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Were Thine That Special Face
Songs like
Were Thine That Special Face
by
Howard Keel
Based on a tempo of (+/- 10%) and a similar genre
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William Warfield
Ol' Man River
81 bpm • C# Maj • 02:49 • -14.92db
11% Popularity • 20% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Hayley Mills
Castaway
81 bpm • D# Maj • 01:24 • -14.09db
18% Popularity • 42% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Danny Kaye
Life Could Not Better Be
81 bpm • D# Maj • 03:00 • -10.51db
24% Popularity • 63% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Marni Nixon
Just You Wait (reprise)* - Voice
81 bpm • C min • 01:24 • -22.1db
19% Popularity • 25% Danceability • 3% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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The Paul Masters Orchestra
A Million Miles Away Behind The Door
81 bpm • C# Maj • 03:24 • -24.88db
9% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Stonecutters Cut It On Stone
81 bpm • A# Maj • 02:20 • -14.66db
14% Popularity • 67% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Kathryn Grayson
Make Believe
81 bpm • C Maj • 03:37 • -13.1db
0% Popularity • 25% Danceability • 21% Energy • 21% Liveness
5% Instrumentalness • 18% Positiveness
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Jerry Orbach
Lullaby of Broadway
81 bpm • C Maj • 05:02 • -14db
25% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Howard Keel
Were Thine That Special Face
81 bpm • A min • 02:07 • -10.73db
8% Popularity • 28% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
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Shirley Jones
Piano Lesson / If You Don’t Mind Me Sa...
81 bpm • G Maj • 01:58 • -10.71db
29% Popularity • 59% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Paulo Szot
Some Enchanted Evening
82 bpm • C Maj • 02:57 • -18.14db
31% Popularity • 22% Danceability • 13% Energy • 8% Liveness
50% Instrumentalness • 22% Positiveness
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Marni Nixon
Hello Young Lovers
80 bpm • C Maj • 03:28 • -17db
10% Popularity • 26% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Bill Shirley
On The Street Where You Live
81 bpm • C Maj • 02:56 • -17db
31% Popularity • 31% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Original Broadway Cast "Boys From Syracuse"
Falling In Love With Love
80 bpm • C Maj • 03:11 • -11.59db
11% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Howard Keel
Softly As I Leave You
80 bpm • A# Maj • 02:24 • -18.74db
6% Popularity • 25% Danceability • 14% Energy • 8% Liveness
6% Instrumentalness • 10% Positiveness
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Walter Bobbie
Fugue for Tinhorns
82 bpm • G# Maj • 01:27 • -17.93db
34% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Aileen Quinn
Maybe (Reprise)
82 bpm • C Maj • 01:37 • -21.89db
32% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Danny Kaye
Life Could Not Better Be - Pop Version
80 bpm • D# Maj • 02:05 • -9.8db
14% Popularity • 65% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Richard Harris
How to Handle a Woman - King Arthur
80 bpm • D Maj • 04:15 • -17.41db
18% Popularity • 35% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Lt. Cable
My Girl Back Home
82 bpm • E Maj • 01:40 • -17db
26% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Howard Keel
Prelude into the Music of the Night
80 bpm • A# Maj • 05:38 • -13.71db
0% Popularity • 27% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Don Francks, Petula Clark, The Ken Darby Singers & Ensemble
That Great Come-And-Get-It Day
80 bpm • C Maj • 03:48 • -11.68db
8% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Gwen Verdon
Two Lost Souls
82 bpm • G Maj • 02:18 • -12db
15% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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Stanley Donen
Queen Of The May - (Outtake) [Demo Recor...
80 bpm • C# Maj • 01:28 • -17.56db
20% Popularity • 63% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Fiorello! - Original Broadway Cast
Politics And Poker
82 bpm • G Maj • 03:58 • -12db
11% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Sally Dexter
I'd Do Anything
83 bpm • D min • 02:43 • -15db
36% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Marilyn Hooven
Summer Magic
83 bpm • G# Maj • 03:32 • -19.85db
9% Popularity • 18% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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MGM Studio Orchestra
Bless Yore Beautiful Hide
83 bpm • C# Maj • 02:31 • -16.27db
11% Popularity • 72% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Robert Preston
Marian The Librarian
83 bpm • C# Maj • 02:40 • -13.34db
32% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Gordon Macrae
The Surrey with the Fringe on Top (Excer...
