Songs like Welcome (To the Hard-Life-Pleasure-Show) by Jacka & The Schott of Love
Based on a tempo of (+/- 10%) and a similar genre
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Jacka & The Schott of Love
Welcome (To the Hard-Life-Pleasure-Show)
125 bpm • C# Maj • 03:52 • -3.16db
21% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ian Lints
Saturday Night
125 bpm • G Maj • 04:18 • -6.56db
20% Popularity • 49% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 49% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Diesel Park West
Bustin out Like 1989
125 bpm • C Maj • 03:50 • -6.91db
10% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Zach Pietrini
I'm Letting Go
125 bpm • A Maj • 02:42 • -4.52db
15% Popularity • 52% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 52% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Starhood
Weather Man
125 bpm • C Maj • 03:12 • -5.85db
11% Popularity • 57% Danceability • 68% Energy • 9% Liveness
14% Instrumentalness • 91% Positiveness
11% Popularity • 57% Danceability • 68% Energy • 9% Liveness
14% Instrumentalness • 91% Positiveness
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Lowgarden
Blessed & Cursed
125 bpm • G Maj • 03:54 • -7.59db
9% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Ian M Bailey
The Last Chime
125 bpm • E Maj • 03:02 • -7.65db
17% Popularity • 41% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 41% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Linger
Verbatim
125 bpm • A min • 04:03 • -4.5db
31% Popularity • 59% Danceability • 88% Energy • 8% Liveness
39% Instrumentalness • 32% Positiveness
31% Popularity • 59% Danceability • 88% Energy • 8% Liveness
39% Instrumentalness • 32% Positiveness
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Ian Alistair Gosbee
Ray of sunshine
125 bpm • D Maj • 03:42 • -7.56db
13% Popularity • 65% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 65% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Withered Hand
Give Myself Away
125 bpm • D Maj • 04:49 • -6.18db
10% Popularity • 60% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 60% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Fendahlene
Break Our Fall
125 bpm • A Maj • 03:47 • -5.42db
17% Popularity • 59% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 59% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Emerson B. Ocampo
Hypocrite
125 bpm • A min • 03:22 • -4.54db
15% Popularity • 59% Danceability • 83% Energy • 30% Liveness
1% Instrumentalness • 46% Positiveness
15% Popularity • 59% Danceability • 83% Energy • 30% Liveness
1% Instrumentalness • 46% Positiveness
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Jethro Clarke
Pretty Little Gemstone
125 bpm • F min • 02:36 • -4.13db
22% Popularity • 48% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 48% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Rick Whittell
Nobody Intended to Go to War - Radio Edi...
125 bpm • G Maj • 03:46 • -12.82db
19% Popularity • 57% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 57% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Suburban Key Party
Seven Billion People
125 bpm • D Maj • 04:38 • -6.32db
11% Popularity • 51% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 51% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Richard Hawley
Galley Girl - Live
126 bpm • E min • 03:40 • -11.53db
13% Popularity • 32% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
13% Popularity • 32% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Supergrass
Seen the Light (Helioscentric Demo)
125 bpm • A Maj • 02:37 • -12.24db
7% Popularity • 64% Danceability • 73% Energy • 36% Liveness
66% Instrumentalness • 52% Positiveness
7% Popularity • 64% Danceability • 73% Energy • 36% Liveness
66% Instrumentalness • 52% Positiveness
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The Lovetones
Everything Changed
124 bpm • G Maj • 02:47 • -4.26db
11% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Derek Lyall
Losing You
124 bpm • G Maj • 03:39 • -9.31db
19% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Robert LaRoche
Home Again
124 bpm • C# Maj • 02:13 • -6.12db
9% Popularity • 54% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 54% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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The Real People
Message of Love
124 bpm • C Maj • 02:45 • -5.17db
9% Popularity • 59% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 59% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Rome 56
The Man Behind The Man With The Gun
124 bpm • E min • 02:56 • -7.06db
4% Popularity • 50% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 50% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Eyelids
Eye Of Fatima Pt 1
124 bpm • C Maj • 03:03 • -8.95db
10% Popularity • 58% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 58% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Lemon & Honey
Stay Young
124 bpm • F Maj • 02:40 • -8db
11% Popularity • 56% Danceability • 72% Energy • 34% Liveness
9% Instrumentalness • 64% Positiveness
11% Popularity • 56% Danceability • 72% Energy • 34% Liveness
9% Instrumentalness • 64% Positiveness
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Hippy
Justice and the Thief
126 bpm • E min • 04:08 • -3.71db
8% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Fastball
Hummingbird - Live
126 bpm • E min • 03:11 • -7.14db
14% Popularity • 53% Danceability • 85% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 53% Danceability • 85% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
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Glen Matlock
This Ship
124 bpm • E Maj • 03:49 • -4.18db
13% Popularity • 53% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 53% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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The Red Dirt Skinners
Brighter Days Ahead
126 bpm • A Maj • 04:07 • -9.25db
13% Popularity • 49% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 49% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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The Cynz
