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We're Not Right
Songs like
We're Not Right
by
David Gray
Based on a tempo of (+/- 10%) and a similar genre
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David Gray
We're Not Right
83 bpm • B min • 03:03 • -9db
35% Popularity • 66% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Amos Lee
Wait Up For Me
83 bpm • A# Maj • 03:45 • -15.69db
44% Popularity • 65% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Pete Murray
So Beautiful - Single Version
83 bpm • G min • 04:39 • -10db
50% Popularity • 50% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Kelly
Four Seasons In One Day
83 bpm • D# min • 04:18 • -9.83db
41% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Dido
Here With Me
83 bpm • B min • 04:15 • -7.94db
68% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Kings of Leon
WALLS
83 bpm • G# Maj • 05:29 • -14.34db
64% Popularity • 56% Danceability • 32% Energy • 11% Liveness
47% Instrumentalness • 11% Positiveness
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Yusuf / Cat Stevens
Peace Train - Remastered 2021
82 bpm • C Maj • 04:13 • -8.86db
68% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Bell X1
The Boys of Summer
84 bpm • G Maj • 04:03 • -16.67db
34% Popularity • 53% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Brady
The Island
82 bpm • F Maj • 05:27 • -15.33db
41% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Marc Cohn
Dig Down Deep
82 bpm • F Maj • 05:08 • -16.99db
29% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Griffin House
Better Than Love
82 bpm • C# Maj • 03:47 • -11.06db
38% Popularity • 56% Danceability • 58% Energy • 13% Liveness
36% Instrumentalness • 49% Positiveness
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Crowded House
Into Temptation
84 bpm • E min • 04:33 • -15.88db
47% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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James Morrison
You Make It Real
84 bpm • C Maj • 03:31 • -5.33db
58% Popularity • 32% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Mumford & Sons
Winter Winds
84 bpm • G Maj • 03:39 • -6.99db
44% Popularity • 45% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Ray LaMontagne
Empty
82 bpm • D Maj • 05:17 • -13.93db
45% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Petty
Free Fallin'
84 bpm • F Maj • 04:16 • -13.33db
78% Popularity • 62% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Howard
Conrad
82 bpm • A Maj • 06:08 • -12db
54% Popularity • 57% Danceability • 32% Energy • 8% Liveness
52% Instrumentalness • 18% Positiveness
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Newton Faulkner
Uncomfortably Slow
81 bpm • A Maj • 03:28 • -6.94db
28% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Colin Hay
Waiting For My Real Life To Begin
85 bpm • B Maj • 05:46 • -13db
47% Popularity • 45% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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Damien Rice
Delicate
81 bpm • F Maj • 05:12 • -14.5db
55% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Sarah McLachlan
Building a Mystery
81 bpm • D Maj • 04:07 • -8.6db
53% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Stereophonics
Maybe Tomorrow
81 bpm • G min • 04:32 • -6.77db
69% Popularity • 50% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Paolo Nutini
Last Request
81 bpm • G min • 03:40 • -7.27db
47% Popularity • 58% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Counting Crows
Omaha
81 bpm • A Maj • 03:39 • -9db
57% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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David Gray
Twilight
81 bpm • D Maj • 02:23 • -17.91db
24% Popularity • 44% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Peter Gabriel
Don't Give Up
81 bpm • D# Maj • 06:34 • -14.2db
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Bernard Fanning
Songbird
81 bpm • F# min • 02:36 • -6.97db
58% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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The Head And The Heart
Another Story
86 bpm • F Maj • 04:34 • -10db
62% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
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Ben Howard
Only Love
80 bpm • G# Maj • 04:09 • -10db
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Counting Crows
Sullivan Street
81 bpm • D Maj • 04:28 • -7.71db
49% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Joe Purdy
Wash Away (Reprise)
86 bpm • F Maj • 03:00 • -13.94db
43% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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KT Tunstall
Other Side Of The World
80 bpm • D Maj • 03:34 • -5.37db
55% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Travis
Driftwood
86 bpm • A Maj • 03:33 • -8db
53% Popularity • 38% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Iron & Wine
Call It Dreaming
80 bpm • F Maj • 03:51 • -9.97db
67% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Counting Crows
Perfect Blue Buildings
80 bpm • F Maj • 05:00 • -13db
46% Popularity • 60% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Van Morrison
Into the Mystic - 2013 Remaster
86 bpm • G# Maj • 03:25 • -10.27db
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Mumford & Sons
Awake My Soul
86 bpm • D Maj • 04:15 • -10.06db
53% Popularity • 26% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
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Ben Howard
She Treats Me Well
80 bpm • C min • 05:17 • -12.6db
54% Popularity • 62% Danceability • 49% Energy • 7% Liveness
31% Instrumentalness • 60% Positiveness
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Tom Petty
Wildflowers
87 bpm • F Maj • 03:10 • -13.79db
68% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Bruce Springsteen
Secret Garden
87 bpm • C Maj • 04:26 • -14.22db
65% Popularity • 52% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
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Counting Crows
Goodnight Elisabeth
80 bpm • A Maj • 05:18 • -8.18db
44% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Van Morrison
Sweet Thing - 1999 Remaster
87 bpm • E Maj • 04:25 • -14.64db
58% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Colin Hay
I Just Don't Think I'll Ever Get Over Yo...
