Songs like Welcome To The Family by Watsky
Based on a tempo of (+/- 10%) and a similar genre
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B.Keyz
Fools Gold
144 bpm • D Maj • 04:32 • -5.28db
8% Popularity • 69% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 69% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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MC Lars
The Tell-Tale <3
144 bpm • B min • 03:21 • -6.5db
10% Popularity • 73% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 73% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Brick + Mortar
Keep This Place Beautiful
144 bpm • D Maj • 04:04 • -4.07db
33% Popularity • 44% Danceability • 83% Energy • 29% Liveness
32% Instrumentalness • 28% Positiveness
33% Popularity • 44% Danceability • 83% Energy • 29% Liveness
32% Instrumentalness • 28% Positiveness
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Watsky
Welcome To The Family
144 bpm • D# Maj • 03:36 • -8.21db
44% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Samson
Alone With My Mind
144 bpm • C# min • 02:52 • -11.05db
23% Popularity • 82% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 82% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Scotty Sire
Sad Song
145 bpm • D Maj • 02:59 • -5.28db
44% Popularity • 69% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 69% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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B.Keyz
Killer Instinct (The Wrath of Jago)
144 bpm • D Maj • 03:26 • -7.25db
14% Popularity • 79% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 79% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Dylan Owen
Break Some Ice
145 bpm • C Maj • 04:16 • -8.4db
15% Popularity • 40% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 40% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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The Lonely Island
Hunter The Hungry Is Gon’ Eat
145 bpm • B min • 02:02 • -5db
34% Popularity • 68% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 68% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Watsky
Theories
144 bpm • F# Maj • 06:17 • -18.56db
24% Popularity • 33% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 33% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Astronautalis
Sick
142 bpm • B min • 02:56 • -9.04db
21% Popularity • 75% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 47% Positiveness
21% Popularity • 75% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 47% Positiveness
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Bryce Vine
Where the Wild Things Are - Acoustic Red...
142 bpm • B min • 03:14 • -8.8db
19% Popularity • 72% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 72% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Kush Mody
Strangers
142 bpm • C# Maj • 03:54 • -10.45db
19% Popularity • 62% Danceability • 54% Energy • 44% Liveness
8% Instrumentalness • 32% Positiveness
19% Popularity • 62% Danceability • 54% Energy • 44% Liveness
8% Instrumentalness • 32% Positiveness
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Doomtree
Bolt Cutter
142 bpm • E min • 04:29 • -8.55db
20% Popularity • 73% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 73% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Lachow
ThisThat
146 bpm • C# Maj • 01:51 • -7.32db
21% Popularity • 86% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 86% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Brick + Mortar
One Little Pill
142 bpm • F# min • 02:46 • -7db
34% Popularity • 62% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 62% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Brandon Jamar Scott
Lasagna
142 bpm • F# min • 03:45 • -10.22db
17% Popularity • 73% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 73% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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MC Frontalot
Nerd Versus Jock
146 bpm • B Maj • 01:05 • -4.49db
15% Popularity • 70% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 70% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Zeale
Hope Dies
141 bpm • F min • 04:05 • -3.43db
14% Popularity • 63% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 63% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Watsky
Brave New World
141 bpm • G min • 04:03 • -8.63db
29% Popularity • 64% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 64% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Jakey
South Dakota
141 bpm • B Maj • 03:08 • -7db
38% Popularity • 68% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 68% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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The Lonely Island
I’m So Humble
141 bpm • A Maj • 02:32 • -4.71db
51% Popularity • 77% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 77% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Hoodie Allen
Nolan Ryan
148 bpm • B min • 02:24 • -5.69db
42% Popularity • 59% Danceability • 76% Energy • 49% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 59% Danceability • 76% Energy • 49% Liveness
0% Instrumentalness • 60% Positiveness
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Alpha Omega
A.O.
140 bpm • G Maj • 03:28 • -5.98db
10% Popularity • 66% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 66% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan Owen
There's More To Life
148 bpm • C Maj • 03:59 • -6.72db
17% Popularity • 68% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 68% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Watsky
No Complaints No Conversation
148 bpm • B min • 03:10 • -5.62db
35% Popularity • 79% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 79% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Astronautalis
Running Away From God
140 bpm • F# min • 03:08 • -6.81db
24% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Lafa Taylor
All My Friends Are Freaks
140 bpm • C Maj • 03:01 • -7.38db
23% Popularity • 81% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 81% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Frak
Small Talk
140 bpm • G min • 05:01 • -10.61db
6% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
6% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Justin Sky
Connected
140 bpm • B Maj • 04:14 • -5.69db
8% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Tribe Society
We Sell Drugs
140 bpm • A# Maj • 03:40 • -5.99db
27% Popularity • 75% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 75% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Four Fists
Sid Vishis
140 bpm • D Maj • 03:56 • -9.05db
20% Popularity • 76% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 76% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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I Fight Dragons
The Faster the Treadmill - EP Version
140 bpm • A# Maj • 03:43 • -7.04db
24% Popularity • 53% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 20% Positiveness
24% Popularity • 53% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 20% Positiveness
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Doomtree
The Grand Experiment
140 bpm • A# Maj • 03:46 • -5.93db
17% Popularity • 72% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 72% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Trevor Moore
Bullies
140 bpm • G# Maj • 04:21 • -7.09db
24% Popularity • 68% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 68% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Watsky
Waking Hour
140 bpm • D Maj • 04:27 • -6.15db
18% Popularity • 71% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 71% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Invisible Inc.
