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Welcome To Hazeville
Songs like
Welcome To Hazeville
by
Brantley Gilbert
Based on a tempo of (+/- 10%) and a similar genre
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Colt Ford
Outshine Me
132 bpm • A Maj • 03:52 • -5.54db
38% Popularity • 75% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Sean Stemaly
Country Out The Boy (SeanDeere)
132 bpm • A# min • 03:16 • -3.97db
43% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Mason
Feather in Her Halo
132 bpm • G min • 03:36 • -5.85db
54% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Brantley Gilbert
Welcome To Hazeville
132 bpm • F# min • 03:01 • -6.7db
54% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
70% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Frank Foster
Good Ol' Girl
132 bpm • D# Maj • 03:49 • -8.67db
40% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Overtime
Hunger in My Stomach
133 bpm • D# min • 04:43 • -6.71db
54% Popularity • 58% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Sean Stemaly
Z71
132 bpm • G Maj • 02:51 • -5db
62% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Trey Lewis
Whole Lotta Nothin
134 bpm • F# Maj • 03:13 • -6.14db
37% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Brantley Gilbert
How To Talk To Girls
132 bpm • F# Maj • 03:21 • -4.02db
40% Popularity • 53% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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You Betcha Guy
Drunk I Am
131 bpm • G# Maj • 03:00 • -3.8db
43% Popularity • 58% Danceability • 71% Energy • 72% Liveness
0% Instrumentalness • 67% Positiveness
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Demun Jones
Backyard Lullaby
134 bpm • C Maj • 03:27 • -4.49db
56% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Overtime
County Line
131 bpm • D min • 03:57 • -9.22db
45% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Kameron Marlowe
Sober as a Drunk
134 bpm • B Maj • 03:30 • -3db
50% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Taylor Ray Holbrook
Southern Land
130 bpm • C# Maj • 03:42 • -6.2db
62% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Brantley Gilbert
Laid Back Ride
132 bpm • E Maj • 03:18 • -4.73db
35% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Seckond Chaynce
My World
130 bpm • G Maj • 03:36 • -5db
48% Popularity • 71% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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CRUCIFIX
My Way
130 bpm • D Maj • 04:41 • -5db
50% Popularity • 84% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Jo Tyler
Cocky
134 bpm • B min • 02:55 • -7.55db
54% Popularity • 94% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Chase Matthew
County Line
134 bpm • D# min • 03:28 • -6.03db
72% Popularity • 54% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Redneck Souljers
I Mow, I Till
130 bpm • C# Maj • 04:20 • -9db
41% Popularity • 66% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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Brantley Gilbert
Rolex® On A Redneck
130 bpm • A min • 03:00 • -4.46db
61% Popularity • 65% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Koe Wetzel
Something to Talk About
130 bpm • A min • 03:24 • -5.13db
69% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Colt Ford
Dirt Road Anthem
130 bpm • D Maj • 03:42 • -6.44db
47% Popularity • 79% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Jawga Boyz
Chillin in the Backwoods
130 bpm • G Maj • 06:12 • -8.11db
52% Popularity • 69% Danceability • 61% Energy • 13% Liveness
65% Instrumentalness • 74% Positiveness
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Riley Green
Get That Man A Beer
134 bpm • E Maj • 03:22 • -4.67db
60% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Brantley Gilbert
Outlaw In Me
130 bpm • G# Maj • 03:27 • -5.54db
38% Popularity • 47% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Koe Wetzel
Forever
130 bpm • C Maj • 02:57 • -6.7db
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Rvshvd
Never Change
134 bpm • B Maj • 03:10 • -4.33db
44% Popularity • 52% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Mini Thin
City Bitch
135 bpm • G Maj • 03:25 • -12.04db
43% Popularity • 79% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Jerrod Niemann
She's Fine
129 bpm • B min • 03:24 • -6.72db
18% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Austin Tolliver
Outlaw Kinda Vibe
135 bpm • C# Maj • 03:34 • -8.84db
38% Popularity • 78% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Brantley Gilbert
Rockin' Chairs
130 bpm • B min • 04:08 • -5.52db
36% Popularity • 56% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Koe Wetzel
I'm Done
130 bpm • C Maj • 03:30 • -7.25db
54% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Willie Jones
Down by the Riverside
136 bpm • B min • 02:59 • -3.84db
48% Popularity • 68% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Taylor Ray Holbrook
Times We Had
136 bpm • G Maj • 03:20 • -8.77db
55% Popularity • 75% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Dalton Dover
With All the Memories
136 bpm • F# min • 03:14 • -4.41db
40% Popularity • 57% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Tolliver
Tip My Hat
135 bpm • A min • 03:20 • -6.71db
58% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Logan Mize
Somebody to Thank
136 bpm • D Maj • 03:31 • -4.72db
47% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Travis Denning
Goodyears
136 bpm • F# Maj • 03:34 • -5.06db
37% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
59% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Sean Stemaly
Come Back To Bed
136 bpm • C# min • 03:03 • -4.21db
52% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Lil Wyte
This Down Here
136 bpm • D Maj • 03:53 • -6.65db
30% Popularity • 65% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Jawga Boyz
Memories
136 bpm • B min • 04:04 • -6.3db
36% Popularity • 80% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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David Morris
This Town
136 bpm • G# min • 04:14 • -7.39db
44% Popularity • 72% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Brantley Gilbert
She Ain’t Home
128 bpm • E Maj • 03:21 • -7.55db
33% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Drew Green
Hooch
