Songs like Weird Living by Trouble in the Wind
Based on a tempo of (+/- 10%) and a similar genre
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Colt Wayne Keeney
Six Loud Prayers
124 bpm • C Maj • 03:30 • -12.49db
7% Popularity • 53% Danceability • 60% Energy • 29% Liveness
15% Instrumentalness • 34% Positiveness
7% Popularity • 53% Danceability • 60% Energy • 29% Liveness
15% Instrumentalness • 34% Positiveness
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Trouble in the Wind
Weird Living
124 bpm • E min • 04:18 • -5.19db
2% Popularity • 60% Danceability • 60% Energy • 10% Liveness
64% Instrumentalness • 79% Positiveness
2% Popularity • 60% Danceability • 60% Energy • 10% Liveness
64% Instrumentalness • 79% Positiveness
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Bblythe Matthew
Hanger
124 bpm • F min • 04:13 • -3.75db
19% Popularity • 49% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 49% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Gibbons
Bring It On Home
124 bpm • G Maj • 03:37 • -7.78db
10% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Izaak Opatz
What Are Those Things
124 bpm • C# Maj • 02:06 • -8.59db
10% Popularity • 58% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 58% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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Forest Ray
Brother
124 bpm • G Maj • 04:57 • -9.93db
18% Popularity • 62% Danceability • 75% Energy • 26% Liveness
6% Instrumentalness • 93% Positiveness
18% Popularity • 62% Danceability • 75% Energy • 26% Liveness
6% Instrumentalness • 93% Positiveness
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Frank Legros
Old Day
124 bpm • D Maj • 06:19 • -6.13db
28% Popularity • 47% Danceability • 67% Energy • 68% Liveness
66% Instrumentalness • 41% Positiveness
28% Popularity • 47% Danceability • 67% Energy • 68% Liveness
66% Instrumentalness • 41% Positiveness
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Trouble in the Wind
Rock and Roll
124 bpm • G Maj • 02:54 • -5.04db
0% Popularity • 49% Danceability • 86% Energy • 13% Liveness
8% Instrumentalness • 63% Positiveness
0% Popularity • 49% Danceability • 86% Energy • 13% Liveness
8% Instrumentalness • 63% Positiveness
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Cooper Kenward
Orbit
124 bpm • G# Maj • 03:01 • -10.09db
13% Popularity • 70% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
13% Popularity • 70% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
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Ryan Delmore
You Are Strong
124 bpm • C Maj • 04:23 • -13.24db
12% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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sunfisher
little life
123 bpm • F Maj • 03:10 • -10.52db
13% Popularity • 67% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 95% Positiveness
13% Popularity • 67% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 95% Positiveness
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Tommy Alexander
Son of a Carpenter
125 bpm • D# Maj • 04:26 • -9.39db
7% Popularity • 61% Danceability • 58% Energy • 20% Liveness
1% Instrumentalness • 44% Positiveness
7% Popularity • 61% Danceability • 58% Energy • 20% Liveness
1% Instrumentalness • 44% Positiveness
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Cheyenne Marrs
When You Go
123 bpm • C Maj • 05:08 • -8.78db
11% Popularity • 34% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 34% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Big Search
Luck Rains Down
125 bpm • B Maj • 03:44 • -9.54db
15% Popularity • 46% Danceability • 51% Energy • 21% Liveness
57% Instrumentalness • 13% Positiveness
15% Popularity • 46% Danceability • 51% Energy • 21% Liveness
57% Instrumentalness • 13% Positiveness
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Matt Rich
Wonderland (27 Puff)
125 bpm • D# Maj • 04:15 • -9.63db
13% Popularity • 68% Danceability • 64% Energy • 12% Liveness
14% Instrumentalness • 66% Positiveness
13% Popularity • 68% Danceability • 64% Energy • 12% Liveness
14% Instrumentalness • 66% Positiveness
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Bobby Oakes
I Promise Tomorrow
125 bpm • D Maj • 03:01 • -10.59db
8% Popularity • 67% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 67% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Starhood
Weather Man
125 bpm • C Maj • 03:12 • -5.85db
17% Popularity • 57% Danceability • 68% Energy • 9% Liveness
14% Instrumentalness • 91% Positiveness
17% Popularity • 57% Danceability • 68% Energy • 9% Liveness
14% Instrumentalness • 91% Positiveness
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Love Thug
Vices
125 bpm • G min • 02:44 • -10.97db
12% Popularity • 74% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 74% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Marlon Williams