Room Without A View
126 bpm • D Maj • 03:51 • -3.92db
17% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Fendahlene
Brilliant Sun
124 bpm • E Maj • 03:30 • -4.53db
21% Popularity • 51% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 51% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Anyway
Escape
126 bpm • A# min • 03:00 • -6db
12% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Steve Savona
Long Wait for the End of Time
126 bpm • A Maj • 04:28 • -6.13db
11% Popularity • 64% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 64% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Jmpinker
Wish You Were Here
126 bpm • G Maj • 04:56 • -4.88db
19% Popularity • 65% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 65% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Eden James
Dangerous Game - Classic Mix
126 bpm • E min • 04:33 • -4.71db
16% Popularity • 46% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 46% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Tom Scully
This Is Love
126 bpm • B min • 03:45 • -9.02db
9% Popularity • 74% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 74% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Spring
Someone Real
126 bpm • C# Maj • 03:14 • -6.07db
7% Popularity • 55% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 55% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Kevin McDermott Orchestra
Everything Is Over
124 bpm • A Maj • 05:07 • -6.24db
7% Popularity • 52% Danceability • 92% Energy • 32% Liveness
8% Instrumentalness • 29% Positiveness
7% Popularity • 52% Danceability • 92% Energy • 32% Liveness
8% Instrumentalness • 29% Positiveness
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Jeff Larson
Something of a Dream
126 bpm • A min • 03:14 • -8.53db
13% Popularity • 51% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 51% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Paul Nixon
Love Is A Flower
124 bpm • G min • 04:23 • -7.99db
7% Popularity • 45% Danceability • 56% Energy • 10% Liveness
5% Instrumentalness • 21% Positiveness
7% Popularity • 45% Danceability • 56% Energy • 10% Liveness
5% Instrumentalness • 21% Positiveness
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Andy Meehan
Infinite
124 bpm • A Maj • 04:29 • -8.43db
4% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
4% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jon Dee Graham
lost in the flood
124 bpm • D Maj • 03:14 • -7.59db
2% Popularity • 60% Danceability • 79% Energy • 10% Liveness
2% Instrumentalness • 78% Positiveness
2% Popularity • 60% Danceability • 79% Energy • 10% Liveness
2% Instrumentalness • 78% Positiveness
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Mark McCafferty
Bourbon Street
126 bpm • F# min • 04:15 • -14.01db
11% Popularity • 52% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
11% Popularity • 52% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Armchair Oracles
Distorting Mirror
124 bpm • D Maj • 04:21 • -9.2db
8% Popularity • 38% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
8% Popularity • 38% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Fendahlene
North East
126 bpm • D# Maj • 03:13 • -5.38db
14% Popularity • 54% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 54% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jesse Wilde
We Had a Choice?
126 bpm • G Maj • 03:14 • -6.03db
18% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Jon Steele
All Good Things Must Come to an End
124 bpm • C Maj • 03:20 • -8.07db
1% Popularity • 83% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 83% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Dylan Kight & The Nightbirds
Pulaski
126 bpm • D Maj • 03:16 • -9.68db
11% Popularity • 56% Danceability • 72% Energy • 14% Liveness
4% Instrumentalness • 67% Positiveness
11% Popularity • 56% Danceability • 72% Energy • 14% Liveness
4% Instrumentalness • 67% Positiveness
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Jasmine Jituboh
Story
126 bpm • F Maj • 04:31 • -6.31db
26% Popularity • 46% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 46% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Perry Malachi
Dan's Grassland
123 bpm • G min • 03:17 • -15.81db
33% Popularity • 58% Danceability • 46% Energy • 22% Liveness
15% Instrumentalness • 81% Positiveness
33% Popularity • 58% Danceability • 46% Energy • 22% Liveness
15% Instrumentalness • 81% Positiveness
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sunfisher
little life
123 bpm • F Maj • 03:10 • -10.52db
13% Popularity • 67% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 95% Positiveness
13% Popularity • 67% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 95% Positiveness
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Blue Öyster Cult
We Gotta Get Out Of This Place
123 bpm • F Maj • 03:58 • -5.25db
34% Popularity • 57% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 57% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Jacka & The Schott of Love
Times of the Wolves
123 bpm • B min • 06:29 • -13.64db
13% Popularity • 57% Danceability • 26% Energy • 11% Liveness
9% Instrumentalness • 13% Positiveness
13% Popularity • 57% Danceability • 26% Energy • 11% Liveness
9% Instrumentalness • 13% Positiveness
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Keith Holland
Freight Train of Sorrow
123 bpm • A min • 03:17 • -5.42db
16% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rosalind Ingersoll
Must Stop
127 bpm • E Maj • 05:26 • -9.45db
22% Popularity • 81% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 81% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Monotrol Kid
Steller's Jay
127 bpm • C# Maj • 03:35 • -9.66db
25% Popularity • 57% Danceability • 64% Energy • 32% Liveness
10% Instrumentalness • 92% Positiveness
25% Popularity • 57% Danceability • 64% Energy • 32% Liveness
10% Instrumentalness • 92% Positiveness
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Manic Street Preachers
A Song for Departure - Live at BBC Maida...
