Songs like Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) by Jules Massenet
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Vocalise, Op 34, No. 14
87 bpm • E min • 05:59 • -26.49db
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
49% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
49% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
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Lera Auerbach
24 Preludes for Cello and Piano, Op. 47:...
87 bpm • A min • 04:45 • -20.28db
0% Popularity • 32% Danceability • 24% Energy • 20% Liveness
85% Instrumentalness • 8% Positiveness
0% Popularity • 32% Danceability • 24% Energy • 20% Liveness
85% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Suite for Cello and Orchestra, Op. 16b, ...
87 bpm • C min • 03:05 • -27.64db
4% Popularity • 18% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 18% Positiveness
4% Popularity • 18% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Jules Massenet
Werther / Act III: "Pourquoi me réveill...
87 bpm • F# min • 02:58 • -18.06db
12% Popularity • 10% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
35% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturne in B Minor, Op. post., Lento co...
87 bpm • B min • 04:46 • -20.09db
12% Popularity • 13% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sonata for Cello and Piano in G Minor, O...
87 bpm • D# Maj • 05:53 • -22.69db
2% Popularity • 18% Danceability • 5% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
2% Popularity • 18% Danceability • 5% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Amy Beach
Romance Op. 23
87 bpm • A Maj • 06:34 • -18db
19% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Jules Massenet
Massenet / Arr. Marsick: Thaïs, Act 2: ...
87 bpm • E min • 04:49 • -19.23db
8% Popularity • 16% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
34% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
34% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 13 in F-Sharp ...
87 bpm • C Maj • 03:09 • -21.28db
4% Popularity • 18% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
4% Popularity • 18% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
87 bpm • G Maj • 06:39 • -20.24db
11% Popularity • 18% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Jules Massenet
Werther: Act I - Mon ame a reconnu votre...
87 bpm • F# Maj • 00:53 • -16.14db
2% Popularity • 29% Danceability • 27% Energy • 55% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 29% Danceability • 27% Energy • 55% Liveness
0% Instrumentalness • 34% Positiveness
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Georges Delerue
Camille
88 bpm • F# min • 03:22 • -19.42db
30% Popularity • 10% Danceability • 11% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 11% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
6 Lieder, Op. 57: 5. Venetianisches Gond...
86 bpm • B min • 01:56 • -21.42db
29% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
29% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Piano Trio in G Minor, Op. 8: III. Adagi...
86 bpm • D# Maj • 05:52 • -23.06db
5% Popularity • 15% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
5% Popularity • 15% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 1, The Muse (Ar...
86 bpm • E min • 04:37 • -22.04db
22% Popularity • 19% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Jules Massenet
Werther: Act IV: Werther!... Werther!......
87 bpm • D min • 04:36 • -16.94db
0% Popularity • 19% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 19% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 7% Positiveness
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Max Bruch
"Kol Nidrei" Adagio for Cello and Orches...
88 bpm • D min • 05:26 • -22.4db
4% Popularity • 17% Danceability • 8% Energy • 13% Liveness
81% Instrumentalness • 5% Positiveness
4% Popularity • 17% Danceability • 8% Energy • 13% Liveness
81% Instrumentalness • 5% Positiveness
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Charles Gounod
Ave Maria, CG 89a: arr. from Bach's Prel...
86 bpm • C Maj • 03:31 • -19.13db
21% Popularity • 15% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
86 bpm • D# Maj • 03:44 • -23.62db
5% Popularity • 19% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
5% Popularity • 19% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Ernest Bloch
From Jewish Life, B 54: I. Prayer - Live...
88 bpm • F min • 04:41 • -23db
8% Popularity • 17% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 13% Positiveness
8% Popularity • 17% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 13% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Jules Massenet
Werther: Act II - Prelude
87 bpm • C Maj • 01:16 • -25.84db
6% Popularity • 24% Danceability • 4% Energy • 35% Liveness
21% Instrumentalness • 26% Positiveness
6% Popularity • 24% Danceability • 4% Energy • 35% Liveness
21% Instrumentalness • 26% Positiveness
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Martin Pierre Marsick
Thais, Act II: Meditation (arr. M. P. Ma...
88 bpm • E min • 05:27 • -25db
10% Popularity • 10% Danceability • 5% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 5% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 20 in C Minor ...