I Want You Back
125 bpm • D Maj • 03:32 • -7.87db
17% Popularity • 59% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 27% Positiveness
17% Popularity • 59% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 27% Positiveness
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Jason Zangwill
Godforsaken Loveson
125 bpm • G Maj • 02:55 • -11.11db
24% Popularity • 32% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 32% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Hobby
Right Behind Me
125 bpm • G Maj • 05:15 • -8.34db
16% Popularity • 64% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 32% Positiveness
16% Popularity • 64% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 32% Positiveness
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Benedict Attlee
High
125 bpm • B Maj • 03:52 • -11.02db
27% Popularity • 54% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
27% Popularity • 54% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Viktor.digital
Butterfly Wing
125 bpm • C# Maj • 03:07 • -23.21db
11% Popularity • 30% Danceability • 4% Energy • 12% Liveness
22% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 4% Energy • 12% Liveness
22% Instrumentalness • 4% Positiveness
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Trouble in the Wind
Roy
123 bpm • A Maj • 03:02 • -7.1db
0% Popularity • 50% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 50% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Deer Tick
Main Street - 2022 Remaster
126 bpm • A Maj • 03:50 • -8.52db
8% Popularity • 50% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 50% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Barlow Carpenter
Last Time
125 bpm • D min • 04:08 • -5.12db
25% Popularity • 38% Danceability • 69% Energy • 22% Liveness
24% Instrumentalness • 27% Positiveness
25% Popularity • 38% Danceability • 69% Energy • 22% Liveness
24% Instrumentalness • 27% Positiveness
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Max Lazzarin
Misanthropy
126 bpm • C Maj • 04:25 • -11.73db
16% Popularity • 56% Danceability • 47% Energy • 23% Liveness
17% Instrumentalness • 81% Positiveness
16% Popularity • 56% Danceability • 47% Energy • 23% Liveness
17% Instrumentalness • 81% Positiveness
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Michael Feuerstack
What Isn't What It Is?
122 bpm • F Maj • 03:01 • -9.87db
10% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Stranger In My Head
Railroad
126 bpm • E Maj • 02:20 • -6.55db
16% Popularity • 39% Danceability • 90% Energy • 34% Liveness
91% Instrumentalness • 52% Positiveness
16% Popularity • 39% Danceability • 90% Energy • 34% Liveness
91% Instrumentalness • 52% Positiveness
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Shitty Person
Maurine
122 bpm • C min • 01:38 • -10.39db
14% Popularity • 70% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 70% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Farrelly
Sign of The Times
126 bpm • A# min • 03:46 • -4.22db
11% Popularity • 83% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 83% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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John Gallagher Jr.
Goodbye or Something
122 bpm • E Maj • 03:17 • -5.51db
17% Popularity • 56% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 56% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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George Cessna
Echo 66
122 bpm • G min • 02:32 • -8.29db
8% Popularity • 60% Danceability • 84% Energy • 32% Liveness
81% Instrumentalness • 30% Positiveness
8% Popularity • 60% Danceability • 84% Energy • 32% Liveness
81% Instrumentalness • 30% Positiveness
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Trouble in the Wind
Masterlock
122 bpm • F Maj • 02:56 • -5.03db
0% Popularity • 56% Danceability • 71% Energy • 13% Liveness
11% Instrumentalness • 65% Positiveness
0% Popularity • 56% Danceability • 71% Energy • 13% Liveness
11% Instrumentalness • 65% Positiveness
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GospelbeacH
Losin' Patience
122 bpm • G Maj • 02:59 • -8.25db
14% Popularity • 59% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 59% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Trapper Schoepp
Bambi
122 bpm • A Maj • 04:59 • -8.69db
12% Popularity • 59% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 59% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Harrod
Dog Days
126 bpm • G Maj • 03:25 • -5.81db
18% Popularity • 60% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 60% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Charlie Senger
Devil
126 bpm • A Maj • 04:09 • -6.84db
29% Popularity • 43% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