123 bpm • C# min • 04:20 • -5.8db
15% Popularity • 55% Danceability • 67% Energy • 68% Liveness
2% Instrumentalness • 65% Positiveness
15% Popularity • 55% Danceability • 67% Energy • 68% Liveness
2% Instrumentalness • 65% Positiveness
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Jengi
Miss Gainesville
127 bpm • D Maj • 03:14 • -6.9db
14% Popularity • 57% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
14% Popularity • 57% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
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Jacka & The Schott of Love
One Life
127 bpm • C Maj • 03:03 • -5.74db
16% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Amphibians
New Day (I Feel Alone)
127 bpm • D Maj • 04:28 • -3.82db
14% Popularity • 44% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 44% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Greg Johnson
The Next Trip Around the Sun
122 bpm • C Maj • 03:30 • -8.94db
20% Popularity • 52% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
20% Popularity • 52% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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The Dream Academy
Mordechai Vanunu
128 bpm • C Maj • 05:40 • -14.65db
12% Popularity • 72% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 72% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Jayden Mowle
Help Me
128 bpm • F Maj • 03:04 • -9.7db
20% Popularity • 32% Danceability • 47% Energy • 19% Liveness
17% Instrumentalness • 17% Positiveness
20% Popularity • 32% Danceability • 47% Energy • 19% Liveness
17% Instrumentalness • 17% Positiveness
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Chris Costalupes
States of Possession
122 bpm • A min • 04:17 • -10.04db
13% Popularity • 36% Danceability • 73% Energy • 6% Liveness
53% Instrumentalness • 44% Positiveness
13% Popularity • 36% Danceability • 73% Energy • 6% Liveness
53% Instrumentalness • 44% Positiveness
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Wily Bo Walker
Walking in the Past (Gonna Dance, Gonna ...
128 bpm • G Maj • 04:56 • -5.76db
9% Popularity • 53% Danceability • 88% Energy • 22% Liveness
14% Instrumentalness • 59% Positiveness
9% Popularity • 53% Danceability • 88% Energy • 22% Liveness
14% Instrumentalness • 59% Positiveness
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Payne Nahum
If It Makes You Happy
122 bpm • G Maj • 03:30 • -7.66db
27% Popularity • 60% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 60% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Joseph Cesar
Push the Boundaries
128 bpm • A min • 03:09 • -8.95db
9% Popularity • 69% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 69% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Eden James
Something Called Love - Classic Mix
128 bpm • F Maj • 03:45 • -4.86db
17% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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The Fargo Railroad Co.