Those Were the Days
150 bpm • G min • 03:27 • -7.57db
13% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Billy the Fridge
Cardboard Crack
140 bpm • C# Maj • 03:27 • -4.27db
13% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Kai Straw
That Noise in Crowds
150 bpm • G min • 04:32 • -11.33db
15% Popularity • 66% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 66% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Pat Dimitri
Rip
150 bpm • G# Maj • 03:15 • -8db
16% Popularity • 61% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 61% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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Astronautalis
These Songs
150 bpm • G# Maj • 03:47 • -7.01db
15% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Watsky
Dedicated to Christina Li
148 bpm • F# Maj • 05:37 • -12.61db
25% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Trevor Moore
Drunk Texts to Myself
150 bpm • A min • 03:34 • -9.9db
16% Popularity • 46% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 46% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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MC Lars
Hey There Ophelia
150 bpm • G Maj • 04:27 • -4.14db
23% Popularity • 70% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 70% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Palmer Squares
I'm Dope
138 bpm • F min • 04:27 • -6.21db
20% Popularity • 75% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 75% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Windmills
Truly Yours
150 bpm • D# min • 03:44 • -7.83db
16% Popularity • 66% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 66% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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AWOLNATION
Swinging from the Castles
138 bpm • F min • 03:02 • -8.26db
29% Popularity • 78% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 78% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Watsky
Whoa Whoa Whoa
150 bpm • D min • 03:07 • -7.36db
48% Popularity • 74% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 74% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Beefy
You Can Call Me Beef
151 bpm • A min • 03:00 • -7.1db
12% Popularity • 64% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 64% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Dem Atlas
Watabout
137 bpm • F# Maj • 03:18 • -5db
22% Popularity • 50% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 50% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Lachow
King Lear (Bonus Track)
152 bpm • G min • 03:51 • -7.09db
19% Popularity • 69% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
19% Popularity • 69% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Jon Bellion
When The Lions Come
152 bpm • G Maj • 04:21 • -3.97db
35% Popularity • 57% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 57% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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The Lonely Island
Equal Rights
136 bpm • E min • 02:24 • -6.17db
43% Popularity • 74% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 74% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Watsky
Fuck It Up
150 bpm • C Maj • 02:52 • -5.75db
26% Popularity • 73% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 73% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Ceschi
Take It All Back, Pt. 1-4
136 bpm • C# Maj • 04:11 • -4.56db
20% Popularity • 50% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 50% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 25% Positiveness
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Feed The Biirds
For E
136 bpm • C Maj • 03:18 • -12.37db
12% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Doomtree
Heavy Rescue
136 bpm • D min • 04:45 • -5.52db
15% Popularity • 57% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 57% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Beefy
Table Top
135 bpm • D Maj • 02:53 • -5.51db
10% Popularity • 77% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 77% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Knowmads
Backstroke
135 bpm • C min • 03:28 • -9.42db
21% Popularity • 94% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 94% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Watsky
Fireworks
136 bpm • E min • 02:34 • -11.96db
27% Popularity • 66% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 66% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 36% Positiveness
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Samsa
One Little Favor
135 bpm • A min • 03:04 • -11.68db
30% Popularity • 63% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 63% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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The Midnight Beast
Gettin' High
154 bpm • C# min • 02:06 • -5.94db
9% Popularity • 65% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 65% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Bo Burnham
Nerds (Studio)
134 bpm • D Maj • 03:26 • -6.03db
44% Popularity • 76% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 76% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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MC Frontalot
Canadia
134 bpm • C# Maj • 03:20 • -5.5db
10% Popularity • 74% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 74% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Jon Bellion
Woodstock (Psychedelic Fiction)
134 bpm • C Maj • 04:42 • -6.18db
41% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Watsky
Mean Ass Drunk
154 bpm • G Maj • 03:12 • -4.63db
40% Popularity • 69% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 69% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Knowmads
101 (The Good Stuff)
156 bpm • G# min • 03:36 • -6.45db
45% Popularity • 77% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 77% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Hoodie Allen
Remind Me Of
156 bpm • B Maj • 03:06 • -3db
33% Popularity • 83% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 83% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Greydon Square
Flower Girl
156 bpm • C# Maj • 04:20 • -12.99db
14% Popularity • 64% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 64% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 46% Positiveness
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![If I Were a Jedi (That Would Be Hella Awesome) [feat. Brian Mazzaferri] cover art](https://i.scdn.co/image/ab67616d00001e02139398ef13c4088cec9a1e9e)
MC Lars
If I Were a Jedi (That Would Be Hella Aw...
