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We're Dangerous People
Songs like
We're Dangerous People
by
Lorne Balfe
Based on a tempo of (+/- 10%) and a similar genre
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Daniel Pemberton
The Power of Excalibur
140 bpm • D Maj • 04:03 • -13.67db
34% Popularity • 22% Danceability • 38% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Your Majesty
140 bpm • A# Maj • 04:14 • -14.86db
42% Popularity • 32% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Lorne Balfe
We're Dangerous People
140 bpm • G# Maj • 03:46 • -15.32db
11% Popularity • 23% Danceability • 59% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Christopher Drake
Arkham Origins Suite
140 bpm • G min • 02:16 • -10.21db
34% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Blake Neely
Statue Dedication
140 bpm • A min • 04:57 • -21.22db
14% Popularity • 19% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Natalie Holt
Headless
140 bpm • A Maj • 02:17 • -15db
27% Popularity • 37% Danceability • 40% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Daniel Pemberton
The Darklands
140 bpm • D Maj • 02:43 • -10.91db
31% Popularity • 65% Danceability • 51% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig Göransson
747
140 bpm • G Maj • 07:04 • -12.51db
40% Popularity • 39% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Bounden Duty
140 bpm • G min • 03:35 • -19db
33% Popularity • 36% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Lorne Balfe
It's Good Shit Lieutenant
140 bpm • G Maj • 03:19 • -10.22db
15% Popularity • 44% Danceability • 75% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
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Steven Price
Crossroads
140 bpm • F Maj • 08:06 • -17.54db
23% Popularity • 24% Danceability • 33% Energy • 27% Liveness
89% Instrumentalness • 6% Positiveness
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Ghostwriter
Sidewinder
140 bpm • A# Maj • 02:50 • -10db
32% Popularity • 35% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Hi-Finesse
Radius
140 bpm • A Maj • 02:52 • -9.62db
31% Popularity • 53% Danceability • 71% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Trevor Morris
Olympus Has Fallen
140 bpm • A# Maj • 02:00 • -20.7db
12% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Meeting the Others
139 bpm • D# min • 03:38 • -23db
30% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
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Lorne Balfe
God's Gun
140 bpm • G Maj • 02:37 • -10.9db
15% Popularity • 35% Danceability • 73% Energy • 26% Liveness
88% Instrumentalness • 12% Positiveness
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Steven Price
The Beetfield
140 bpm • C# Maj • 07:59 • -16.83db
24% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Arena Fight
141 bpm • G# Maj • 03:32 • -12db
21% Popularity • 28% Danceability • 59% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Natalie Holt
Pruned
141 bpm • C# min • 02:44 • -15db
32% Popularity • 20% Danceability • 34% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Joe Kraemer
A Flight at the Opera
141 bpm • E min • 02:22 • -15db
22% Popularity • 30% Danceability • 32% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Back to Base
141 bpm • A min • 02:41 • -24.06db
18% Popularity • 14% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Lorne Balfe
Fate Whispers to the Warrior
140 bpm • A Maj • 03:54 • -19.37db
23% Popularity • 27% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Pinar Toprak
This Isn't Goodbye
141 bpm • C Maj • 02:29 • -19db
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Martin Phipps
The Establishment
139 bpm • A# min • 02:58 • -22.53db
31% Popularity • 40% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Trevor Morris
Motorcade / Marine One Lands
138 bpm • F min • 01:44 • -15.55db
14% Popularity • 26% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Baltic House Orchestra
Wonder Woman (Main Movie Theme)
142 bpm • A Maj • 02:22 • -13.71db
28% Popularity • 40% Danceability • 68% Energy • 24% Liveness
84% Instrumentalness • 15% Positiveness
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Jeff Russo
Main Title (Extended)
142 bpm • A# Maj • 02:10 • -13db
29% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Lorne Balfe
Scalpel and Hammer
142 bpm • G Maj • 05:10 • -13.9db
23% Popularity • 22% Danceability • 39% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
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Jon Ekstrand
I Thought They Came to Rescue Us
142 bpm • C# Maj • 04:28 • -12db
10% Popularity • 45% Danceability • 35% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
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Joe Kraemer
A Foggy Night in London
138 bpm • C Maj • 02:09 • -15.11db
26% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
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Chris Benstead
Lord George
138 bpm • G Maj • 03:44 • -17.28db
16% Popularity • 53% Danceability • 8% Energy • 6% Liveness
72% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Shark Cage
143 bpm • C# Maj • 03:52 • -15.56db
7% Popularity • 19% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Jeff Russo
Main Title (Aired Version)
143 bpm • D min • 01:33 • -12.9db
25% Popularity • 23% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 10% Positiveness
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Lorne Balfe
Free Fall
143 bpm • C# Maj • 04:14 • -12.16db
28% Popularity • 28% Danceability • 56% Energy • 16% Liveness
68% Instrumentalness • 9% Positiveness
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Mark Mothersbaugh
Twilight of the Gods
143 bpm • F# Maj • 06:14 • -17.64db
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Mark Petrie
Torsion
144 bpm • A min • 02:57 • -13.93db
35% Popularity • 26% Danceability • 43% Energy • 11% Liveness
66% Instrumentalness • 18% Positiveness
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Chris Benstead
Wrath of Man
137 bpm • C# Maj • 02:14 • -12.95db
34% Popularity • 45% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
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Jon Ekstrand
The Rise of Morbius
144 bpm • C Maj • 03:16 • -11.94db
10% Popularity • 14% Danceability • 58% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Tyler Bates
Every Ending Has A Beginning
144 bpm • D Maj • 01:30 • -19db
31% Popularity • 13% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Lorne Balfe
Run As Far As You Can
142 bpm • C# Maj • 01:59 • -16.54db
24% Popularity • 32% Danceability • 56% Energy • 24% Liveness
87% Instrumentalness • 25% Positiveness
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Pinar Toprak
Why Do You Fight?
