popularity • 36% Danceability • 37% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
19% Popularity • 36% Danceability • 37% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
