Songs like Welcome to Wonderland (Live from Henson Studios) by Anson Seabra
Based on a tempo of (+/- 10%) and a similar genre
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Anson Seabra
Hard To Be Human
99 bpm • D Maj • 02:50 • -12.67db
51% Popularity • 70% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 70% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Tommy Boi
You Never Called Back
99 bpm • C# Maj • 04:03 • -11.6db
37% Popularity • 34% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 34% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Rory Webley
a teenage love bop like u’v NEVER hear...
99 bpm • A min • 03:10 • -20.28db
27% Popularity • 56% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 56% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Strang
Sore
100 bpm • E min • 03:01 • -16.08db
27% Popularity • 78% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 78% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Caleb Hearn
Best Part of Me
100 bpm • C Maj • 02:19 • -9db
55% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
61% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Wendy Ayers
I Don't Know My Name
100 bpm • C Maj • 02:27 • -12.97db
3% Popularity • 51% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 51% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Jason Piquette
Hearts for Sale
100 bpm • C min • 03:44 • -10.37db
9% Popularity • 65% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 65% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Sophie Pecora
Devil
98 bpm • F Maj • 03:22 • -7.67db
16% Popularity • 75% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 75% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Bella Lambert
Just 14
98 bpm • C Maj • 04:58 • -12.37db
24% Popularity • 71% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 71% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jack Maynard
The Single Song
100 bpm • C Maj • 03:31 • -7.13db
21% Popularity • 79% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 79% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Anson Seabra
Welcome to Wonderland (Live from Henson ...
99 bpm • F Maj • 03:20 • -13.76db
27% Popularity • 59% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 59% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Ambrose
Simple Kind of Love - Demo
100 bpm • C Maj • 03:06 • -8db
15% Popularity • 75% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 75% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Jordan Suaste
Body
98 bpm • E min • 03:25 • -8.69db
59% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Alec Benjamin
I Built A Friend (2020)
100 bpm • A Maj • 02:56 • -8.28db
57% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Sophie Pecora
Overthinking
100 bpm • C min • 03:36 • -9.61db
40% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Anson Seabra
Hindenburg Lover
100 bpm • G# Maj • 05:02 • -13db
48% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Kaylee Dalian
Intertwined
98 bpm • A Maj • 03:03 • -12.23db
30% Popularity • 35% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 35% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny Lopez
You.
100 bpm • D# Maj • 02:39 • -20.75db
9% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Brent Morgan
Everything's Fine, I'm Fine
98 bpm • G Maj • 04:07 • -17db
32% Popularity • 35% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 35% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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Carson James Argenna
Soulmate Song
100 bpm • A Maj • 03:31 • -6.57db
37% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Egg
putting a spin on payphone
97 bpm • B Maj • 04:18 • -20.44db
30% Popularity • 70% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 70% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Anson Seabra
Used to Be Yours
100 bpm • D Maj • 02:31 • -10.87db
34% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Warwick Smith
I'm Not Angry Anymore
101 bpm • F Maj • 01:04 • -14.21db
29% Popularity • 77% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 77% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Em Beihold
Just Fine
97 bpm • C Maj • 02:47 • -13.61db
24% Popularity • 39% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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Caroline Manning
both ways
97 bpm • G Maj • 03:52 • -12.38db
25% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kate O’Rourke
Close Your Eyes
97 bpm • A# Maj • 03:14 • -10.76db
15% Popularity • 49% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 49% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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DeCC
Teenage Lover
97 bpm • C Maj • 04:19 • -12.47db
17% Popularity • 72% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 72% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Anson Seabra
Hard Way
100 bpm • G Maj • 02:50 • -8.54db
38% Popularity • 64% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 64% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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Kate Grahn
Loves Me Not
96 bpm • G# Maj • 03:23 • -12db
24% Popularity • 42% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 42% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Write Out Loud
Don't Trust Her
96 bpm • A# Maj • 02:06 • -11.92db
24% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Miggie Snyder
Legend Lake
102 bpm • D Maj • 02:52 • -15db
30% Popularity • 60% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 60% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Candelion
Give Me Your Attention
102 bpm • C Maj • 03:16 • -11.08db
30% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Caroline
Pushed Down - Acoustic
102 bpm • D Maj • 03:55 • -10.07db
30% Popularity • 38% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 38% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Anson Seabra
Love Me
98 bpm • G Maj • 03:15 • -10db
37% Popularity • 44% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 44% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Munn
Fake Smiles
96 bpm • C min • 02:35 • -10db
37% Popularity • 64% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
37% Popularity • 64% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
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Etham
Somebody Else To Love
96 bpm • E Maj • 02:45 • -7db
35% Popularity • 70% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 70% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
73% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Fairview
Life in Your Years
102 bpm • F Maj • 03:21 • -9.09db
14% Popularity • 40% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 40% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Emma Horan
Little Lion Man Cover
95 bpm • F Maj • 03:53 • -8.9db
22% Popularity • 48% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 48% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
69% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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COLE
Songs About You
95 bpm • G# Maj • 02:24 • -12.98db
9% Popularity • 43% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 43% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Caroline Manning
I Love How
103 bpm • C Maj • 03:52 • -9.04db
21% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
58% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tanner Townsend
Gone Gone Gone
103 bpm • D Maj • 03:54 • -16db
28% Popularity • 61% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 61% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Rory Webley
the spookiest depression bop u'v EVER he...
