Songs like We're So Illegal by Mystery Girls
Based on a tempo of (+/- 10%) and a similar genre
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Mystery Girls
We're So Illegal
80 bpm • E Maj • 01:53 • -7.45db
0% Popularity • 29% Danceability • 67% Energy • 64% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 29% Danceability • 67% Energy • 64% Liveness
0% Instrumentalness • 66% Positiveness
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The Fleshtones
I Am What I Am
80 bpm • D Maj • 02:46 • -5db
13% Popularity • 39% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 39% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Mark Sultan
Spinning Ceiling
80 bpm • E Maj • 02:04 • -0.07db
15% Popularity • 62% Danceability • 100% Energy • 27% Liveness
3% Instrumentalness • 79% Positiveness
15% Popularity • 62% Danceability • 100% Energy • 27% Liveness
3% Instrumentalness • 79% Positiveness
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The Go
Whatcha Doin'
80 bpm • F# Maj • 02:44 • -5.71db
10% Popularity • 25% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 25% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Left Lane Cruiser
Pork n' Beans
79 bpm • A Maj • 02:54 • -5.79db
16% Popularity • 43% Danceability • 87% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
16% Popularity • 43% Danceability • 87% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Black Diamond Heavies
Guess You Gone and Fucked It All Up
79 bpm • D# Maj • 03:04 • -9.71db
8% Popularity • 42% Danceability • 58% Energy • 29% Liveness
44% Instrumentalness • 24% Positiveness
8% Popularity • 42% Danceability • 58% Energy • 29% Liveness
44% Instrumentalness • 24% Positiveness
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The Flaming Sideburns
Blow the Roof
82 bpm • D Maj • 03:28 • -2.97db
21% Popularity • 35% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 35% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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The Von Bondies
No Sugar Mama
78 bpm • F Maj • 01:56 • -4.54db
30% Popularity • 41% Danceability • 82% Energy • 17% Liveness
53% Instrumentalness • 45% Positiveness
30% Popularity • 41% Danceability • 82% Energy • 17% Liveness
53% Instrumentalness • 45% Positiveness
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Mark Sultan
Beautiful Girl
83 bpm • A Maj • 02:10 • 0.75db
18% Popularity • 32% Danceability • 100% Energy • 27% Liveness
79% Instrumentalness • 43% Positiveness
18% Popularity • 32% Danceability • 100% Energy • 27% Liveness
79% Instrumentalness • 43% Positiveness
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Mr. Airplane Man
Podunk Holler
75 bpm • F min • 02:25 • -12.32db
14% Popularity • 36% Danceability • 61% Energy • 9% Liveness
65% Instrumentalness • 62% Positiveness
14% Popularity • 36% Danceability • 61% Energy • 9% Liveness
65% Instrumentalness • 62% Positiveness
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The Boys
Tonight
86 bpm • B Maj • 01:28 • -6db
26% Popularity • 41% Danceability • 88% Energy • 26% Liveness
3% Instrumentalness • 74% Positiveness
26% Popularity • 41% Danceability • 88% Energy • 26% Liveness
3% Instrumentalness • 74% Positiveness
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The Guilty Hearts
Turn It Off
74 bpm • F# min • 02:27 • -1.77db
11% Popularity • 24% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 71% Positiveness
11% Popularity • 24% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 71% Positiveness
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Reigning Sound
I'll Cry
87 bpm • E Maj • 02:20 • -0.87db
12% Popularity • 21% Danceability • 96% Energy • 9% Liveness
94% Instrumentalness • 66% Positiveness
12% Popularity • 21% Danceability • 96% Energy • 9% Liveness
94% Instrumentalness • 66% Positiveness
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The Von Bondies
Please Please Man
84 bpm • E min • 02:04 • -4.32db
10% Popularity • 27% Danceability • 88% Energy • 4% Liveness
12% Instrumentalness • 49% Positiveness
10% Popularity • 27% Danceability • 88% Energy • 4% Liveness
12% Instrumentalness • 49% Positiveness
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The Sewergrooves
Living in Another World