79 bpm • D Maj • 04:55 • -17db
23% Popularity • 45% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Howard Keel
The Surrey with the Fringe on Top
83 bpm • G# Maj • 02:52 • -16.73db
1% Popularity • 39% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Judy Holliday
It's A Perfect Relationship
83 bpm • G# Maj • 03:11 • -16db
9% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Howard Keel
Higher Than a Hawk (Deeper Than a Well)
83 bpm • D# Maj • 02:12 • -9.61db
13% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Frederick Loewe
My Fair Lady: On the Street Where You Li...
83 bpm • D Maj • 02:54 • -14db
17% Popularity • 20% Danceability • 26% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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David Burns
Everybody Ought to Have a Maid
83 bpm • F# min • 03:49 • -16.85db
8% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Howard Keel
If I Loved You
83 bpm • A# Maj • 02:15 • -15.33db
0% Popularity • 25% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Aileen Quinn
Tomorrow (White House Version)
78 bpm • C# Maj • 02:24 • -16.08db
34% Popularity • 45% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Danny Kaye
Where Walks My True Love
84 bpm • A# Maj • 03:24 • -14.83db
9% Popularity • 27% Danceability • 23% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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Nellie Forbush
Finale
78 bpm • A# Maj • 02:58 • -10.97db
21% Popularity • 24% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 26% Positiveness
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Joanna Riding
If I Loved You
84 bpm • C# Maj • 11:44 • -19.07db
20% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Georges Guétary
Nice Work If You Can Get It - Outtake
78 bpm • A# Maj • 01:06 • -11db
15% Popularity • 53% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Howard Keel
If
84 bpm • C# Maj • 02:55 • -15.66db
2% Popularity • 38% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Shirley Jones
Out Of My Dreams
84 bpm • D# Maj • 02:33 • -22.12db
26% Popularity • 16% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Jonathan Pryce
Reviewing The Situation
84 bpm • F Maj • 04:53 • -15.27db
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Frederick Loewe
Camelot: Fie on Goodness
78 bpm • D# Maj • 03:34 • -13.65db
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Ann-Margret
How Lovely to Be a Woman
78 bpm • B Maj • 02:39 • -8.23db
14% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Zero Mostel
Sabbath Prayer
78 bpm • F Maj • 02:26 • -20.59db
20% Popularity • 26% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Howard Keel
Colours of My Life
78 bpm • D Maj • 03:27 • -16.06db
0% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Aileen Quinn
Finale from "Annie"
85 bpm • G Maj • 04:36 • -15.11db
32% Popularity • 34% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Shirley Jones
Goodnight My Someone
77 bpm • B Maj • 02:51 • -14.31db
30% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Frederick Loewe
Camelot: Finale Ultimo
77 bpm • D# Maj • 02:03 • -17.84db
23% Popularity • 39% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Kieran McIlroy
Bidin' My Time
85 bpm • C Maj • 01:45 • -19.47db
21% Popularity • 46% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Jerry Orbach
Finale: 42nd Street (Reprise) / Bows
86 bpm • D# min • 03:13 • -15db
18% Popularity • 29% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Howard Keel
Bless Your Beautiful Hide
84 bpm • D Maj • 02:00 • -13.12db
0% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Rex Harrison
I've Grown Accustomed To Her Face - Voic...
77 bpm • F Maj • 05:57 • -16db
23% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Linda Ronstadt
Poor Wandering One
86 bpm • G# Maj • 03:58 • -15db
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Betty Hutton
Annie Get Your Gun: Anything You Can Do
86 bpm • A Maj • 03:11 • -12.16db
13% Popularity • 68% Danceability • 26% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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John Williams
Miracle Of Miracles
76 bpm • B Maj • 02:04 • -13db
37% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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The Buffalo Bills
Sincere
86 bpm • A Maj • 01:40 • -12.52db
26% Popularity • 37% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Howard Keel
O What a Beautiful Mornin'
78 bpm • E Maj • 01:52 • -13.06db
17% Popularity • 28% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
If I Loved You
76 bpm • A# Maj • 02:02 • -23db
23% Popularity • 14% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
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Shirley Jones
Out of My Dreams
86 bpm • G# Maj • 02:30 • -10db
7% Popularity • 20% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Rodgers & Hammerstein
Oklahoma! / Finale: Oh, What A Beautiful...