88 bpm • G# Maj • 01:38 • -21.71db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Eugène Ysaÿe
Solo Cello Sonata, Op. 28: III. In modo ...
86 bpm • G# Maj • 01:43 • -24.36db
2% Popularity • 14% Danceability • 7% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
2% Popularity • 14% Danceability • 7% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Jules Massenet
Werther: Act I - Alors, c'est bien ici.....
87 bpm • G Maj • 09:42 • -18.57db
0% Popularity • 28% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 28% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Suite for Cello and Orchestra, Op. 16b, ...
86 bpm • D Maj • 03:50 • -18.83db
4% Popularity • 45% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 66% Positiveness
4% Popularity • 45% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 66% Positiveness
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Antonio Vivaldi
Cello Concerto in G Major, RV 414: II. L...
88 bpm • E min • 03:28 • -24db
36% Popularity • 17% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
36% Popularity • 17% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Grand Concerto for Cello in G...
89 bpm • E Maj • 09:46 • -15db
13% Popularity • 15% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Jules Massenet
Thais: Act II Scene 2: Meditation
86 bpm • D Maj • 05:54 • -26db
14% Popularity • 10% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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César Franck
Sonata for Cello and Piano in A Major, F...
85 bpm • D Maj • 07:51 • -22.03db
2% Popularity • 20% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. The Sea and Sin...
85 bpm • C Maj • 03:13 • -23db
16% Popularity • 13% Danceability • 7% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 7% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
19% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs / Acte Deux: Meditation
86 bpm • D Maj • 04:55 • -26.7db
27% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
27% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Caprice viennois
89 bpm • B Maj • 03:56 • -20.65db
29% Popularity • 28% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
29% Popularity • 28% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
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Fazıl Say
Concerto for Cello and Orchestra "Never ...
89 bpm • G Maj • 08:43 • -19.66db
11% Popularity • 30% Danceability • 29% Energy • 16% Liveness
81% Instrumentalness • 26% Positiveness
11% Popularity • 30% Danceability • 29% Energy • 16% Liveness
81% Instrumentalness • 26% Positiveness
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Anonymous
3 Songs, Op. 7: No. 1. Apres un reve (ar...
89 bpm • F min • 03:16 • -21db
15% Popularity • 21% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act II...
85 bpm • D min • 03:15 • -24db
21% Popularity • 18% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
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Auguste Franchomme
3 Nocturnes, Op. 14: No. 1, Andante
85 bpm • E min • 04:36 • -20.63db
17% Popularity • 15% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
17% Popularity • 15% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. A. de la Vega ...
88 bpm • D Maj • 04:57 • -25.82db
21% Popularity • 20% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Nabucco / Act III: "Va, pensiero" (Arr. ...
89 bpm • F# Maj • 03:07 • -19.49db
14% Popularity • 18% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 10% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 10% Positiveness
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Anonymous
Catalan Folksong - arr. Pablo Casals (18...
89 bpm • A min • 03:12 • -27.12db
40% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
40% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Philippe Rombi
Aria
89 bpm • D# min • 04:09 • -21.33db
19% Popularity • 21% Danceability • 12% Energy • 7% Liveness
39% Instrumentalness • 3% Positiveness
19% Popularity • 21% Danceability • 12% Energy • 7% Liveness
39% Instrumentalness • 3% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Deux: Méditation religieu...
88 bpm • D Maj • 05:48 • -28.51db
13% Popularity • 12% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Bruch: Ave Maria, Op. 61
89 bpm • A min • 09:50 • -22.04db
13% Popularity • 17% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade for String Orchestra in C Major...
90 bpm • G Maj • 04:02 • -20.3db
11% Popularity • 23% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
11% Popularity • 23% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
► Preview
Robert Schumann
Adagio and Allegro in A Flat Major, Op. ...
84 bpm • G# Maj • 04:17 • -29.59db
12% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Camille Saint-Saëns
Suite for Cello and Orchestra, Op. 16b, ...
84 bpm • D Maj • 03:20 • -24.31db
4% Popularity • 31% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 32% Positiveness
4% Popularity • 31% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 32% Positiveness
► Preview
Ennio Morricone
Gabriel's Oboe
85 bpm • D Maj • 03:42 • -16.07db
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
85 bpm • D Maj • 06:12 • -22.6db
23% Popularity • 9% Danceability • 7% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 7% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
Edward Elgar
Elgar / Orch. Ducros: Variations on an O...