103 bpm • A min • 02:56 • -17.34db
24% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Caryl
Tears Come From The Heart
95 bpm • D Maj • 03:29 • -15.31db
42% Popularity • 72% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 72% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Borja AG
Secret Love Song - Acoustic
95 bpm • G min • 04:30 • -12.67db
9% Popularity • 53% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 53% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Tom Shawcroft
I Don't Care, Never Mind
95 bpm • G Maj • 03:06 • -11.77db
22% Popularity • 65% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 65% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Elise Ecklund
Loud
95 bpm • A min • 02:33 • -15.73db
20% Popularity • 75% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 75% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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The Nebulous
I'll Follow You into the Dark
103 bpm • D# Maj • 03:20 • -15.3db
30% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Mira Housey
expiration date
104 bpm • A# Maj • 03:49 • -13.01db
15% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Cameron Walker
Just Come Home
95 bpm • D# Maj • 03:50 • -11.46db
21% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Damiano
Haunted Mansion
95 bpm • G Maj • 03:44 • -9.5db
23% Popularity • 54% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 54% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Maia Kristensen
Stupid Love Songs
94 bpm • C Maj • 02:58 • -12.25db
9% Popularity • 61% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 61% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Mecca
Darts in My Heart
104 bpm • C Maj • 02:41 • -8.68db
14% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
70% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
70% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Anson Seabra
Do Me a Favor
104 bpm • F# Maj • 03:54 • -14.27db
37% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Wovy
Missing Your, Skin
104 bpm • G Maj • 03:55 • -11db
14% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Carson Shmyr
Five Seconds
94 bpm • B min • 01:59 • -16.56db
31% Popularity • 54% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 54% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Alec Benjamin
Jesus in LA
94 bpm • C Maj • 02:51 • -5.24db
62% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Lisa Lauper
Lose You to Love Me
104 bpm • E Maj • 03:26 • -5.71db
18% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Carson James Argenna
Budding Romance
104 bpm • F# Maj • 03:26 • -8.77db
27% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Caleb Hearn
It Wasn't Me at All
93 bpm • B Maj • 03:05 • -10.92db
47% Popularity • 62% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 62% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Val Emmich
If I Could Tell Her
93 bpm • E Maj • 03:59 • -10.15db
11% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jordan Suaste
Hookup Culture - Acoustic Version
105 bpm • F# min • 03:29 • -10.63db
35% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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James Smith
Little Love - Acoustic
105 bpm • A min • 03:29 • -11.49db
40% Popularity • 69% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 69% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Anson Seabra
Ojai
105 bpm • C# min • 03:07 • -10.12db
35% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Gavin Mikhail
Pompeii - Acoustic Cover
105 bpm • D# Maj • 04:24 • -10.25db
20% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Bri Nichole
All the Bright Places
105 bpm • G# min • 04:19 • -12.4db
14% Popularity • 57% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 57% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Sophie Pecora
Together at Home
93 bpm • F Maj • 03:07 • -8.19db
14% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Will Post
The Kindest Thing
93 bpm • F# min • 03:52 • -6.94db
29% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Rachel Bochner
Be Happier
106 bpm • F# Maj • 03:40 • -10.15db
20% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Maia Kristensen
Impossible Crush
93 bpm • G Maj • 03:40 • -13.67db
8% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Egg
putting a spin on listen before i go
106 bpm • C Maj • 02:12 • -17.93db
34% Popularity • 75% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 75% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Caryl
Darling, I Do
92 bpm • D# Maj • 02:01 • -9.27db
32% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tessa Blasko
to my siblings
92 bpm • D# Maj • 02:09 • -19.49db
25% Popularity • 58% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 58% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
59% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Robert IDK
Teenage Dirtbag
92 bpm • E Maj • 03:46 • -6.52db
15% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Keaton Stromberg
Sunshine
92 bpm • C Maj • 02:58 • -11.73db
22% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alec Benjamin
Just Like You
92 bpm • C Maj • 02:47 • -5.61db
50% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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the Glass Child
Broken Little Dreamer
107 bpm • D# min • 02:10 • -9.49db
27% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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NIKI DEMAR
Alone in My Car - Acoustic
92 bpm • C Maj • 03:22 • -9.36db
18% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Madilyn
Wisconsin
92 bpm • C# Maj • 03:41 • -8.14db
34% Popularity • 57% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 57% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ethan Jewell
Bouquet
92 bpm • F Maj • 02:54 • -10db
40% Popularity • 53% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 53% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Egg
please never fall in love again
107 bpm • A# Maj • 02:33 • -23.62db
31% Popularity • 60% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 60% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Annie Rose
Hug
107 bpm • G# Maj • 04:13 • -7.35db
14% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Matt Sato
Do You Say My Name
107 bpm • G Maj • 02:50 • -6.2db
24% Popularity • 84% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 84% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Anson Seabra
Lottery
107 bpm • G Maj • 03:53 • -9.83db
50% Popularity • 54% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 54% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Munn
Who I've Become
108 bpm • E min • 02:49 • -12.41db
29% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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We Three
Sara
108 bpm • C Maj • 03:36 • -10.5db
42% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Emily Strang
The Girl Who's Hidden
108 bpm • A# Maj • 02:24 • -17db
27% Popularity • 86% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 86% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Fischer
For Now
108 bpm • C# Maj • 03:31 • -11.11db
41% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Jake Scott
CWJBHN - Acoustic
108 bpm • A# Maj • 03:17 • -7.64db
33% Popularity • 68% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 68% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Anson Seabra
Lucky Charms
108 bpm • E Maj • 03:10 • -9.28db
43% Popularity • 70% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 70% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Suaste
Body - Acoustic
91 bpm • G Maj • 03:53 • -10.85db
39% Popularity • 51% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 51% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