89 bpm • F# Maj • 02:42 • -3.82db
14% Popularity • 32% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 32% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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The Real Kids
Rave On
89 bpm • A Maj • 01:45 • -13.03db
18% Popularity • 46% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 46% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Dan Sartain
Those Thoughts
90 bpm • E min • 01:56 • -5.35db
15% Popularity • 67% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 67% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Log III
Put That There
89 bpm • C# Maj • 02:49 • -5.55db
17% Popularity • 62% Danceability • 88% Energy • 36% Liveness
10% Instrumentalness • 38% Positiveness
17% Popularity • 62% Danceability • 88% Energy • 36% Liveness
10% Instrumentalness • 38% Positiveness
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Reigning Sound
Funny Thing
88 bpm • E Maj • 03:07 • -4.62db
9% Popularity • 46% Danceability • 76% Energy • 15% Liveness
55% Instrumentalness • 36% Positiveness
9% Popularity • 46% Danceability • 76% Energy • 15% Liveness
55% Instrumentalness • 36% Positiveness
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Nobunny
Chuck Berry Holiday
90 bpm • C Maj • 03:07 • -3.04db
27% Popularity • 50% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 50% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The Von Bondies
Lack of Communication
87 bpm • D Maj • 03:33 • -5.2db
25% Popularity • 28% Danceability • 94% Energy • 6% Liveness
72% Instrumentalness • 37% Positiveness
25% Popularity • 28% Danceability • 94% Energy • 6% Liveness
72% Instrumentalness • 37% Positiveness
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Sonic's Rendezvous Band
Electrophonic Tonic - The Best Stuff You...
91 bpm • B min • 03:50 • -5.06db
16% Popularity • 22% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 22% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Humpers
(I'm) Watching You
90 bpm • E Maj • 02:12 • -6db
11% Popularity • 24% Danceability • 97% Energy • 11% Liveness
8% Instrumentalness • 29% Positiveness
11% Popularity • 24% Danceability • 97% Energy • 11% Liveness
8% Instrumentalness • 29% Positiveness
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New Bomb Turks
Veronica Lake
91 bpm • G Maj • 02:36 • -4.31db
11% Popularity • 21% Danceability • 100% Energy • 47% Liveness
82% Instrumentalness • 22% Positiveness
11% Popularity • 21% Danceability • 100% Energy • 47% Liveness
82% Instrumentalness • 22% Positiveness
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The Bonnevilles
Good Suits & Fightin Boots
91 bpm • D Maj • 04:09 • -2.7db
11% Popularity • 38% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 38% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Gluecifer
Get The Horn
91 bpm • G Maj • 03:38 • -4.71db
14% Popularity • 41% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 41% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Compulsive Gamblers
Capone's Finest
70 bpm • F min • 02:29 • -11.11db
10% Popularity • 7% Danceability • 55% Energy • 11% Liveness
31% Instrumentalness • 20% Positiveness
10% Popularity • 7% Danceability • 55% Energy • 11% Liveness
31% Instrumentalness • 20% Positiveness
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King Khan and the Shrines
Saba Lou
92 bpm • B Maj • 02:09 • -4.07db
14% Popularity • 31% Danceability • 94% Energy • 79% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 31% Danceability • 94% Energy • 79% Liveness
0% Instrumentalness • 79% Positiveness
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Sweet Apple
Flying Up A Mountain
93 bpm • E Maj • 03:36 • -3.26db
15% Popularity • 48% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 48% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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The Leprechauns
Four Jacks of Diamonds
93 bpm • D Maj • 03:23 • -5.15db
7% Popularity • 34% Danceability • 86% Energy • 26% Liveness
79% Instrumentalness • 63% Positiveness
7% Popularity • 34% Danceability • 86% Energy • 26% Liveness
79% Instrumentalness • 63% Positiveness
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Supersuckers
Rock-n-Roll Records (Ain't Selling This ...
