Songs like Welcome to the End of Your Life by THE DRIVER ERA
Based on a tempo of (+/- 10%) and a similar genre
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THE DRIVER ERA
Take Me Away
142 bpm • C# Maj • 03:23 • -7.2db
48% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Sun Room
Clementine
142 bpm • A Maj • 02:40 • -3.72db
45% Popularity • 59% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 59% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Conan Gray
Little League
142 bpm • E min • 03:14 • -6.42db
58% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Joshua Bassett
Used To It
142 bpm • C Maj • 03:14 • -6.47db
41% Popularity • 63% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 63% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Del Water Gap
I Hope You Understand
141 bpm • E Maj • 03:09 • -6.27db
35% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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ROLE MODEL
stripclub music
144 bpm • D# Maj • 02:54 • -8.7db
35% Popularity • 67% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 67% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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THE DRIVER ERA
Scared of Heights
142 bpm • C Maj • 03:52 • -6.55db
43% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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nodisco.
Thoughts From Your Car
140 bpm • B Maj • 03:59 • -6.37db
38% Popularity • 69% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 69% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen Dawes
Positive!
140 bpm • C Maj • 02:26 • -6.45db
37% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Harry Styles
She
140 bpm • C Maj • 06:02 • -5.94db
69% Popularity • 54% Danceability • 52% Energy • 19% Liveness
37% Instrumentalness • 46% Positiveness
69% Popularity • 54% Danceability • 52% Energy • 19% Liveness
37% Instrumentalness • 46% Positiveness
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Daniel Seavey
Runaway
140 bpm • D# Maj • 02:30 • -6.88db
41% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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FINNEAS
Naked
140 bpm • G Maj • 02:47 • -4.97db
51% Popularity • 74% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 74% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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THE DRIVER ERA
Welcome to the End of Your Life
142 bpm • A Maj • 03:24 • -7.38db
44% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Headon
i loved a boy
144 bpm • A Maj • 02:25 • -6db
42% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Luna Blue
Domestic Alligator
140 bpm • C# Maj • 03:12 • -7.87db
22% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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girl in red
You Need Me Now?
144 bpm • G min • 03:06 • -4.4db
52% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Niko Rubio
Saving Me
140 bpm • G Maj • 03:15 • -6db
39% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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The Neighbourhood
BooHoo
140 bpm • F min • 03:11 • -9.3db
43% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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THE DRIVER ERA
Get Off My Phone
140 bpm • E Maj • 02:48 • -5.01db
61% Popularity • 60% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 60% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Bad Suns
Life Was Easier When I Only Cared About ...
140 bpm • C# Maj • 03:51 • -4.79db
51% Popularity • 63% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
51% Popularity • 63% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Ashton Irwin
I'm to Blame
140 bpm • A Maj • 03:49 • -4.55db
32% Popularity • 51% Danceability • 94% Energy • 13% Liveness
19% Instrumentalness • 78% Positiveness
32% Popularity • 51% Danceability • 94% Energy • 13% Liveness
19% Instrumentalness • 78% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
73% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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IV DANTE
Take It Slow
140 bpm • E Maj • 03:20 • -5.98db
11% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Landon Conrath
Telluride
140 bpm • G Maj • 02:51 • -6db
43% Popularity • 81% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 81% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Gavin Leatherwood
Just For Tonight
145 bpm • G Maj • 04:10 • -5db
28% Popularity • 41% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Bad Suns
Summer Lightning
140 bpm • A Maj • 03:34 • -5.6db
35% Popularity • 56% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 56% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Joshua Bassett
Secret
145 bpm • D Maj • 03:12 • -5.56db
52% Popularity • 61% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 61% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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The Polar Boys
Nothing Has Changed
145 bpm • C# Maj • 03:34 • -5.95db
53% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
53% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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Alfie Jukes
Traffic Jams
145 bpm • D Maj • 03:11 • -5.95db
43% Popularity • 69% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 69% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Aidan Bissett
Grocery Store Girl
145 bpm • G Maj • 02:43 • -6.38db
13% Popularity • 60% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 60% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Julianna Joy
Cherry Bomb
145 bpm • A# Maj • 03:48 • -11.72db
40% Popularity • 41% Danceability • 47% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
40% Popularity • 41% Danceability • 47% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
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Landon Conrath
Jericho
145 bpm • F# Maj • 03:27 • -7.82db
51% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Conan Gray
Greek God
139 bpm • F# min • 03:56 • -6.4db
58% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Harry Styles
Satellite
139 bpm • C Maj • 03:38 • -6.47db
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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ROLE MODEL
doyouseeit
145 bpm • G Maj • 02:29 • -6db
36% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Sneaky Peaches and the Fuzz
Run 2 You
146 bpm • B Maj • 03:34 • -7.49db
18% Popularity • 60% Danceability • 79% Energy • 8% Liveness
11% Instrumentalness • 91% Positiveness
18% Popularity • 60% Danceability • 79% Energy • 8% Liveness
11% Instrumentalness • 91% Positiveness
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ella jane
bored&blind
146 bpm • C# Maj • 03:41 • -9.77db
41% Popularity • 73% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 73% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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BØRNS
Just In Case I Love You
147 bpm • D Maj • 02:54 • -8.58db
37% Popularity • 49% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 49% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Harry Styles
Daylight
146 bpm • C Maj • 02:44 • -7.19db
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Sabrina Carpenter
because i liked a boy
147 bpm • B Maj • 03:16 • -7.3db
78% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
78% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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THE DRIVER ERA
#1 Fan
147 bpm • D Maj • 03:06 • -4.97db
42% Popularity • 70% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 70% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Landon Conrath
Boulevards
137 bpm • B Maj • 03:13 • -5db
44% Popularity • 77% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 77% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Wallows
Talk Like That
138 bpm • F# min • 02:00 • -3db
47% Popularity • 68% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 68% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
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The Cautious
San Diego
137 bpm • C# min • 03:04 • -6db
37% Popularity • 60% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 60% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Harry Styles
Kiwi
147 bpm • D Maj • 02:56 • -2.63db
72% Popularity • 38% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
72% Popularity • 38% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
57% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Spencer Sutherland
Paranoia
136 bpm • B Maj • 03:11 • -6.23db
39% Popularity • 73% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 73% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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THE DRIVER ERA
giveuwhatuwant
136 bpm • F# Maj • 03:20 • -6.3db
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Wallows
Just Like a Movie
136 bpm • B Maj • 04:07 • -5.18db
61% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Younger Hunger
Goodbye Bye Bye
136 bpm • A# Maj • 02:35 • -4.37db
34% Popularity • 65% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 65% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Harry Styles
Woman
136 bpm • D# min • 04:38 • -4.68db
65% Popularity • 62% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 62% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Bad Suns
Apocalypse Whenever
136 bpm • A Maj • 03:38 • -5.69db
33% Popularity • 29% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 29% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Benson Boone
Be Someone
135 bpm • A Maj • 03:44 • -4.58db
71% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
71% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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THE DRIVER ERA
Low (The Fund Remix)
135 bpm • D min • 03:52 • -6.7db
20% Popularity • 63% Danceability • 74% Energy • 11% Liveness
11% Instrumentalness • 47% Positiveness
20% Popularity • 63% Danceability • 74% Energy • 11% Liveness
11% Instrumentalness • 47% Positiveness
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Niall Horan
Never Grow Up
149 bpm • G Maj • 03:29 • -4.97db
61% Popularity • 58% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 58% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Koko Love
Crushes
135 bpm • C Maj • 02:31 • -5.7db
32% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Ashton Irwin
Drive
135 bpm • A min • 05:14 • -6.17db
40% Popularity • 51% Danceability • 62% Energy • 19% Liveness
6% Instrumentalness • 39% Positiveness
40% Popularity • 51% Danceability • 62% Energy • 19% Liveness
6% Instrumentalness • 39% Positiveness
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almost monday
this is growing up
135 bpm • A# min • 03:04 • -7db
37% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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THE DRIVER ERA
Nobody Knows
135 bpm • G Maj • 03:30 • -6.95db
49% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Academic
Sunroof
135 bpm • A Maj • 03:17 • -4.46db
29% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Leland Blue
Restless
135 bpm • B Maj • 03:41 • -4.6db
30% Popularity • 57% Danceability • 84% Energy • 6% Liveness
3% Instrumentalness • 69% Positiveness
30% Popularity • 57% Danceability • 84% Energy • 6% Liveness
3% Instrumentalness • 69% Positiveness
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Luke Hemmings
Diamonds
150 bpm • C# Maj • 03:58 • -4db
49% Popularity • 24% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
49% Popularity • 24% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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IV DANTE
By Herself
150 bpm • G# Maj • 03:17 • -6.4db
31% Popularity • 48% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 48% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Juniper