Vegas
128 bpm • E Maj • 04:29 • -4.72db
19% Popularity • 52% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 52% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Greg Kelso
Little Black Cloud
128 bpm • A Maj • 04:08 • -11db
7% Popularity • 52% Danceability • 52% Energy • 25% Liveness
44% Instrumentalness • 56% Positiveness
7% Popularity • 52% Danceability • 52% Energy • 25% Liveness
44% Instrumentalness • 56% Positiveness
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Bergersen
Seasons Turning
122 bpm • D Maj • 03:34 • -8db
9% Popularity • 56% Danceability • 73% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
9% Popularity • 56% Danceability • 73% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
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Drunk and Lonely
Quit Hard
122 bpm • G Maj • 03:04 • -6.69db
21% Popularity • 60% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Greg Johnson
Remnants
128 bpm • C Maj • 04:12 • -8.82db
19% Popularity • 72% Danceability • 59% Energy • 32% Liveness
5% Instrumentalness • 42% Positiveness
19% Popularity • 72% Danceability • 59% Energy • 32% Liveness
5% Instrumentalness • 42% Positiveness
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Eden James
Something Called Love - Radio Edit
128 bpm • F Maj • 03:10 • -4.23db
19% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Ruby & Pearls
Someone Knocks At Your Door
122 bpm • D Maj • 03:06 • -6.9db
18% Popularity • 62% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 62% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Easter
War Chest
122 bpm • A Maj • 03:24 • -6.42db
7% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Chilly Pom Pom Pee
No One To Lose - Radio Edit
122 bpm • D Maj • 02:47 • -4.91db
9% Popularity • 60% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 60% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Faraways SWE
Holy Host
122 bpm • A Maj • 03:45 • -5.52db
13% Popularity • 44% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 44% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Miles Hunt
Things Can Change
122 bpm • A Maj • 03:59 • -6.3db
7% Popularity • 61% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 61% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Fendahlene
Speak Out
122 bpm • D Maj • 03:22 • -5.13db
11% Popularity • 59% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 59% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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The BRBs
Whisper
122 bpm • F# Maj • 03:45 • -10.78db
12% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Tage
Somebody to Love
128 bpm • A Maj • 02:36 • -6db
12% Popularity • 56% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 56% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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The Silencers
Don't Make Plans
122 bpm • E Maj • 03:39 • -4.3db
14% Popularity • 62% Danceability • 86% Energy • 34% Liveness
70% Instrumentalness • 25% Positiveness
14% Popularity • 62% Danceability • 86% Energy • 34% Liveness
70% Instrumentalness • 25% Positiveness
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Becky Harp
Happy Brain
128 bpm • G Maj • 02:13 • -7.34db
7% Popularity • 56% Danceability • 82% Energy • 44% Liveness
4% Instrumentalness • 70% Positiveness
7% Popularity • 56% Danceability • 82% Energy • 44% Liveness
4% Instrumentalness • 70% Positiveness
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The Arlo's
The Wrong Love
122 bpm • D Maj • 05:27 • -11.5db
18% Popularity • 37% Danceability • 69% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
18% Popularity • 37% Danceability • 69% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
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Action Skulls
Find the Good
129 bpm • D Maj • 04:35 • -7.86db
9% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Lou Caruso & Moon Music Circus
The Perfect Day
121 bpm • D Maj • 03:28 • -8.46db
15% Popularity • 46% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 46% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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AUSTRIER
Lone Star
129 bpm • E min • 04:56 • -11.27db
8% Popularity • 64% Danceability • 47% Energy • 35% Liveness
4% Instrumentalness • 39% Positiveness
8% Popularity • 64% Danceability • 47% Energy • 35% Liveness
4% Instrumentalness • 39% Positiveness
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Sunbirds
Meet You on the Northside
129 bpm • F# Maj • 03:27 • -5.85db
8% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Randall Fort
Living in Half of the Doublewide
129 bpm • G Maj • 02:33 • -8.64db
17% Popularity • 65% Danceability • 83% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
17% Popularity • 65% Danceability • 83% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
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Concrete Club
Riverswimmin'
129 bpm • F Maj • 02:47 • -5.85db
11% Popularity • 60% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 60% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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David McGovern
Beautiful Girl
121 bpm • B Maj • 03:46 • -6.64db
11% Popularity • 58% Danceability • 83% Energy • 15% Liveness
76% Instrumentalness • 67% Positiveness
11% Popularity • 58% Danceability • 83% Energy • 15% Liveness
76% Instrumentalness • 67% Positiveness
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Lost Spider
come home
121 bpm • C Maj • 04:24 • -4.81db
14% Popularity • 25% Danceability • 83% Energy • 14% Liveness
89% Instrumentalness • 22% Positiveness
14% Popularity • 25% Danceability • 83% Energy • 14% Liveness
89% Instrumentalness • 22% Positiveness
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Tom Petty
Listen To Her Heart - Live 1995
129 bpm • A Maj • 03:09 • -15.17db
18% Popularity • 27% Danceability • 54% Energy • 98% Liveness
76% Instrumentalness • 34% Positiveness
18% Popularity • 27% Danceability • 54% Energy • 98% Liveness
76% Instrumentalness • 34% Positiveness
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Roddy Frame
Back To The One
120 bpm • C Maj • 04:01 • -6.39db
9% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Rich Lerner & The Groove
Soul Sistah
130 bpm • A min • 04:16 • -11.56db
8% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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D. Cullen
12
120 bpm • G Maj • 01:14 • -10.17db
21% Popularity • 40% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 40% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Soul Asylum
New World - MTV Unplugged Live
130 bpm • G Maj • 04:23 • -10.06db
8% Popularity • 37% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 37% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 26% Positiveness
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Spiraling Reverb
Orion's Sky
130 bpm • G min • 04:33 • -9.96db
26% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