132 bpm • C Maj • 02:02 • -5.63db
17% Popularity • 83% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 83% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Supercommuter
Itty Bitty Pigeons
157 bpm • A Maj • 02:51 • -7.46db
19% Popularity • 70% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 70% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Watsky
Ugly Faces
134 bpm • A# min • 02:57 • -12.18db
35% Popularity • 83% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 83% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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J57
Jon Bellion 4 Prez
158 bpm • A# Maj • 02:44 • -7.04db
24% Popularity • 36% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 36% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Dr. Awkward
Geekquilibrium
132 bpm • F Maj • 03:41 • -4db
10% Popularity • 56% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 56% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Ryan Lewis
School Days
131 bpm • B min • 03:34 • -5.01db
19% Popularity • 76% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 76% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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MOD SUN
Hug Life
159 bpm • D Maj • 04:52 • -4.16db
13% Popularity • 74% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 74% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Four Fists
6666
130 bpm • F Maj • 03:44 • -7db
23% Popularity • 72% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 72% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Watsky
Fuck an Emcee Name
157 bpm • C Maj • 05:07 • -7.13db
22% Popularity • 53% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 53% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Doomtree
The Bends
130 bpm • A# min • 04:06 • -5db
27% Popularity • 66% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 66% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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fun.
Be Calm
130 bpm • B Maj • 04:09 • -7db
45% Popularity • 43% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 43% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Kabuto the Python
The Almighty
130 bpm • C Maj • 03:59 • -5.85db
20% Popularity • 80% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 80% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Trevor Moore
High in Church
160 bpm • B min • 04:17 • -9db
30% Popularity • 70% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 70% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Weerd Science
Red Light Juliet 2: A Whole Haunting
160 bpm • A# min • 05:34 • -7db
12% Popularity • 47% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 47% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Oxymorrons
What's My Name
160 bpm • C Maj • 03:04 • -4.11db
13% Popularity • 64% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 64% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Doomtree
My Own Nation
130 bpm • A Maj • 03:37 • -6db
16% Popularity • 85% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 85% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Levi The Poet
Big Business
160 bpm • A Maj • 04:10 • -7.58db
10% Popularity • 51% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 51% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
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Omar LinX
Dosey Doe
129 bpm • G Maj • 03:02 • -5db
37% Popularity • 80% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 80% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Karmin
No Flex Zone (Remix)
128 bpm • D# min • 03:09 • -8.92db
36% Popularity • 89% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 89% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Weerd Science
Steady Straight Lights/Sudden Dark Turns
128 bpm • G# Maj • 04:33 • -7.75db
20% Popularity • 66% Danceability • 66% Energy • 28% Liveness
50% Instrumentalness • 22% Positiveness
20% Popularity • 66% Danceability • 66% Energy • 28% Liveness
50% Instrumentalness • 22% Positiveness
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Astronautalis
The Story of My Life
161 bpm • C Maj • 03:36 • -8.15db
28% Popularity • 50% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 50% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Jakey
Moby Dick
128 bpm • C Maj • 03:15 • -4.97db
49% Popularity • 76% Danceability • 71% Energy • 21% Liveness
1% Instrumentalness • 18% Positiveness
49% Popularity • 76% Danceability • 71% Energy • 21% Liveness
1% Instrumentalness • 18% Positiveness
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Watsky
Stand For Something
128 bpm • G Maj • 02:30 • -7.38db
23% Popularity • 68% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 68% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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MC Mr. Napkins
Pro/con
127 bpm • G Maj • 02:35 • -8.99db
17% Popularity • 96% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 96% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Feed The Biirds
Another Miracle
127 bpm • C min • 03:52 • -7.4db
30% Popularity • 67% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 67% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Doomtree
Team the Best Team
127 bpm • D min • 04:36 • -6db
25% Popularity • 57% Danceability • 80% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 57% Danceability • 80% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Scotty Sire
My Life Sucks
164 bpm • D Maj • 03:17 • -6.3db
34% Popularity • 82% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 82% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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John Chuck & the Class
Chili Today, Hot Tamale
164 bpm • A# min • 03:48 • -6.86db
19% Popularity • 63% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 63% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 75% Positiveness
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Early Adopted
The Florist
164 bpm • G# min • 04:40 • -7.27db
14% Popularity • 54% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 54% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