29% Popularity • 43% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
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Monica Wyant
A Time Of Regret
122 bpm • D min • 04:45 • -7.58db
16% Popularity • 52% Danceability • 80% Energy • 25% Liveness
80% Instrumentalness • 24% Positiveness
16% Popularity • 52% Danceability • 80% Energy • 25% Liveness
80% Instrumentalness • 24% Positiveness
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Trouble in the Wind
Orion
122 bpm • D Maj • 02:41 • -6.19db
0% Popularity • 64% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 64% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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GospelbeacH
Second Chance
122 bpm • B min • 02:48 • -6.29db
9% Popularity • 47% Danceability • 70% Energy • 37% Liveness
7% Instrumentalness • 46% Positiveness
9% Popularity • 47% Danceability • 70% Energy • 37% Liveness
7% Instrumentalness • 46% Positiveness
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Hobby
Growin
127 bpm • C Maj • 02:47 • -7.52db
16% Popularity • 56% Danceability • 62% Energy • 14% Liveness
66% Instrumentalness • 44% Positiveness
16% Popularity • 56% Danceability • 62% Energy • 14% Liveness
66% Instrumentalness • 44% Positiveness
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Bart Budwig
Time for Two
127 bpm • D Maj • 03:05 • -10db
8% Popularity • 60% Danceability • 68% Energy • 18% Liveness
3% Instrumentalness • 44% Positiveness
8% Popularity • 60% Danceability • 68% Energy • 18% Liveness
3% Instrumentalness • 44% Positiveness
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Johnny Casino
Mr Fastgun
121 bpm • A Maj • 04:00 • -5.82db
19% Popularity • 44% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
19% Popularity • 44% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Bad Publicity
Covered in Red
121 bpm • A min • 04:18 • -8.65db
16% Popularity • 60% Danceability • 48% Energy • 61% Liveness
64% Instrumentalness • 35% Positiveness
16% Popularity • 60% Danceability • 48% Energy • 61% Liveness
64% Instrumentalness • 35% Positiveness
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Trouble in the Wind
Foxtrot
121 bpm • D Maj • 04:40 • -5.82db
0% Popularity • 52% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 52% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Sean Riley & The Water
Stone Cold Hands
127 bpm • E Maj • 04:03 • -7.03db
16% Popularity • 70% Danceability • 53% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
16% Popularity • 70% Danceability • 53% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
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Papa Boyle
Between Two Fools
127 bpm • A# Maj • 03:22 • -7.35db
18% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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OK Charlie
Underground
121 bpm • E Maj • 03:01 • -5.71db
44% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Wall
Anymore
121 bpm • G Maj • 04:41 • -8.49db
7% Popularity • 74% Danceability • 60% Energy • 10% Liveness
3% Instrumentalness • 66% Positiveness
7% Popularity • 74% Danceability • 60% Energy • 10% Liveness
3% Instrumentalness • 66% Positiveness
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Perry Josh
Didi Railway
121 bpm • F# Maj • 04:20 • -11.65db
22% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Skinny Dyck
Praise to the Queen
121 bpm • C Maj • 02:06 • -12.17db
13% Popularity • 76% Danceability • 49% Energy • 12% Liveness
86% Instrumentalness • 69% Positiveness
13% Popularity • 76% Danceability • 49% Energy • 12% Liveness
86% Instrumentalness • 69% Positiveness
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Joel Jerome
Fog in My Reflection
121 bpm • F# Maj • 03:16 • -15.71db
20% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Mother Hips
Green Linen
128 bpm • A# Maj • 03:44 • -5db
9% Popularity • 57% Danceability • 62% Energy • 28% Liveness
1% Instrumentalness • 58% Positiveness
9% Popularity • 57% Danceability • 62% Energy • 28% Liveness
1% Instrumentalness • 58% Positiveness
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Cloud Signals
Bryn Mawr
128 bpm • D Maj • 05:01 • -11.59db
8% Popularity • 55% Danceability • 44% Energy • 67% Liveness
73% Instrumentalness • 54% Positiveness
8% Popularity • 55% Danceability • 44% Energy • 67% Liveness
73% Instrumentalness • 54% Positiveness
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Scotti Mars
California Gothic
120 bpm • G Maj • 03:36 • -7.53db
2% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Scott Yoder
No Surprise
120 bpm • D Maj • 02:51 • -11.39db
9% Popularity • 51% Danceability • 53% Energy • 18% Liveness
2% Instrumentalness • 49% Positiveness
9% Popularity • 51% Danceability • 53% Energy • 18% Liveness
2% Instrumentalness • 49% Positiveness