90 bpm • A# Maj • 03:54 • -23.1db
19% Popularity • 19% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15 - Cello and Piano: ...
90 bpm • F Maj • 03:45 • -29.15db
20% Popularity • 10% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
20% Popularity • 10% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Nino Rota
Love Theme
84 bpm • C min • 03:15 • -14.36db
21% Popularity • 13% Danceability • 22% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
21% Popularity • 13% Danceability • 22% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
► Preview
Felix Mendelssohn
Lied ohne Worte, Op. 109
90 bpm • D Maj • 04:57 • -19.92db
13% Popularity • 16% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Jules Massenet
Meditation
86 bpm • E min • 05:25 • -24db
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Nocturne in C Minor, Andante sostenuto, ...
90 bpm • F min • 03:56 • -18.75db
11% Popularity • 17% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
11% Popularity • 17% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
50% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
50% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Michel Legrand
Summer of' 42
84 bpm • A min • 03:42 • -17db
22% Popularity • 16% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Jules Massenet
Suite No. 1, Op. 13: III. Nocturne
85 bpm • G# Maj • 05:42 • -26.75db
16% Popularity • 9% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VIII. L...
90 bpm • C Maj • 03:33 • -26.31db
5% Popularity • 10% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Franz Schubert
Gretchen am Spinnrade, D. 118 (Adapt. fo...
84 bpm • D min • 03:05 • -15.55db
10% Popularity • 22% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline
84 bpm • C Maj • 07:05 • -26.4db
15% Popularity • 16% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Mikhail Glinka
The Lark - Live
84 bpm • A min • 03:57 • -27.27db
26% Popularity • 19% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
26% Popularity • 19% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Lera Auerbach
24 Preludes for Cello and Piano, Op. 47:...
84 bpm • D# Maj • 01:12 • -18.35db
0% Popularity • 50% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 50% Positiveness
0% Popularity • 50% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 50% Positiveness
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Jules Massenet
Massenet: La Vierge, Pt. 4: Le dernier s...
89 bpm • G Maj • 04:13 • -27.43db
2% Popularity • 13% Danceability • 6% Energy • 8% Liveness
78% Instrumentalness • 7% Positiveness
2% Popularity • 13% Danceability • 6% Energy • 8% Liveness
78% Instrumentalness • 7% Positiveness
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Martin Pierre Marsick
Thais, Act II: Meditation (arr. M.P. Mar...
84 bpm • D Maj • 05:16 • -26db
26% Popularity • 18% Danceability • 5% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 5% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Samuel Barber
Cello Sonata, Op. 6: II. Adagio - Presto
90 bpm • C min • 04:12 • -22.43db
19% Popularity • 24% Danceability • 10% Energy • 37% Liveness
80% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 10% Energy • 37% Liveness
80% Instrumentalness • 5% Positiveness
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Anonymous
From Jewish Life: I. Prayer (arr. for ce...
90 bpm • F min • 04:52 • -22.04db
21% Popularity • 22% Danceability • 9% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
21% Popularity • 22% Danceability • 9% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
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Jules Massenet
Meditation From Thais
85 bpm • E min • 05:24 • -26.68db
17% Popularity • 16% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: 7. How Fair This Sp...
90 bpm • A Maj • 02:25 • -23db
24% Popularity • 23% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Romance (Arr. for Cello and Piano by Ste...
84 bpm • A min • 02:38 • -20.59db
12% Popularity • 14% Danceability • 9% Energy • 15% Liveness
95% Instrumentalness • 9% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 15% Liveness
95% Instrumentalness • 9% Positiveness
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Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Fazıl Say
Concerto for Cello and Orchestra "Never ...
84 bpm • G Maj • 06:44 • -17.02db
8% Popularity • 20% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Louis Gallet
Thais (arr. L. Gallet for violin and pia...
91 bpm • D Maj • 04:30 • -21.39db
7% Popularity • 15% Danceability • 10% Energy • 7% Liveness
6% Instrumentalness • 5% Positiveness
7% Popularity • 15% Danceability • 10% Energy • 7% Liveness
6% Instrumentalness • 5% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for String Ens...
90 bpm • D Maj • 05:14 • -22.81db
21% Popularity • 15% Danceability • 9% Energy • 12% Liveness
41% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 9% Energy • 12% Liveness
41% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
