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Wendy
Songs like
Wendy
by
Jule Styne
Based on a tempo of (+/- 10%) and a similar genre
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Hello, Dolly! Orchestra
Prologue
65 bpm • F Maj • 01:14 • -11.83db
16% Popularity • 19% Danceability • 29% Energy • 30% Liveness
71% Instrumentalness • 24% Positiveness
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Gary Grant
The Tiny Scout
67 bpm • G# Maj • 03:18 • -17db
13% Popularity • 66% Danceability • 21% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Rosalind Russell
One Hundred Easy Ways
68 bpm • F min • 02:53 • -15db
3% Popularity • 58% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Dorothy Collins
Don't Look At Me
64 bpm • D Maj • 01:49 • -19db
15% Popularity • 49% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Sherman Edwards
1776: He Plays the Violin
68 bpm • C min • 03:03 • -11db
24% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Alfred Drake
Oklahoma
69 bpm • F# min • 02:30 • -11db
15% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Julia Migenes
Matchmaker, Matchmaker
68 bpm • E Maj • 03:42 • -14.74db
11% Popularity • 54% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Anonymous
Funny Girl: People (arr. for keyboards)
70 bpm • A# Maj • 04:50 • -13.15db
0% Popularity • 44% Danceability • 6% Energy • 25% Liveness
90% Instrumentalness • 7% Positiveness
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Jule Styne
Just in Time [Arr. S. Sorensen for Pian...
69 bpm • D min • 02:59 • -27.53db
1% Popularity • 47% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Mary Rodgers
Shy - 1959 Original Broadway Cast
70 bpm • E min • 03:46 • -12db
18% Popularity • 38% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Leonard Bernstein
West Side Story : Act I: One Hand, One H...
63 bpm • F# Maj • 03:02 • -25.18db
17% Popularity • 14% Danceability • 6% Energy • 40% Liveness
2% Instrumentalness • 4% Positiveness
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Richard Adler
The Pajama Game: The Pajama Game / Racin...
71 bpm • D Maj • 03:01 • -10db
14% Popularity • 45% Danceability • 53% Energy • 92% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Darion
The Impossible Dream
71 bpm • D# Maj • 02:18 • -14.18db
15% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Julia Deakin
Where Is Love?
71 bpm • C Maj • 03:35 • -23.78db
28% Popularity • 13% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Jule Styne
Peter Pan: Distant Melody
70 bpm • D# Maj • 01:33 • -16.71db
0% Popularity • 30% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Wilfrid Hyde-White
You Did It - Voice
72 bpm • C Maj • 04:36 • -13.67db
17% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Kristin Chenoweth
A House Is Not a Home
73 bpm • F Maj • 03:12 • -12.33db
17% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Frederick Loewe
Camelot: C'est moi
74 bpm • G Maj • 03:28 • -12db
24% Popularity • 63% Danceability • 35% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Bob Merrill
Don't Rain on My Parade (Funny Girl)
74 bpm • A Maj • 02:33 • -10.14db
6% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Jule Styne
The Clown - Two On The Aisle/1951 Origin...
70 bpm • A# Maj • 03:15 • -14.7db
0% Popularity • 66% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Leonard Bernstein
West Side Story : Act I: Prologue
75 bpm • A# Maj • 03:49 • -17db
17% Popularity • 41% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
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Meredith Willson
Piano Lesson
75 bpm • C# Maj • 01:56 • -17db
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Broadway Cast Recording
Why Can't You Behave?
75 bpm • C# Maj • 02:24 • -16.65db
16% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Frederick Loewe
Camelot: Overture
75 bpm • E min • 03:12 • -13db
22% Popularity • 12% Danceability • 28% Energy • 48% Liveness
83% Instrumentalness • 27% Positiveness
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Rodgers & Hammerstein
Oklahoma! / Finale: Oh, What A Beautiful...
76 bpm • A Maj • 03:58 • -14db
17% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Jule Styne
It's Been a Long, Long Time
71 bpm • D min • 03:13 • -20.27db
0% Popularity • 48% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Judy Holliday
It's A Perfect Relationship
75 bpm • G# Maj • 03:07 • -11db
12% Popularity • 45% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Doretta Morrow
Baubles, Bangles and Beads
76 bpm • C# Maj • 04:09 • -13db
8% Popularity • 25% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Betty Comden
Finale "Fade Out Fade In" - Fade In Fade...
76 bpm • G# Maj • 01:00 • -13.22db
0% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Jule Styne
I Don't Want to Walk Without You
73 bpm • A min • 04:53 • -14.82db
0% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Rex Harrison
I've Grown Accustomed To Her Face - Voic...
77 bpm • F Maj • 05:57 • -16db
22% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Leonard Bernstein
West Side Story : Act II: Somewhere (Bal...