144 bpm • C min • 01:14 • -20.39db
35% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Rejuvenation
144 bpm • A min • 01:53 • -20.32db
11% Popularity • 17% Danceability • 59% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Chris Benstead
Pound of Flesh
137 bpm • F Maj • 04:05 • -22db
17% Popularity • 38% Danceability • 9% Energy • 6% Liveness
40% Instrumentalness • 3% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Tyler Bates
Assassins
136 bpm • C# Maj • 02:11 • -9.75db
34% Popularity • 43% Danceability • 73% Energy • 33% Liveness
80% Instrumentalness • 8% Positiveness
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Lorne Balfe
Chasing Grace
142 bpm • G# Maj • 02:51 • -15.62db
32% Popularity • 46% Danceability • 66% Energy • 7% Liveness
80% Instrumentalness • 44% Positiveness
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Christopher Drake
Main Titles - Batman: Under The Red Hood
136 bpm • A Maj • 02:43 • -16.05db
26% Popularity • 32% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Clinton Shorter
Exosuit
136 bpm • A# Maj • 03:15 • -9.89db
14% Popularity • 29% Danceability • 62% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
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Trevor Rabin
I Am The Clock (12 Monkeys Suite)
145 bpm • D min • 04:44 • -18db
21% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
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Natalie Holt
He Who Remains
135 bpm • F# Maj • 02:55 • -11db
36% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
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Volker Bertelmann
You Are Going To Help Us
135 bpm • D# Maj • 01:14 • -18.84db
9% Popularity • 40% Danceability • 37% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Lorne Balfe
A Terrible Choice
137 bpm • C Maj • 02:54 • -16.15db
25% Popularity • 20% Danceability • 42% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Craig Armstrong
Zones of Time
135 bpm • G# Maj • 02:11 • -13.88db
9% Popularity • 45% Danceability • 46% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
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Hi-Finesse
Odyssey
135 bpm • D min • 02:56 • -8db
37% Popularity • 28% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Tom Player
Speed
135 bpm • B Maj • 02:45 • -9.47db
20% Popularity • 48% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
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Rupert Gregson-Williams
Radio Speech
135 bpm • D Maj • 03:50 • -28.27db
29% Popularity • 23% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Clinton Shorter
District 9
135 bpm • C min • 06:28 • -13.04db
29% Popularity • 18% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Lorne Balfe
Your Mission
135 bpm • G Maj • 02:14 • -25.19db
33% Popularity • 16% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Jo Wandrini
Hordes
134 bpm • C# Maj • 01:56 • -8.51db
28% Popularity • 59% Danceability • 65% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Harry Gregson-Williams
Torturing Frank
146 bpm • A# min • 03:44 • -17db
17% Popularity • 31% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 9% Positiveness
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Johnny Klimek
My Dream Ended Here
134 bpm • F min • 03:13 • -14.32db
22% Popularity • 16% Danceability • 26% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Amie Doherty
She-Hulk: Attorney at Law
134 bpm • D Maj • 02:27 • -11.5db
18% Popularity • 39% Danceability • 41% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Philip's Dream
133 bpm • C min • 03:00 • -28.02db
29% Popularity • 16% Danceability • 4% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
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Lorne Balfe
No Hard Feelings
135 bpm • G Maj • 04:20 • -20.2db
25% Popularity • 29% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Natalie Holt
Gobi, 2012
133 bpm • C# Maj • 03:00 • -16.25db
29% Popularity • 39% Danceability • 44% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Venom Rampage
148 bpm • C# Maj • 03:03 • -13.99db
20% Popularity • 21% Danceability • 62% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Blake Neely
Nightfall Dangers
133 bpm • D Maj • 04:47 • -16.68db
14% Popularity • 23% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Chris Benstead
Bullet Executions
132 bpm • C# Maj • 03:31 • -16.75db
14% Popularity • 33% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Atticus Ross
The Council Will Answer to Me
132 bpm • D min • 02:28 • -12.93db
37% Popularity • 17% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Lorne Balfe