93 bpm • G# Maj • 02:25 • -4db
26% Popularity • 22% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 22% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Sonic's Rendezvous Band
Sweet Little Sixteen - The Best Stuff Yo...
94 bpm • F Maj • 03:50 • -2.14db
9% Popularity • 23% Danceability • 92% Energy • 69% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 92% Energy • 69% Liveness
0% Instrumentalness • 7% Positiveness
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Legendary Shack Shakers
Bullfrog Blues
95 bpm • D Maj • 03:05 • -3.25db
20% Popularity • 43% Danceability • 96% Energy • 12% Liveness
31% Instrumentalness • 29% Positiveness
20% Popularity • 43% Danceability • 96% Energy • 12% Liveness
31% Instrumentalness • 29% Positiveness
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Oblivians
Do the Milkshake
94 bpm • C Maj • 05:19 • -7db
18% Popularity • 49% Danceability • 88% Energy • 11% Liveness
21% Instrumentalness • 52% Positiveness
18% Popularity • 49% Danceability • 88% Energy • 11% Liveness
21% Instrumentalness • 52% Positiveness
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The Buff Medways
Archive From 1959
95 bpm • E min • 02:43 • -3.62db
9% Popularity • 35% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 35% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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The Boatsmen
Fuck the Night
95 bpm • D Maj • 02:08 • -2.48db
17% Popularity • 34% Danceability • 99% Energy • 11% Liveness
64% Instrumentalness • 38% Positiveness
17% Popularity • 34% Danceability • 99% Energy • 11% Liveness
64% Instrumentalness • 38% Positiveness
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Dirty Fences
These Freaks
95 bpm • A Maj • 02:28 • -6.1db
15% Popularity • 24% Danceability • 85% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
15% Popularity • 24% Danceability • 85% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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The Greenhornes
Too Much Sorrow
96 bpm • A Maj • 04:05 • -4.99db
14% Popularity • 36% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 36% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Brad Marino
Dream Last Night
97 bpm • D Maj • 01:12 • -6.1db
22% Popularity • 45% Danceability • 95% Energy • 26% Liveness
74% Instrumentalness • 96% Positiveness
22% Popularity • 45% Danceability • 95% Energy • 26% Liveness
74% Instrumentalness • 96% Positiveness
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Flat Duo Jets
Mexicali Baby
96 bpm • F# min • 03:00 • -6.73db
8% Popularity • 46% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 46% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Mystery Girls
This Is Stereo
97 bpm • A min • 03:31 • -2.48db
0% Popularity • 14% Danceability • 97% Energy • 21% Liveness
66% Instrumentalness • 37% Positiveness
0% Popularity • 14% Danceability • 97% Energy • 21% Liveness
66% Instrumentalness • 37% Positiveness
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The Schizophonics
Streets of Heaven and Hell
97 bpm • B min • 03:30 • -4.74db
9% Popularity • 44% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 56% Positiveness
9% Popularity • 44% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 56% Positiveness
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The Bloody Hollies
Gasoline
97 bpm • A Maj • 03:05 • -3.85db
17% Popularity • 33% Danceability • 94% Energy • 15% Liveness
2% Instrumentalness • 13% Positiveness
17% Popularity • 33% Danceability • 94% Energy • 15% Liveness
2% Instrumentalness • 13% Positiveness
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Black Diamond Heavies
Everything Is Everything
97 bpm • D Maj • 03:51 • -7.35db
14% Popularity • 42% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 42% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Black Lips
Cold Hands
98 bpm • E min • 02:26 • -8db
33% Popularity • 46% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 46% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Mooney Suzuki
Electric Sweat
97 bpm • E min • 03:34 • -5.9db