79 bpm • C Maj • 05:28 • -19.38db
46% Popularity • 54% Danceability • 12% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Ben Howard
Keep Your Head Up
79 bpm • E min • 04:24 • -9db
66% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Mumford & Sons
White Blank Page
79 bpm • F# min • 04:14 • -9.75db
47% Popularity • 23% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Tracy Chapman
She's Got Her Ticket
87 bpm • G Maj • 03:54 • -13.82db
52% Popularity • 76% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Boy & Bear
Fall At Your Feet
87 bpm • C min • 04:31 • -6.6db
54% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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James Morrison
Wonderful World
79 bpm • C# Maj • 03:30 • -4.62db
51% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Train
Drops of Jupiter (Tell Me)
79 bpm • C Maj • 04:19 • -5.86db
82% Popularity • 48% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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David Gray
Birds Of The High Arctic
79 bpm • G min • 06:24 • -8.73db
17% Popularity • 37% Danceability • 44% Energy • 7% Liveness
12% Instrumentalness • 10% Positiveness
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Damien Rice
Lonelily
79 bpm • C Maj • 03:13 • -8.56db
42% Popularity • 30% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Dire Straits
Romeo And Juliet
88 bpm • F Maj • 06:00 • -12db
70% Popularity • 61% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Counting Crows
Rain King
79 bpm • A Maj • 04:15 • -6.74db
54% Popularity • 48% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:11 • -12.56db
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Elbow
My Sad Captains
78 bpm • G Maj • 06:00 • -7.25db
43% Popularity • 42% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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David Gray
Alibi
78 bpm • E Maj • 04:33 • -7.44db
30% Popularity • 34% Danceability • 37% Energy • 7% Liveness
3% Instrumentalness • 14% Positiveness
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First Aid Kit
Emmylou
88 bpm • F# Maj • 04:18 • -5.83db
57% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Van Morrison
Warm Love
89 bpm • D Maj • 03:23 • -8.62db
57% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Counting Crows
Big Yellow Taxi
88 bpm • C# Maj • 03:46 • -4.33db
61% Popularity • 67% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:25 • -11.08db
61% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Harper
Diamonds On The Inside
78 bpm • A# min • 04:26 • -6.48db
59% Popularity • 53% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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David Gray
Easy Way to Cry
78 bpm • G Maj • 03:53 • -11.05db
25% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Norah Jones
Don't Know Why
89 bpm • F Maj • 03:06 • -11.22db
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Bruce Springsteen
I'm On Fire
89 bpm • C# min • 02:35 • -14.45db
80% Popularity • 62% Danceability • 45% Energy • 7% Liveness
3% Instrumentalness • 87% Positiveness
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Bernard Fanning
Departures (Blue Toowong Skies)
89 bpm • G Maj • 04:20 • -12db
31% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Michael Kiwanuka
Rest
78 bpm • G min • 03:50 • -12db
55% Popularity • 63% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
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Nathaniel Rateliff
And It's Still Alright
78 bpm • D# Maj • 03:55 • -9.13db
61% Popularity • 52% Danceability • 49% Energy • 12% Liveness
62% Instrumentalness • 30% Positiveness
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David Gray
Silver Lining
78 bpm • B Maj • 05:59 • -8.07db
35% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Paddy Casey
Sweet Suburban Sky
78 bpm • A# Maj • 03:59 • -15.48db
30% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Van Morrison
Crazy Love - 2013 Remaster
77 bpm • A Maj • 02:35 • -19db
70% Popularity • 57% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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The Verve
The Drugs Don't Work