Iorek's Armor
132 bpm • G# Maj • 02:00 • -13.35db
23% Popularity • 45% Danceability • 50% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Jo Blankenburg
Voyager
149 bpm • F min • 03:28 • -11.04db
28% Popularity • 40% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Blake Neely
Final Showdown With Diaz
133 bpm • D Maj • 03:30 • -12.89db
16% Popularity • 28% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Carlos Rafael Rivera
Mcnue Returns
131 bpm • F Maj • 03:32 • -18.53db
15% Popularity • 21% Danceability • 29% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Chopper
131 bpm • G Maj • 01:48 • -24.34db
17% Popularity • 58% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Steven Price
Wardaddy
131 bpm • A min • 02:39 • -33.8db
29% Popularity • 18% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Lorne Balfe
Kashmir
150 bpm • A# Maj • 04:29 • -25.18db
23% Popularity • 31% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Volker Bertelmann
The Old Guard Attacks
150 bpm • G# Maj • 01:54 • -16.7db
10% Popularity • 35% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Blake Neely
Distress Signal
149 bpm • G Maj • 02:57 • -14.12db
14% Popularity • 18% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Immediate
Person of Interest
150 bpm • C# Maj • 02:23 • -11.68db
30% Popularity • 50% Danceability • 88% Energy • 9% Liveness
91% Instrumentalness • 31% Positiveness
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Laura Karpman
Main Title
150 bpm • D# Maj • 01:07 • -9.12db
30% Popularity • 43% Danceability • 37% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
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Steven Price
This Is My Home
150 bpm • F Maj • 03:43 • -19db
31% Popularity • 20% Danceability • 25% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Johnny Klimek
Opening - The Matrix Resurrections
150 bpm • C# Maj • 05:19 • -17.94db
18% Popularity • 22% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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David Robidoux
Through Grit And Glory
150 bpm • D Maj • 02:05 • -9.26db
18% Popularity • 33% Danceability • 54% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Jónsi
Rooftop
150 bpm • C# Maj • 03:02 • -10.97db
16% Popularity • 30% Danceability • 77% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
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Lorne Balfe
Geostorm
131 bpm • A# Maj • 07:18 • -15.88db
7% Popularity • 18% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Trevor Morris
London Attacked
150 bpm • F min • 04:53 • -12.51db
12% Popularity • 46% Danceability • 48% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Johnny Klimek
Factory Fight
150 bpm • B Maj • 03:44 • -13.51db
13% Popularity • 32% Danceability • 58% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Graeme Revell
Daredevil Theme
150 bpm • D Maj • 04:40 • -18.93db
16% Popularity • 17% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Tyler Bates
Tick Tock Mr. Wick
150 bpm • D Maj • 03:11 • -9.86db
32% Popularity • 33% Danceability • 67% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Natalie Holt
Classic Builds
130 bpm • A Maj • 02:41 • -10.88db
34% Popularity • 43% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 31% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Blake Neely
Huff Duff
130 bpm • D Maj • 06:35 • -18.77db
13% Popularity • 37% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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David Buckley
Main Theme
130 bpm • D min • 03:13 • -14.24db
30% Popularity • 37% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 5% Positiveness
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Jon Ekstrand
Milo Leaves
130 bpm • E Maj • 01:42 • -14.07db
8% Popularity • 38% Danceability • 40% Energy • 18% Liveness
83% Instrumentalness • 5% Positiveness
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Harry Gregson-Williams
We Have a Plan
130 bpm • F Maj • 01:20 • -16.57db
10% Popularity • 50% Danceability • 44% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
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Trevor Morris
Iron Fist Main Titles
130 bpm • C# Maj • 01:15 • -12.25db
29% Popularity • 50% Danceability • 73% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Grant Newman
The Battle Of The Nile
130 bpm • D Maj • 02:57 • -16db
13% Popularity • 25% Danceability • 44% Energy • 14% Liveness
85% Instrumentalness • 8% Positiveness
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We're Dangerous People