Songs like Well, You Can Do It Without Me by Twisted Pine
Based on a tempo of (+/- 10%) and a similar genre
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Twisted Pine
Well, You Can Do It Without Me
115 bpm • B Maj • 04:01 • -10.59db
19% Popularity • 88% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
19% Popularity • 88% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Sarah Jarosz
Come On Up To The House
115 bpm • D Maj • 04:27 • -9db
34% Popularity • 77% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 77% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Fireside Collective
Cabin Song
115 bpm • B Maj • 03:11 • -7.44db
34% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jon Stickley Trio
Bluegrass in the Backwoods
115 bpm • D Maj • 04:15 • -13.72db
11% Popularity • 71% Danceability • 55% Energy • 16% Liveness
19% Instrumentalness • 56% Positiveness
11% Popularity • 71% Danceability • 55% Energy • 16% Liveness
19% Instrumentalness • 56% Positiveness
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Damn Tall Buildings
Cold Rain
115 bpm • A Maj • 03:30 • -6.69db
10% Popularity • 77% Danceability • 63% Energy • 18% Liveness
2% Instrumentalness • 90% Positiveness
10% Popularity • 77% Danceability • 63% Energy • 18% Liveness
2% Instrumentalness • 90% Positiveness
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Old Salt Union
Ebb & Flow
115 bpm • F Maj • 04:08 • -8.56db
9% Popularity • 64% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 64% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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I'm With Her
Crossing Muddy Waters
115 bpm • D Maj • 03:48 • -9.95db
40% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Handmade Moments
Wanderin' Eyes
115 bpm • D Maj • 02:40 • -15.51db
12% Popularity • 68% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 68% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Molly Tuttle
Crooked Tree
115 bpm • B Maj • 03:52 • -8.35db
44% Popularity • 44% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 44% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Brother Brothers
Feelin' Good Again
115 bpm • G Maj • 03:31 • -12.55db
33% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Cahalen Morrison & Eli West
Kingsfold
115 bpm • D Maj • 02:28 • -18.08db
29% Popularity • 57% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
29% Popularity • 57% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Lula Wiles
Sorrow Be the Bird
115 bpm • B Maj • 03:08 • -9.57db
11% Popularity • 55% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 55% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Violet Bell
Mortal Like Me
115 bpm • D min • 03:14 • -9.35db
11% Popularity • 47% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 47% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Cicada Rhythm
In The Garden
115 bpm • D Maj • 02:29 • -15.94db
35% Popularity • 75% Danceability • 35% Energy • 15% Liveness
47% Instrumentalness • 68% Positiveness
35% Popularity • 75% Danceability • 35% Energy • 15% Liveness
47% Instrumentalness • 68% Positiveness
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Rachel Sumner
Easton
114 bpm • A Maj • 05:34 • -9.6db
14% Popularity • 38% Danceability • 31% Energy • 26% Liveness
3% Instrumentalness • 24% Positiveness
14% Popularity • 38% Danceability • 31% Energy • 26% Liveness
3% Instrumentalness • 24% Positiveness
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Viv & Riley
Time is Everything
116 bpm • B Maj • 03:05 • -9.3db
20% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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The Deer
Winter to Pry
116 bpm • D Maj • 04:34 • -8.91db
20% Popularity • 46% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Molly Tuttle
Stop Draggin' My Heart Around
116 bpm • D min • 03:56 • -13.78db
32% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Steel Wheels
Find Your Mountain
114 bpm • G min • 03:26 • -8.88db
23% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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AJ Lee & Blue Summit
Lemons and Tangerines
114 bpm • A Maj • 04:19 • -9.8db
24% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Pixie and The Partygrass Boys
Snake Creek
114 bpm • D min • 05:25 • -8.26db
11% Popularity • 66% Danceability • 74% Energy • 15% Liveness
74% Instrumentalness • 71% Positiveness
11% Popularity • 66% Danceability • 74% Energy • 15% Liveness
74% Instrumentalness • 71% Positiveness
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Twisted Pine
Bound to Do It Right (The Jersey City So...
116 bpm • B Maj • 04:20 • -7.67db
12% Popularity • 77% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 77% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Watkins Family Hour
Hop High
116 bpm • D Maj • 04:54 • -8.86db
9% Popularity • 42% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
9% Popularity • 42% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Upstate
Who Knows
114 bpm • E Maj • 04:41 • -6.78db
20% Popularity • 40% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 40% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Della Mae
Sixteen Tons
114 bpm • E min • 04:15 • -9db
18% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Infamous Stringdusters
What's Going On
117 bpm • C# min • 04:12 • -9db
30% Popularity • 58% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 64% Positiveness
30% Popularity • 58% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 64% Positiveness
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10 String Symphony
I Lost My Love / Recession Birthday / Ki...