136 bpm • G min • 02:24 • -6.27db
49% Popularity • 65% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Them Dirty Roses
Cocaine and Whiskey
136 bpm • G# Maj • 03:26 • -5db
67% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Kane Brown
Short Skirt Weather
128 bpm • A Maj • 03:14 • -5.41db
55% Popularity • 70% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Tyler Booth
Already Got One
136 bpm • G# Maj • 02:55 • -5db
41% Popularity • 57% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Creed Fisher
Life of a Workin' Man
128 bpm • D Maj • 03:58 • -5db
44% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Farley
Backroads Life
136 bpm • C Maj • 04:42 • -5.72db
46% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
69% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Brantley Gilbert
Tried To Tell Ya
128 bpm • A min • 03:41 • -5.13db
44% Popularity • 55% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Taylor Ray Holbrook
Blowing Smoke
128 bpm • F min • 03:06 • -5.5db
31% Popularity • 53% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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BRELAND
My Truck - Remix
137 bpm • D Maj • 02:39 • -6.21db
49% Popularity • 75% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Travis Denning
Call It Country
127 bpm • C# Maj • 02:31 • -3.55db
49% Popularity • 61% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Colt Ford
Back
137 bpm • G Maj • 04:02 • -5.91db
41% Popularity • 54% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Riley Green
I Hope She's Drinkin' Tonight
128 bpm • C# min • 03:08 • -5db
60% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Brantley Gilbert
She’s The One
128 bpm • G# Maj • 03:31 • -4.2db
44% Popularity • 47% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Wallen
Livin’ The Dream
127 bpm • G min • 03:59 • -5.9db
66% Popularity • 62% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Reddy Redd
Hero
127 bpm • G# min • 03:16 • -2.9db
59% Popularity • 82% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
55% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
44% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Bottleneck
Country Round Here
138 bpm • F# min • 03:34 • -5.93db
32% Popularity • 74% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Langston
Prob'ly At A Bar
138 bpm • F# Maj • 03:22 • -4.48db
43% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Morgan Wallen
Country A$$ Shit
138 bpm • A# Maj • 03:06 • -3.77db
62% Popularity • 62% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Dylan Wheeler
Bad Bitch
138 bpm • G Maj • 03:35 • -5.76db
53% Popularity • 52% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
62% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Redneck Souljers
Firewater
138 bpm • B Maj • 04:34 • -5.25db
35% Popularity • 66% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
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Wess Nyle
Chasin' Sunsets
138 bpm • E Maj • 04:20 • -8.61db
30% Popularity • 63% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
75% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
54% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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The Lacs
Willie Nelson
126 bpm • F# Maj • 03:49 • -4.35db
45% Popularity • 72% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Brantley Gilbert
What Happens In A Small Town
138 bpm • B Maj • 03:23 • -5.36db
42% Popularity • 50% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
50% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Big Matt
Long Road
125 bpm • E min • 05:05 • -7db
46% Popularity • 84% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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JJ Lawhorn
Good Ol' Boys Like Us
140 bpm • C Maj • 04:19 • -5.83db
38% Popularity • 42% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Aaron Lewis
Whiskey And You
126 bpm • D Maj • 04:28 • -7.98db
48% Popularity • 70% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Creed Fisher
The Way That I Am
140 bpm • D Maj • 04:01 • -5.31db
48% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Brantley Gilbert
We're Gonna Ride Again
126 bpm • F Maj • 04:39 • -6.61db
36% Popularity • 61% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Ray Holbrook
Lovin in the Middle of Nowhere
140 bpm • E Maj • 03:32 • -6db
37% Popularity • 52% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jelly Roll
Heaven
140 bpm • C Maj • 02:49 • -4.51db
63% Popularity • 79% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Tennessee Shine
Usa
140 bpm • D Maj • 03:36 • -11db
37% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Cypress Spring
Way of Life
140 bpm • B min • 03:45 • -5.77db
57% Popularity • 69% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Farr
I Should Go to Church Sometime
140 bpm • D Maj • 03:08 • -5.06db
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Brantley Gilbert
Son Of The Dirty South
139 bpm • B Maj • 02:59 • -3.51db
67% Popularity • 58% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Church
Homeboy
140 bpm • F# Maj • 03:47 • -4.91db
58% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Blake Shelton
God's Country
140 bpm • A# Maj • 03:24 • -5.1db
68% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Bryan Andrews
Liquor & Pills
140 bpm • C Maj • 04:15 • -6.7db
47% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jawga Boyz
Ridin High
140 bpm • A min • 06:11 • -7db
53% Popularity • 69% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Kidd G
Dirt Road
140 bpm • G# Maj • 02:30 • -4.69db
53% Popularity • 72% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Morgan Wallen
Beer Don’t
140 bpm • F# Maj • 03:16 • -4.56db
58% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jay Webb
Bury Me With Bourbon
140 bpm • C min • 02:48 • -4.24db
61% Popularity • 74% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Sunny Ledfurd
Nickel Sized Hail
140 bpm • G Maj • 04:36 • -4.3db
40% Popularity • 33% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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The Lacs
Party in the Boondocks
140 bpm • G Maj • 03:56 • -8.28db
46% Popularity • 66% Danceability • 68% Energy • 71% Liveness
0% Instrumentalness • 65% Positiveness
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Welcome To Hazeville