77 bpm • C Maj • 05:04 • -8.65db
63% Popularity • 44% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Dervish
The West Coast of Clare
89 bpm • D min • 05:26 • -14.99db
41% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Crowded House
Four Seasons In One Day
89 bpm • G Maj • 02:50 • -17.2db
57% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Bernard Fanning
Watch Over Me
77 bpm • D Maj • 03:33 • -15.92db
40% Popularity • 66% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Peter Gabriel
In Your Eyes
89 bpm • B min • 05:27 • -7.25db
58% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Simon & Garfunkel
The Only Living Boy in New York
77 bpm • B Maj • 03:58 • -12.36db
62% Popularity • 41% Danceability • 38% Energy • 13% Liveness
26% Instrumentalness • 52% Positiveness
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The Verve
Sonnet
89 bpm • C Maj • 04:21 • -7.3db
65% Popularity • 43% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Van Morrison
These Are the Days
77 bpm • G Maj • 05:19 • -10.48db
54% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Norah Jones
Come Away With Me
77 bpm • C Maj • 03:18 • -13.27db
74% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Nick Drake
Northern Sky
90 bpm • F min • 03:44 • -18db
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
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Colin Hay
Beautiful World - Alternate Mix
90 bpm • G Maj • 03:39 • -8.85db
29% Popularity • 48% Danceability • 58% Energy • 7% Liveness
6% Instrumentalness • 25% Positiveness
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Macy Gray
I Try
76 bpm • D Maj • 03:59 • -7.28db
73% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Amos Lee
Flower
76 bpm • A Maj • 03:41 • -7db
48% Popularity • 51% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Bon Iver
Skinny Love
76 bpm • E min • 03:58 • -14.03db
71% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Ray LaMontagne
Such A Simple Thing
76 bpm • A# Maj • 04:56 • -11.22db
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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James Taylor
Fire and Rain - 2019 Remaster
76 bpm • F Maj • 03:23 • -17.29db
72% Popularity • 60% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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John Mayer
Who Says
90 bpm • D Maj • 02:55 • -13.11db
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Loudon Wainwright III
Daughter
91 bpm • A Maj • 03:32 • -8.16db
46% Popularity • 43% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Lighthouse Family
Ocean Drive
91 bpm • G Maj • 03:48 • -9.38db
56% Popularity • 62% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
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Leon Bridges
Beyond
76 bpm • F# Maj • 04:00 • -5.4db
72% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Verve
Lucky Man
76 bpm • D Maj • 04:53 • -7.59db
68% Popularity • 41% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Van Morrison
And It Stoned Me - 2013 Remaster
76 bpm • G Maj • 04:32 • -11.17db
61% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Razorlight
America
91 bpm • D Maj • 04:09 • -4.98db
65% Popularity • 45% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Snow Patrol
How To Be Dead
91 bpm • F Maj • 03:22 • -7db
47% Popularity • 58% Danceability • 63% Energy • 59% Liveness
2% Instrumentalness • 42% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
67% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Brandi Carlile
The Joke
75 bpm • G Maj • 04:39 • -5.48db
57% Popularity • 24% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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James Taylor
Carolina in My Mind
75 bpm • E Maj • 03:58 • -15.11db
49% Popularity • 58% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Howard
Depth Over Distance
75 bpm • D min • 04:48 • -11.1db
51% Popularity • 26% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Elbow
Magnificent (She Says)
92 bpm • D Maj • 04:24 • -7.25db
47% Popularity • 51% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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We're Not Right