117 bpm • D Maj • 03:29 • -10.31db
15% Popularity • 55% Danceability • 20% Energy • 9% Liveness
54% Instrumentalness • 89% Positiveness
15% Popularity • 55% Danceability • 20% Energy • 9% Liveness
54% Instrumentalness • 89% Positiveness
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Pharis & Jason Romero
Roll On My Friend
113 bpm • D Maj • 03:22 • -12.16db
28% Popularity • 52% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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Mile Twelve
City That Drowned
117 bpm • F min • 03:32 • -10.56db
31% Popularity • 59% Danceability • 56% Energy • 20% Liveness
16% Instrumentalness • 71% Positiveness
31% Popularity • 59% Danceability • 56% Energy • 20% Liveness
16% Instrumentalness • 71% Positiveness
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Armchair Boogie
Garden
117 bpm • G Maj • 04:47 • -9.44db
16% Popularity • 70% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 70% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Big Richard
The Blackest Crow
113 bpm • C Maj • 05:11 • -14.41db
14% Popularity • 36% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 36% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Golden Shoals
Coffee in the Morning
113 bpm • D Maj • 03:52 • -9.82db
19% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Steel Wheels
Milo
113 bpm • A Maj • 01:53 • -9.35db
36% Popularity • 46% Danceability • 46% Energy • 15% Liveness
41% Instrumentalness • 38% Positiveness
36% Popularity • 46% Danceability • 46% Energy • 15% Liveness
41% Instrumentalness • 38% Positiveness
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Chatham Rabbits
Abigail
113 bpm • D# Maj • 03:17 • -7.16db
30% Popularity • 65% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 65% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Twisted Pine
I Don't Feel Like Dancin'
113 bpm • C min • 04:22 • -8.74db
11% Popularity • 66% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 66% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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I'm With Her
Ain’t That Fine
113 bpm • D# Maj • 03:08 • -11.95db
34% Popularity • 68% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 68% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Hot Rize
You Were on My Mind This Morning
113 bpm • A Maj • 03:02 • -9db
33% Popularity • 61% Danceability • 61% Energy • 11% Liveness
6% Instrumentalness • 88% Positiveness
33% Popularity • 61% Danceability • 61% Energy • 11% Liveness
6% Instrumentalness • 88% Positiveness
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Tray Wellington
Moon in Motion 1
117 bpm • D# Maj • 04:09 • -12.23db
31% Popularity • 44% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
31% Popularity • 44% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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The Steel Wheels
The Healer
113 bpm • D Maj • 04:10 • -7.05db
10% Popularity • 53% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 53% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Gillian Welch
Jackson
113 bpm • D# Maj • 03:32 • -8db
24% Popularity • 56% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 56% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Front Country
Daysleeper
117 bpm • A Maj • 01:59 • -10.02db
26% Popularity • 63% Danceability • 58% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
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The Show Ponies
Kalamazoo
117 bpm • G Maj • 05:53 • -6.99db
27% Popularity • 50% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 50% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 6% Positiveness
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Rainbow Girls
Down Home Girl
113 bpm • D Maj • 03:36 • -7.61db
32% Popularity • 62% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
32% Popularity • 62% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Andrew Marlin
Erie Fiddler
113 bpm • F Maj • 03:03 • -8.14db
23% Popularity • 63% Danceability • 66% Energy • 11% Liveness
93% Instrumentalness • 96% Positiveness
23% Popularity • 63% Danceability • 66% Energy • 11% Liveness
93% Instrumentalness • 96% Positiveness
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Big Richard
The Blackest Crow - Live
117 bpm • C Maj • 05:16 • -11.13db
10% Popularity • 35% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 35% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 19% Positiveness
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Taylor Ashton
Hand In My Pocket
117 bpm • A Maj • 02:41 • -9.56db
24% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Molly Tuttle
White Rabbit
118 bpm • B min • 05:15 • -9.21db
36% Popularity • 48% Danceability • 41% Energy • 22% Liveness
2% Instrumentalness • 45% Positiveness
36% Popularity • 48% Danceability • 41% Energy • 22% Liveness
2% Instrumentalness • 45% Positiveness
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The Steel Wheels
Scrape Me Off The Ceiling
113 bpm • C Maj • 03:00 • -7.78db
38% Popularity • 62% Danceability • 65% Energy • 52% Liveness
5% Instrumentalness • 46% Positiveness
38% Popularity • 62% Danceability • 65% Energy • 52% Liveness
5% Instrumentalness • 46% Positiveness
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Pert Near Sandstone
Appalachian Girl
112 bpm • G Maj • 04:18 • -6.51db
30% Popularity • 50% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 50% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Pharis & Jason Romero
Souvenir