Angelina
150 bpm • D# Maj • 03:10 • -7db
30% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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THE DRIVER ERA
Low
135 bpm • D min • 03:30 • -4.17db
52% Popularity • 74% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 74% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Stephen Dawes
19
150 bpm • G min • 02:16 • -3.87db
49% Popularity • 51% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 51% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Saint Blonde
Love Me Instead
150 bpm • E Maj • 02:52 • -8db
40% Popularity • 51% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 51% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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New Hope Club
Can't Lose This Fight
150 bpm • B min • 03:14 • -6db
32% Popularity • 56% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Cardinal Bloom
She’s Just a Friend
150 bpm • C# Maj • 04:12 • -4.47db
52% Popularity • 52% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 52% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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THE DRIVER ERA
Be Happening
150 bpm • C# min • 03:26 • -5.73db
34% Popularity • 82% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
34% Popularity • 82% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Jesse®
Bi
151 bpm • B min • 02:44 • -3.86db
31% Popularity • 66% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
31% Popularity • 66% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
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Betcha
Lucy Lucy
133 bpm • D# Maj • 03:34 • -4.31db
39% Popularity • 50% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 50% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Blu DeTiger
Hot Crush Lover
134 bpm • D# Maj • 03:13 • -3.71db
39% Popularity • 62% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 62% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Conan Gray
Checkmate
151 bpm • C# Maj • 02:28 • -4.13db
61% Popularity • 51% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 51% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Hemmings
Comedown
133 bpm • G Maj • 04:38 • -10.19db
47% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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THE DRIVER ERA
I got you, you got me
152 bpm • G# Maj • 01:24 • -6.58db
40% Popularity • 58% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 58% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Vacation Manor
Fading
152 bpm • A Maj • 03:22 • -5db
48% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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ZAYN
Alienated
152 bpm • G Maj • 04:07 • -6.47db
61% Popularity • 49% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 49% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Sabrina Carpenter
Fast Times
132 bpm • C# min • 02:54 • -5db
66% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
66% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Wallows
Coastlines
132 bpm • C Maj • 03:09 • -4.78db
44% Popularity • 55% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 55% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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ROLE MODEL
if jesus saves, she's my type
153 bpm • G Maj • 03:37 • -8.34db
44% Popularity • 76% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
44% Popularity • 76% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
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TWIN XL
Problematic
132 bpm • F# min • 02:46 • -5.25db
34% Popularity • 74% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 74% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Niall Horan
Everywhere
153 bpm • D Maj • 02:48 • -4.6db
60% Popularity • 45% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 45% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Maude Latour
One More Weekend
131 bpm • D# Maj • 02:22 • -6.92db
54% Popularity • 63% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 63% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Hemmings
Motion
131 bpm • B Maj • 03:29 • -2.82db
50% Popularity • 50% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 50% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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girl in red
I'm Back
131 bpm • C Maj • 02:59 • -10.14db
59% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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milk.
Treat Me
131 bpm • A# Maj • 03:16 • -5.81db
35% Popularity • 59% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 59% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Wallows
Only Friend
154 bpm • E Maj • 03:01 • -5db
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
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Alfie Jukes
Cigarette
154 bpm • F min • 03:24 • -4.76db
52% Popularity • 55% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 55% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
37% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Summerdrive
Sunkissed Dreamland
154 bpm • E Maj • 03:38 • -4.36db
38% Popularity • 58% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 58% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
60% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
60% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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Grant McManus
Maybelline
155 bpm • G Maj • 03:23 • -6.88db
34% Popularity • 37% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 37% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Peter McPoland
Speed of the Sound (of you)
155 bpm • D# Maj • 03:09 • -5.3db
42% Popularity • 52% Danceability • 74% Energy • 13% Liveness
6% Instrumentalness • 65% Positiveness
42% Popularity • 52% Danceability • 74% Energy • 13% Liveness
6% Instrumentalness • 65% Positiveness