17% Popularity • 40% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 40% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Routes
Do What's Right by You
98 bpm • E min • 02:28 • -2db
14% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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HONKEYFINGER
Honknskronkn
99 bpm • C# Maj • 01:23 • -3.9db
12% Popularity • 59% Danceability • 99% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
12% Popularity • 59% Danceability • 99% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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The Bloody Hollies
Watch Your Head
98 bpm • D Maj • 03:23 • -4.34db
17% Popularity • 31% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 31% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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The Beat Up
Messed Up
100 bpm • G Maj • 02:47 • -3.95db
13% Popularity • 31% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 31% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Dion Lunadon
Com / Broke
100 bpm • A Maj • 02:49 • -4.05db
16% Popularity • 37% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 37% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Ike Reilly Assassination
It's Hard To Make Love To An American
100 bpm • D min • 04:46 • -6.18db
14% Popularity • 60% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 60% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Les Lullies
Let It Out
101 bpm • A Maj • 02:28 • -5.68db
11% Popularity • 30% Danceability • 80% Energy • 16% Liveness
92% Instrumentalness • 72% Positiveness
11% Popularity • 30% Danceability • 80% Energy • 16% Liveness
92% Instrumentalness • 72% Positiveness
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The Lazy Cowgirls
Frustration, Tragedy & Lies
101 bpm • C# min • 04:15 • -9.73db
13% Popularity • 28% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 28% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Jim Jones Revue
7 Times Around the Sun
101 bpm • E Maj • 03:38 • -8db
8% Popularity • 66% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 66% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Dex Romweber Duo
Jungle Drums
102 bpm • C Maj • 02:09 • -5.36db
7% Popularity • 43% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 43% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Black Joe Lewis & The Honeybears
What Love Is
102 bpm • A Maj • 01:47 • -4.34db
26% Popularity • 39% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 39% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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King Salami and the Cumberland Three
Do the Wurst
103 bpm • E min • 02:37 • -2.7db
14% Popularity • 31% Danceability • 100% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 31% Danceability • 100% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Mystery Girls
Cold Feet
104 bpm • A min • 09:42 • -8.69db
0% Popularity • 24% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 24% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Supersuckers
Born With A Tail
105 bpm • A Maj • 03:15 • -4db
33% Popularity • 39% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 39% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Flat Duo Jets
Frog Went A Courtin'
104 bpm • E Maj • 02:15 • -11.77db
16% Popularity • 39% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 39% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Devil's Brigade
Darlene
105 bpm • F min • 02:02 • -2.98db
19% Popularity • 57% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 57% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Gideon Smith and the Dixie Damned
Black Cat Road
105 bpm • E min • 05:39 • -6.58db
14% Popularity • 40% Danceability • 97% Energy • 39% Liveness
16% Instrumentalness • 50% Positiveness
14% Popularity • 40% Danceability • 97% Energy • 39% Liveness
16% Instrumentalness • 50% Positiveness
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The Deadly Snakes
Closed Casket
106 bpm • F min • 03:03 • -2.39db
8% Popularity • 29% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 29% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Compulsive Gamblers