112 bpm • A Maj • 03:23 • -13.83db
19% Popularity • 60% Danceability • 30% Energy • 9% Liveness
21% Instrumentalness • 53% Positiveness
19% Popularity • 60% Danceability • 30% Energy • 9% Liveness
21% Instrumentalness • 53% Positiveness
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Trout Steak Revival
Go On
112 bpm • C Maj • 02:59 • -7.91db
14% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Ashton
Running Up That Hill
118 bpm • A# Maj • 02:44 • -9.73db
29% Popularity • 63% Danceability • 39% Energy • 20% Liveness
2% Instrumentalness • 61% Positiveness
29% Popularity • 63% Danceability • 39% Energy • 20% Liveness
2% Instrumentalness • 61% Positiveness
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10 String Symphony
Rocky Pallet
118 bpm • C Maj • 02:11 • -9.69db
26% Popularity • 64% Danceability • 40% Energy • 25% Liveness
97% Instrumentalness • 94% Positiveness
26% Popularity • 64% Danceability • 40% Energy • 25% Liveness
97% Instrumentalness • 94% Positiveness
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The Lonely Heartstring Band
The Tide
118 bpm • A# Maj • 04:18 • -10.21db
30% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Sarah Jarosz
Pay It No Mind
118 bpm • E min • 03:16 • -11.8db
33% Popularity • 79% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 79% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Front Country
The Way It Is
112 bpm • C Maj • 03:32 • -9.38db
14% Popularity • 51% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 51% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Molly Tuttle
Helpless
118 bpm • D Maj • 04:25 • -6.03db
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Taylor Ashton
Straight Back
112 bpm • G# Maj • 03:08 • -8.97db
20% Popularity • 67% Danceability • 56% Energy • 17% Liveness
1% Instrumentalness • 48% Positiveness
20% Popularity • 67% Danceability • 56% Energy • 17% Liveness
1% Instrumentalness • 48% Positiveness
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The Steel Wheels
Nola's First Dance
112 bpm • D Maj • 02:22 • -6.56db
35% Popularity • 47% Danceability • 61% Energy • 30% Liveness
80% Instrumentalness • 89% Positiveness
35% Popularity • 47% Danceability • 61% Energy • 30% Liveness
80% Instrumentalness • 89% Positiveness
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The Lonely Heartstring Band
Graceland
118 bpm • E Maj • 04:48 • -11.27db
20% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Old Salt Union
Feel My Love
112 bpm • G Maj • 03:36 • -9.1db
14% Popularity • 66% Danceability • 70% Energy • 34% Liveness
1% Instrumentalness • 84% Positiveness
14% Popularity • 66% Danceability • 70% Energy • 34% Liveness
1% Instrumentalness • 84% Positiveness
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Mile Twelve
Down Where the Drunkards Roll
112 bpm • A# Maj • 04:01 • -8.99db
26% Popularity • 61% Danceability • 62% Energy • 16% Liveness
12% Instrumentalness • 83% Positiveness
26% Popularity • 61% Danceability • 62% Energy • 16% Liveness
12% Instrumentalness • 83% Positiveness
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Caitlin Canty
Leaping Out
118 bpm • B Maj • 03:55 • -13.13db
23% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Punch Brothers
Rye Whiskey
112 bpm • D Maj • 03:48 • -7.14db
18% Popularity • 57% Danceability • 78% Energy • 88% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 57% Danceability • 78% Energy • 88% Liveness
0% Instrumentalness • 72% Positiveness
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The Infamous Stringdusters
Run To Heaven
111 bpm • C Maj • 03:10 • -7.66db
24% Popularity • 54% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 54% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Big Richard
Creep - Live
111 bpm • E Maj • 04:05 • -9.2db
19% Popularity • 28% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 28% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 14% Positiveness
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Della Mae
The Way It Was Before
111 bpm • A Maj • 04:07 • -8.47db
14% Popularity • 61% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 61% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Cahalen Morrison & Eli West
Our Lady of the Tall Trees
111 bpm • C Maj • 03:43 • -9.12db
29% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Damn Tall Buildings
Dark Window Panes
119 bpm • A Maj • 01:55 • -5.56db
17% Popularity • 74% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 74% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Fruition
The Way That I Do
111 bpm • A# Maj • 03:40 • -6.12db
28% Popularity • 63% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 63% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Hot Buttered Rum
Idaho Pines
119 bpm • G min • 05:29 • -12.07db
29% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Infamous Stringdusters
Jessica
111 bpm • D Maj • 05:11 • -10db
33% Popularity • 43% Danceability • 66% Energy • 12% Liveness
90% Instrumentalness • 69% Positiveness
33% Popularity • 43% Danceability • 66% Energy • 12% Liveness
90% Instrumentalness • 69% Positiveness
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Rachel Baiman
Turn It Off
111 bpm • D# Maj • 02:40 • -6.66db
29% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Tim O'Brien
I've Endured
111 bpm • F Maj • 03:29 • -10.55db
27% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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AJ Lee & Blue Summit
Lemons and Tangerines - Live Session, Pa...