77 bpm • F Maj • 07:32 • -19db
15% Popularity • 21% Danceability • 11% Energy • 37% Liveness
4% Instrumentalness • 7% Positiveness
► Preview
Bryce Pinkham
The Little Things in Life
77 bpm • F# Maj • 01:38 • -13.72db
9% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Frederick Loewe
Camelot: Finale Ultimo
77 bpm • D# Maj • 02:03 • -17.84db
23% Popularity • 39% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Shirley Jones
Goodnight My Someone
77 bpm • B Maj • 02:51 • -14.31db
29% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Jule Styne
Hallelujah, Baby!: I Wanted to Change Hi...
74 bpm • B Maj • 02:20 • -8.28db
7% Popularity • 56% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 68% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ann-Margret
How Lovely to Be a Woman
78 bpm • B Maj • 02:39 • -8.23db
13% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Joe Darion
I Really Like Him - Man Of La Mancha/196...
78 bpm • F Maj • 02:20 • -16.1db
14% Popularity • 59% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Frederick Loewe
Camelot: Fie on Goodness
78 bpm • D# Maj • 03:34 • -13.65db
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Jule Styne
Gentlemen Prefer Blondes: The Practice S...
74 bpm • C Maj • 01:09 • -11.57db
1% Popularity • 64% Danceability • 26% Energy • 18% Liveness
32% Instrumentalness • 72% Positiveness
► Preview
Nellie Forbush
Finale
78 bpm • A# Maj • 02:58 • -10.97db
20% Popularity • 24% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 26% Positiveness
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Betty Comden
Overture "Fade Out Fade In" - Fade In Fa...
79 bpm • A# Maj • 05:07 • -14.21db
1% Popularity • 24% Danceability • 35% Energy • 28% Liveness
32% Instrumentalness • 36% Positiveness
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Briana Carlson Goodman
Somewhere My Love
79 bpm • G# Maj • 02:23 • -12.67db
14% Popularity • 18% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Alan Jay Lerner
My Fair Lady: I could have danced all ni...
79 bpm • C Maj • 03:31 • -16db
17% Popularity • 39% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Tony Goldwyn
Wanting Things
79 bpm • A Maj • 02:31 • -11.53db
11% Popularity • 20% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Jule Styne
Overture - Remastered Version
76 bpm • A# Maj • 03:55 • -10.2db
4% Popularity • 28% Danceability • 41% Energy • 12% Liveness
67% Instrumentalness • 43% Positiveness
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André Previn
End Titles* - Instrumental
79 bpm • A# Maj • 01:38 • -19.39db
16% Popularity • 48% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Goldenberg
Ballroom: Fifty Percent
80 bpm • D# Maj • 03:40 • -11.67db
13% Popularity • 26% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 23% Positiveness
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Stanley Donen
Queen Of The May - (Outtake) [Demo Recor...
80 bpm • C# Maj • 01:28 • -17.56db
22% Popularity • 63% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Fatty
Look What Happened to Mabel
80 bpm • A# Maj • 04:30 • -16.39db
12% Popularity • 51% Danceability • 13% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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An American in Paris Orchestra
Concerto in F
80 bpm • C# min • 06:42 • -13db
17% Popularity • 17% Danceability • 16% Energy • 31% Liveness
85% Instrumentalness • 6% Positiveness
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Jule Styne
The things we did last summer
79 bpm • A min • 05:09 • -17.19db
6% Popularity • 39% Danceability • 26% Energy • 23% Liveness
1% Instrumentalness • 32% Positiveness
► Preview
Barbara Harris
What Did I Have That I Don't Have?
80 bpm • G# Maj • 04:23 • -13db
12% Popularity • 25% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Mary Rodgers
Happily Ever After
80 bpm • F Maj • 03:59 • -14db
14% Popularity • 44% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Edith Adams
A Little Bit In Love
80 bpm • D# Maj • 02:47 • -13db
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Fiorello! - Original Broadway Cast
When Did I Fall In Love
80 bpm • D Maj • 04:24 • -14.95db
7% Popularity • 27% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jule Styne
People
79 bpm • G# Maj • 03:03 • -14.91db
0% Popularity • 21% Danceability • 18% Energy • 14% Liveness
69% Instrumentalness • 18% Positiveness
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Bill Shirley
On The Street Where You Live (reprise)* ...
81 bpm • C Maj • 01:23 • -16db
25% Popularity • 39% Danceability • 25% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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Guys and Dolls Orchestra (1992)
Runyonland
81 bpm • G# Maj • 02:57 • -17db
27% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
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Lionel Bart
As Long as He Needs Me
81 bpm • F Maj • 04:00 • -19.52db
13% Popularity • 27% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Shirley Jones
Piano Lesson / If You Don’t Mind Me Sa...