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FERVIDS
WE BELONG HERE (NATURALLY)
128 bpm • D Maj • 05:52 • -11.82db
10% Popularity • 62% Danceability • 38% Energy • 12% Liveness
62% Instrumentalness • 14% Positiveness
10% Popularity • 62% Danceability • 38% Energy • 12% Liveness
62% Instrumentalness • 14% Positiveness
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Blue Denim
Flamingo
120 bpm • A Maj • 03:52 • -8.5db
30% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Markus Häuptli
Tecumseh Valley
120 bpm • B Maj • 05:03 • -12.48db
16% Popularity • 67% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 67% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Ghost Party
Cardboard Moon
128 bpm • E min • 03:34 • -7.88db
23% Popularity • 53% Danceability • 58% Energy • 19% Liveness
2% Instrumentalness • 37% Positiveness
23% Popularity • 53% Danceability • 58% Energy • 19% Liveness
2% Instrumentalness • 37% Positiveness
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Nat Harvie
Cigapple
120 bpm • E Maj • 03:40 • -8.41db
12% Popularity • 60% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 60% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Sundance Jump
Neptune's Sin
120 bpm • A Maj • 03:06 • -6.63db
22% Popularity • 58% Danceability • 57% Energy • 31% Liveness
11% Instrumentalness • 45% Positiveness
22% Popularity • 58% Danceability • 57% Energy • 31% Liveness
11% Instrumentalness • 45% Positiveness
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iFill
Slippy Baby
120 bpm • B Maj • 03:26 • -14.03db
9% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Starpainter
Even in a Car
120 bpm • G Maj • 03:52 • -7.66db
11% Popularity • 68% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 68% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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The Cruel Horizon
It's Over
120 bpm • G Maj • 03:55 • -8.93db
15% Popularity • 54% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 54% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Lost Infinities
This Place and Time - Single Version
120 bpm • G Maj • 03:07 • -7.54db
22% Popularity • 62% Danceability • 62% Energy • 14% Liveness
2% Instrumentalness • 48% Positiveness
22% Popularity • 62% Danceability • 62% Energy • 14% Liveness
2% Instrumentalness • 48% Positiveness
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Chris Staples
Cincinnatti
120 bpm • E Maj • 03:44 • -7.56db
13% Popularity • 59% Danceability • 50% Energy • 33% Liveness
8% Instrumentalness • 50% Positiveness
13% Popularity • 59% Danceability • 50% Energy • 33% Liveness
8% Instrumentalness • 50% Positiveness
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Mike Procyshyn
Long Time
120 bpm • E Maj • 03:56 • -13.82db
9% Popularity • 69% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 69% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
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little wiles
Big Green, Baby Blue
128 bpm • B Maj • 05:00 • -9.89db
8% Popularity • 56% Danceability • 36% Energy • 51% Liveness
17% Instrumentalness • 21% Positiveness
8% Popularity • 56% Danceability • 36% Energy • 51% Liveness
17% Instrumentalness • 21% Positiveness
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Dynamite Hack
Till the End
120 bpm • B Maj • 02:35 • -9.81db
17% Popularity • 67% Danceability • 65% Energy • 13% Liveness
68% Instrumentalness • 38% Positiveness
17% Popularity • 67% Danceability • 65% Energy • 13% Liveness
68% Instrumentalness • 38% Positiveness
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Spank Williams
I'm Not A Cowboy, I'm A Coward
120 bpm • E min • 02:44 • -8.67db
10% Popularity • 46% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 46% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
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Dario Garcia
The Thing About Charlie
120 bpm • C Maj • 02:00 • -7.22db
8% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Trouble in the Wind
Drawn to You
120 bpm • F Maj • 03:29 • -5.56db
0% Popularity • 32% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 32% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
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Sunny War
Solitary Hero
120 bpm • G min • 04:00 • -9.86db
18% Popularity • 69% Danceability • 33% Energy • 11% Liveness
38% Instrumentalness • 21% Positiveness
18% Popularity • 69% Danceability • 33% Energy • 11% Liveness
38% Instrumentalness • 21% Positiveness
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Maye Lalo
Horse
129 bpm • B min • 04:46 • -9.36db
20% Popularity • 61% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 61% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Higher Music State
Don't Forget the Love
129 bpm • C Maj • 05:14 • -6.52db
9% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Harley