120 bpm • A Maj • 04:12 • -9.95db
18% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Upstate
Crawl In
120 bpm • A min • 02:19 • -10.31db
18% Popularity • 62% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 62% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Big Richard
Elk River Blues
111 bpm • G Maj • 05:17 • -13.82db
13% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Old Man Luedecke
I Wanna Go
120 bpm • D Maj • 01:57 • -8.8db
16% Popularity • 63% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 63% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Two Runner
Shakin’ Down the Acorns
111 bpm • D Maj • 02:23 • -9.84db
24% Popularity • 47% Danceability • 55% Energy • 20% Liveness
88% Instrumentalness • 78% Positiveness
24% Popularity • 47% Danceability • 55% Energy • 20% Liveness
88% Instrumentalness • 78% Positiveness
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Rachel Baiman
Old Songs Never Die
110 bpm • C Maj • 02:34 • -9.68db
32% Popularity • 69% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 69% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Caitlin Canty
Pull the Moon
120 bpm • F Maj • 04:02 • -9.93db
33% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Julian Lage & Chris Eldridge
Living in the Mississippi Valley
110 bpm • B Maj • 02:30 • -11.58db
23% Popularity • 66% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 86% Positiveness
23% Popularity • 66% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 86% Positiveness
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AJ Lee & Blue Summit
Monongah Mine
120 bpm • E Maj • 03:51 • -9.88db
17% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Birds of Chicago
Alright Alright
110 bpm • G Maj • 04:02 • -7.56db
19% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Molly Tuttle
Flatland Girl
120 bpm • A# Maj • 02:35 • -8.12db
28% Popularity • 57% Danceability • 61% Energy • 23% Liveness
6% Instrumentalness • 86% Positiveness
28% Popularity • 57% Danceability • 61% Energy • 23% Liveness
6% Instrumentalness • 86% Positiveness
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Tray Wellington Band
Pursuit of Happiness
110 bpm • A min • 05:33 • -11.12db
31% Popularity • 52% Danceability • 43% Energy • 53% Liveness
7% Instrumentalness • 44% Positiveness
31% Popularity • 52% Danceability • 43% Energy • 53% Liveness
7% Instrumentalness • 44% Positiveness
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10 String Symphony
Mama, You Been on My Mind
120 bpm • F# min • 02:20 • -11.44db
24% Popularity • 62% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 62% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Julian Lage & Chris Eldridge
Greener Grass
110 bpm • A min • 03:02 • -13.27db
37% Popularity • 50% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 73% Positiveness
37% Popularity • 50% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 73% Positiveness
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AJ Lee & Blue Summit
Cold Feet
120 bpm • F# min • 02:40 • -10.8db
15% Popularity • 77% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 77% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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George Jackson
Ferris Wheel
110 bpm • A min • 03:44 • -8db
23% Popularity • 72% Danceability • 45% Energy • 19% Liveness
91% Instrumentalness • 53% Positiveness
23% Popularity • 72% Danceability • 45% Energy • 19% Liveness
91% Instrumentalness • 53% Positiveness
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Pixie and The Partygrass Boys
Someone Else's Land
120 bpm • C Maj • 05:10 • -7db
9% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mama's Broke
Just Pick One
110 bpm • E min • 03:01 • -12.26db
28% Popularity • 51% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 51% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Justin Townes Earle
Do I Ever Cross Your Mind
110 bpm • D Maj • 02:25 • -13db
37% Popularity • 70% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 70% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Damn Tall Buildings
Honey I'm Coming Home
110 bpm • D Maj • 03:31 • -7.26db
17% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Wood Belly
November
110 bpm • A Maj • 03:26 • -8.42db
13% Popularity • 64% Danceability • 61% Energy • 11% Liveness
57% Instrumentalness • 67% Positiveness
13% Popularity • 64% Danceability • 61% Energy • 11% Liveness
57% Instrumentalness • 67% Positiveness
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Mile Twelve
The Margaret Keene
110 bpm • D Maj • 04:16 • -10.45db
11% Popularity • 62% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 62% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Sicard Hollow
Laugh & Laugh
121 bpm • A Maj • 03:00 • -5.03db
21% Popularity • 49% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 49% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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Pharis & Jason Romero
A Wanderer I'll Stay
121 bpm • D# Maj • 03:37 • -10.62db
17% Popularity • 58% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 58% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