81 bpm • G Maj • 01:58 • -10.71db
29% Popularity • 59% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Alfred Drake
Oh, What A Beautiful Mornin'
81 bpm • D# Maj • 02:32 • -11db
17% Popularity • 40% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jule Styne
Gypsy: Overture (Arr. R. Balcombe)
80 bpm • A# Maj • 04:59 • -14.78db
0% Popularity • 23% Danceability • 30% Energy • 8% Liveness
77% Instrumentalness • 32% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Gwen Verdon
Two Lost Souls
82 bpm • G Maj • 02:18 • -12db
14% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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Lt. Cable
My Girl Back Home
82 bpm • E Maj • 01:40 • -17db
26% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Fiorello! - Original Broadway Cast
Politics And Poker
82 bpm • G Maj • 03:58 • -12db
12% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Robert Preston
Marian The Librarian
83 bpm • C# Maj • 02:40 • -13.34db
31% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Jule Styne
Bells Are Ringing, Act II: The Party's O...
80 bpm • C# min • 03:06 • -13.56db
0% Popularity • 34% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 16% Positiveness
► Preview
Marilyn Hooven
Summer Magic
83 bpm • G# Maj • 03:32 • -19.85db
8% Popularity • 18% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Judy Holliday
It's A Perfect Relationship
83 bpm • G# Maj • 03:11 • -16db
9% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Frederick Loewe
My Fair Lady: On the Street Where You Li...
83 bpm • D Maj • 02:54 • -14db
18% Popularity • 20% Danceability • 26% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
David Burns
Everybody Ought to Have a Maid
83 bpm • F# min • 03:49 • -16.85db
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Jule Styne
Funny Girl
82 bpm • A# Maj • 06:12 • -16.96db
0% Popularity • 19% Danceability • 22% Energy • 17% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Holiday Inn Original Broadway Orchestra
Overture
84 bpm • C Maj • 02:32 • -8.98db
7% Popularity • 40% Danceability • 34% Energy • 28% Liveness
29% Instrumentalness • 38% Positiveness
► Preview
André Previn
Overture - Instrumental
85 bpm • C Maj • 03:24 • -13db
21% Popularity • 26% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 31% Positiveness
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Reiko Sato
Love, Look Away
85 bpm • A Maj • 02:25 • -16.36db
18% Popularity • 27% Danceability • 21% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Frederick Loewe
My Fair Lady: Overture
84 bpm • C Maj • 02:45 • -9db
13% Popularity • 22% Danceability • 47% Energy • 50% Liveness
97% Instrumentalness • 40% Positiveness
► Preview
Robert Morse
I Believe in You
85 bpm • C Maj • 04:00 • -15.75db
16% Popularity • 39% Danceability • 17% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Jule Styne
I Fall In Love Too Easily
82 bpm • D# Maj • 05:10 • -24.61db
2% Popularity • 46% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 13% Positiveness
► Preview
Richard Adler
The Pajama Game: Hey There
85 bpm • F# Maj • 03:32 • -12db
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Mary Rodgers
Overture "Once Upon A Mattress"
85 bpm • G Maj • 04:02 • -13.27db
11% Popularity • 22% Danceability • 32% Energy • 20% Liveness
82% Instrumentalness • 34% Positiveness
► Preview
Joseph Darion
The Impossible Dream (The Quest) - Man O...
85 bpm • A# Maj • 02:22 • -11db
25% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Original Broadway Cast of 'Pal Joey'
Bewitched
85 bpm • C# Maj • 03:50 • -10db
12% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Jule Styne
Hallelujah, Baby!: My Own Morning
84 bpm • C# Maj • 04:09 • -13db
11% Popularity • 22% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Linda Ronstadt
Poor Wandering One
86 bpm • G# Maj • 03:58 • -15db
24% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Sheryl Lee Ralph
Only in New York
86 bpm • C# Maj • 03:40 • -12.92db
20% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Joe Darion
Dulcinea - Man Of La Mancha/1965 Origina...
86 bpm • C Maj • 02:48 • -14.91db
19% Popularity • 29% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Shirley Jones
Out of My Dreams
86 bpm • G# Maj • 02:30 • -10db
8% Popularity • 20% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Mary Martin
Never Never Land
86 bpm • A# Maj • 03:24 • -15.25db
4% Popularity • 33% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Jule Styne
Bells Are Ringing, Act I: I Met a Girl
85 bpm • F Maj • 02:33 • -11.01db
0% Popularity • 66% Danceability • 42% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Michael Gruber
42nd Street
86 bpm • A min • 07:48 • -11.41db
13% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Wendy