76 bpm • A Maj • 03:58 • -14db
18% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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James Cagney & Sally Sweetland
Mary's A Grand Old Name
76 bpm • D# Maj • 01:53 • -22.72db
11% Popularity • 60% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Rex Harrison
I'm Just An Ordinary Man - Voice
87 bpm • A# Maj • 04:42 • -15db
24% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Howard Keel
Secret Love
85 bpm • D Maj • 02:55 • -16.75db
1% Popularity • 19% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
You'll Never Walk Alone (Finale)
86 bpm • C Maj • 02:02 • -13.84db
24% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Mattox
Lament (Lonesome Polecat)
87 bpm • C Maj • 03:36 • -24.66db
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Judy Holliday
It's A Perfect Relationship
75 bpm • G# Maj • 03:07 • -11db
11% Popularity • 45% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Colin Donnell
Easy to Love
75 bpm • G# Maj • 03:34 • -16.79db
28% Popularity • 28% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Marni Nixon
A Hymn To Him - Voice
75 bpm • E min • 03:34 • -16.51db
16% Popularity • 52% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Broadway Cast Recording
Always True To You (In My Fashion)
87 bpm • D Maj • 05:14 • -9.61db
22% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Howard Keel
Pegan Love Song
77 bpm • C Maj • 02:57 • -10.39db
1% Popularity • 16% Danceability • 25% Energy • 5% Liveness
13% Instrumentalness • 22% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Main Title: The Carousel Waltz
86 bpm • D Maj • 01:50 • -10.26db
19% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
30% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Danny Kaye
The Maladjusted Jester
87 bpm • C Maj • 03:47 • -10.54db
18% Popularity • 56% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Anna Maria Alberghetti
Love Makes the World Go 'Round - Remaste...
88 bpm • D Maj • 01:48 • -14.03db
17% Popularity • 35% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Meredith Willson
Piano Lesson
75 bpm • C# Maj • 01:56 • -17db
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Howard Keel
Rose Marie
76 bpm • B Maj • 02:28 • -11.67db
0% Popularity • 33% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
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Dick Van Dyke
Put on a Happy Face
88 bpm • A Maj • 03:35 • -10.46db
27% Popularity • 32% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Lt. Cable
Younger Than Springtime
88 bpm • G# Maj • 04:56 • -12db
27% Popularity • 15% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Alfred Newman
Prelude and Overture
88 bpm • A# Maj • 03:11 • -13.37db
18% Popularity • 14% Danceability • 32% Energy • 35% Liveness
51% Instrumentalness • 33% Positiveness
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Frederick Loewe
Camelot: Overture
75 bpm • E min • 03:12 • -13db
23% Popularity • 12% Danceability • 28% Energy • 48% Liveness
83% Instrumentalness • 27% Positiveness
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Arthur Freed
You and I
88 bpm • D Maj • 02:33 • -22.37db
22% Popularity • 30% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Howard Keel
My Defenses Are Down
76 bpm • A Maj • 03:25 • -10.41db
14% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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John Williams
Sabbath Prayer
74 bpm • D# Maj • 02:40 • -17db
37% Popularity • 17% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Leona Gordon
We Kiss In A Shadow - Remastered 2001
89 bpm • E Maj • 02:37 • -17.35db
19% Popularity • 22% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Frederick Loewe
My Fair Lady: I've Grown Accustomed to H...
88 bpm • C Maj • 05:21 • -15db
10% Popularity • 41% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Meredith Willson
Till There Was You
90 bpm • D# Maj • 02:45 • -13.23db
23% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Howard Keel
When You're In Love - (Reprise)
87 bpm • F# Maj • 02:18 • -17.73db
21% Popularity • 20% Danceability • 9% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Shannon Bolin
Overture: Six Months Out of Every Year
73 bpm • G Maj • 04:43 • -11db
13% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
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Vivian Blaine
Adelaide's Lament
90 bpm • F Maj • 03:19 • -20.04db
14% Popularity • 67% Danceability • 12% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
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The 20th Century-Fox Orchestra
The Letter - Remastered 2001
73 bpm • A Maj • 03:04 • -18.73db
14% Popularity • 14% Danceability • 21% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Cy Coleman
Sweet Charity: Baby, Dream Your Dream
73 bpm • B Maj • 03:45 • -16db
17% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Wilfrid Hyde-White
You Did It - Voice
72 bpm • C Maj • 04:36 • -13.67db
18% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Howard Keel
Bring Him Home
88 bpm • D# Maj • 03:21 • -14.66db
1% Popularity • 19% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 10% Positiveness
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Robert Lindsay
Me And My Girl - Original Cast Recording...
91 bpm • A# Maj • 03:44 • -17.59db
21% Popularity • 38% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Georges Guétary
S'wonderful
72 bpm • G# Maj • 02:53 • -9.74db
13% Popularity • 41% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Were Thine That Special Face