Rock & Roll Nurse
106 bpm • F# min • 04:10 • -6.74db
20% Popularity • 44% Danceability • 87% Energy • 11% Liveness
61% Instrumentalness • 54% Positiveness
20% Popularity • 44% Danceability • 87% Energy • 11% Liveness
61% Instrumentalness • 54% Positiveness
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Zen Guerrilla
Barbed Wire
106 bpm • G Maj • 02:35 • -2.84db
11% Popularity • 44% Danceability • 100% Energy • 60% Liveness
74% Instrumentalness • 17% Positiveness
11% Popularity • 44% Danceability • 100% Energy • 60% Liveness
74% Instrumentalness • 17% Positiveness
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Heavy Trash
Dark Hair'd Rider
107 bpm • E min • 01:47 • -6.31db
23% Popularity • 47% Danceability • 97% Energy • 93% Liveness
19% Instrumentalness • 51% Positiveness
23% Popularity • 47% Danceability • 97% Energy • 93% Liveness
19% Instrumentalness • 51% Positiveness
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Black Diamond Heavies
Make Love Time
107 bpm • E min • 03:31 • -5.35db
19% Popularity • 29% Danceability • 93% Energy • 20% Liveness
18% Instrumentalness • 30% Positiveness
19% Popularity • 29% Danceability • 93% Energy • 20% Liveness
18% Instrumentalness • 30% Positiveness
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The Bonnevilles
One More Nail Outta Rock n Rolls Coffin
107 bpm • F# min • 01:38 • -3.59db
8% Popularity • 20% Danceability • 95% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
8% Popularity • 20% Danceability • 95% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
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Mark Sultan
We're Sinking
107 bpm • G Maj • 02:25 • -0.02db
12% Popularity • 50% Danceability • 99% Energy • 37% Liveness
52% Instrumentalness • 84% Positiveness
12% Popularity • 50% Danceability • 99% Energy • 37% Liveness
52% Instrumentalness • 84% Positiveness
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Soledad Brothers
Break Em' On Down - Live
108 bpm • A min • 03:04 • -5.47db
16% Popularity • 33% Danceability • 96% Energy • 16% Liveness
72% Instrumentalness • 42% Positiveness
16% Popularity • 33% Danceability • 96% Energy • 16% Liveness
72% Instrumentalness • 42% Positiveness
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The Juke Joint Pimps
Let's Do the Hippie Dance
107 bpm • A# Maj • 02:52 • -4.89db
9% Popularity • 48% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 48% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Sonny Vincent
Unlock
109 bpm • B min • 01:47 • -2.14db
15% Popularity • 31% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 31% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
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The Lords of Altamont
Action
110 bpm • C Maj • 04:21 • -5.25db
11% Popularity • 22% Danceability • 87% Energy • 41% Liveness
14% Instrumentalness • 46% Positiveness
11% Popularity • 22% Danceability • 87% Energy • 41% Liveness
14% Instrumentalness • 46% Positiveness
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The Bloody Hollies
Swing
111 bpm • B min • 02:55 • -4.4db
9% Popularity • 48% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 48% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Nine Pound Hammer
Stranded Outside Tater Knob
111 bpm • G Maj • 02:29 • -8.09db
16% Popularity • 49% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 49% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Mystery Girls
Footsteps
111 bpm • E min • 01:36 • -1.77db
0% Popularity • 33% Danceability • 96% Energy • 10% Liveness
31% Instrumentalness • 84% Positiveness
0% Popularity • 33% Danceability • 96% Energy • 10% Liveness
31% Instrumentalness • 84% Positiveness
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Hillstomp
Nope
112 bpm • G Maj • 02:09 • -9.37db
22% Popularity • 54% Danceability • 71% Energy • 14% Liveness
54% Instrumentalness • 93% Positiveness
22% Popularity • 54% Danceability • 71% Energy • 14% Liveness
54% Instrumentalness • 93% Positiveness
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Oblivians
I'm Not a Sicko There's a Plate in My He...