Bucket of Love
129 bpm • G Maj • 02:48 • -9.05db
14% Popularity • 67% Danceability • 59% Energy • 15% Liveness
31% Instrumentalness • 92% Positiveness
14% Popularity • 67% Danceability • 59% Energy • 15% Liveness
31% Instrumentalness • 92% Positiveness
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We Found a Lovebird
Jesus and Radiohead
129 bpm • A Maj • 02:37 • -7.71db
11% Popularity • 52% Danceability • 76% Energy • 15% Liveness
32% Instrumentalness • 54% Positiveness
11% Popularity • 52% Danceability • 76% Energy • 15% Liveness
32% Instrumentalness • 54% Positiveness
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Trouble in the Wind
I Was Haunted
120 bpm • C Maj • 03:11 • -6.92db
0% Popularity • 53% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
0% Popularity • 53% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Cat Scratch
Twisted Livin'
119 bpm • C Maj • 03:25 • -11.77db
8% Popularity • 69% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 69% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Cheyenne Marrs
Fortune Faded
129 bpm • D Maj • 04:42 • -11.98db
10% Popularity • 42% Danceability • 34% Energy • 67% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 42% Danceability • 34% Energy • 67% Liveness
0% Instrumentalness • 25% Positiveness
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Charlie Senger
The Age Of Ashes
119 bpm • B Maj • 02:50 • -6.5db
29% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Amy kripps
I Move The Mount
129 bpm • A# Maj • 04:02 • -11.19db
18% Popularity • 44% Danceability • 62% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
18% Popularity • 44% Danceability • 62% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
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Country Risque
Autumn of Your Charm
130 bpm • E Maj • 03:13 • -6.37db
8% Popularity • 66% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 66% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Trouble in the Wind
You Can't Just Tear You Down
129 bpm • A Maj • 03:14 • -3.98db
0% Popularity • 46% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 46% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Barlow Carpenter
Wire
119 bpm • B min • 05:24 • -8.41db
25% Popularity • 47% Danceability • 49% Energy • 27% Liveness
12% Instrumentalness • 15% Positiveness
25% Popularity • 47% Danceability • 49% Energy • 27% Liveness
12% Instrumentalness • 15% Positiveness
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Magpies
Into the Ocean
119 bpm • C Maj • 03:36 • -6.25db
16% Popularity • 57% Danceability • 74% Energy • 31% Liveness
1% Instrumentalness • 72% Positiveness
16% Popularity • 57% Danceability • 74% Energy • 31% Liveness
1% Instrumentalness • 72% Positiveness
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Godfery Lindsay
Speak Up
130 bpm • A Maj • 04:41 • -10.64db
25% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Mick Strauss
At Night When It Hurts (Night Birds)
130 bpm • A min • 02:54 • -10.68db
15% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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GospelbeacH
The Dropouts (Parts One and Two)
130 bpm • C Maj • 03:41 • -8.08db
8% Popularity • 46% Danceability • 63% Energy • 8% Liveness
25% Instrumentalness • 19% Positiveness
8% Popularity • 46% Danceability • 63% Energy • 8% Liveness
25% Instrumentalness • 19% Positiveness
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Trouble in the Wind
Unrestrained
119 bpm • D Maj • 01:53 • -10.29db
0% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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MacGregor Burns
Paradise Motel
130 bpm • G Maj • 03:14 • -8.26db
8% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Mike Procyshyn
Sad Songs
130 bpm • C# min • 03:30 • -15.58db
9% Popularity • 70% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 70% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Godfery Lindsay
Inventions In California
118 bpm • A Maj • 02:36 • -11.96db
25% Popularity • 48% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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levi stevenson
Early Rays of Daylight
130 bpm • C Maj • 04:23 • -7.23db
18% Popularity • 64% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
18% Popularity • 64% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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LOON
Margaret
118 bpm • C Maj • 03:56 • -5.62db
19% Popularity • 47% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 47% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Mot Runk
Freda
130 bpm • G Maj • 04:15 • -8.92db
20% Popularity • 65% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
20% Popularity • 65% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