112 bpm • C# min • 01:58 • -8.86db
20% Popularity • 32% Danceability • 71% Energy • 25% Liveness
20% Instrumentalness • 86% Positiveness
20% Popularity • 32% Danceability • 71% Energy • 25% Liveness
20% Instrumentalness • 86% Positiveness
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Flat Duo Jets
Everybody's Movin'
112 bpm • C Maj • 05:39 • -6.17db
10% Popularity • 41% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 41% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Thee Mighty Caesars
Oh Yeah
112 bpm • D# Maj • 02:41 • -4.03db
12% Popularity • 48% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 48% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Nine Pound Hammer
Feelin' Kinda Froggy
111 bpm • D Maj • 02:25 • -11.58db
11% Popularity • 49% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 49% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Mystery Girls
First Stage Of Love
112 bpm • A# Maj • 01:09 • -14.27db
0% Popularity • 38% Danceability • 67% Energy • 73% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 38% Danceability • 67% Energy • 73% Liveness
0% Instrumentalness • 58% Positiveness
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The Detroit Cobras
Ain't It a Shame
113 bpm • A# min • 02:00 • -13.85db
15% Popularity • 41% Danceability • 46% Energy • 21% Liveness
85% Instrumentalness • 55% Positiveness
15% Popularity • 41% Danceability • 46% Energy • 21% Liveness
85% Instrumentalness • 55% Positiveness
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The Devil Dogs
Dance With You Baby
112 bpm • D Maj • 01:47 • -7.47db
15% Popularity • 34% Danceability • 99% Energy • 93% Liveness
9% Instrumentalness • 10% Positiveness
15% Popularity • 34% Danceability • 99% Energy • 93% Liveness
9% Instrumentalness • 10% Positiveness
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Thee Headcoats
Davey Crockett
115 bpm • A min • 02:53 • -14db
14% Popularity • 57% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 57% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
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The Spaceshits
She's a Bad Luck Charm
115 bpm • B Maj • 01:52 • -3.59db
9% Popularity • 45% Danceability • 99% Energy • 34% Liveness
1% Instrumentalness • 45% Positiveness
9% Popularity • 45% Danceability • 99% Energy • 34% Liveness
1% Instrumentalness • 45% Positiveness
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Speedball Baby
Blackish Man
115 bpm • G Maj • 03:11 • -8.41db
9% Popularity • 57% Danceability • 71% Energy • 35% Liveness
92% Instrumentalness • 86% Positiveness
9% Popularity • 57% Danceability • 71% Energy • 35% Liveness
92% Instrumentalness • 86% Positiveness
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Billy Childish
Devil in the Flesh
115 bpm • E Maj • 02:11 • -3.57db
17% Popularity • 60% Danceability • 73% Energy • 9% Liveness
79% Instrumentalness • 64% Positiveness
17% Popularity • 60% Danceability • 73% Energy • 9% Liveness
79% Instrumentalness • 64% Positiveness
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The Detroit Cobras
Down in Louisiana
114 bpm • E Maj • 03:13 • -14.74db
10% Popularity • 42% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 42% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Mr. Airplane Man
Black Cat Bone
115 bpm • C# Maj • 03:05 • -5.83db
10% Popularity • 52% Danceability • 91% Energy • 29% Liveness
4% Instrumentalness • 87% Positiveness
10% Popularity • 52% Danceability • 91% Energy • 29% Liveness
4% Instrumentalness • 87% Positiveness
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Subsonics
Frankenstein
115 bpm • A Maj • 03:09 • -6.75db
12% Popularity • 70% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 70% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Beasts Of Bourbon
I Told You So
115 bpm • D# Maj • 02:49 • -4.64db
11% Popularity • 58% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 58% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Spaceshits
60 Nights of Boredom
115 bpm • C# Maj • 01:50 • -3.61db
12% Popularity • 46% Danceability • 98% Energy • 14% Liveness
87% Instrumentalness • 80% Positiveness
12% Popularity • 46% Danceability • 98% Energy • 14% Liveness
87% Instrumentalness • 80% Positiveness
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Dan Sartain
Walk Among The Cobras IV
115 bpm • C# Maj • 02:07 • -6.08db
18% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Supersuckers
Dirt Roads, Dead Ends And Dust
116 bpm • D# Maj • 03:43 • -4.29db
13% Popularity • 38% Danceability • 97% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
13% Popularity • 38% Danceability • 97% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
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Mystery Girls
I Want Nothing Of It - Live!
116 bpm • D Maj • 01:55 • -4.23db
0% Popularity • 17% Danceability • 95% Energy • 45% Liveness
84% Instrumentalness • 16% Positiveness
0% Popularity • 17% Danceability • 95% Energy • 45% Liveness
84% Instrumentalness • 16% Positiveness
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Nine Pound Hammer
800 Miles
116 bpm • A Maj • 01:55 • -3.69db
14% Popularity • 50% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 50% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
